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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BC44A it is the complementary color #643BB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BC44A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BC44A shade: #A0C445, #B1D658, #C2E86B, #D3FA7E and #E4FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BC44A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BC44A shade: #9BC44A, #8AB237, #79A024, #688E11 and #577C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BC44A shade: #9BC44A, #BCC44A, #C4AB4A, #C48A4A and #C4694A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BC44A shade: #9BC44A, #7AC44A, #59C44A, #4AC45B and #4AC47C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BC44A shade matches the following richer shades: #9BC44A, #A1D736, #A7EB23 and #AEFE0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BC44A shade: #9BC44A, #94B05D, #8E9D70, #888A84 and #817697

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BC44A shade: #C4AB4A, #BCC44A, #9BC44A, #7AC44A and #5AC44A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BC44A shade: #6D8D2E, #85AC38, #9BC44A, #ACCE69 and #BDD888

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BC44A shade: #9BC44A, #4AC48B and #BC4AC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BC44A shade: #9BC44A, #4A9BC4 and #C44A9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BC44A shade: #9BC44A, #4AC48B, #724AC4 and #C44A83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BC44A shade: #9BC44A, #4AC4AF, #724AC4 and #C44A5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

Complementary color

CMYK 45 / 67 / 0 / 29

HEX #643BB5

RGB 100 59 181

HSL 260.16, 0.51%, 0.47%

LAB 36.32, 45.66, -58.43

 

CMYK 18 / 0 / 65 / 23

HEX #A0C445

RGB 160 196 69

HSL 77.01, 0.52%, 0.52%

LAB 74.43, -30.36, 57.65

 

CMYK 17 / 0 / 59 / 16

HEX #B1D658

RGB 177 214 88

HSL 77.62, 0.61%, 0.59%

LAB 80.82, -30.71, 56.88

 

CMYK 16 / 0 / 54 / 9

HEX #C2E86B

RGB 194 232 107

HSL 78.24, 0.73%, 0.66%

LAB 87.12, -30.97, 55.92

 

CMYK 16 / 0 / 50 / 2

HEX #D3FA7E

RGB 211 250 126

HSL 78.87, 0.93%, 0.74%

LAB 93.33, -31.16, 54.86

 

CMYK 11 / 0 / 43 / 0

HEX #E4FF91

RGB 228 255 145

HSL 74.73, 1%, 0.78%

LAB 96.02, -25.24, 49.51

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 22 / 0 / 69 / 30

HEX #8AB237

RGB 138 178 55

HSL 79.51, 0.53%, 0.46%

LAB 67.67, -31.57, 55.77

 

CMYK 24 / 0 / 78 / 37

HEX #79A024

RGB 121 160 36

HSL 78.87, 0.63%, 0.38%

LAB 61.08, -31.04, 55.8

 

CMYK 27 / 0 / 88 / 44

HEX #688E11

RGB 104 142 17

HSL 78.24, 0.79%, 0.31%

LAB 54.37, -30.27, 54.72

 

CMYK 30 / 0 / 100 / 51

HEX #577C00

RGB 87 124 0

HSL 77.9, 1%, 0.24%

LAB 47.55, -29.24, 52.07

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 4 / 0 / 62 / 23

HEX #BCC44A

RGB 188 196 74

HSL 63.93, 0.51%, 0.53%

LAB 76.48, -18.63, 58.35

 

CMYK 0 / 13 / 62 / 23

HEX #C4AB4A

RGB 196 171 74

HSL 47.7, 0.51%, 0.53%

LAB 70.42, -2.36, 51.99

 

CMYK 0 / 30 / 62 / 23

HEX #C48A4A

RGB 196 138 74

HSL 31.48, 0.51%, 0.53%

LAB 62, 15.52, 42.47

 

CMYK 0 / 46 / 62 / 23

HEX #C4694A

RGB 196 105 74

HSL 15.25, 0.51%, 0.53%

LAB 54.38, 33.45, 33.4

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 38 / 0 / 62 / 23

HEX #7AC44A

RGB 122 196 74

HSL 96.39, 0.51%, 0.53%

LAB 72.3, -44, 52.61

 

CMYK 55 / 0 / 62 / 23

HEX #59C44A

RGB 89 196 74

HSL 112.62, 0.51%, 0.53%

LAB 70.94, -53.97, 50.71

 

CMYK 62 / 0 / 54 / 23

HEX #4AC45B

RGB 74 196 91

HSL 128.36, 0.51%, 0.53%

LAB 70.66, -55.52, 42.45

 

CMYK 62 / 0 / 37 / 23

HEX #4AC47C

RGB 74 196 124

HSL 144.59, 0.51%, 0.53%

LAB 71.14, -50.19, 26.37

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 25 / 0 / 75 / 16

HEX #A1D736

RGB 161 215 54

HSL 80.12, 0.67%, 0.53%

LAB 79.87, -39.57, 68.62

 

CMYK 29 / 0 / 85 / 8

HEX #A7EB23

RGB 167 235 35

HSL 80.4, 0.83%, 0.53%

LAB 85.88, -46.74, 79.12

 

CMYK 31 / 0 / 94 / 0

HEX #AEFE0F

RGB 174 254 15

HSL 80.08, 0.99%, 0.53%

LAB 91.65, -52.5, 86.9

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 16 / 0 / 47 / 31

HEX #94B05D

RGB 148 176 93

HSL 80.24, 0.34%, 0.53%

LAB 68.12, -23.25, 39.17

 

CMYK 10 / 0 / 29 / 38

HEX #8E9D70

RGB 142 157 112

HSL 80, 0.19%, 0.53%

LAB 62.54, -13.38, 21.83

 

CMYK 1 / 0 / 4 / 46

HEX #888A84

RGB 136 138 132

HSL 80, 0.02%, 0.53%

LAB 57.15, -1.9, 2.94

 

CMYK 15 / 22 / 0 / 41

HEX #817697

RGB 129 118 151

HSL 260, 0.14%, 0.53%

LAB 51.68, 11.12, -16.29

 

CMYK 0 / 13 / 62 / 23

HEX #C4AB4A

RGB 196 171 74

HSL 47.7, 0.51%, 0.53%

LAB 70.42, -2.36, 51.99

 

CMYK 4 / 0 / 62 / 23

HEX #BCC44A

RGB 188 196 74

HSL 63.93, 0.51%, 0.53%

LAB 76.48, -18.63, 58.35

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 38 / 0 / 62 / 23

HEX #7AC44A

RGB 122 196 74

HSL 96.39, 0.51%, 0.53%

LAB 72.3, -44, 52.61

 

CMYK 54 / 0 / 62 / 23

HEX #5AC44A

RGB 90 196 74

HSL 112.13, 0.51%, 0.53%

LAB 70.97, -53.7, 50.75

 

CMYK 23 / 0 / 67 / 45

HEX #6D8D2E

RGB 109 141 46

HSL 80.21, 0.51%, 0.37%

LAB 54.55, -26.17, 45.25

 

CMYK 23 / 0 / 67 / 33

HEX #85AC38

RGB 133 172 56

HSL 80.17, 0.51%, 0.45%

LAB 65.57, -30.66, 53.11

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 17 / 0 / 49 / 19

HEX #ACCE69

RGB 172 206 105

HSL 80.2, 0.51%, 0.61%

LAB 78.42, -27.26, 46.19

 

CMYK 13 / 0 / 37 / 15

HEX #BDD888

RGB 189 216 136

HSL 80.25, 0.51%, 0.69%

LAB 82.76, -22.09, 36.52

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 62 / 0 / 29 / 23

HEX #4AC48B

RGB 74 196 139

HSL 151.97, 0.51%, 0.53%

LAB 71.42, -47.21, 18.79

 

CMYK 4 / 62 / 0 / 23

HEX #BC4AC4

RGB 188 74 196

HSL 296.07, 0.51%, 0.53%

LAB 51.35, 61.65, -42.43

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 62 / 21 / 0 / 23

HEX #4A9BC4

RGB 74 155 196

HSL 200.16, 0.51%, 0.53%

LAB 60.68, -12.26, -28.52

 

CMYK 0 / 62 / 21 / 23

HEX #C44A9B

RGB 196 74 155

HSL 320.16, 0.51%, 0.53%

LAB 50.69, 57.21, -19.42

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 62 / 0 / 29 / 23

HEX #4AC48B

RGB 74 196 139

HSL 151.97, 0.51%, 0.53%

LAB 71.42, -47.21, 18.79

 

CMYK 42 / 62 / 0 / 23

HEX #724AC4

RGB 114 74 196

HSL 259.67, 0.51%, 0.53%

LAB 41.94, 44.41, -58.03

 

CMYK 0 / 62 / 33 / 23

HEX #C44A83

RGB 196 74 131

HSL 331.97, 0.51%, 0.53%

LAB 49.82, 54.08, -6.4

 

CMYK 21 / 0 / 62 / 23

HEX #9BC44A

RGB 155 196 74

HSL 80.16, 0.51%, 0.53%

LAB 74.15, -31.95, 55.17

 

CMYK 62 / 0 / 11 / 23

HEX #4AC4AF

RGB 74 196 175

HSL 169.67, 0.51%, 0.53%

LAB 72.25, -38.81, 0.51

 

CMYK 42 / 62 / 0 / 23

HEX #724AC4

RGB 114 74 196

HSL 259.67, 0.51%, 0.53%

LAB 41.94, 44.41, -58.03

 

CMYK 0 / 62 / 52 / 23

HEX #C44A5E

RGB 196 74 94

HSL 350.16, 0.51%, 0.53%

LAB 48.81, 50.27, 14.49

 

Description

Color code: HEX #9BC44A | qconv.com Color code: HEX #9BC44A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 196 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 196 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 62 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 62% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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