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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE7A0 it is the complementary color #64185F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE7A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE7A0 shade: #A0E79B, #B1F9AE, #C2FFC1, #D3FFD4 and #E4FFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE7A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE7A0 shade: #9BE7A0, #8AD58D, #79C37A, #68B167 and #579F54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE7A0 shade: #9CE7A1, #ABE79C, #BFE79C, #D3E79C and #E7E69C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE7A0 shade: #9CE7A1, #9CE7B5, #9CE7C9, #9CE7DD and #9CDCE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE7A0 shade matches the following richer shades: #9CE7A1, #92F198 and #88FA90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE7A0 shade: #9CE7A1, #A6DDA9, #B0D3B2, #BAC9BB and #C4BFC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE7A0 shade: #C0E79C, #ACE79C, #9CE7A0, #9CE7B4 and #9CE7C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE7A0 shade: #5AD762, #7BDF81, #9CE7A1, #BDEFC0 and #DEF7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE7A0 shade: #9BE7A0, #9CD4E7 and #E79CB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE7A0 shade: #9BE7A0, #A09CE7 and #E7A09C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE7A0 shade: #9BE7A0, #9CD4E7, #E79CE3 and #E7AF9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE7A0 shade: #9BE7A0, #9CBEE7, #E79CE3 and #E7C59C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 31 / 9

HEX #9BE7A0

RGB 155 231 160

HSL 123.95, 0.61%, 0.76%

LAB 85.33, -37.39, 27.33

 

Complementary color

CMYK 0 / 76 / 5 / 61

HEX #64185F

RGB 100 24 95

HSL 303.95, 0.61%, 0.24%

LAB 24.29, 42.21, -24.34

 

CMYK 31 / 0 / 33 / 9

HEX #A0E79B

RGB 160 231 155

HSL 116.05, 0.61%, 0.76%

LAB 85.5, -36.61, 30.16

 

CMYK 29 / 0 / 30 / 2

HEX #B1F9AE

RGB 177 249 174

HSL 117.6, 0.86%, 0.83%

LAB 91.75, -36.38, 29.08

 

CMYK 24 / 0 / 24 / 0

HEX #C2FFC1

RGB 194 255 193

HSL 119.03, 1%, 0.88%

LAB 94.67, -30.64, 23.58

 

CMYK 17 / 0 / 17 / 0

HEX #D3FFD4

RGB 211 255 212

HSL 121.36, 1%, 0.91%

LAB 96.05, -21.94, 15.96

 

CMYK 11 / 0 / 9 / 0

HEX #E4FFE7

RGB 228 255 231

HSL 126.67, 1%, 0.95%

LAB 97.54, -13.08, 8.51

 

CMYK 33 / 0 / 31 / 9

HEX #9BE7A0

RGB 155 231 160

HSL 123.95, 0.61%, 0.76%

LAB 85.33, -37.39, 27.33

 

CMYK 35 / 0 / 34 / 16

HEX #8AD58D

RGB 138 213 141

HSL 122.4, 0.47%, 0.69%

LAB 78.99, -37.64, 28.44

 

CMYK 38 / 0 / 37 / 24

HEX #79C37A

RGB 121 195 122

HSL 120.81, 0.38%, 0.62%

LAB 72.56, -37.88, 29.62

 

CMYK 41 / 0 / 42 / 31

HEX #68B167

RGB 104 177 103

HSL 119.19, 0.32%, 0.55%

LAB 66.03, -38.09, 30.86

 

CMYK 45 / 0 / 47 / 38

HEX #579F54

RGB 87 159 84

HSL 117.6, 0.31%, 0.48%

LAB 59.4, -38.25, 32.17

 

CMYK 32 / 0 / 30 / 9

HEX #9CE7A1

RGB 156 231 161

HSL 124, 0.61%, 0.76%

LAB 85.4, -36.91, 26.91

 

CMYK 26 / 0 / 32 / 9

HEX #ABE79C

RGB 171 231 156

HSL 108, 0.61%, 0.76%

LAB 86.11, -32.85, 30.57

 

CMYK 17 / 0 / 32 / 9

HEX #BFE79C

RGB 191 231 156

HSL 92, 0.61%, 0.76%

LAB 87.3, -25.95, 32.37

 

CMYK 9 / 0 / 32 / 9

HEX #D3E79C

RGB 211 231 156

HSL 76, 0.61%, 0.76%

LAB 88.64, -18.7, 34.38

 

CMYK 0 / 0 / 32 / 9

HEX #E7E69C

RGB 231 230 156

HSL 59.2, 0.61%, 0.76%

LAB 89.85, -10.71, 36.25

 

CMYK 32 / 0 / 30 / 9

HEX #9CE7A1

RGB 156 231 161

HSL 124, 0.61%, 0.76%

LAB 85.4, -36.91, 26.91

 

CMYK 32 / 0 / 22 / 9

HEX #9CE7B5

RGB 156 231 181

HSL 140, 0.61%, 0.76%

LAB 85.78, -33.42, 17.09

 

CMYK 32 / 0 / 13 / 9

HEX #9CE7C9

RGB 156 231 201

HSL 156, 0.61%, 0.76%

LAB 86.22, -29.52, 7.26

 

CMYK 32 / 0 / 4 / 9

HEX #9CE7DD

RGB 156 231 221

HSL 172, 0.61%, 0.76%

LAB 86.72, -25.26, -2.53

 

CMYK 32 / 5 / 0 / 9

HEX #9CDCE7

RGB 156 220 231

HSL 188.8, 0.61%, 0.76%

LAB 83.98, -17.52, -11.87

 

CMYK 32 / 0 / 30 / 9

HEX #9CE7A1

RGB 156 231 161

HSL 124, 0.61%, 0.76%

LAB 85.4, -36.91, 26.91

 

CMYK 39 / 0 / 37 / 5

HEX #92F198

RGB 146 241 152

HSL 123.79, 0.77%, 0.76%

LAB 87.63, -45.8, 34.38

 

CMYK 46 / 0 / 42 / 2

HEX #88FA90

RGB 136 250 144

HSL 124.21, 0.92%, 0.76%

LAB 89.68, -53.59, 40.93

 

CMYK 32 / 0 / 30 / 9

HEX #9CE7A1

RGB 156 231 161

HSL 124, 0.61%, 0.76%

LAB 85.4, -36.91, 26.91

 

CMYK 25 / 0 / 24 / 13

HEX #A6DDA9

RGB 166 221 169

HSL 123.27, 0.45%, 0.76%

LAB 83.28, -27.7, 19.94

 

CMYK 17 / 0 / 16 / 17

HEX #B0D3B2

RGB 176 211 178

HSL 123.43, 0.28%, 0.76%

LAB 81.31, -17.88, 12.54

 

CMYK 7 / 0 / 7 / 21

HEX #BAC9BB

RGB 186 201 187

HSL 124, 0.12%, 0.76%

LAB 79.5, -7.73, 5.24

 

CMYK 0 / 3 / 1 / 23

HEX #C4BFC3

RGB 196 191 195

HSL 312, 0.04%, 0.76%

LAB 77.84, 2.48, -1.4

 

CMYK 17 / 0 / 32 / 9

HEX #C0E79C

RGB 192 231 156

HSL 91.2, 0.61%, 0.76%

LAB 87.37, -25.6, 32.47

 

CMYK 26 / 0 / 32 / 9

HEX #ACE79C

RGB 172 231 156

HSL 107.2, 0.61%, 0.76%

LAB 86.17, -32.52, 30.65

 

CMYK 32 / 0 / 31 / 9

HEX #9CE7A0

RGB 156 231 160

HSL 123.2, 0.61%, 0.76%

LAB 85.38, -37.08, 27.4

 

CMYK 32 / 0 / 22 / 9

HEX #9CE7B4

RGB 156 231 180

HSL 139.2, 0.61%, 0.76%

LAB 85.76, -33.6, 17.59

 

CMYK 32 / 0 / 13 / 9

HEX #9CE7C8

RGB 156 231 200

HSL 155.2, 0.61%, 0.76%

LAB 86.2, -29.73, 7.75

 

CMYK 58 / 0 / 54 / 16

HEX #5AD762

RGB 90 215 98

HSL 123.84, 0.61%, 0.6%

LAB 77.07, -58.05, 46.96

 

CMYK 45 / 0 / 42 / 13

HEX #7BDF81

RGB 123 223 129

HSL 123.6, 0.61%, 0.68%

LAB 81.06, -48.33, 37.13

 

CMYK 32 / 0 / 30 / 9

HEX #9CE7A1

RGB 156 231 161

HSL 124, 0.61%, 0.76%

LAB 85.4, -36.91, 26.91

 

CMYK 21 / 0 / 20 / 6

HEX #BDEFC0

RGB 189 239 192

HSL 123.6, 0.61%, 0.84%

LAB 90.03, -24.85, 17.59

 

CMYK 10 / 0 / 9 / 3

HEX #DEF7E0

RGB 222 247 224

HSL 124.8, 0.61%, 0.92%

LAB 94.92, -12.33, 8.29

 

CMYK 33 / 0 / 31 / 9

HEX #9BE7A0

RGB 155 231 160

HSL 123.95, 0.61%, 0.76%

LAB 85.33, -37.39, 27.33

 

CMYK 32 / 8 / 0 / 9

HEX #9CD4E7

RGB 156 212 231

HSL 195.2, 0.61%, 0.76%

LAB 81.8, -13.45, -15.14

 

CMYK 0 / 32 / 21 / 9

HEX #E79CB6

RGB 231 156 182

HSL 339.2, 0.61%, 0.76%

LAB 72.32, 31.58, -1.98

 

CMYK 33 / 0 / 31 / 9

HEX #9BE7A0

RGB 155 231 160

HSL 123.95, 0.61%, 0.76%

LAB 85.33, -37.39, 27.33

 

CMYK 31 / 32 / 0 / 9

HEX #A09CE7

RGB 160 156 231

HSL 243.2, 0.61%, 0.76%

LAB 67.29, 18.19, -37.31

 

CMYK 0 / 31 / 32 / 9

HEX #E7A09C

RGB 231 160 156

HSL 3.2, 0.61%, 0.76%

LAB 72.58, 25.88, 12.75

 

CMYK 33 / 0 / 31 / 9

HEX #9BE7A0

RGB 155 231 160

HSL 123.95, 0.61%, 0.76%

LAB 85.33, -37.39, 27.33

 

CMYK 32 / 8 / 0 / 9

HEX #9CD4E7

RGB 156 212 231

HSL 195.2, 0.61%, 0.76%

LAB 81.8, -13.45, -15.14

 

CMYK 0 / 32 / 2 / 9

HEX #E79CE3

RGB 231 156 227

HSL 303.2, 0.61%, 0.76%

LAB 73.75, 38.98, -24.61

 

CMYK 0 / 24 / 32 / 9

HEX #E7AF9C

RGB 231 175 156

HSL 15.2, 0.61%, 0.76%

LAB 76.1, 17.86, 17.67

 

CMYK 33 / 0 / 31 / 9

HEX #9BE7A0

RGB 155 231 160

HSL 123.95, 0.61%, 0.76%

LAB 85.33, -37.39, 27.33

 

CMYK 32 / 18 / 0 / 9

HEX #9CBEE7

RGB 156 190 231

HSL 212.8, 0.61%, 0.76%

LAB 75.86, -1.85, -24.12

 

CMYK 0 / 32 / 2 / 9

HEX #E79CE3

RGB 231 156 227

HSL 303.2, 0.61%, 0.76%

LAB 73.75, 38.98, -24.61

 

CMYK 0 / 15 / 32 / 9

HEX #E7C59C

RGB 231 197 156

HSL 32.8, 0.61%, 0.76%

LAB 81.47, 6.21, 25.05

 

Description

Color code: HEX #9BE7A0 | qconv.com Color code: HEX #9BE7A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 231 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 231 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 31 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 31% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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