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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE7E7 it is the complementary color #641818. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE7E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE7E7 shade: #A0E7E2, #B1F9F5, #C2FFFF, #D3FFFF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE7E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE7E7 shade: #9BE7E7, #8AD5D4, #79C3C1, #68B1AE and #579F9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE7E7 shade: #9CE7E7, #9CE7D2, #9CE7BE, #9CE7AA and #A2E79C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE7E7 shade: #9CE7E7, #9CD2E7, #9CBEE7, #9CAAE7 and #9C9CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE7E7 shade matches the following richer shades: #9CE7E7, #92F1F1 and #88FAFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE7E7 shade: #9CE7E7, #A6DDDD, #B0D3D3, #BAC9C9 and #C4BFBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE7E7 shade: #9CE7BF, #9CE7D3, #9CE7E7, #9CD3E7 and #9CBFE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE7E7 shade: #5AD7D7, #7BDFDF, #9CE7E7, #BDEFEF and #DEF7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE7E7 shade: #9BE7E7, #AB9CE7 and #E7C99C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE7E7 shade: #9BE7E7, #E79CE7 and #E7E79C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE7E7 shade: #9BE7E7, #AB9CE7, #E79C9C and #D8E79C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE7E7 shade: #9BE7E7, #C19CE7, #E79C9C and #C1E79C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 0 / 9

HEX #9BE7E7

RGB 155 231 231

HSL 180, 0.61%, 0.76%

LAB 86.94, -23.27, -7.47

 

Complementary color

CMYK 0 / 76 / 76 / 61

HEX #641818

RGB 100 24 24

HSL 0, 0.61%, 0.24%

LAB 21.68, 33.82, 20.18

 

CMYK 31 / 0 / 2 / 9

HEX #A0E7E2

RGB 160 231 226

HSL 175.77, 0.6%, 0.77%

LAB 87.05, -23.04, -4.65

 

CMYK 29 / 0 / 2 / 2

HEX #B1F9F5

RGB 177 249 245

HSL 176.67, 0.86%, 0.84%

LAB 93.32, -22.93, -5.23

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 33 / 0 / 0 / 9

HEX #9BE7E7

RGB 155 231 231

HSL 180, 0.61%, 0.76%

LAB 86.94, -23.27, -7.47

 

CMYK 35 / 0 / 0 / 16

HEX #8AD5D4

RGB 138 213 212

HSL 179.2, 0.47%, 0.69%

LAB 80.6, -23.35, -6.89

 

CMYK 38 / 0 / 1 / 24

HEX #79C3C1

RGB 121 195 193

HSL 178.38, 0.38%, 0.62%

LAB 74.15, -23.43, -6.28

 

CMYK 41 / 0 / 2 / 31

HEX #68B1AE

RGB 104 177 174

HSL 177.53, 0.32%, 0.55%

LAB 67.61, -23.5, -5.63

 

CMYK 45 / 0 / 3 / 38

HEX #579F9B

RGB 87 159 155

HSL 176.67, 0.29%, 0.48%

LAB 60.95, -23.54, -4.95

 

CMYK 32 / 0 / 0 / 9

HEX #9CE7E7

RGB 156 231 231

HSL 180, 0.61%, 0.76%

LAB 86.99, -23, -7.39

 

CMYK 32 / 0 / 9 / 9

HEX #9CE7D2

RGB 156 231 210

HSL 163.2, 0.61%, 0.76%

LAB 86.44, -27.65, 2.85

 

CMYK 32 / 0 / 18 / 9

HEX #9CE7BE

RGB 156 231 190

HSL 147.2, 0.61%, 0.76%

LAB 85.98, -31.71, 12.67

 

CMYK 32 / 0 / 26 / 9

HEX #9CE7AA

RGB 156 231 170

HSL 131.2, 0.61%, 0.76%

LAB 85.57, -35.39, 22.5

 

CMYK 30 / 0 / 32 / 9

HEX #A2E79C

RGB 162 231 156

HSL 115.2, 0.61%, 0.76%

LAB 85.62, -35.81, 29.83

 

CMYK 32 / 0 / 0 / 9

HEX #9CE7E7

RGB 156 231 231

HSL 180, 0.61%, 0.76%

LAB 86.99, -23, -7.39

 

CMYK 32 / 9 / 0 / 9

HEX #9CD2E7

RGB 156 210 231

HSL 196.8, 0.61%, 0.76%

LAB 81.25, -12.42, -15.95

 

CMYK 32 / 18 / 0 / 9

HEX #9CBEE7

RGB 156 190 231

HSL 212.8, 0.61%, 0.76%

LAB 75.86, -1.85, -24.12

 

CMYK 32 / 26 / 0 / 9

HEX #9CAAE7

RGB 156 170 231

HSL 228.8, 0.61%, 0.76%

LAB 70.59, 9.16, -32.22

 

CMYK 32 / 32 / 0 / 9

HEX #9C9CE7

RGB 156 156 231

HSL 240, 0.61%, 0.76%

LAB 66.99, 17.06, -37.81

 

CMYK 32 / 0 / 0 / 9

HEX #9CE7E7

RGB 156 231 231

HSL 180, 0.61%, 0.76%

LAB 86.99, -23, -7.39

 

CMYK 39 / 0 / 0 / 5

HEX #92F1F1

RGB 146 241 241

HSL 180, 0.77%, 0.76%

LAB 89.57, -28.06, -8.86

 

CMYK 46 / 0 / 0 / 2

HEX #88FAFA

RGB 136 250 250

HSL 180, 0.92%, 0.76%

LAB 91.91, -32.45, -10.11

 

CMYK 32 / 0 / 0 / 9

HEX #9CE7E7

RGB 156 231 231

HSL 180, 0.61%, 0.76%

LAB 86.99, -23, -7.39

 

CMYK 25 / 0 / 0 / 13

HEX #A6DDDD

RGB 166 221 221

HSL 180, 0.45%, 0.76%

LAB 84.5, -17.48, -5.73

 

CMYK 17 / 0 / 0 / 17

HEX #B0D3D3

RGB 176 211 211

HSL 180, 0.28%, 0.76%

LAB 82.12, -11.5, -3.87

 

CMYK 7 / 0 / 0 / 21

HEX #BAC9C9

RGB 186 201 201

HSL 180, 0.12%, 0.76%

LAB 79.86, -5.08, -1.76

 

CMYK 0 / 3 / 3 / 23

HEX #C4BFBF

RGB 196 191 191

HSL 0, 0.04%, 0.76%

LAB 77.73, 1.75, 0.61

 

CMYK 32 / 0 / 17 / 9

HEX #9CE7BF

RGB 156 231 191

HSL 148, 0.61%, 0.76%

LAB 86, -31.52, 12.17

 

CMYK 32 / 0 / 9 / 9

HEX #9CE7D3

RGB 156 231 211

HSL 164, 0.61%, 0.76%

LAB 86.47, -27.43, 2.36

 

CMYK 32 / 0 / 0 / 9

HEX #9CE7E7

RGB 156 231 231

HSL 180, 0.61%, 0.76%

LAB 86.99, -23, -7.39

 

CMYK 32 / 9 / 0 / 9

HEX #9CD3E7

RGB 156 211 231

HSL 196, 0.61%, 0.76%

LAB 81.53, -12.93, -15.55

 

CMYK 32 / 17 / 0 / 9

HEX #9CBFE7

RGB 156 191 231

HSL 212, 0.61%, 0.76%

LAB 76.13, -2.38, -23.71

 

CMYK 58 / 0 / 0 / 16

HEX #5AD7D7

RGB 90 215 215

HSL 180, 0.61%, 0.6%

LAB 79.43, -34.22, -10.42

 

CMYK 45 / 0 / 0 / 13

HEX #7BDFDF

RGB 123 223 223

HSL 180, 0.61%, 0.68%

LAB 83.08, -29.24, -9.13

 

CMYK 32 / 0 / 0 / 9

HEX #9CE7E7

RGB 156 231 231

HSL 180, 0.61%, 0.76%

LAB 86.99, -23, -7.39

 

CMYK 21 / 0 / 0 / 6

HEX #BDEFEF

RGB 189 239 239

HSL 180, 0.61%, 0.84%

LAB 91.14, -15.85, -5.26

 

CMYK 10 / 0 / 0 / 3

HEX #DEF7F7

RGB 222 247 247

HSL 180, 0.61%, 0.92%

LAB 95.48, -8.1, -2.78

 

CMYK 33 / 0 / 0 / 9

HEX #9BE7E7

RGB 155 231 231

HSL 180, 0.61%, 0.76%

LAB 86.94, -23.27, -7.47

 

CMYK 26 / 32 / 0 / 9

HEX #AB9CE7

RGB 171 156 231

HSL 252, 0.61%, 0.76%

LAB 68.17, 21.35, -35.88

 

CMYK 0 / 13 / 32 / 9

HEX #E7C99C

RGB 231 201 156

HSL 36, 0.61%, 0.76%

LAB 82.47, 4.12, 26.41

 

CMYK 33 / 0 / 0 / 9

HEX #9BE7E7

RGB 155 231 231

HSL 180, 0.61%, 0.76%

LAB 86.94, -23.27, -7.47

 

CMYK 0 / 32 / 0 / 9

HEX #E79CE7

RGB 231 156 231

HSL 300, 0.61%, 0.76%

LAB 73.89, 39.7, -26.58

 

CMYK 0 / 0 / 32 / 9

HEX #E7E79C

RGB 231 231 156

HSL 60, 0.61%, 0.76%

LAB 90.11, -11.21, 36.59

 

CMYK 33 / 0 / 0 / 9

HEX #9BE7E7

RGB 155 231 231

HSL 180, 0.61%, 0.76%

LAB 86.94, -23.27, -7.47

 

CMYK 26 / 32 / 0 / 9

HEX #AB9CE7

RGB 171 156 231

HSL 252, 0.61%, 0.76%

LAB 68.17, 21.35, -35.88

 

CMYK 0 / 32 / 32 / 9

HEX #E79C9C

RGB 231 156 156

HSL 0, 0.61%, 0.76%

LAB 71.67, 28.01, 11.45

 

CMYK 6 / 0 / 32 / 9

HEX #D8E79C

RGB 216 231 156

HSL 72, 0.61%, 0.76%

LAB 88.99, -16.85, 34.92

 

CMYK 33 / 0 / 0 / 9

HEX #9BE7E7

RGB 155 231 231

HSL 180, 0.61%, 0.76%

LAB 86.94, -23.27, -7.47

 

CMYK 16 / 32 / 0 / 9

HEX #C19CE7

RGB 193 156 231

HSL 269.6, 0.61%, 0.76%

LAB 70.09, 27.92, -32.74

 

CMYK 0 / 32 / 32 / 9

HEX #E79C9C

RGB 231 156 156

HSL 0, 0.61%, 0.76%

LAB 71.67, 28.01, 11.45

 

CMYK 16 / 0 / 32 / 9

HEX #C1E79C

RGB 193 231 156

HSL 90.4, 0.61%, 0.76%

LAB 87.43, -25.24, 32.56

 

Description

Color code: HEX #9BE7E7 | qconv.com Color code: HEX #9BE7E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 231 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 231 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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