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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE04C it is the complementary color #641FB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE04C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE04C shade: #A0E047, #B1F25A, #C2FF6D, #D3FF80 and #E4FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE04C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE04C shade: #9BE04C, #8ACE39, #79BC26, #68AA13 and #579800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE04C shade: #9BDF4D, #C2DF4D, #DFD44D, #DFAD4D and #DF854D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE04C shade: #9BDF4D, #73DF4D, #4DDF4E, #4DDF75 and #4DDF9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE04C shade matches the following richer shades: #9BDF4D and #9CF03C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE04C shade: #9BDF4D, #9ACE5E, #99BD6F, #97AC80 and #969B90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE04C shade: #DFD34D, #C4DF4D, #9DDF4D, #76DF4D and #4FDF4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE04C shade: #72B920, #87D92A, #9BDF4D, #AFE570 and #C2EC93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE04C shade: #9BE04C, #4DDFAC and #DF4DD8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE04C shade: #9BE04C, #4D9DDF and #DF4D9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE04C shade: #9BE04C, #4DDFAC, #8F4DDF and #DF4D80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE04C shade: #9BE04C, #4DDFD8, #8F4DDF and #DF4D54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 66 / 12

HEX #9BE04C

RGB 155 224 76

HSL 87.97, 0.7%, 0.59%

LAB 82.27, -44.33, 63.05

 

Complementary color

CMYK 44 / 83 / 0 / 30

HEX #641FB3

RGB 100 31 179

HSL 267.97, 0.7%, 0.41%

LAB 31.68, 57.8, -64.82

 

CMYK 29 / 0 / 68 / 12

HEX #A0E047

RGB 160 224 71

HSL 85.1, 0.71%, 0.58%

LAB 82.51, -42.89, 65.29

 

CMYK 27 / 0 / 63 / 5

HEX #B1F25A

RGB 177 242 90

HSL 85.66, 0.85%, 0.65%

LAB 88.73, -43.19, 64.74

 

CMYK 24 / 0 / 57 / 0

HEX #C2FF6D

RGB 194 255 109

HSL 85.07, 1%, 0.71%

LAB 93.49, -41.2, 62.36

 

CMYK 17 / 0 / 50 / 0

HEX #D3FF80

RGB 211 255 128

HSL 80.79, 1%, 0.75%

LAB 94.71, -33.26, 55.6

 

CMYK 11 / 0 / 42 / 0

HEX #E4FF93

RGB 228 255 147

HSL 75, 1%, 0.79%

LAB 96.05, -25.02, 48.58

 

CMYK 31 / 0 / 66 / 12

HEX #9BE04C

RGB 155 224 76

HSL 87.97, 0.7%, 0.59%

LAB 82.27, -44.33, 63.05

 

CMYK 33 / 0 / 72 / 19

HEX #8ACE39

RGB 138 206 57

HSL 87.38, 0.6%, 0.52%

LAB 75.97, -43.98, 63.39

 

CMYK 36 / 0 / 80 / 26

HEX #79BC26

RGB 121 188 38

HSL 86.8, 0.66%, 0.44%

LAB 69.59, -43.45, 63.09

 

CMYK 39 / 0 / 89 / 33

HEX #68AA13

RGB 104 170 19

HSL 86.23, 0.8%, 0.37%

LAB 63.13, -42.68, 61.71

 

CMYK 43 / 0 / 100 / 40

HEX #579800

RGB 87 152 0

HSL 85.66, 1%, 0.3%

LAB 56.57, -41.64, 59.04

 

CMYK 30 / 0 / 65 / 13

HEX #9BDF4D

RGB 155 223 77

HSL 87.95, 0.7%, 0.59%

LAB 81.99, -43.83, 62.36

 

CMYK 13 / 0 / 65 / 13

HEX #C2DF4D

RGB 194 223 77

HSL 71.92, 0.7%, 0.59%

LAB 84.37, -29.07, 65.59

 

CMYK 0 / 5 / 65 / 13

HEX #DFD44D

RGB 223 212 77

HSL 55.48, 0.7%, 0.59%

LAB 83.61, -11.89, 65.48

 

CMYK 0 / 22 / 65 / 13

HEX #DFAD4D

RGB 223 173 77

HSL 39.45, 0.7%, 0.59%

LAB 73.62, 8.3, 54.88

 

CMYK 0 / 40 / 65 / 13

HEX #DF854D

RGB 223 133 77

HSL 23.01, 0.7%, 0.59%

LAB 64.16, 29.67, 44.29

 

CMYK 30 / 0 / 65 / 13

HEX #9BDF4D

RGB 155 223 77

HSL 87.95, 0.7%, 0.59%

LAB 81.99, -43.83, 62.36

 

CMYK 48 / 0 / 65 / 13

HEX #73DF4D

RGB 115 223 77

HSL 104.38, 0.7%, 0.59%

LAB 80.15, -56.77, 59.85

 

CMYK 65 / 0 / 65 / 13

HEX #4DDF4E

RGB 77 223 78

HSL 120.41, 0.7%, 0.59%

LAB 78.99, -65.9, 57.83

 

CMYK 65 / 0 / 48 / 13

HEX #4DDF75

RGB 77 223 117

HSL 136.44, 0.7%, 0.59%

LAB 79.41, -61.03, 40.66

 

CMYK 65 / 0 / 30 / 13

HEX #4DDF9D

RGB 77 223 157

HSL 152.88, 0.7%, 0.59%

LAB 80.06, -53.86, 21.21

 

CMYK 30 / 0 / 65 / 13

HEX #9BDF4D

RGB 155 223 77

HSL 87.95, 0.7%, 0.59%

LAB 81.99, -43.83, 62.36

 

CMYK 35 / 0 / 75 / 6

HEX #9CF03C

RGB 156 240 60

HSL 88, 0.86%, 0.59%

LAB 86.86, -51.68, 73.31

 

CMYK 30 / 0 / 65 / 13

HEX #9BDF4D

RGB 155 223 77

HSL 87.95, 0.7%, 0.59%

LAB 81.99, -43.83, 62.36

 

CMYK 25 / 0 / 54 / 19

HEX #9ACE5E

RGB 154 206 94

HSL 87.86, 0.53%, 0.59%

LAB 77.17, -35.16, 49.63

 

CMYK 19 / 0 / 41 / 26

HEX #99BD6F

RGB 153 189 111

HSL 87.69, 0.37%, 0.59%

LAB 72.44, -25.56, 35.5

 

CMYK 12 / 0 / 26 / 33

HEX #97AC80

RGB 151 172 128

HSL 88.64, 0.21%, 0.59%

LAB 67.76, -15.33, 20.28

 

CMYK 3 / 0 / 7 / 39

HEX #969B90

RGB 150 155 144

HSL 87.27, 0.05%, 0.59%

LAB 63.29, -3.89, 5.13

 

CMYK 0 / 5 / 65 / 13

HEX #DFD34D

RGB 223 211 77

HSL 55.07, 0.7%, 0.59%

LAB 83.34, -11.38, 65.21

 

CMYK 12 / 0 / 65 / 13

HEX #C4DF4D

RGB 196 223 77

HSL 71.1, 0.7%, 0.59%

LAB 84.51, -28.28, 65.77

 

CMYK 30 / 0 / 65 / 13

HEX #9DDF4D

RGB 157 223 77

HSL 87.12, 0.7%, 0.59%

LAB 82.1, -43.11, 62.51

 

CMYK 47 / 0 / 65 / 13

HEX #76DF4D

RGB 118 223 77

HSL 103.15, 0.7%, 0.59%

LAB 80.27, -55.9, 60.01

 

CMYK 65 / 0 / 65 / 13

HEX #4FDF4D

RGB 79 223 77

HSL 119.18, 0.7%, 0.59%

LAB 79.03, -65.6, 58.3

 

CMYK 38 / 0 / 83 / 27

HEX #72B920

RGB 114 185 32

HSL 87.84, 0.71%, 0.43%

LAB 68.3, -44.94, 63.43

 

CMYK 38 / 0 / 81 / 15

HEX #87D92A

RGB 135 217 42

HSL 88.11, 0.7%, 0.51%

LAB 79.01, -50.38, 70.83

 

CMYK 30 / 0 / 65 / 13

HEX #9BDF4D

RGB 155 223 77

HSL 87.95, 0.7%, 0.59%

LAB 81.99, -43.83, 62.36

 

CMYK 24 / 0 / 51 / 10

HEX #AFE570

RGB 175 229 112

HSL 87.69, 0.69%, 0.67%

LAB 85.16, -36.15, 51.03

 

CMYK 18 / 0 / 38 / 7

HEX #C2EC93

RGB 194 236 147

HSL 88.31, 0.7%, 0.75%

LAB 88.72, -28.47, 38.79

 

CMYK 31 / 0 / 66 / 12

HEX #9BE04C

RGB 155 224 76

HSL 87.97, 0.7%, 0.59%

LAB 82.27, -44.33, 63.05

 

CMYK 65 / 0 / 23 / 13

HEX #4DDFAC

RGB 77 223 172

HSL 159.04, 0.7%, 0.59%

LAB 80.37, -50.63, 13.77

 

CMYK 0 / 65 / 3 / 13

HEX #DF4DD8

RGB 223 77 216

HSL 302.88, 0.7%, 0.59%

LAB 57.99, 72.14, -43.03

 

CMYK 31 / 0 / 66 / 12

HEX #9BE04C

RGB 155 224 76

HSL 87.97, 0.7%, 0.59%

LAB 82.27, -44.33, 63.05

 

CMYK 65 / 30 / 0 / 13

HEX #4D9DDF

RGB 77 157 223

HSL 207.12, 0.7%, 0.59%

LAB 62.52, -4.05, -40.69

 

CMYK 0 / 65 / 30 / 13

HEX #DF4D9D

RGB 223 77 157

HSL 327.12, 0.7%, 0.59%

LAB 55.51, 63.84, -12.86

 

CMYK 31 / 0 / 66 / 12

HEX #9BE04C

RGB 155 224 76

HSL 87.97, 0.7%, 0.59%

LAB 82.27, -44.33, 63.05

 

CMYK 65 / 0 / 23 / 13

HEX #4DDFAC

RGB 77 223 172

HSL 159.04, 0.7%, 0.59%

LAB 80.37, -50.63, 13.77

 

CMYK 36 / 65 / 0 / 13

HEX #8F4DDF

RGB 143 77 223

HSL 267.12, 0.7%, 0.59%

LAB 47.59, 55.8, -64.24

 

CMYK 0 / 65 / 43 / 13

HEX #DF4D80

RGB 223 77 128

HSL 339.04, 0.7%, 0.59%

LAB 54.61, 60.67, 2.93

 

CMYK 31 / 0 / 66 / 12

HEX #9BE04C

RGB 155 224 76

HSL 87.97, 0.7%, 0.59%

LAB 82.27, -44.33, 63.05

 

CMYK 65 / 0 / 3 / 13

HEX #4DDFD8

RGB 77 223 216

HSL 177.12, 0.7%, 0.59%

LAB 81.46, -39.73, -7.97

 

CMYK 36 / 65 / 0 / 13

HEX #8F4DDF

RGB 143 77 223

HSL 267.12, 0.7%, 0.59%

LAB 47.59, 55.8, -64.24

 

CMYK 0 / 65 / 62 / 13

HEX #DF4D54

RGB 223 77 84

HSL 357.12, 0.7%, 0.59%

LAB 53.64, 57.14, 27.67

 

Description

Color code: HEX #9BE04C | qconv.com Color code: HEX #9BE04C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 224 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 224 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 66 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 66% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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