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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BC2F7 it is the complementary color #643D08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BC2F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BC2F7 shade: #A0C2F2, #B1D4FF, #C2E6FF, #D3F8FF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BC2F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BC2F7 shade: #9BC2F7, #8AB0E4, #799ED1, #688CBE and #577AAB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BC2F7 shade: #9BC2F6, #9BA9F6, #A69BF6, #BE9BF6 and #D79BF6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BC2F7 shade: #9BC2F6, #9BA9F6 and #9B9BF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BC2F7 shade matches the following richer shades: #9BC2F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BC2F7 shade: #9BC2F6, #A4C3EE, #ADC5E5, #B5C6DC and #BEC7D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BC2F7 shade: #9BF3F6, #9BDBF6, #9BC3F6, #9BABF6 and #A59BF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BC2F7 shade: #4F93F0, #75ABF3, #9BC2F6, #C2D9FA and #E8F1FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BC2F7 shade: #9BC2F7, #E19BF6 and #E7F69B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BC2F7 shade: #9BC2F7, #F69BC3 and #C3F69B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BC2F7 shade: #9BC2F7, #E19BF6, #F6CF9B and #B1F69B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BC2F7 shade: #9BC2F7, #F69BF0, #F6CF9B and #9BF6A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 21 / 0 / 3

HEX #9BC2F7

RGB 155 194 247

HSL 214.57, 0.85%, 0.79%

LAB 77.44, -0.22, -30.32

 

Complementary color

CMYK 0 / 39 / 92 / 61

HEX #643D08

RGB 100 61 8

HSL 34.57, 0.85%, 0.21%

LAB 29.57, 12.82, 36.24

 

CMYK 34 / 20 / 0 / 5

HEX #A0C2F2

RGB 160 194 242

HSL 215.12, 0.76%, 0.79%

LAB 77.56, -0.14, -27.43

 

CMYK 31 / 17 / 0 / 0

HEX #B1D4FF

RGB 177 212 255

HSL 213.08, 1%, 0.85%

LAB 83.79, -1.85, -24.76

 

CMYK 24 / 10 / 0 / 0

HEX #C2E6FF

RGB 194 230 255

HSL 204.59, 1%, 0.88%

LAB 89.53, -6.36, -15.98

 

CMYK 17 / 3 / 0 / 0

HEX #D3F8FF

RGB 211 248 255

HSL 189.55, 1%, 0.91%

LAB 95.25, -10.43, -7.34

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 37 / 21 / 0 / 3

HEX #9BC2F7

RGB 155 194 247

HSL 214.57, 0.85%, 0.79%

LAB 77.44, -0.22, -30.32

 

CMYK 39 / 23 / 0 / 11

HEX #8AB0E4

RGB 138 176 228

HSL 214.67, 0.63%, 0.72%

LAB 70.91, 0.12, -30.18

 

CMYK 42 / 24 / 0 / 18

HEX #799ED1

RGB 121 158 209

HSL 214.77, 0.49%, 0.65%

LAB 64.26, 0.51, -30.07

 

CMYK 45 / 26 / 0 / 25

HEX #688CBE

RGB 104 140 190

HSL 214.88, 0.4%, 0.58%

LAB 57.48, 0.97, -29.98

 

CMYK 49 / 29 / 0 / 33

HEX #577AAB

RGB 87 122 171

HSL 215, 0.33%, 0.51%

LAB 50.55, 1.54, -29.93

 

CMYK 37 / 21 / 0 / 4

HEX #9BC2F6

RGB 155 194 246

HSL 214.29, 0.83%, 0.79%

LAB 77.4, -0.48, -29.84

 

CMYK 37 / 31 / 0 / 4

HEX #9BA9F6

RGB 155 169 246

HSL 230.77, 0.83%, 0.79%

LAB 70.87, 13.34, -39.96

 

CMYK 33 / 37 / 0 / 4

HEX #A69BF6

RGB 166 155 246

HSL 247.25, 0.83%, 0.79%

LAB 68.17, 24.23, -44.12

 

CMYK 23 / 37 / 0 / 4

HEX #BE9BF6

RGB 190 155 246

HSL 263.08, 0.83%, 0.79%

LAB 70.21, 30.94, -40.79

 

CMYK 13 / 37 / 0 / 4

HEX #D79BF6

RGB 215 155 246

HSL 279.56, 0.83%, 0.79%

LAB 72.59, 38.26, -36.89

 

CMYK 37 / 21 / 0 / 4

HEX #9BC2F6

RGB 155 194 246

HSL 214.29, 0.83%, 0.79%

LAB 77.4, -0.48, -29.84

 

CMYK 37 / 31 / 0 / 4

HEX #9BA9F6

RGB 155 169 246

HSL 230.77, 0.83%, 0.79%

LAB 70.87, 13.34, -39.96

 

CMYK 37 / 37 / 0 / 4

HEX #9B9BF6

RGB 155 155 246

HSL 240, 0.83%, 0.79%

LAB 67.33, 21.29, -45.51

 

CMYK 37 / 21 / 0 / 4

HEX #9BC2F6

RGB 155 194 246

HSL 214.29, 0.83%, 0.79%

LAB 77.4, -0.48, -29.84

 

CMYK 37 / 21 / 0 / 4

HEX #9BC2F6

RGB 155 194 246

HSL 214.29, 0.83%, 0.79%

LAB 77.4, -0.48, -29.84

 

CMYK 31 / 18 / 0 / 7

HEX #A4C3EE

RGB 164 195 238

HSL 214.86, 0.69%, 0.79%

LAB 77.93, -0.56, -24.69

 

CMYK 24 / 14 / 0 / 10

HEX #ADC5E5

RGB 173 197 229

HSL 214.29, 0.52%, 0.79%

LAB 78.74, -1.14, -18.58

 

CMYK 18 / 10 / 0 / 14

HEX #B5C6DC

RGB 181 198 220

HSL 213.85, 0.36%, 0.79%

LAB 79.26, -1.22, -12.9

 

CMYK 10 / 6 / 0 / 17

HEX #BEC7D4

RGB 190 199 212

HSL 215.45, 0.2%, 0.79%

LAB 79.92, -0.52, -7.54

 

CMYK 37 / 1 / 0 / 4

HEX #9BF3F6

RGB 155 243 246

HSL 181.98, 0.83%, 0.79%

LAB 90.65, -25.61, -9.81

 

CMYK 37 / 11 / 0 / 4

HEX #9BDBF6

RGB 155 219 246

HSL 197.8, 0.83%, 0.79%

LAB 84.11, -13.65, -19.62

 

CMYK 37 / 21 / 0 / 4

HEX #9BC3F6

RGB 155 195 246

HSL 213.63, 0.83%, 0.79%

LAB 77.67, -1.02, -29.43

 

CMYK 37 / 30 / 0 / 4

HEX #9BABF6

RGB 155 171 246

HSL 229.45, 0.83%, 0.79%

LAB 71.38, 12.22, -39.15

 

CMYK 33 / 37 / 0 / 4

HEX #A59BF6

RGB 165 155 246

HSL 246.59, 0.83%, 0.79%

LAB 68.09, 23.95, -44.25

 

CMYK 67 / 39 / 0 / 6

HEX #4F93F0

RGB 79 147 240

HSL 214.66, 0.84%, 0.63%

LAB 60.62, 7.82, -53.09

 

CMYK 52 / 30 / 0 / 5

HEX #75ABF3

RGB 117 171 243

HSL 214.29, 0.84%, 0.71%

LAB 69.02, 2.1, -41.37

 

CMYK 37 / 21 / 0 / 4

HEX #9BC2F6

RGB 155 194 246

HSL 214.29, 0.83%, 0.79%

LAB 77.4, -0.48, -29.84

 

CMYK 22 / 13 / 0 / 2

HEX #C2D9FA

RGB 194 217 250

HSL 215.36, 0.85%, 0.87%

LAB 86.01, -0.71, -18.65

 

CMYK 8 / 5 / 0 / 1

HEX #E8F1FD

RGB 232 241 253

HSL 214.29, 0.84%, 0.95%

LAB 94.81, -0.73, -6.8

 

CMYK 37 / 21 / 0 / 3

HEX #9BC2F7

RGB 155 194 247

HSL 214.57, 0.85%, 0.79%

LAB 77.44, -0.22, -30.32

 

CMYK 9 / 37 / 0 / 4

HEX #E19BF6

RGB 225 155 246

HSL 286.15, 0.83%, 0.79%

LAB 73.61, 41.24, -35.23

 

CMYK 6 / 0 / 37 / 4

HEX #E7F69B

RGB 231 246 155

HSL 69.89, 0.83%, 0.79%

LAB 94, -18.7, 42.14

 

CMYK 37 / 21 / 0 / 3

HEX #9BC2F7

RGB 155 194 247

HSL 214.57, 0.85%, 0.79%

LAB 77.44, -0.22, -30.32

 

CMYK 0 / 37 / 21 / 4

HEX #F69BC3

RGB 246 155 195

HSL 333.63, 0.83%, 0.79%

LAB 74.17, 39.23, -6.24

 

CMYK 21 / 0 / 37 / 4

HEX #C3F69B

RGB 195 246 155

HSL 93.63, 0.83%, 0.79%

LAB 91.63, -31.75, 38.62

 

CMYK 37 / 21 / 0 / 3

HEX #9BC2F7

RGB 155 194 247

HSL 214.57, 0.85%, 0.79%

LAB 77.44, -0.22, -30.32

 

CMYK 9 / 37 / 0 / 4

HEX #E19BF6

RGB 225 155 246

HSL 286.15, 0.83%, 0.79%

LAB 73.61, 41.24, -35.23

 

CMYK 0 / 16 / 37 / 4

HEX #F6CF9B

RGB 246 207 155

HSL 34.29, 0.83%, 0.79%

LAB 85.29, 6.68, 30.96

 

CMYK 28 / 0 / 37 / 4

HEX #B1F69B

RGB 177 246 155

HSL 105.49, 0.83%, 0.79%

LAB 90.61, -37.86, 37.09

 

CMYK 37 / 21 / 0 / 3

HEX #9BC2F7

RGB 155 194 247

HSL 214.57, 0.85%, 0.79%

LAB 77.44, -0.22, -30.32

 

CMYK 0 / 37 / 2 / 4

HEX #F69BF0

RGB 246 155 240

HSL 303.96, 0.83%, 0.79%

LAB 75.65, 46.48, -28.63

 

CMYK 0 / 16 / 37 / 4

HEX #F6CF9B

RGB 246 207 155

HSL 34.29, 0.83%, 0.79%

LAB 85.29, 6.68, 30.96

 

CMYK 37 / 0 / 34 / 4

HEX #9BF6A2

RGB 155 246 162

HSL 124.62, 0.83%, 0.79%

LAB 89.62, -43.73, 32.08

 

Description

Color code: HEX #9BC2F7 | qconv.com Color code: HEX #9BC2F7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 194 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 194 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 21 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 21% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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