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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BE311 it is the complementary color #641CEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BE311. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BE311 shade: #A0E30C, #B1F51F, #C2FF32, #D3FF45 and #E4FF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BE311. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BE311 shade: #9BE311, #8AD100, #79BF00, #68AD00 and #579B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BE311 shade: #9BE311, #D4E311, #E3BA11, #E38111 and #E34811

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BE311 shade: #9BE311, #62E311, #29E311, #11E331 and #11E369

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BE311 shade matches the following richer shades: #9BE311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BE311 shade: #9BE311, #95CF24, #8FBC38, #88A84C and #829460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BE311 shade: #E3B911, #D5E311, #9DE311, #65E311 and #2DE311

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BE311 shade: #67960B, #81BD0E, #9BE311, #ADEF2E and #BCF255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BE311 shade: #9BE311, #11E381 and #D511E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BE311 shade: #9BE311, #119DE3 and #E3119D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BE311 shade: #9BE311, #11E381, #5711E3 and #E31173

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BE311 shade: #9BE311, #11E3C0, #5711E3 and #E31134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

Complementary color

CMYK 58 / 88 / 0 / 7

HEX #641CEE

RGB 100 28 238

HSL 260.57, 0.86%, 0.52%

LAB 37.32, 72.93, -89.77

 

CMYK 30 / 0 / 95 / 11

HEX #A0E30C

RGB 160 227 12

HSL 78.7, 0.9%, 0.47%

LAB 83.15, -46.42, 80.16

 

CMYK 28 / 0 / 87 / 4

HEX #B1F51F

RGB 177 245 31

HSL 79.07, 0.91%, 0.54%

LAB 89.28, -47.39, 82.94

 

CMYK 24 / 0 / 80 / 0

HEX #C2FF32

RGB 194 255 50

HSL 77.85, 1%, 0.6%

LAB 93.11, -44.79, 82.6

 

CMYK 17 / 0 / 73 / 0

HEX #D3FF45

RGB 211 255 69

HSL 74.19, 1%, 0.64%

LAB 94.23, -37.56, 78.61

 

CMYK 11 / 0 / 65 / 0

HEX #E4FF58

RGB 228 255 88

HSL 69.7, 1%, 0.67%

LAB 95.46, -29.95, 73.6

 

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

CMYK 34 / 0 / 100 / 18

HEX #8AD100

RGB 138 209 0

HSL 80.38, 1%, 0.41%

LAB 76.68, -47.07, 75.71

 

CMYK 37 / 0 / 100 / 25

HEX #79BF00

RGB 121 191 0

HSL 81.99, 1%, 0.37%

LAB 70.4, -45.72, 70.49

 

CMYK 40 / 0 / 100 / 32

HEX #68AD00

RGB 104 173 0

HSL 83.93, 1%, 0.34%

LAB 64.02, -44.33, 65.18

 

CMYK 44 / 0 / 100 / 39

HEX #579B00

RGB 87 155 0

HSL 86.32, 1%, 0.3%

LAB 57.53, -42.88, 59.79

 

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

CMYK 7 / 0 / 93 / 11

HEX #D4E311

RGB 212 227 17

HSL 64.29, 0.86%, 0.48%

LAB 86.49, -25.82, 83.68

 

CMYK 0 / 18 / 93 / 11

HEX #E3BA11

RGB 227 186 17

HSL 48.29, 0.86%, 0.48%

LAB 76.97, 1.09, 77

 

CMYK 0 / 43 / 93 / 11

HEX #E38111

RGB 227 129 17

HSL 32, 0.86%, 0.48%

LAB 63.4, 31.28, 67.08

 

CMYK 0 / 68 / 93 / 11

HEX #E34811

RGB 227 72 17

HSL 15.71, 0.86%, 0.48%

LAB 52.96, 58.05, 59.94

 

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

CMYK 57 / 0 / 93 / 11

HEX #62E311

RGB 98 227 17

HSL 96.86, 0.86%, 0.48%

LAB 80.5, -65.94, 76.37

 

CMYK 82 / 0 / 93 / 11

HEX #29E311

RGB 41 227 17

HSL 113.14, 0.86%, 0.48%

LAB 79.3, -76.17, 74.89

 

CMYK 93 / 0 / 78 / 11

HEX #11E331

RGB 17 227 49

HSL 129.14, 0.86%, 0.48%

LAB 79.2, -76.65, 68.02

 

CMYK 93 / 0 / 54 / 11

HEX #11E369

RGB 17 227 105

HSL 145.14, 0.86%, 0.48%

LAB 79.66, -70.94, 46.52

 

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

CMYK 28 / 0 / 83 / 19

HEX #95CF24

RGB 149 207 36

HSL 80.35, 0.7%, 0.48%

LAB 76.77, -41.38, 70.63

 

CMYK 24 / 0 / 70 / 26

HEX #8FBC38

RGB 143 188 56

HSL 80.45, 0.54%, 0.48%

LAB 70.93, -34.19, 58.81

 

CMYK 19 / 0 / 55 / 34

HEX #88A84C

RGB 136 168 76

HSL 80.87, 0.38%, 0.48%

LAB 64.77, -25.84, 43.34

 

CMYK 12 / 0 / 35 / 42

HEX #829460

RGB 130 148 96

HSL 80.77, 0.21%, 0.48%

LAB 58.76, -15.68, 25.42

 

CMYK 0 / 19 / 93 / 11

HEX #E3B911

RGB 227 185 17

HSL 48, 0.86%, 0.48%

LAB 76.72, 1.61, 76.81

 

CMYK 6 / 0 / 93 / 11

HEX #D5E311

RGB 213 227 17

HSL 64, 0.86%, 0.48%

LAB 86.57, -25.41, 83.76

 

CMYK 31 / 0 / 93 / 11

HEX #9DE311

RGB 157 227 17

HSL 80, 0.86%, 0.48%

LAB 82.99, -47.44, 79.43

 

CMYK 56 / 0 / 93 / 11

HEX #65E311

RGB 101 227 17

HSL 96, 0.86%, 0.48%

LAB 80.6, -65.17, 76.49

 

CMYK 80 / 0 / 93 / 11

HEX #2DE311

RGB 45 227 17

HSL 112, 0.86%, 0.48%

LAB 79.35, -75.73, 74.95

 

CMYK 31 / 0 / 93 / 41

HEX #67960B

RGB 103 150 11

HSL 80.29, 0.86%, 0.32%

LAB 56.8, -34.54, 57.86

 

CMYK 32 / 0 / 93 / 26

HEX #81BD0E

RGB 129 189 14

HSL 80.57, 0.86%, 0.4%

LAB 70.24, -41.71, 68.93

 

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

CMYK 28 / 0 / 81 / 6

HEX #ADEF2E

RGB 173 239 46

HSL 80.52, 0.86%, 0.56%

LAB 87.39, -45.86, 78.07

 

CMYK 22 / 0 / 65 / 5

HEX #BCF255

RGB 188 242 85

HSL 80.64, 0.86%, 0.64%

LAB 89.32, -39.53, 67.55

 

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

CMYK 93 / 0 / 43 / 11

HEX #11E381

RGB 17 227 129

HSL 152, 0.86%, 0.48%

LAB 79.98, -67.09, 35.29

 

CMYK 6 / 93 / 0 / 11

HEX #D511E3

RGB 213 17 227

HSL 296, 0.86%, 0.48%

LAB 51.94, 86.48, -58.99

 

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

CMYK 93 / 31 / 0 / 11

HEX #119DE3

RGB 17 157 227

HSL 200, 0.86%, 0.48%

LAB 61.46, -8.68, -44.66

 

CMYK 0 / 93 / 31 / 11

HEX #E3119D

RGB 227 17 157

HSL 320, 0.86%, 0.48%

LAB 50.88, 79.95, -19.84

 

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

CMYK 93 / 0 / 43 / 11

HEX #11E381

RGB 17 227 129

HSL 152, 0.86%, 0.48%

LAB 79.98, -67.09, 35.29

 

CMYK 62 / 93 / 0 / 11

HEX #5711E3

RGB 87 17 227

HSL 260, 0.86%, 0.48%

LAB 33.93, 71.91, -89.17

 

CMYK 0 / 93 / 49 / 11

HEX #E31173

RGB 227 17 115

HSL 332, 0.86%, 0.48%

LAB 49.46, 76.14, 3.41

 

CMYK 32 / 0 / 93 / 11

HEX #9BE311

RGB 155 227 17

HSL 80.57, 0.86%, 0.48%

LAB 82.89, -48.17, 79.3

 

CMYK 93 / 0 / 15 / 11

HEX #11E3C0

RGB 17 227 192

HSL 170, 0.86%, 0.48%

LAB 81.22, -53.25, 4.31

 

CMYK 62 / 93 / 0 / 11

HEX #5711E3

RGB 87 17 227

HSL 260, 0.86%, 0.48%

LAB 33.93, 71.91, -89.17

 

CMYK 0 / 93 / 77 / 11

HEX #E31134

RGB 227 17 52

HSL 350, 0.86%, 0.48%

LAB 48.23, 72.76, 40.03

 

Description

Color code: HEX #9BE311 | qconv.com Color code: HEX #9BE311 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 227 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 227 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 93 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 93% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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