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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BECC3 it is the complementary color #64133C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BECC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BECC3 shade: #A0ECBE, #B1FED1, #C2FFE4, #D3FFF7 and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BECC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BECC3 shade: #9BECC3, #8ADAB0, #79C89D, #68B68A and #57A477

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BECC3 shade: #9CECC3, #9CECAE, #A0EC9C, #B5EC9C and #CBEC9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BECC3 shade: #9CECC3, #9CECD9, #9CE9EC, #9CD4EC and #9CBEEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BECC3 shade matches the following richer shades: #9CECC3 and #92F5C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BECC3 shade: #9CECC3, #A5E2C3, #AFD9C4, #B8CFC4 and #C2C6C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BECC3 shade: #A0EC9C, #9CECAD, #9CECC3, #9CECD8 and #9CEAEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BECC3 shade: #57DF9A, #79E5AF, #9CECC3, #BFF2D8 and #E1F9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BECC3 shade: #9BECC3, #9CB5EC and #ECA39C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BECC3 shade: #9BECC3, #C39CEC and #ECC39C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BECC3 shade: #9BECC3, #9CB5EC, #EC9CC5 and #ECD29C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BECC3 shade: #9BECC3, #9C9DEC, #EC9CC5 and #ECEA9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 17 / 7

HEX #9BECC3

RGB 155 236 195

HSL 149.63, 0.68%, 0.77%

LAB 87.44, -33.36, 12.12

 

Complementary color

CMYK 0 / 81 / 40 / 61

HEX #64133C

RGB 100 19 60

HSL 329.63, 0.68%, 0.23%

LAB 21.95, 38.82, -4.32

 

CMYK 32 / 0 / 19 / 7

HEX #A0ECBE

RGB 160 236 190

HSL 143.68, 0.67%, 0.78%

LAB 87.57, -32.87, 14.95

 

CMYK 30 / 0 / 18 / 0

HEX #B1FED1

RGB 177 254 209

HSL 144.94, 0.97%, 0.85%

LAB 93.81, -32.63, 14.07

 

CMYK 24 / 0 / 11 / 0

HEX #C2FFE4

RGB 194 255 228

HSL 153.44, 1%, 0.88%

LAB 95.41, -24.39, 6.71

 

CMYK 17 / 0 / 3 / 0

HEX #D3FFF7

RGB 211 255 247

HSL 169.09, 1%, 0.91%

LAB 96.85, -15.52, -0.85

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 34 / 0 / 17 / 7

HEX #9BECC3

RGB 155 236 195

HSL 149.63, 0.68%, 0.77%

LAB 87.44, -33.36, 12.12

 

CMYK 37 / 0 / 19 / 15

HEX #8ADAB0

RGB 138 218 176

HSL 148.5, 0.52%, 0.7%

LAB 81.12, -33.61, 13.02

 

CMYK 40 / 0 / 22 / 22

HEX #79C89D

RGB 121 200 157

HSL 147.34, 0.42%, 0.63%

LAB 74.7, -33.87, 13.98

 

CMYK 43 / 0 / 24 / 29

HEX #68B68A

RGB 104 182 138

HSL 146.15, 0.35%, 0.56%

LAB 68.19, -34.12, 15.02

 

CMYK 47 / 0 / 27 / 36

HEX #57A477

RGB 87 164 119

HSL 144.94, 0.31%, 0.49%

LAB 61.58, -34.35, 16.14

 

CMYK 34 / 0 / 17 / 7

HEX #9CECC3

RGB 156 236 195

HSL 149.25, 0.68%, 0.77%

LAB 87.48, -33.08, 12.2

 

CMYK 34 / 0 / 26 / 7

HEX #9CECAE

RGB 156 236 174

HSL 133.5, 0.68%, 0.77%

LAB 87.05, -36.98, 22.49

 

CMYK 32 / 0 / 34 / 7

HEX #A0EC9C

RGB 160 236 156

HSL 117, 0.68%, 0.77%

LAB 86.93, -38.72, 31.56

 

CMYK 23 / 0 / 34 / 7

HEX #B5EC9C

RGB 181 236 156

HSL 101.25, 0.68%, 0.77%

LAB 88.07, -31.8, 33.28

 

CMYK 14 / 0 / 34 / 7

HEX #CBEC9C

RGB 203 236 156

HSL 84.75, 0.68%, 0.77%

LAB 89.43, -24.06, 35.33

 

CMYK 34 / 0 / 17 / 7

HEX #9CECC3

RGB 156 236 195

HSL 149.25, 0.68%, 0.77%

LAB 87.48, -33.08, 12.2

 

CMYK 34 / 0 / 8 / 7

HEX #9CECD9

RGB 156 236 217

HSL 165.75, 0.68%, 0.77%

LAB 88, -28.54, 1.44

 

CMYK 34 / 1 / 0 / 7

HEX #9CE9EC

RGB 156 233 236

HSL 182.25, 0.68%, 0.77%

LAB 87.68, -22.82, -9

 

CMYK 34 / 10 / 0 / 7

HEX #9CD4EC

RGB 156 212 236

HSL 198, 0.68%, 0.77%

LAB 81.95, -12.24, -17.57

 

CMYK 34 / 19 / 0 / 7

HEX #9CBEEC

RGB 156 190 236

HSL 214.5, 0.68%, 0.77%

LAB 76.04, -0.59, -26.55

 

CMYK 34 / 0 / 17 / 7

HEX #9CECC3

RGB 156 236 195

HSL 149.25, 0.68%, 0.77%

LAB 87.48, -33.08, 12.2

 

CMYK 40 / 0 / 20 / 4

HEX #92F5C3

RGB 146 245 195

HSL 149.7, 0.83%, 0.77%

LAB 89.56, -39.97, 15.07

 

CMYK 34 / 0 / 17 / 7

HEX #9CECC3

RGB 156 236 195

HSL 149.25, 0.68%, 0.77%

LAB 87.48, -33.08, 12.2

 

CMYK 27 / 0 / 14 / 11

HEX #A5E2C3

RGB 165 226 195

HSL 149.51, 0.51%, 0.77%

LAB 85.17, -25.65, 8.95

 

CMYK 19 / 0 / 10 / 15

HEX #AFD9C4

RGB 175 217 196

HSL 150, 0.36%, 0.77%

LAB 83.3, -17.88, 5.82

 

CMYK 11 / 0 / 5 / 19

HEX #B8CFC4

RGB 184 207 196

HSL 151.3, 0.19%, 0.77%

LAB 81.18, -9.84, 2.83

 

CMYK 2 / 0 / 1 / 22

HEX #C2C6C4

RGB 194 198 196

HSL 150, 0.03%, 0.77%

LAB 79.52, -1.74, 0.51

 

CMYK 32 / 0 / 34 / 7

HEX #A0EC9C

RGB 160 236 156

HSL 117, 0.68%, 0.77%

LAB 86.93, -38.72, 31.56

 

CMYK 34 / 0 / 27 / 7

HEX #9CECAD

RGB 156 236 173

HSL 132.75, 0.68%, 0.77%

LAB 87.03, -37.15, 22.98

 

CMYK 34 / 0 / 17 / 7

HEX #9CECC3

RGB 156 236 195

HSL 149.25, 0.68%, 0.77%

LAB 87.48, -33.08, 12.2

 

CMYK 34 / 0 / 8 / 7

HEX #9CECD8

RGB 156 236 216

HSL 165, 0.68%, 0.77%

LAB 87.98, -28.76, 1.93

 

CMYK 34 / 1 / 0 / 7

HEX #9CEAEC

RGB 156 234 236

HSL 181.5, 0.68%, 0.77%

LAB 87.95, -23.31, -8.59

 

CMYK 61 / 0 / 31 / 13

HEX #57DF9A

RGB 87 223 154

HSL 149.56, 0.68%, 0.61%

LAB 80.26, -52.63, 23.08

 

CMYK 47 / 0 / 24 / 10

HEX #79E5AF

RGB 121 229 175

HSL 150, 0.68%, 0.69%

LAB 83.55, -43.34, 16.86

 

CMYK 34 / 0 / 17 / 7

HEX #9CECC3

RGB 156 236 195

HSL 149.25, 0.68%, 0.77%

LAB 87.48, -33.08, 12.2

 

CMYK 21 / 0 / 11 / 5

HEX #BFF2D8

RGB 191 242 216

HSL 149.41, 0.66%, 0.85%

LAB 91.48, -21.32, 7.23

 

CMYK 10 / 0 / 5 / 2

HEX #E1F9ED

RGB 225 249 237

HSL 150, 0.67%, 0.93%

LAB 95.94, -10.01, 3.08

 

CMYK 34 / 0 / 17 / 7

HEX #9BECC3

RGB 155 236 195

HSL 149.63, 0.68%, 0.77%

LAB 87.44, -33.36, 12.12

 

CMYK 34 / 23 / 0 / 7

HEX #9CB5EC

RGB 156 181 236

HSL 221.25, 0.68%, 0.77%

LAB 73.66, 4.32, -30.21

 

CMYK 0 / 31 / 34 / 7

HEX #ECA39C

RGB 236 163 156

HSL 5.25, 0.68%, 0.77%

LAB 73.82, 26.16, 14.57

 

CMYK 34 / 0 / 17 / 7

HEX #9BECC3

RGB 155 236 195

HSL 149.63, 0.68%, 0.77%

LAB 87.44, -33.36, 12.12

 

CMYK 17 / 34 / 0 / 7

HEX #C39CEC

RGB 195 156 236

HSL 269.25, 0.68%, 0.77%

LAB 70.48, 29.61, -34.87

 

CMYK 0 / 17 / 34 / 7

HEX #ECC39C

RGB 236 195 156

HSL 29.25, 0.68%, 0.77%

LAB 81.44, 9.19, 25.08

 

CMYK 34 / 0 / 17 / 7

HEX #9BECC3

RGB 155 236 195

HSL 149.63, 0.68%, 0.77%

LAB 87.44, -33.36, 12.12

 

CMYK 34 / 23 / 0 / 7

HEX #9CB5EC

RGB 156 181 236

HSL 221.25, 0.68%, 0.77%

LAB 73.66, 4.32, -30.21

 

CMYK 0 / 34 / 17 / 7

HEX #EC9CC5

RGB 236 156 197

HSL 329.25, 0.68%, 0.77%

LAB 73.31, 35.59, -8.75

 

CMYK 0 / 11 / 34 / 7

HEX #ECD29C

RGB 236 210 156

HSL 40.5, 0.68%, 0.77%

LAB 85.16, 1.37, 30.11

 

CMYK 34 / 0 / 17 / 7

HEX #9BECC3

RGB 155 236 195

HSL 149.63, 0.68%, 0.77%

LAB 87.44, -33.36, 12.12

 

CMYK 34 / 33 / 0 / 7

HEX #9C9DEC

RGB 156 157 236

HSL 239.25, 0.68%, 0.77%

LAB 67.46, 17.79, -39.82

 

CMYK 0 / 34 / 17 / 7

HEX #EC9CC5

RGB 236 156 197

HSL 329.25, 0.68%, 0.77%

LAB 73.31, 35.59, -8.75

 

CMYK 0 / 1 / 34 / 7

HEX #ECEA9C

RGB 236 234 156

HSL 58.5, 0.68%, 0.77%

LAB 91.27, -10.8, 38.18

 

Description

Color code: HEX #9BECC3 | qconv.com Color code: HEX #9BECC3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 236 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 236 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 17 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 17% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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