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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BB011 it is the complementary color #644FEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BB011. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BB011 shade: #A0B00C, #B1C21F, #C2D432, #D3E645 and #E4F858

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BB011. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BB011 shade: #9BB011, #8A9E00, #798C00, #687A00 and #576800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BB011 shade: #9BB011, #B09A11, #B06F11, #B04411 and #B01911

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BB011 shade: #9BB011, #70B011, #45B011, #1AB011 and #11B032

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BB011 shade matches the following richer shades: #9BB011 and #A6C001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BB011 shade: #9BB011, #8FA021, #849130, #788140 and #6D7150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BB011 shade: #B06E11, #B09811, #9DB011, #73B011 and #49B011

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BB011 shade: #59650A, #7A8A0D, #9BB011, #BCD515 and #D0E92A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BB011 shade: #9BB011, #11B043 and #8311B0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BB011 shade: #9BB011, #119DB0 and #B0119D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BB011 shade: #9BB011, #11B043, #2311B0 and #B0117E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BB011 shade: #9BB011, #11B073, #2311B0 and #B0114E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

Complementary color

CMYK 58 / 67 / 0 / 7

HEX #644FEE

RGB 100 79 238

HSL 247.92, 0.82%, 0.62%

LAB 44.91, 51.22, -77.28

 

CMYK 9 / 0 / 93 / 31

HEX #A0B00C

RGB 160 176 12

HSL 65.85, 0.87%, 0.37%

LAB 68.42, -23.13, 68.6

 

CMYK 9 / 0 / 84 / 24

HEX #B1C21F

RGB 177 194 31

HSL 66.26, 0.72%, 0.44%

LAB 74.84, -24.29, 70.88

 

CMYK 8 / 0 / 76 / 17

HEX #C2D432

RGB 194 212 50

HSL 66.67, 0.65%, 0.51%

LAB 81.17, -25.25, 71.86

 

CMYK 8 / 0 / 70 / 10

HEX #D3E645

RGB 211 230 69

HSL 67.08, 0.76%, 0.59%

LAB 87.42, -26.04, 72.02

 

CMYK 8 / 0 / 65 / 3

HEX #E4F858

RGB 228 248 88

HSL 67.5, 0.92%, 0.66%

LAB 93.6, -26.69, 71.67

 

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

CMYK 13 / 0 / 100 / 38

HEX #8A9E00

RGB 138 158 0

HSL 67.59, 1%, 0.31%

LAB 61.53, -23.93, 64.19

 

CMYK 14 / 0 / 100 / 45

HEX #798C00

RGB 121 140 0

HSL 68.14, 1%, 0.27%

LAB 54.89, -22.39, 58.66

 

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

CMYK 16 / 0 / 100 / 59

HEX #576800

RGB 87 104 0

HSL 69.81, 1%, 0.2%

LAB 41.1, -19.23, 47.18

 

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

CMYK 0 / 13 / 90 / 31

HEX #B09A11

RGB 176 154 17

HSL 51.7, 0.82%, 0.38%

LAB 63.66, -4.59, 64.67

 

CMYK 0 / 37 / 90 / 31

HEX #B06F11

RGB 176 111 17

HSL 35.47, 0.82%, 0.38%

LAB 52.55, 19.18, 56.06

 

CMYK 0 / 61 / 90 / 31

HEX #B04411

RGB 176 68 17

HSL 19.25, 0.82%, 0.38%

LAB 43.37, 41.86, 49.07

 

CMYK 0 / 86 / 90 / 31

HEX #B01911

RGB 176 25 17

HSL 3.02, 0.82%, 0.38%

LAB 37.78, 57.18, 44.92

 

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

CMYK 36 / 0 / 90 / 31

HEX #70B011

RGB 112 176 17

HSL 84.15, 0.82%, 0.38%

LAB 65.39, -42.38, 64.13

 

CMYK 61 / 0 / 90 / 31

HEX #45B011

RGB 69 176 17

HSL 100.38, 0.82%, 0.38%

LAB 63.64, -55.7, 61.95

 

CMYK 85 / 0 / 90 / 31

HEX #1AB011

RGB 26 176 17

HSL 116.6, 0.82%, 0.38%

LAB 62.77, -63.14, 60.87

 

CMYK 90 / 0 / 72 / 31

HEX #11B032

RGB 17 176 50

HSL 132.45, 0.82%, 0.38%

LAB 62.84, -61.87, 51.42

 

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

CMYK 14 / 0 / 99 / 25

HEX #A6C001

RGB 166 192 1

HSL 68.17, 0.99%, 0.38%

LAB 73.42, -28.49, 73.87

 

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

CMYK 11 / 0 / 79 / 37

HEX #8FA021

RGB 143 160 33

HSL 68.03, 0.66%, 0.38%

LAB 62.58, -21.94, 58.69

 

CMYK 9 / 0 / 67 / 43

HEX #849130

RGB 132 145 48

HSL 68.04, 0.5%, 0.38%

LAB 57.43, -18.27, 47.93

 

CMYK 7 / 0 / 50 / 49

HEX #788140

RGB 120 129 64

HSL 68.31, 0.34%, 0.38%

LAB 51.91, -13.67, 33.84

 

CMYK 4 / 0 / 29 / 56

HEX #6D7150

RGB 109 113 80

HSL 67.27, 0.17%, 0.38%

LAB 46.5, -7.49, 17.86

 

CMYK 0 / 38 / 90 / 31

HEX #B06E11

RGB 176 110 17

HSL 35.09, 0.82%, 0.38%

LAB 52.31, 19.74, 55.87

 

CMYK 0 / 14 / 90 / 31

HEX #B09811

RGB 176 152 17

HSL 50.94, 0.82%, 0.38%

LAB 63.12, -3.51, 64.25

 

CMYK 11 / 0 / 90 / 31

HEX #9DB011

RGB 157 176 17

HSL 67.17, 0.82%, 0.38%

LAB 68.21, -24.33, 67.6

 

CMYK 35 / 0 / 90 / 31

HEX #73B011

RGB 115 176 17

HSL 83.02, 0.82%, 0.38%

LAB 65.54, -41.27, 64.32

 

CMYK 59 / 0 / 90 / 31

HEX #49B011

RGB 73 176 17

HSL 98.87, 0.82%, 0.38%

LAB 63.76, -54.69, 62.11

 

CMYK 12 / 0 / 90 / 60

HEX #59650A

RGB 89 101 10

HSL 67.91, 0.82%, 0.22%

LAB 40.33, -16.38, 44.07

 

CMYK 12 / 0 / 91 / 46

HEX #7A8A0D

RGB 122 138 13

HSL 67.68, 0.83%, 0.3%

LAB 54.39, -20.66, 56.07

 

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

CMYK 12 / 0 / 90 / 16

HEX #BCD515

RGB 188 213 21

HSL 67.81, 0.82%, 0.46%

LAB 80.92, -29.04, 78.05

 

CMYK 11 / 0 / 82 / 9

HEX #D0E92A

RGB 208 233 42

HSL 67.85, 0.81%, 0.54%

LAB 87.9, -29.75, 80.32

 

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

CMYK 90 / 0 / 62 / 31

HEX #11B043

RGB 17 176 67

HSL 138.87, 0.82%, 0.38%

LAB 62.99, -60.04, 44.41

 

CMYK 26 / 90 / 0 / 31

HEX #8311B0

RGB 131 17 176

HSL 283.02, 0.82%, 0.38%

LAB 34.72, 65.25, -57.87

 

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

CMYK 90 / 11 / 0 / 31

HEX #119DB0

RGB 17 157 176

HSL 187.17, 0.82%, 0.38%

LAB 59.31, -26.61, -19.45

 

CMYK 0 / 90 / 11 / 31

HEX #B0119D

RGB 176 17 157

HSL 307.17, 0.82%, 0.38%

LAB 41.32, 69.8, -35.45

 

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

CMYK 90 / 0 / 62 / 31

HEX #11B043

RGB 17 176 67

HSL 138.87, 0.82%, 0.38%

LAB 62.99, -60.04, 44.41

 

CMYK 80 / 90 / 0 / 31

HEX #2311B0

RGB 35 17 176

HSL 246.79, 0.82%, 0.38%

LAB 23.31, 56.14, -77.07

 

CMYK 0 / 90 / 28 / 31

HEX #B0117E

RGB 176 17 126

HSL 318.87, 0.82%, 0.38%

LAB 39.81, 65.83, -18.84

 

CMYK 12 / 0 / 90 / 31

HEX #9BB011

RGB 155 176 17

HSL 67.92, 0.82%, 0.38%

LAB 68.06, -25.18, 67.42

 

CMYK 90 / 0 / 35 / 31

HEX #11B073

RGB 17 176 115

HSL 156.98, 0.82%, 0.38%

LAB 63.68, -51.85, 20.95

 

CMYK 80 / 90 / 0 / 31

HEX #2311B0

RGB 35 17 176

HSL 246.79, 0.82%, 0.38%

LAB 23.31, 56.14, -77.07

 

CMYK 0 / 90 / 56 / 31

HEX #B0114E

RGB 176 17 78

HSL 336.98, 0.82%, 0.38%

LAB 38.17, 61.32, 9.11

 

Description

Color code: HEX #9BB011 | qconv.com Color code: HEX #9BB011 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 176 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 176 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 90 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 90% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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