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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BADA5 it is the complementary color #64525A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BADA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BADA5 shade: #A0ADA0, #B1BFB3, #C2D1C6, #D3E3D9 and #E4F5EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BADA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BADA5 shade: #9BADA5, #8A9B92, #79897F, #68776C and #576559

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BADA5 shade: #9AACA4, #9AAC9F, #9AAC9A, #9EAC9A and #A3AC9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BADA5 shade: #9AACA4, #9AACA9, #9AAAAC, #9AA5AC and #9AA0AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BADA5 shade matches the following richer shades: #9AACA4, #8BBBA5, #7CCAA7, #6DD8A9 and #5EE7AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BADA5 shade: #9AACA4, #A89DA2, #B78EA0, #C67F9F and #D5709D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BADA5 shade: #9AAC9A, #9AAC9F, #9AACA4, #9AACA9 and #9AAAAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BADA5 shade: #6D867B, #83998F, #9AACA4, #B0BEB8 and #C7D1CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BADA5 shade: #9BADA5, #9A9EAC and #AC9C9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BADA5 shade: #9BADA5, #A49AAC and #ACA49A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BADA5 shade: #9BADA5, #9A9EAC, #AC9AA2 and #ACA79A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BADA5 shade: #9BADA5, #9A9AAC, #AC9AA2 and #ABAC9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 5 / 32

HEX #9BADA5

RGB 155 173 165

HSL 153.33, 0.1%, 0.64%

LAB 69.16, -7.84, 1.97

 

Complementary color

CMYK 0 / 18 / 10 / 61

HEX #64525A

RGB 100 82 90

HSL 333.33, 0.1%, 0.36%

LAB 36.9, 8.97, -1.86

 

CMYK 8 / 0 / 8 / 32

HEX #A0ADA0

RGB 160 173 160

HSL 120, 0.07%, 0.65%

LAB 69.4, -7.05, 5.11

 

CMYK 7 / 0 / 6 / 25

HEX #B1BFB3

RGB 177 191 179

HSL 128.57, 0.1%, 0.72%

LAB 75.99, -7.08, 4.39

 

CMYK 7 / 0 / 5 / 18

HEX #C2D1C6

RGB 194 209 198

HSL 136, 0.14%, 0.79%

LAB 82.46, -7.12, 3.7

 

CMYK 7 / 0 / 4 / 11

HEX #D3E3D9

RGB 211 227 217

HSL 142.5, 0.22%, 0.86%

LAB 88.83, -7.17, 3.04

 

CMYK 7 / 0 / 4 / 4

HEX #E4F5EC

RGB 228 245 236

HSL 148.24, 0.46%, 0.93%

LAB 95.1, -7.21, 2.4

 

CMYK 10 / 0 / 5 / 32

HEX #9BADA5

RGB 155 173 165

HSL 153.33, 0.1%, 0.64%

LAB 69.16, -7.84, 1.97

 

CMYK 11 / 0 / 6 / 39

HEX #8A9B92

RGB 138 155 146

HSL 148.24, 0.08%, 0.57%

LAB 62.44, -7.85, 2.66

 

CMYK 12 / 0 / 7 / 46

HEX #79897F

RGB 121 137 127

HSL 142.5, 0.06%, 0.51%

LAB 55.57, -7.86, 3.39

 

CMYK 13 / 0 / 9 / 53

HEX #68776C

RGB 104 119 108

HSL 136, 0.07%, 0.44%

LAB 48.54, -7.89, 4.17

 

CMYK 14 / 0 / 12 / 60

HEX #576559

RGB 87 101 89

HSL 128.57, 0.07%, 0.37%

LAB 41.3, -7.94, 5

 

CMYK 10 / 0 / 5 / 33

HEX #9AACA4

RGB 154 172 164

HSL 153.33, 0.1%, 0.64%

LAB 68.79, -7.85, 1.97

 

CMYK 10 / 0 / 8 / 33

HEX #9AAC9F

RGB 154 172 159

HSL 136.67, 0.1%, 0.64%

LAB 68.66, -8.82, 4.55

 

CMYK 10 / 0 / 10 / 33

HEX #9AAC9A

RGB 154 172 154

HSL 120, 0.1%, 0.64%

LAB 68.54, -9.77, 7.13

 

CMYK 8 / 0 / 10 / 33

HEX #9EAC9A

RGB 158 172 154

HSL 106.67, 0.1%, 0.64%

LAB 68.83, -8.34, 7.59

 

CMYK 5 / 0 / 10 / 33

HEX #A3AC9A

RGB 163 172 154

HSL 90, 0.1%, 0.64%

LAB 69.2, -6.53, 8.17

 

CMYK 10 / 0 / 5 / 33

HEX #9AACA4

RGB 154 172 164

HSL 153.33, 0.1%, 0.64%

LAB 68.79, -7.85, 1.97

 

CMYK 10 / 0 / 2 / 33

HEX #9AACA9

RGB 154 172 169

HSL 170, 0.1%, 0.64%

LAB 68.92, -6.85, -0.6

 

CMYK 10 / 1 / 0 / 33

HEX #9AAAAC

RGB 154 170 172

HSL 186.67, 0.1%, 0.64%

LAB 68.46, -5.16, -2.94

 

CMYK 10 / 4 / 0 / 33

HEX #9AA5AC

RGB 154 165 172

HSL 203.33, 0.1%, 0.64%

LAB 67.1, -2.44, -4.95

 

CMYK 10 / 7 / 0 / 33

HEX #9AA0AC

RGB 154 160 172

HSL 220, 0.1%, 0.64%

LAB 65.74, 0.31, -6.96

 

CMYK 10 / 0 / 5 / 33

HEX #9AACA4

RGB 154 172 164

HSL 153.33, 0.1%, 0.64%

LAB 68.79, -7.85, 1.97

 

CMYK 26 / 0 / 12 / 27

HEX #8BBBA5

RGB 139 187 165

HSL 152.5, 0.26%, 0.64%

LAB 72.06, -20.47, 6.02

 

CMYK 39 / 0 / 17 / 21

HEX #7CCAA7

RGB 124 202 167

HSL 153.08, 0.42%, 0.64%

LAB 75.65, -31.91, 9.97

 

CMYK 50 / 0 / 22 / 15

HEX #6DD8A9

RGB 109 216 169

HSL 153.64, 0.58%, 0.64%

LAB 79.17, -41.8, 13.81

 

CMYK 59 / 0 / 26 / 9

HEX #5EE7AA

RGB 94 231 170

HSL 153.28, 0.74%, 0.64%

LAB 83.14, -51.26, 18.78

 

CMYK 10 / 0 / 5 / 33

HEX #9AACA4

RGB 154 172 164

HSL 153.33, 0.1%, 0.64%

LAB 68.79, -7.85, 1.97

 

CMYK 0 / 7 / 4 / 34

HEX #A89DA2

RGB 168 157 162

HSL 332.73, 0.06%, 0.64%

LAB 65.79, 4.92, -1.17

 

CMYK 0 / 22 / 13 / 28

HEX #B78EA0

RGB 183 142 160

HSL 333.66, 0.22%, 0.64%

LAB 63.3, 18.42, -3.53

 

CMYK 0 / 36 / 20 / 22

HEX #C67F9F

RGB 198 127 159

HSL 332.96, 0.38%, 0.64%

LAB 61.38, 31.98, -5.61

 

CMYK 0 / 47 / 26 / 16

HEX #D5709D

RGB 213 112 157

HSL 333.27, 0.55%, 0.64%

LAB 60.04, 44.8, -6.24

 

CMYK 10 / 0 / 10 / 33

HEX #9AAC9A

RGB 154 172 154

HSL 120, 0.1%, 0.64%

LAB 68.54, -9.77, 7.13

 

CMYK 10 / 0 / 8 / 33

HEX #9AAC9F

RGB 154 172 159

HSL 136.67, 0.1%, 0.64%

LAB 68.66, -8.82, 4.55

 

CMYK 10 / 0 / 5 / 33

HEX #9AACA4

RGB 154 172 164

HSL 153.33, 0.1%, 0.64%

LAB 68.79, -7.85, 1.97

 

CMYK 10 / 0 / 2 / 33

HEX #9AACA9

RGB 154 172 169

HSL 170, 0.1%, 0.64%

LAB 68.92, -6.85, -0.6

 

CMYK 10 / 1 / 0 / 33

HEX #9AAAAC

RGB 154 170 172

HSL 186.67, 0.1%, 0.64%

LAB 68.46, -5.16, -2.94

 

CMYK 19 / 0 / 8 / 47

HEX #6D867B

RGB 109 134 123

HSL 153.6, 0.1%, 0.48%

LAB 53.74, -11.33, 2.95

 

CMYK 14 / 0 / 7 / 40

HEX #83998F

RGB 131 153 143

HSL 152.73, 0.1%, 0.56%

LAB 61.3, -9.83, 2.64

 

CMYK 10 / 0 / 5 / 33

HEX #9AACA4

RGB 154 172 164

HSL 153.33, 0.1%, 0.64%

LAB 68.79, -7.85, 1.97

 

CMYK 7 / 0 / 3 / 25

HEX #B0BEB8

RGB 176 190 184

HSL 154.29, 0.1%, 0.72%

LAB 75.77, -5.96, 1.36

 

CMYK 5 / 0 / 2 / 18

HEX #C7D1CD

RGB 199 209 205

HSL 156, 0.1%, 0.8%

LAB 82.99, -4.13, 0.8

 

CMYK 10 / 0 / 5 / 32

HEX #9BADA5

RGB 155 173 165

HSL 153.33, 0.1%, 0.64%

LAB 69.16, -7.84, 1.97

 

CMYK 10 / 8 / 0 / 33

HEX #9A9EAC

RGB 154 158 172

HSL 226.67, 0.1%, 0.64%

LAB 65.2, 1.41, -7.76

 

CMYK 0 / 9 / 10 / 33

HEX #AC9C9A

RGB 172 156 154

HSL 6.67, 0.1%, 0.64%

LAB 65.66, 5.51, 3.17

 

CMYK 10 / 0 / 5 / 32

HEX #9BADA5

RGB 155 173 165

HSL 153.33, 0.1%, 0.64%

LAB 69.16, -7.84, 1.97

 

CMYK 5 / 10 / 0 / 33

HEX #A49AAC

RGB 164 154 172

HSL 273.33, 0.1%, 0.64%

LAB 64.95, 7.1, -8.05

 

CMYK 0 / 5 / 10 / 33

HEX #ACA49A

RGB 172 164 154

HSL 33.33, 0.1%, 0.64%

LAB 67.77, 1.11, 6.21

 

CMYK 10 / 0 / 5 / 32

HEX #9BADA5

RGB 155 173 165

HSL 153.33, 0.1%, 0.64%

LAB 69.16, -7.84, 1.97

 

CMYK 10 / 8 / 0 / 33

HEX #9A9EAC

RGB 154 158 172

HSL 226.67, 0.1%, 0.64%

LAB 65.2, 1.41, -7.76

 

CMYK 0 / 10 / 6 / 33

HEX #AC9AA2

RGB 172 154 162

HSL 333.33, 0.1%, 0.64%

LAB 65.35, 8.04, -1.77

 

CMYK 0 / 3 / 10 / 33

HEX #ACA79A

RGB 172 167 154

HSL 43.33, 0.1%, 0.64%

LAB 68.56, -0.52, 7.35

 

CMYK 10 / 0 / 5 / 32

HEX #9BADA5

RGB 155 173 165

HSL 153.33, 0.1%, 0.64%

LAB 69.16, -7.84, 1.97

 

CMYK 10 / 10 / 0 / 33

HEX #9A9AAC

RGB 154 154 172

HSL 240, 0.1%, 0.64%

LAB 64.13, 3.64, -9.36

 

CMYK 0 / 10 / 6 / 33

HEX #AC9AA2

RGB 172 154 162

HSL 333.33, 0.1%, 0.64%

LAB 65.35, 8.04, -1.77

 

CMYK 1 / 0 / 10 / 33

HEX #ABAC9A

RGB 171 172 154

HSL 63.33, 0.1%, 0.64%

LAB 69.82, -3.59, 9.14

 

Description

Color code: HEX #9BADA5 | qconv.com Color code: HEX #9BADA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 173 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 173 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 5 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 5% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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