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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BCE95 it is the complementary color #64316A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BCE95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BCE95 shade: #A0CE90, #B1E0A3, #C2F2B6, #D3FFC9 and #E4FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BCE95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BCE95 shade: #9BCE95, #8ABC82, #79AA6F, #68985C and #578649

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BCE95 shade: #9CCE96, #ABCE96, #BACE96, #C9CE96 and #CEC496

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BCE95 shade: #9CCE96, #96CE9F, #96CEAE, #96CEBE and #96CECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BCE95 shade matches the following richer shades: #9CCE96, #92DB89, #88E77D and #7EF371

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BCE95 shade: #9CCE96, #A5C2A2, #AFB6AE, #B9A9BB and #C39DC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BCE95 shade: #BACE96, #ABCE96, #9CCE96, #96CE9E and #96CEAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BCE95 shade: #66B45D, #81C179, #9CCE96, #B6DBB2 and #D1E8CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BCE95 shade: #9BCE95, #96CACE and #CE96B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BCE95 shade: #9BCE95, #969CCE and #CE969C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BCE95 shade: #9BCE95, #96CACE, #C896CE and #CE9A96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BCE95 shade: #9BCE95, #96B9CE, #C896CE and #CEAB96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 28 / 19

HEX #9BCE95

RGB 155 206 149

HSL 113.68, 0.37%, 0.7%

LAB 78.04, -27.51, 23.13

 

Complementary color

CMYK 6 / 54 / 0 / 58

HEX #64316A

RGB 100 49 106

HSL 293.68, 0.37%, 0.3%

LAB 29.28, 32.36, -23.62

 

CMYK 22 / 0 / 30 / 19

HEX #A0CE90

RGB 160 206 144

HSL 104.52, 0.39%, 0.69%

LAB 78.25, -26.6, 26.09

 

CMYK 21 / 0 / 27 / 12

HEX #B1E0A3

RGB 177 224 163

HSL 106.23, 0.5%, 0.76%

LAB 84.64, -26.44, 25.04

 

CMYK 20 / 0 / 25 / 5

HEX #C2F2B6

RGB 194 242 182

HSL 108, 0.7%, 0.83%

LAB 90.94, -26.28, 24.05

 

CMYK 17 / 0 / 21 / 0

HEX #D3FFC9

RGB 211 255 201

HSL 108.89, 1%, 0.89%

LAB 95.82, -23.76, 21.27

 

CMYK 11 / 0 / 14 / 0

HEX #E4FFDC

RGB 228 255 220

HSL 106.29, 1%, 0.93%

LAB 97.3, -14.96, 13.8

 

CMYK 25 / 0 / 28 / 19

HEX #9BCE95

RGB 155 206 149

HSL 113.68, 0.37%, 0.7%

LAB 78.04, -27.51, 23.13

 

CMYK 27 / 0 / 31 / 26

HEX #8ABC82

RGB 138 188 130

HSL 111.72, 0.3%, 0.62%

LAB 71.54, -27.72, 24.2

 

CMYK 29 / 0 / 35 / 33

HEX #79AA6F

RGB 121 170 111

HSL 109.83, 0.26%, 0.55%

LAB 64.93, -27.94, 25.34

 

CMYK 32 / 0 / 39 / 40

HEX #68985C

RGB 104 152 92

HSL 108, 0.25%, 0.48%

LAB 58.2, -28.15, 26.55

 

CMYK 35 / 0 / 46 / 47

HEX #578649

RGB 87 134 73

HSL 106.23, 0.29%, 0.41%

LAB 51.33, -28.34, 27.83

 

CMYK 24 / 0 / 27 / 19

HEX #9CCE96

RGB 156 206 150

HSL 113.57, 0.36%, 0.7%

LAB 78.12, -27.01, 22.72

 

CMYK 17 / 0 / 27 / 19

HEX #ABCE96

RGB 171 206 150

HSL 97.5, 0.36%, 0.7%

LAB 79.04, -21.79, 24.14

 

CMYK 10 / 0 / 27 / 19

HEX #BACE96

RGB 186 206 150

HSL 81.43, 0.36%, 0.7%

LAB 80.06, -16.35, 25.68

 

CMYK 2 / 0 / 27 / 19

HEX #C9CE96

RGB 201 206 150

HSL 65.36, 0.36%, 0.7%

LAB 81.16, -10.74, 27.36

 

CMYK 0 / 5 / 27 / 19

HEX #CEC496

RGB 206 196 150

HSL 49.29, 0.36%, 0.7%

LAB 78.93, -3.67, 24.41

 

CMYK 24 / 0 / 27 / 19

HEX #9CCE96

RGB 156 206 150

HSL 113.57, 0.36%, 0.7%

LAB 78.12, -27.01, 22.72

 

CMYK 27 / 0 / 23 / 19

HEX #96CE9F

RGB 150 206 159

HSL 129.64, 0.36%, 0.7%

LAB 77.95, -27.46, 17.68

 

CMYK 27 / 0 / 16 / 19

HEX #96CEAE

RGB 150 206 174

HSL 145.71, 0.36%, 0.7%

LAB 78.28, -24.65, 10.14

 

CMYK 27 / 0 / 8 / 19

HEX #96CEBE

RGB 150 206 190

HSL 162.86, 0.36%, 0.7%

LAB 78.66, -21.4, 2.13

 

CMYK 27 / 0 / 0 / 19

HEX #96CECD

RGB 150 206 205

HSL 178.93, 0.36%, 0.7%

LAB 79.06, -18.13, -5.34

 

CMYK 24 / 0 / 27 / 19

HEX #9CCE96

RGB 156 206 150

HSL 113.57, 0.36%, 0.7%

LAB 78.12, -27.01, 22.72

 

CMYK 33 / 0 / 37 / 14

HEX #92DB89

RGB 146 219 137

HSL 113.41, 0.53%, 0.7%

LAB 81.06, -38.43, 33.31

 

CMYK 41 / 0 / 46 / 9

HEX #88E77D

RGB 136 231 125

HSL 113.77, 0.69%, 0.7%

LAB 83.9, -48.45, 42.83

 

CMYK 48 / 0 / 53 / 5

HEX #7EF371

RGB 126 243 113

HSL 114, 0.84%, 0.7%

LAB 86.86, -57.66, 52.04

 

CMYK 24 / 0 / 27 / 19

HEX #9CCE96

RGB 156 206 150

HSL 113.57, 0.36%, 0.7%

LAB 78.12, -27.01, 22.72

 

CMYK 15 / 0 / 16 / 24

HEX #A5C2A2

RGB 165 194 162

HSL 114.38, 0.21%, 0.7%

LAB 75.57, -15.9, 12.87

 

CMYK 4 / 0 / 4 / 29

HEX #AFB6AE

RGB 175 182 174

HSL 112.5, 0.05%, 0.7%

LAB 73.3, -3.94, 3.21

 

CMYK 1 / 10 / 0 / 27

HEX #B9A9BB

RGB 185 169 187

HSL 293.33, 0.12%, 0.7%

LAB 71.06, 9.06, -7.12

 

CMYK 2 / 21 / 0 / 22

HEX #C39DC7

RGB 195 157 199

HSL 294.29, 0.27%, 0.7%

LAB 69.36, 21.42, -16.22

 

CMYK 10 / 0 / 27 / 19

HEX #BACE96

RGB 186 206 150

HSL 81.43, 0.36%, 0.7%

LAB 80.06, -16.35, 25.68

 

CMYK 17 / 0 / 27 / 19

HEX #ABCE96

RGB 171 206 150

HSL 97.5, 0.36%, 0.7%

LAB 79.04, -21.79, 24.14

 

CMYK 24 / 0 / 27 / 19

HEX #9CCE96

RGB 156 206 150

HSL 113.57, 0.36%, 0.7%

LAB 78.12, -27.01, 22.72

 

CMYK 27 / 0 / 23 / 19

HEX #96CE9E

RGB 150 206 158

HSL 128.57, 0.36%, 0.7%

LAB 77.93, -27.64, 18.18

 

CMYK 27 / 0 / 16 / 19

HEX #96CEAD

RGB 150 206 173

HSL 144.64, 0.36%, 0.7%

LAB 78.25, -24.85, 10.65

 

CMYK 43 / 0 / 48 / 29

HEX #66B45D

RGB 102 180 93

HSL 113.79, 0.37%, 0.54%

LAB 66.72, -41.49, 36.85

 

CMYK 33 / 0 / 37 / 24

HEX #81C179

RGB 129 193 121

HSL 113.33, 0.37%, 0.62%

LAB 72.35, -34.55, 29.94

 

CMYK 24 / 0 / 27 / 19

HEX #9CCE96

RGB 156 206 150

HSL 113.57, 0.36%, 0.7%

LAB 78.12, -27.01, 22.72

 

CMYK 17 / 0 / 19 / 14

HEX #B6DBB2

RGB 182 219 178

HSL 114.15, 0.36%, 0.78%

LAB 83.87, -19.83, 16.2

 

CMYK 10 / 0 / 11 / 9

HEX #D1E8CE

RGB 209 232 206

HSL 113.08, 0.36%, 0.86%

LAB 89.73, -12.32, 10.08

 

CMYK 25 / 0 / 28 / 19

HEX #9BCE95

RGB 155 206 149

HSL 113.68, 0.37%, 0.7%

LAB 78.04, -27.51, 23.13

 

CMYK 27 / 2 / 0 / 19

HEX #96CACE

RGB 150 202 206

HSL 184.29, 0.36%, 0.7%

LAB 77.98, -15.86, -7.47

 

CMYK 0 / 27 / 13 / 19

HEX #CE96B3

RGB 206 150 179

HSL 328.93, 0.36%, 0.7%

LAB 68.16, 25.48, -6.77

 

CMYK 25 / 0 / 28 / 19

HEX #9BCE95

RGB 155 206 149

HSL 113.68, 0.37%, 0.7%

LAB 78.04, -27.51, 23.13

 

CMYK 27 / 24 / 0 / 19

HEX #969CCE

RGB 150 156 206

HSL 233.57, 0.36%, 0.7%

LAB 65.53, 9.03, -26.28

 

CMYK 0 / 27 / 24 / 19

HEX #CE969C

RGB 206 150 156

HSL 353.57, 0.36%, 0.7%

LAB 67.53, 21.89, 5.17

 

CMYK 25 / 0 / 28 / 19

HEX #9BCE95

RGB 155 206 149

HSL 113.68, 0.37%, 0.7%

LAB 78.04, -27.51, 23.13

 

CMYK 27 / 2 / 0 / 19

HEX #96CACE

RGB 150 202 206

HSL 184.29, 0.36%, 0.7%

LAB 77.98, -15.86, -7.47

 

CMYK 3 / 27 / 0 / 19

HEX #C896CE

RGB 200 150 206

HSL 293.57, 0.36%, 0.7%

LAB 68.42, 28.29, -21.47

 

CMYK 0 / 25 / 27 / 19

HEX #CE9A96

RGB 206 154 150

HSL 4.29, 0.36%, 0.7%

LAB 68.34, 18.85, 9.68

 

CMYK 25 / 0 / 28 / 19

HEX #9BCE95

RGB 155 206 149

HSL 113.68, 0.37%, 0.7%

LAB 78.04, -27.51, 23.13

 

CMYK 27 / 10 / 0 / 19

HEX #96B9CE

RGB 150 185 206

HSL 202.5, 0.36%, 0.7%

LAB 73.31, -6.96, -14.45

 

CMYK 3 / 27 / 0 / 19

HEX #C896CE

RGB 200 150 206

HSL 293.57, 0.36%, 0.7%

LAB 68.42, 28.29, -21.47

 

CMYK 0 / 17 / 27 / 19

HEX #CEAB96

RGB 206 171 150

HSL 22.5, 0.36%, 0.7%

LAB 72.53, 9.61, 15.59

 

Description

Color code: HEX #9BCE95 | qconv.com Color code: HEX #9BCE95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 206 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 206 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 28 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 28% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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