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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE9A9 it is the complementary color #641656. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE9A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE9A9 shade: #A0E9A4, #B1FBB7, #C2FFCA, #D3FFDD and #E4FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE9A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE9A9 shade: #9BE9A9, #8AD796, #79C583, #68B370 and #57A15D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE9A9 shade: #9AE8A8, #A1E89A, #B6E89A, #CBE89A and #E1E89A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE9A9 shade: #9AE8A8, #9AE8BD, #9AE8D2, #9AE8E8 and #9AD4E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE9A9 shade matches the following richer shades: #9AE8A8, #90F2A2 and #86FC9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE9A9 shade: #9AE8A8, #A4DFAF, #AED5B5, #B8CBBB and #C2C1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE9A9 shade: #B7E89A, #A2E89A, #9AE8A7, #9AE8BC and #9AE8D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE9A9 shade: #56DA6E, #78E18B, #9AE8A8, #BCF0C5 and #DEF7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE9A9 shade: #9BE9A9, #9ACCE8 and #E89AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE9A9 shade: #9BE9A9, #A79AE8 and #E8A79A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE9A9 shade: #9BE9A9, #9ACCE8, #E89ADB and #E8B79A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE9A9 shade: #9BE9A9, #9AB4E8, #E89ADB and #E8CE9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 27 / 9

HEX #9BE9A9

RGB 155 233 169

HSL 130.77, 0.64%, 0.76%

LAB 86.06, -36.79, 23.69

 

Complementary color

CMYK 0 / 78 / 14 / 61

HEX #641656

RGB 100 22 86

HSL 310.77, 0.64%, 0.24%

LAB 23.52, 41.42, -19.58

 

CMYK 31 / 0 / 30 / 9

HEX #A0E9A4

RGB 160 233 164

HSL 123.29, 0.62%, 0.77%

LAB 86.22, -36.08, 26.53

 

CMYK 29 / 0 / 27 / 2

HEX #B1FBB7

RGB 177 251 183

HSL 124.86, 0.9%, 0.84%

LAB 92.47, -35.84, 25.49

 

CMYK 24 / 0 / 21 / 0

HEX #C2FFCA

RGB 194 255 202

HSL 127.87, 1%, 0.88%

LAB 94.85, -29.13, 19.24

 

CMYK 17 / 0 / 13 / 0

HEX #D3FFDD

RGB 211 255 221

HSL 133.64, 1%, 0.91%

LAB 96.24, -20.38, 11.63

 

CMYK 11 / 0 / 6 / 0

HEX #E4FFF0

RGB 228 255 240

HSL 146.67, 1%, 0.95%

LAB 97.75, -11.48, 4.19

 

CMYK 33 / 0 / 27 / 9

HEX #9BE9A9

RGB 155 233 169

HSL 130.77, 0.64%, 0.76%

LAB 86.06, -36.79, 23.69

 

CMYK 36 / 0 / 30 / 16

HEX #8AD796

RGB 138 215 150

HSL 129.35, 0.49%, 0.69%

LAB 79.73, -37.05, 24.76

 

CMYK 39 / 0 / 34 / 23

HEX #79C583

RGB 121 197 131

HSL 127.89, 0.4%, 0.62%

LAB 73.31, -37.3, 25.9

 

CMYK 42 / 0 / 37 / 30

HEX #68B370

RGB 104 179 112

HSL 126.4, 0.33%, 0.55%

LAB 66.79, -37.55, 27.11

 

CMYK 46 / 0 / 42 / 37

HEX #57A15D

RGB 87 161 93

HSL 124.86, 0.3%, 0.49%

LAB 60.16, -37.74, 28.4

 

CMYK 34 / 0 / 28 / 9

HEX #9AE8A8

RGB 154 232 168

HSL 130.77, 0.63%, 0.76%

LAB 85.71, -36.81, 23.72

 

CMYK 31 / 0 / 34 / 9

HEX #A1E89A

RGB 161 232 154

HSL 114.62, 0.63%, 0.76%

LAB 85.82, -36.9, 31.1

 

CMYK 22 / 0 / 34 / 9

HEX #B6E89A

RGB 182 232 154

HSL 98.46, 0.63%, 0.76%

LAB 86.99, -29.87, 32.87

 

CMYK 13 / 0 / 34 / 9

HEX #CBE89A

RGB 203 232 154

HSL 82.31, 0.63%, 0.76%

LAB 88.32, -22.39, 34.88

 

CMYK 3 / 0 / 34 / 9

HEX #E1E89A

RGB 225 232 154

HSL 65.38, 0.63%, 0.76%

LAB 89.88, -14.22, 37.22

 

CMYK 34 / 0 / 28 / 9

HEX #9AE8A8

RGB 154 232 168

HSL 130.77, 0.63%, 0.76%

LAB 85.71, -36.81, 23.72

 

CMYK 34 / 0 / 19 / 9

HEX #9AE8BD

RGB 154 232 189

HSL 146.92, 0.63%, 0.76%

LAB 86.13, -32.96, 13.4

 

CMYK 34 / 0 / 9 / 9

HEX #9AE8D2

RGB 154 232 210

HSL 163.08, 0.63%, 0.76%

LAB 86.62, -28.69, 3.09

 

CMYK 34 / 0 / 0 / 9

HEX #9AE8E8

RGB 154 232 232

HSL 180, 0.63%, 0.76%

LAB 87.2, -23.79, -7.62

 

CMYK 34 / 9 / 0 / 9

HEX #9AD4E8

RGB 154 212 232

HSL 195.38, 0.63%, 0.76%

LAB 81.72, -13.75, -15.8

 

CMYK 34 / 0 / 28 / 9

HEX #9AE8A8

RGB 154 232 168

HSL 130.77, 0.63%, 0.76%

LAB 85.71, -36.81, 23.72

 

CMYK 40 / 0 / 33 / 5

HEX #90F2A2

RGB 144 242 162

HSL 131.02, 0.79%, 0.76%

LAB 87.99, -45.21, 29.81

 

CMYK 47 / 0 / 38 / 1

HEX #86FC9B

RGB 134 252 155

HSL 130.68, 0.95%, 0.76%

LAB 90.35, -53.27, 36.37

 

CMYK 34 / 0 / 28 / 9

HEX #9AE8A8

RGB 154 232 168

HSL 130.77, 0.63%, 0.76%

LAB 85.71, -36.81, 23.72

 

CMYK 26 / 0 / 22 / 13

HEX #A4DFAF

RGB 164 223 175

HSL 131.19, 0.48%, 0.76%

LAB 83.84, -28.25, 17.58

 

CMYK 18 / 0 / 15 / 16

HEX #AED5B5

RGB 174 213 181

HSL 130.77, 0.32%, 0.76%

LAB 81.8, -19.01, 11.62

 

CMYK 9 / 0 / 8 / 20

HEX #B8CBBB

RGB 184 203 187

HSL 129.47, 0.15%, 0.76%

LAB 79.89, -9.45, 5.78

 

CMYK 0 / 1 / 0 / 24

HEX #C2C1C2

RGB 194 193 194

HSL 300, 0.01%, 0.76%

LAB 78.17, 0.54, -0.39

 

CMYK 21 / 0 / 34 / 9

HEX #B7E89A

RGB 183 232 154

HSL 97.69, 0.63%, 0.76%

LAB 87.05, -29.52, 32.96

 

CMYK 30 / 0 / 34 / 9

HEX #A2E89A

RGB 162 232 154

HSL 113.85, 0.63%, 0.76%

LAB 85.87, -36.58, 31.18

 

CMYK 34 / 0 / 28 / 9

HEX #9AE8A7

RGB 154 232 167

HSL 130, 0.63%, 0.76%

LAB 85.69, -36.98, 24.21

 

CMYK 34 / 0 / 19 / 9

HEX #9AE8BC

RGB 154 232 188

HSL 146.15, 0.63%, 0.76%

LAB 86.11, -33.15, 13.89

 

CMYK 34 / 0 / 10 / 9

HEX #9AE8D1

RGB 154 232 209

HSL 162.31, 0.63%, 0.76%

LAB 86.6, -28.9, 3.58

 

CMYK 61 / 0 / 50 / 15

HEX #56DA6E

RGB 86 218 110

HSL 130.91, 0.64%, 0.6%

LAB 78.02, -58.43, 42.38

 

CMYK 47 / 0 / 38 / 12

HEX #78E18B

RGB 120 225 139

HSL 130.86, 0.64%, 0.68%

LAB 81.68, -48.44, 32.89

 

CMYK 34 / 0 / 28 / 9

HEX #9AE8A8

RGB 154 232 168

HSL 130.77, 0.63%, 0.76%

LAB 85.71, -36.81, 23.72

 

CMYK 22 / 0 / 18 / 6

HEX #BCF0C5

RGB 188 240 197

HSL 130.38, 0.63%, 0.84%

LAB 90.34, -24.79, 15.44

 

CMYK 10 / 0 / 9 / 3

HEX #DEF7E2

RGB 222 247 226

HSL 129.6, 0.61%, 0.92%

LAB 94.97, -11.97, 7.32

 

CMYK 33 / 0 / 27 / 9

HEX #9BE9A9

RGB 155 233 169

HSL 130.77, 0.64%, 0.76%

LAB 86.06, -36.79, 23.69

 

CMYK 34 / 12 / 0 / 9

HEX #9ACCE8

RGB 154 204 232

HSL 201.54, 0.63%, 0.76%

LAB 79.55, -9.6, -19.07

 

CMYK 0 / 34 / 26 / 9

HEX #E89AAC

RGB 232 154 172

HSL 346.15, 0.63%, 0.76%

LAB 71.72, 31.56, 2.69

 

CMYK 33 / 0 / 27 / 9

HEX #9BE9A9

RGB 155 233 169

HSL 130.77, 0.64%, 0.76%

LAB 86.06, -36.79, 23.69

 

CMYK 28 / 34 / 0 / 9

HEX #A79AE8

RGB 167 154 232

HSL 250, 0.63%, 0.76%

LAB 67.39, 21.57, -37.66

 

CMYK 0 / 28 / 34 / 9

HEX #E8A79A

RGB 232 167 154

HSL 10, 0.63%, 0.76%

LAB 74.27, 22.27, 16.23

 

CMYK 33 / 0 / 27 / 9

HEX #9BE9A9

RGB 155 233 169

HSL 130.77, 0.64%, 0.76%

LAB 86.06, -36.79, 23.69

 

CMYK 34 / 12 / 0 / 9

HEX #9ACCE8

RGB 154 204 232

HSL 201.54, 0.63%, 0.76%

LAB 79.55, -9.6, -19.07

 

CMYK 0 / 34 / 6 / 9

HEX #E89ADB

RGB 232 154 219

HSL 310, 0.63%, 0.76%

LAB 73.14, 38.94, -21.14

 

CMYK 0 / 21 / 34 / 9

HEX #E8B79A

RGB 232 183 154

HSL 22.31, 0.63%, 0.76%

LAB 78.08, 13.74, 21.51

 

CMYK 33 / 0 / 27 / 9

HEX #9BE9A9

RGB 155 233 169

HSL 130.77, 0.64%, 0.76%

LAB 86.06, -36.79, 23.69

 

CMYK 34 / 22 / 0 / 9

HEX #9AB4E8

RGB 154 180 232

HSL 220, 0.63%, 0.76%

LAB 73.11, 3.3, -28.88

 

CMYK 0 / 34 / 6 / 9

HEX #E89ADB

RGB 232 154 219

HSL 310, 0.63%, 0.76%

LAB 73.14, 38.94, -21.14

 

CMYK 0 / 11 / 34 / 9

HEX #E8CE9A

RGB 232 206 154

HSL 40, 0.63%, 0.76%

LAB 83.77, 1.66, 29.23

 

Description

Color code: HEX #9BE9A9 | qconv.com Color code: HEX #9BE9A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 233 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 233 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 27 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 27% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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