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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BA71A it is the complementary color #6458E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BA71A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BA71A shade: #A0A715, #B1B928, #C2CB3B, #D3DD4E and #E4EF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BA71A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BA71A shade: #9BA71A, #8A9507, #798300, #687100 and #575F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BA71A shade: #9BA71A, #A78D1A, #A7671A, #A7411A and #A71B1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BA71A shade: #9BA71A, #75A71A, #4FA71A, #29A71A and #1AA731

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BA71A shade matches the following richer shades: #9BA71A and #A8B70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BA71A shade: #9BA71A, #8E9729, #818839, #747849 and #676858

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BA71A shade: #A7671A, #A78D1A, #9BA71A, #76A71A and #50A71A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BA71A shade: #59600F, #7A8314, #9BA71A, #BCCB1F and #D0DF34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BA71A shade: #9BA71A, #1AA742 and #7A1AA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BA71A shade: #9BA71A, #1A9BA7 and #A71A9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BA71A shade: #9BA71A, #1AA742, #251AA7 and #A71A7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BA71A shade: #9BA71A, #1AA76C, #251AA7 and #A71A55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

Complementary color

CMYK 56 / 62 / 0 / 10

HEX #6458E5

RGB 100 88 229

HSL 245.11, 0.73%, 0.62%

LAB 46.1, 43.38, -70.24

 

CMYK 4 / 0 / 87 / 35

HEX #A0A715

RGB 160 167 21

HSL 62.88, 0.78%, 0.37%

LAB 65.88, -18.45, 65.07

 

CMYK 4 / 0 / 78 / 27

HEX #B1B928

RGB 177 185 40

HSL 63.31, 0.64%, 0.44%

LAB 72.36, -19.56, 66.37

 

CMYK 4 / 0 / 71 / 20

HEX #C2CB3B

RGB 194 203 59

HSL 63.75, 0.58%, 0.51%

LAB 78.75, -20.47, 66.64

 

CMYK 5 / 0 / 65 / 13

HEX #D3DD4E

RGB 211 221 78

HSL 64.2, 0.68%, 0.59%

LAB 85.05, -21.22, 66.29

 

CMYK 5 / 0 / 59 / 6

HEX #E4EF61

RGB 228 239 97

HSL 64.65, 0.82%, 0.66%

LAB 91.28, -21.83, 65.59

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 7 / 0 / 95 / 42

HEX #8A9507

RGB 138 149 7

HSL 64.65, 0.91%, 0.31%

LAB 58.89, -19.27, 61.15

 

CMYK 8 / 0 / 100 / 49

HEX #798300

RGB 121 131 0

HSL 64.58, 1%, 0.26%

LAB 52.17, -17.76, 56.64

 

CMYK 8 / 0 / 100 / 56

HEX #687100

RGB 104 113 0

HSL 64.78, 1%, 0.22%

LAB 45.29, -16.09, 50.91

 

CMYK 8 / 0 / 100 / 63

HEX #575F00

RGB 87 95 0

HSL 65.05, 1%, 0.19%

LAB 38.22, -14.37, 45.03

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 0 / 16 / 84 / 35

HEX #A78D1A

RGB 167 141 26

HSL 48.94, 0.73%, 0.38%

LAB 59.29, -1.41, 58.65

 

CMYK 0 / 38 / 84 / 35

HEX #A7671A

RGB 167 103 26

HSL 32.77, 0.73%, 0.38%

LAB 49.48, 19.88, 50.27

 

CMYK 0 / 61 / 84 / 35

HEX #A7411A

RGB 167 65 26

HSL 16.6, 0.73%, 0.38%

LAB 41.33, 40.1, 43.1

 

CMYK 0 / 84 / 84 / 35

HEX #A71B1A

RGB 167 27 26

HSL 0.43, 0.73%, 0.38%

LAB 36.13, 54.32, 38.38

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 30 / 0 / 84 / 35

HEX #75A71A

RGB 117 167 26

HSL 81.28, 0.73%, 0.38%

LAB 62.92, -36.28, 60.26

 

CMYK 53 / 0 / 84 / 35

HEX #4FA71A

RGB 79 167 26

HSL 97.45, 0.73%, 0.38%

LAB 61.11, -49.4, 57.96

 

CMYK 75 / 0 / 84 / 35

HEX #29A71A

RGB 41 167 26

HSL 113.62, 0.73%, 0.38%

LAB 60.05, -58.1, 56.61

 

CMYK 84 / 0 / 71 / 35

HEX #1AA731

RGB 26 167 49

HSL 129.79, 0.73%, 0.38%

LAB 59.96, -58.42, 48.82

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 8 / 0 / 95 / 28

HEX #A8B70A

RGB 168 183 10

HSL 65.2, 0.9%, 0.38%

LAB 71.02, -23.17, 71.12

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 6 / 0 / 73 / 41

HEX #8E9729

RGB 142 151 41

HSL 64.91, 0.57%, 0.38%

LAB 59.93, -17.42, 53.48

 

CMYK 5 / 0 / 58 / 47

HEX #818839

RGB 129 136 57

HSL 65.32, 0.41%, 0.38%

LAB 54.63, -14.16, 40.72

 

CMYK 3 / 0 / 39 / 53

HEX #747849

RGB 116 120 73

HSL 65.11, 0.24%, 0.38%

LAB 49.04, -9.42, 25.31

 

CMYK 1 / 0 / 15 / 59

HEX #676858

RGB 103 104 88

HSL 63.75, 0.08%, 0.38%

LAB 43.49, -3.48, 8.9

 

CMYK 0 / 38 / 84 / 35

HEX #A7671A

RGB 167 103 26

HSL 32.77, 0.73%, 0.38%

LAB 49.48, 19.88, 50.27

 

CMYK 0 / 16 / 84 / 35

HEX #A78D1A

RGB 167 141 26

HSL 48.94, 0.73%, 0.38%

LAB 59.29, -1.41, 58.65

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 29 / 0 / 84 / 35

HEX #76A71A

RGB 118 167 26

HSL 80.85, 0.73%, 0.38%

LAB 62.98, -35.89, 60.33

 

CMYK 52 / 0 / 84 / 35

HEX #50A71A

RGB 80 167 26

HSL 97.02, 0.73%, 0.38%

LAB 61.15, -49.1, 58.01

 

CMYK 7 / 0 / 84 / 62

HEX #59600F

RGB 89 96 15

HSL 65.19, 0.73%, 0.22%

LAB 38.77, -13.45, 41.3

 

CMYK 7 / 0 / 85 / 49

HEX #7A8314

RGB 122 131 20

HSL 64.86, 0.74%, 0.3%

LAB 52.31, -16.82, 52.73

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 7 / 0 / 85 / 20

HEX #BCCB1F

RGB 188 203 31

HSL 65.23, 0.74%, 0.46%

LAB 78.17, -24.04, 74

 

CMYK 7 / 0 / 77 / 13

HEX #D0DF34

RGB 208 223 52

HSL 65.26, 0.73%, 0.54%

LAB 85.22, -24.68, 75.33

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 84 / 0 / 60 / 35

HEX #1AA742

RGB 26 167 66

HSL 137.02, 0.73%, 0.38%

LAB 60.11, -56.51, 41.59

 

CMYK 27 / 84 / 0 / 35

HEX #7A1AA7

RGB 122 26 167

HSL 280.85, 0.73%, 0.38%

LAB 33.28, 60, -54.89

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 84 / 7 / 0 / 35

HEX #1A9BA7

RGB 26 155 167

HSL 185.11, 0.73%, 0.38%

LAB 58.46, -27.99, -15.63

 

CMYK 0 / 84 / 7 / 35

HEX #A71A9B

RGB 167 26 155

HSL 305.11, 0.73%, 0.38%

LAB 40.12, 66.15, -36.25

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 84 / 0 / 60 / 35

HEX #1AA742

RGB 26 167 66

HSL 137.02, 0.73%, 0.38%

LAB 60.11, -56.51, 41.59

 

CMYK 78 / 84 / 0 / 35

HEX #251AA7

RGB 37 26 167

HSL 244.68, 0.73%, 0.38%

LAB 23.41, 50.22, -71.47

 

CMYK 0 / 84 / 24 / 35

HEX #A71A7F

RGB 167 26 127

HSL 317.02, 0.73%, 0.38%

LAB 38.7, 62.29, -21.32

 

CMYK 7 / 0 / 84 / 35

HEX #9BA71A

RGB 155 167 26

HSL 65.11, 0.73%, 0.38%

LAB 65.5, -20.5, 63.49

 

CMYK 84 / 0 / 35 / 35

HEX #1AA76C

RGB 26 167 108

HSL 154.89, 0.73%, 0.38%

LAB 60.73, -49.28, 20.76

 

CMYK 78 / 84 / 0 / 35

HEX #251AA7

RGB 37 26 167

HSL 244.68, 0.73%, 0.38%

LAB 23.41, 50.22, -71.47

 

CMYK 0 / 84 / 49 / 35

HEX #A71A55

RGB 167 26 85

HSL 334.89, 0.73%, 0.38%

LAB 37.13, 57.82, 2.89

 

Description

Color code: HEX #9BA71A | qconv.com Color code: HEX #9BA71A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 167 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 167 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 84 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 84% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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