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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BABD9 it is the complementary color #645426. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BABD9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BABD9 shade: #A0ABD4, #B1BDE7, #C2CFFA, #D3E1FF and #E4F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BABD9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BABD9 shade: #9BABD9, #8A99C6, #7987B3, #6875A0 and #57638D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BABD9 shade: #9BABD9, #9B9BD9, #AC9BD9, #BD9BD9 and #CE9BD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BABD9 shade: #9BABD9 and #9B9BD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BABD9 shade matches the following richer shades: #9BABD9, #90A5E4, #84A0EF and #799AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BABD9 shade: #9BABD9, #A6B0CD, #B1B5C2, #BCBBB7 and #C7C0AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BABD9 shade: #9BCCD9, #9BBCD9, #9BABD9, #9B9BD9 and #AB9BD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BABD9 shade: #5F78C2, #7D92CD, #9BABD9, #B9C4E4 and #D6DDEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BABD9 shade: #9BABD9, #D59BD9 and #C4D99B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BABD9 shade: #9BABD9, #D99BAB and #ABD99B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BABD9 shade: #9BABD9, #D59BD9, #D9C89B and #9FD99B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BABD9 shade: #9BABD9, #D99BCA, #D9C89B and #9BD9A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

Complementary color

CMYK 0 / 16 / 62 / 61

HEX #645426

RGB 100 84 38

HSL 44.52, 0.45%, 0.27%

LAB 36.35, 0.35, 28.89

 

CMYK 25 / 19 / 0 / 17

HEX #A0ABD4

RGB 160 171 212

HSL 227.31, 0.38%, 0.73%

LAB 70.42, 5.11, -22.04

 

CMYK 23 / 18 / 0 / 9

HEX #B1BDE7

RGB 177 189 231

HSL 226.67, 0.53%, 0.8%

LAB 76.99, 4.83, -22.28

 

CMYK 22 / 17 / 0 / 2

HEX #C2CFFA

RGB 194 207 250

HSL 226.07, 0.85%, 0.87%

LAB 83.44, 4.58, -22.53

 

CMYK 17 / 12 / 0 / 0

HEX #D3E1FF

RGB 211 225 255

HSL 220.91, 1%, 0.91%

LAB 89.36, 1.34, -16.12

 

CMYK 11 / 5 / 0 / 0

HEX #E4F3FF

RGB 228 243 255

HSL 206.67, 1%, 0.95%

LAB 95.08, -2.63, -7.46

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 30 / 23 / 0 / 22

HEX #8A99C6

RGB 138 153 198

HSL 225, 0.34%, 0.66%

LAB 63.56, 5.14, -24.92

 

CMYK 32 / 25 / 0 / 30

HEX #7987B3

RGB 121 135 179

HSL 225.52, 0.28%, 0.59%

LAB 56.73, 5.52, -24.79

 

CMYK 35 / 27 / 0 / 37

HEX #6875A0

RGB 104 117 160

HSL 226.07, 0.23%, 0.52%

LAB 49.74, 5.95, -24.69

 

CMYK 38 / 30 / 0 / 45

HEX #57638D

RGB 87 99 141

HSL 226.67, 0.24%, 0.45%

LAB 42.57, 6.47, -24.65

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 29 / 29 / 0 / 15

HEX #9B9BD9

RGB 155 155 217

HSL 240, 0.45%, 0.73%

LAB 66.08, 13.8, -31.51

 

CMYK 21 / 29 / 0 / 15

HEX #AC9BD9

RGB 172 155 217

HSL 256.45, 0.45%, 0.73%

LAB 67.44, 18.91, -29.28

 

CMYK 13 / 29 / 0 / 15

HEX #BD9BD9

RGB 189 155 217

HSL 272.9, 0.45%, 0.73%

LAB 68.95, 24.21, -26.84

 

CMYK 5 / 29 / 0 / 15

HEX #CE9BD9

RGB 206 155 217

HSL 289.35, 0.45%, 0.73%

LAB 70.58, 29.64, -24.2

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 29 / 29 / 0 / 15

HEX #9B9BD9

RGB 155 155 217

HSL 240, 0.45%, 0.73%

LAB 66.08, 13.8, -31.51

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 37 / 28 / 0 / 11

HEX #90A5E4

RGB 144 165 228

HSL 225, 0.61%, 0.73%

LAB 68.34, 7.87, -34.12

 

CMYK 45 / 33 / 0 / 6

HEX #84A0EF

RGB 132 160 239

HSL 224.3, 0.77%, 0.73%

LAB 66.73, 10.66, -42.72

 

CMYK 52 / 38 / 0 / 2

HEX #799AFA

RGB 121 154 250

HSL 224.65, 0.93%, 0.73%

LAB 65.02, 14.84, -51.47

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 19 / 14 / 0 / 20

HEX #A6B0CD

RGB 166 176 205

HSL 224.62, 0.28%, 0.73%

LAB 71.94, 2.62, -15.86

 

CMYK 9 / 7 / 0 / 24

HEX #B1B5C2

RGB 177 181 194

HSL 225.88, 0.12%, 0.73%

LAB 73.73, 1.16, -7.07

 

CMYK 0 / 1 / 3 / 26

HEX #BCBBB7

RGB 188 187 183

HSL 48, 0.04%, 0.73%

LAB 75.85, -0.38, 2.14

 

CMYK 0 / 4 / 14 / 22

HEX #C7C0AC

RGB 199 192 172

HSL 44.44, 0.19%, 0.73%

LAB 77.77, -0.95, 10.95

 

CMYK 29 / 6 / 0 / 15

HEX #9BCCD9

RGB 155 204 217

HSL 192.58, 0.45%, 0.73%

LAB 79.14, -12.91, -11.64

 

CMYK 29 / 13 / 0 / 15

HEX #9BBCD9

RGB 155 188 217

HSL 208.06, 0.45%, 0.73%

LAB 74.79, -4.47, -18.17

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 29 / 29 / 0 / 15

HEX #9B9BD9

RGB 155 155 217

HSL 240, 0.45%, 0.73%

LAB 66.08, 13.8, -31.51

 

CMYK 21 / 29 / 0 / 15

HEX #AB9BD9

RGB 171 155 217

HSL 255.48, 0.45%, 0.73%

LAB 67.36, 18.61, -29.42

 

CMYK 51 / 38 / 0 / 24

HEX #5F78C2

RGB 95 120 194

HSL 224.85, 0.45%, 0.57%

LAB 51.57, 11.87, -41.56

 

CMYK 39 / 29 / 0 / 20

HEX #7D92CD

RGB 125 146 205

HSL 224.25, 0.44%, 0.65%

LAB 61.07, 7.32, -32.76

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 19 / 14 / 0 / 11

HEX #B9C4E4

RGB 185 196 228

HSL 224.65, 0.44%, 0.81%

LAB 79.27, 2.84, -17.16

 

CMYK 10 / 8 / 0 / 6

HEX #D6DDEF

RGB 214 221 239

HSL 223.2, 0.44%, 0.89%

LAB 88.08, 1.1, -9.59

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 2 / 29 / 0 / 15

HEX #D59BD9

RGB 213 155 217

HSL 296.13, 0.45%, 0.73%

LAB 71.28, 31.9, -23.06

 

CMYK 10 / 0 / 29 / 15

HEX #C4D99B

RGB 196 217 155

HSL 80.32, 0.45%, 0.73%

LAB 83.82, -17.46, 28.29

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 0 / 29 / 21 / 15

HEX #D99BAB

RGB 217 155 171

HSL 344.52, 0.45%, 0.73%

LAB 70.27, 25.45, 0.93

 

CMYK 21 / 0 / 29 / 15

HEX #ABD99B

RGB 171 217 155

HSL 104.52, 0.45%, 0.73%

LAB 82.19, -26.38, 25.8

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 2 / 29 / 0 / 15

HEX #D59BD9

RGB 213 155 217

HSL 296.13, 0.45%, 0.73%

LAB 71.28, 31.9, -23.06

 

CMYK 0 / 8 / 29 / 15

HEX #D9C89B

RGB 217 200 155

HSL 43.55, 0.45%, 0.73%

LAB 80.98, -0.87, 24.7

 

CMYK 27 / 0 / 29 / 15

HEX #9FD99B

RGB 159 217 155

HSL 116.13, 0.45%, 0.73%

LAB 81.49, -30.44, 24.73

 

CMYK 29 / 21 / 0 / 15

HEX #9BABD9

RGB 155 171 217

HSL 224.52, 0.45%, 0.73%

LAB 70.25, 4.81, -25.08

 

CMYK 0 / 29 / 7 / 15

HEX #D99BCA

RGB 217 155 202

HSL 314.52, 0.45%, 0.73%

LAB 71.19, 30.49, -14.9

 

CMYK 0 / 8 / 29 / 15

HEX #D9C89B

RGB 217 200 155

HSL 43.55, 0.45%, 0.73%

LAB 80.98, -0.87, 24.7

 

CMYK 29 / 0 / 22 / 15

HEX #9BD9A9

RGB 155 217 169

HSL 133.55, 0.45%, 0.73%

LAB 81.54, -29.33, 17.44

 

Description

Color code: HEX #9BABD9 | qconv.com Color code: HEX #9BABD9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 171 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 171 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 21 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 21% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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