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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BB015 it is the complementary color #644FEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BB015. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BB015 shade: #A0B010, #B1C223, #C2D436, #D3E649 and #E4F85C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BB015. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BB015 shade: #9BB015, #8A9E02, #798C00, #687A00 and #576800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BB015 shade: #9CB214, #B29C14, #B27214, #B24814 and #B21D14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BB015 shade: #9CB214, #72B214, #47B214, #1DB214 and #14B236

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BB015 shade matches the following richer shades: #9CB214 and #A8C204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BB015 shade: #9CB214, #90A124, #859135, #798145 and #6D7155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BB015 shade: #B27314, #B29D14, #9DB214, #73B214 and #49B214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BB015 shade: #5B680C, #7C8D10, #9CB214, #BDD619 and #CEE632

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BB015 shade: #9BB015, #14B249 and #8814B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BB015 shade: #9BB015, #149DB2 and #B2149D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BB015 shade: #9BB015, #14B249, #2914B2 and #B2147D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BB015 shade: #9BB015, #14B278, #2914B2 and #B2144E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 88 / 31

HEX #9BB015

RGB 155 176 21

HSL 68.13, 0.79%, 0.39%

LAB 68.07, -25.1, 66.71

 

Complementary color

CMYK 57 / 66 / 0 / 8

HEX #644FEA

RGB 100 79 234

HSL 248.13, 0.79%, 0.61%

LAB 44.58, 50.03, -75.56

 

CMYK 9 / 0 / 91 / 31

HEX #A0B010

RGB 160 176 16

HSL 66, 0.83%, 0.38%

LAB 68.43, -23.06, 68.03

 

CMYK 9 / 0 / 82 / 24

HEX #B1C223

RGB 177 194 35

HSL 66.42, 0.69%, 0.45%

LAB 74.86, -24.17, 69.93

 

CMYK 8 / 0 / 75 / 17

HEX #C2D436

RGB 194 212 54

HSL 66.84, 0.65%, 0.52%

LAB 81.19, -25.08, 70.64

 

CMYK 8 / 0 / 68 / 10

HEX #D3E649

RGB 211 230 73

HSL 67.26, 0.76%, 0.59%

LAB 87.45, -25.82, 70.62

 

CMYK 8 / 0 / 63 / 3

HEX #E4F85C

RGB 228 248 92

HSL 67.69, 0.92%, 0.67%

LAB 93.62, -26.44, 70.14

 

CMYK 12 / 0 / 88 / 31

HEX #9BB015

RGB 155 176 21

HSL 68.13, 0.79%, 0.39%

LAB 68.07, -25.1, 66.71

 

CMYK 13 / 0 / 99 / 38

HEX #8A9E02

RGB 138 158 2

HSL 67.69, 0.98%, 0.31%

LAB 61.53, -23.9, 63.9

 

CMYK 14 / 0 / 100 / 45

HEX #798C00

RGB 121 140 0

HSL 68.14, 1%, 0.27%

LAB 54.89, -22.39, 58.66

 

CMYK 15 / 0 / 100 / 52

HEX #687A00

RGB 104 122 0

HSL 68.85, 1%, 0.24%

LAB 48.09, -20.83, 53

 

CMYK 16 / 0 / 100 / 59

HEX #576800

RGB 87 104 0

HSL 69.81, 1%, 0.2%

LAB 41.1, -19.23, 47.18

 

CMYK 12 / 0 / 89 / 30

HEX #9CB214

RGB 156 178 20

HSL 68.35, 0.8%, 0.39%

LAB 68.72, -25.67, 67.45

 

CMYK 0 / 12 / 89 / 30

HEX #B29C14

RGB 178 156 20

HSL 51.65, 0.8%, 0.39%

LAB 64.4, -4.69, 64.74

 

CMYK 0 / 36 / 89 / 30

HEX #B27214

RGB 178 114 20

HSL 35.7, 0.8%, 0.39%

LAB 53.55, 18.46, 56.14

 

CMYK 0 / 60 / 89 / 30

HEX #B24814

RGB 178 72 20

HSL 19.75, 0.8%, 0.39%

LAB 44.45, 40.78, 48.96

 

CMYK 0 / 84 / 89 / 30

HEX #B21D14

RGB 178 29 20

HSL 3.42, 0.8%, 0.39%

LAB 38.54, 56.88, 44.34

 

CMYK 12 / 0 / 89 / 30

HEX #9CB214

RGB 156 178 20

HSL 68.35, 0.8%, 0.39%

LAB 68.72, -25.67, 67.45

 

CMYK 36 / 0 / 89 / 30

HEX #72B214

RGB 114 178 20

HSL 84.3, 0.8%, 0.39%

LAB 66.11, -42.42, 64.23

 

CMYK 60 / 0 / 89 / 30

HEX #47B214

RGB 71 178 20

HSL 100.63, 0.8%, 0.39%

LAB 64.35, -55.8, 62.03

 

CMYK 84 / 0 / 89 / 30

HEX #1DB214

RGB 29 178 20

HSL 116.58, 0.8%, 0.39%

LAB 63.47, -63.31, 60.93

 

CMYK 89 / 0 / 70 / 30

HEX #14B236

RGB 20 178 54

HSL 132.91, 0.8%, 0.39%

LAB 63.55, -61.88, 50.6

 

CMYK 12 / 0 / 89 / 30

HEX #9CB214

RGB 156 178 20

HSL 68.35, 0.8%, 0.39%

LAB 68.72, -25.67, 67.45

 

CMYK 13 / 0 / 98 / 24

HEX #A8C204

RGB 168 194 4

HSL 68.21, 0.96%, 0.39%

LAB 74.14, -28.57, 74.15

 

CMYK 12 / 0 / 89 / 30

HEX #9CB214

RGB 156 178 20

HSL 68.35, 0.8%, 0.39%

LAB 68.72, -25.67, 67.45

 

CMYK 11 / 0 / 78 / 37

HEX #90A124

RGB 144 161 36

HSL 68.16, 0.63%, 0.39%

LAB 62.97, -21.88, 58.13

 

CMYK 8 / 0 / 63 / 43

HEX #859135

RGB 133 145 53

HSL 67.83, 0.46%, 0.39%

LAB 57.55, -17.48, 45.9

 

CMYK 6 / 0 / 47 / 49

HEX #798145

RGB 121 129 69

HSL 68, 0.3%, 0.39%

LAB 52.06, -12.69, 31.39

 

CMYK 4 / 0 / 25 / 56

HEX #6D7155

RGB 109 113 85

HSL 68.57, 0.14%, 0.39%

LAB 46.6, -6.71, 15.07

 

CMYK 0 / 35 / 89 / 30

HEX #B27314

RGB 178 115 20

HSL 36.08, 0.8%, 0.39%

LAB 53.79, 17.9, 56.33

 

CMYK 0 / 12 / 89 / 30

HEX #B29D14

RGB 178 157 20

HSL 52.03, 0.8%, 0.39%

LAB 64.67, -5.23, 64.96

 

CMYK 12 / 0 / 89 / 30

HEX #9DB214

RGB 157 178 20

HSL 67.97, 0.8%, 0.39%

LAB 68.79, -25.24, 67.54

 

CMYK 35 / 0 / 89 / 30

HEX #73B214

RGB 115 178 20

HSL 83.92, 0.8%, 0.39%

LAB 66.16, -42.05, 64.3

 

CMYK 59 / 0 / 89 / 30

HEX #49B214

RGB 73 178 20

HSL 99.87, 0.8%, 0.39%

LAB 64.41, -55.3, 62.11

 

CMYK 13 / 0 / 88 / 59

HEX #5B680C

RGB 91 104 12

HSL 68.48, 0.79%, 0.23%

LAB 41.46, -17, 44.58

 

CMYK 12 / 0 / 89 / 45

HEX #7C8D10

RGB 124 141 16

HSL 68.16, 0.8%, 0.31%

LAB 55.45, -21.23, 56.4

 

CMYK 12 / 0 / 89 / 30

HEX #9CB214

RGB 156 178 20

HSL 68.35, 0.8%, 0.39%

LAB 68.72, -25.67, 67.45

 

CMYK 12 / 0 / 88 / 16

HEX #BDD619

RGB 189 214 25

HSL 67.94, 0.79%, 0.47%

LAB 81.28, -29.02, 77.73

 

CMYK 10 / 0 / 78 / 10

HEX #CEE632

RGB 206 230 50

HSL 68, 0.78%, 0.55%

LAB 86.97, -28.89, 77.43

 

CMYK 12 / 0 / 88 / 31

HEX #9BB015

RGB 155 176 21

HSL 68.13, 0.79%, 0.39%

LAB 68.07, -25.1, 66.71

 

CMYK 89 / 0 / 59 / 30

HEX #14B249

RGB 20 178 73

HSL 140.13, 0.8%, 0.39%

LAB 63.73, -59.7, 42.51

 

CMYK 24 / 89 / 0 / 30

HEX #8814B2

RGB 136 20 178

HSL 284.05, 0.8%, 0.39%

LAB 35.89, 65.8, -57.13

 

CMYK 12 / 0 / 88 / 31

HEX #9BB015

RGB 155 176 21

HSL 68.13, 0.79%, 0.39%

LAB 68.07, -25.1, 66.71

 

CMYK 89 / 12 / 0 / 30

HEX #149DB2

RGB 20 157 178

HSL 187.97, 0.8%, 0.39%

LAB 59.41, -25.78, -20.43

 

CMYK 0 / 89 / 12 / 30

HEX #B2149D

RGB 178 20 157

HSL 307.97, 0.8%, 0.39%

LAB 41.84, 69.73, -34.6

 

CMYK 12 / 0 / 88 / 31

HEX #9BB015

RGB 155 176 21

HSL 68.13, 0.79%, 0.39%

LAB 68.07, -25.1, 66.71

 

CMYK 89 / 0 / 59 / 30

HEX #14B249

RGB 20 178 73

HSL 140.13, 0.8%, 0.39%

LAB 63.73, -59.7, 42.51

 

CMYK 77 / 89 / 0 / 30

HEX #2914B2

RGB 41 20 178

HSL 247.97, 0.8%, 0.39%

LAB 24.28, 55.97, -76.65

 

CMYK 0 / 89 / 30 / 30

HEX #B2147D

RGB 178 20 125

HSL 320.13, 0.8%, 0.39%

LAB 40.32, 65.67, -17.4

 

CMYK 12 / 0 / 88 / 31

HEX #9BB015

RGB 155 176 21

HSL 68.13, 0.79%, 0.39%

LAB 68.07, -25.1, 66.71

 

CMYK 89 / 0 / 33 / 30

HEX #14B278

RGB 20 178 120

HSL 157.97, 0.8%, 0.39%

LAB 64.44, -51.33, 19.28

 

CMYK 77 / 89 / 0 / 30

HEX #2914B2

RGB 41 20 178

HSL 247.97, 0.8%, 0.39%

LAB 24.28, 55.97, -76.65

 

CMYK 0 / 89 / 56 / 30

HEX #B2144E

RGB 178 20 78

HSL 337.97, 0.8%, 0.39%

LAB 38.75, 61.32, 10

 

Description

Color code: HEX #9BB015 | qconv.com Color code: HEX #9BB015 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 176 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 176 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 88 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 88% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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