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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE70D it is the complementary color #6418F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE70D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE70D shade: #A0E708, #B1F91B, #C2FF2E, #D3FF41 and #E4FF54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE70D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE70D shade: #9BE70D, #8AD500, #79C300, #68B100 and #579F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE70D shade: #9BE70D, #D6E70D, #E7BD0D, #E7830D and #E7480D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE70D shade: #9BE70D, #60E70D, #25E70D, #0DE72F and #0DE76A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE70D shade matches the following richer shades: #9BE70D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE70D shade: #9BE70D, #95D321, #8FBF35, #89AB48 and #83985C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE70D shade: #E7BB0D, #D8E70D, #9EE70D, #64E70D and #2AE70D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE70D shade: #669908, #81C00B, #9BE70D, #ADF22B and #BCF452

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE70D shade: #9BE70D, #0DE781 and #D80DE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE70D shade: #9BE70D, #0D9EE7 and #E70D9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE70D shade: #9BE70D, #0DE781, #560DE7 and #E70D73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE70D shade: #9BE70D, #0DE7C3, #560DE7 and #E70D31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

Complementary color

CMYK 59 / 90 / 0 / 5

HEX #6418F2

RGB 100 24 242

HSL 260.92, 0.89%, 0.52%

LAB 37.43, 74.85, -91.85

 

CMYK 31 / 0 / 97 / 9

HEX #A0E708

RGB 160 231 8

HSL 79.1, 0.93%, 0.47%

LAB 84.3, -48.14, 81.41

 

CMYK 29 / 0 / 89 / 2

HEX #B1F91B

RGB 177 249 27

HSL 79.46, 0.95%, 0.54%

LAB 90.4, -49.16, 84.51

 

CMYK 24 / 0 / 82 / 0

HEX #C2FF2E

RGB 194 255 46

HSL 77.51, 1%, 0.59%

LAB 93.1, -44.93, 83.54

 

CMYK 17 / 0 / 75 / 0

HEX #D3FF41

RGB 211 255 65

HSL 73.89, 1%, 0.63%

LAB 94.21, -37.74, 79.84

 

CMYK 11 / 0 / 67 / 0

HEX #E4FF54

RGB 228 255 84

HSL 69.47, 1%, 0.66%

LAB 95.44, -30.18, 75.05

 

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

CMYK 35 / 0 / 100 / 16

HEX #8AD500

RGB 138 213 0

HSL 81.13, 1%, 0.42%

LAB 77.87, -48.72, 76.63

 

CMYK 38 / 0 / 100 / 24

HEX #79C300

RGB 121 195 0

HSL 82.77, 1%, 0.38%

LAB 71.62, -47.37, 71.43

 

CMYK 41 / 0 / 100 / 31

HEX #68B100

RGB 104 177 0

HSL 84.75, 1%, 0.35%

LAB 65.27, -45.97, 66.15

 

CMYK 45 / 0 / 100 / 38

HEX #579F00

RGB 87 159 0

HSL 87.17, 1%, 0.31%

LAB 58.81, -44.5, 60.79

 

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

CMYK 7 / 0 / 94 / 9

HEX #D6E70D

RGB 214 231 13

HSL 64.68, 0.89%, 0.48%

LAB 87.72, -26.94, 85.1

 

CMYK 0 / 18 / 94 / 9

HEX #E7BD0D

RGB 231 189 13

HSL 48.44, 0.89%, 0.48%

LAB 78.12, 1.22, 78.54

 

CMYK 0 / 43 / 94 / 9

HEX #E7830D

RGB 231 131 13

HSL 32.48, 0.89%, 0.48%

LAB 64.36, 31.84, 68.75

 

CMYK 0 / 69 / 94 / 9

HEX #E7480D

RGB 231 72 13

HSL 16.24, 0.89%, 0.48%

LAB 53.66, 59.31, 61.8

 

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

CMYK 58 / 0 / 94 / 9

HEX #60E70D

RGB 96 231 13

HSL 97.16, 0.89%, 0.48%

LAB 81.66, -67.85, 77.74

 

CMYK 84 / 0 / 94 / 9

HEX #25E70D

RGB 37 231 13

HSL 113.39, 0.89%, 0.48%

LAB 80.5, -77.76, 76.32

 

CMYK 94 / 0 / 80 / 9

HEX #0DE72F

RGB 13 231 47

HSL 129.36, 0.89%, 0.48%

LAB 80.43, -78.05, 69.74

 

CMYK 94 / 0 / 54 / 9

HEX #0DE76A

RGB 13 231 106

HSL 145.6, 0.89%, 0.48%

LAB 80.89, -72.2, 47.55

 

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

CMYK 29 / 0 / 84 / 17

HEX #95D321

RGB 149 211 33

HSL 80.9, 0.73%, 0.48%

LAB 77.93, -43.22, 72.34

 

CMYK 25 / 0 / 72 / 25

HEX #8FBF35

RGB 143 191 53

HSL 80.87, 0.57%, 0.48%

LAB 71.8, -35.75, 60.77

 

CMYK 20 / 0 / 58 / 33

HEX #89AB48

RGB 137 171 72

HSL 80.61, 0.41%, 0.48%

LAB 65.68, -27.29, 46.3

 

CMYK 14 / 0 / 39 / 40

HEX #83985C

RGB 131 152 92

HSL 81, 0.25%, 0.48%

LAB 59.94, -17.92, 29.14

 

CMYK 0 / 19 / 94 / 9

HEX #E7BB0D

RGB 231 187 13

HSL 47.89, 0.89%, 0.48%

LAB 77.61, 2.26, 78.17

 

CMYK 6 / 0 / 94 / 9

HEX #D8E70D

RGB 216 231 13

HSL 64.13, 0.89%, 0.48%

LAB 87.86, -26.12, 85.27

 

CMYK 32 / 0 / 94 / 9

HEX #9EE70D

RGB 158 231 13

HSL 80.09, 0.89%, 0.48%

LAB 84.2, -48.81, 80.85

 

CMYK 57 / 0 / 94 / 9

HEX #64E70D

RGB 100 231 13

HSL 96.06, 0.89%, 0.48%

LAB 81.78, -66.86, 77.89

 

CMYK 82 / 0 / 94 / 9

HEX #2AE70D

RGB 42 231 13

HSL 112.02, 0.89%, 0.48%

LAB 80.56, -77.27, 76.38

 

CMYK 33 / 0 / 95 / 40

HEX #669908

RGB 102 153 8

HSL 81.1, 0.9%, 0.32%

LAB 57.68, -36.34, 59.01

 

CMYK 33 / 0 / 94 / 25

HEX #81C00B

RGB 129 192 11

HSL 80.88, 0.89%, 0.4%

LAB 71.14, -43.05, 70.02

 

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

CMYK 29 / 0 / 82 / 5

HEX #ADF22B

RGB 173 242 43

HSL 80.8, 0.88%, 0.56%

LAB 88.24, -47.24, 79.54

 

CMYK 23 / 0 / 66 / 4

HEX #BCF452

RGB 188 244 82

HSL 80.74, 0.88%, 0.64%

LAB 89.86, -40.62, 69.26

 

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

CMYK 94 / 0 / 44 / 9

HEX #0DE781

RGB 13 231 129

HSL 151.93, 0.89%, 0.48%

LAB 81.19, -68.57, 36.86

 

CMYK 6 / 94 / 0 / 9

HEX #D80DE7

RGB 216 13 231

HSL 295.87, 0.89%, 0.48%

LAB 52.57, 87.93, -60.21

 

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

CMYK 94 / 32 / 0 / 9

HEX #0D9EE7

RGB 13 158 231

HSL 200.09, 0.89%, 0.48%

LAB 61.92, -7.92, -46.15

 

CMYK 0 / 94 / 32 / 9

HEX #E70D9E

RGB 231 13 158

HSL 320.09, 0.89%, 0.48%

LAB 51.55, 81.25, -19.34

 

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

CMYK 94 / 0 / 44 / 9

HEX #0DE781

RGB 13 231 129

HSL 151.93, 0.89%, 0.48%

LAB 81.19, -68.57, 36.86

 

CMYK 63 / 94 / 0 / 9

HEX #560DE7

RGB 86 13 231

HSL 260.09, 0.89%, 0.48%

LAB 34.06, 73.51, -91.25

 

CMYK 0 / 94 / 50 / 9

HEX #E70D73

RGB 231 13 115

HSL 331.93, 0.89%, 0.48%

LAB 50.11, 77.43, 4.46

 

CMYK 33 / 0 / 94 / 9

HEX #9BE70D

RGB 155 231 13

HSL 80.92, 0.89%, 0.48%

LAB 84.04, -49.88, 80.66

 

CMYK 94 / 0 / 16 / 9

HEX #0DE7C3

RGB 13 231 195

HSL 170.09, 0.89%, 0.48%

LAB 82.47, -54.21, 4.55

 

CMYK 63 / 94 / 0 / 9

HEX #560DE7

RGB 86 13 231

HSL 260.09, 0.89%, 0.48%

LAB 34.06, 73.51, -91.25

 

CMYK 0 / 94 / 79 / 9

HEX #E70D31

RGB 231 13 49

HSL 350.09, 0.89%, 0.48%

LAB 48.88, 74.06, 42.67

 

Description

Color code: HEX #9BE70D | qconv.com Color code: HEX #9BE70D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 231 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 231 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 94 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 94% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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