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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BEF70 it is the complementary color #64108F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BEF70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BEF70 shade: #A0EF6B, #B1FF7E, #C2FF91, #D3FFA4 and #E4FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BEF70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BEF70 shade: #9BEF70, #8ADD5D, #79CB4A, #68B937 and #57A724

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BEF70 shade: #9BEF70, #BDEF70, #DFEF70, #EFDC70 and #EFBA70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BEF70 shade: #9BEF70, #79EF70, #70EF8A, #70EFAC and #70EFCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BEF70 shade matches the following richer shades: #9BEF70 and #97FB63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BEF70 shade: #9BEF70, #9FE27D, #A3D58A, #A7C897 and #ACBCA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BEF70 shade: #E0EF70, #BEEF70, #9CEF70, #7BEF70 and #70EF87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BEF70 shade: #67E626, #81EB4B, #9BEF70, #B5F395 and #CFF7BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BEF70 shade: #9BEF70, #70EFDC and #EF70CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BEF70 shade: #9BEF70, #709CEF and #EF709C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BEF70 shade: #9BEF70, #70EFDC, #C270EF and #EF7083

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BEF70 shade: #9BEF70, #70DCEF, #C270EF and #EF8370

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

Complementary color

CMYK 30 / 89 / 0 / 44

HEX #64108F

RGB 100 16 143

HSL 279.69, 0.8%, 0.31%

LAB 26.91, 54.17, -50.75

 

CMYK 33 / 0 / 55 / 6

HEX #A0EF6B

RGB 160 239 107

HSL 95.91, 0.8%, 0.68%

LAB 87.13, -46.3, 55.43

 

CMYK 31 / 0 / 51 / 0

HEX #B1FF7E

RGB 177 255 126

HSL 96.28, 1%, 0.75%

LAB 92.74, -45.44, 53.68

 

CMYK 24 / 0 / 43 / 0

HEX #C2FF91

RGB 194 255 145

HSL 93.27, 1%, 0.78%

LAB 93.9, -37.47, 46.39

 

CMYK 17 / 0 / 36 / 0

HEX #D3FFA4

RGB 211 255 164

HSL 89.01, 1%, 0.82%

LAB 95.18, -29.15, 38.99

 

CMYK 11 / 0 / 28 / 0

HEX #E4FFB7

RGB 228 255 183

HSL 82.5, 1%, 0.86%

LAB 96.59, -20.6, 31.59

 

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

CMYK 38 / 0 / 58 / 13

HEX #8ADD5D

RGB 138 221 93

HSL 98.91, 0.65%, 0.62%

LAB 80.69, -47.4, 53.94

 

CMYK 40 / 0 / 64 / 20

HEX #79CB4A

RGB 121 203 74

HSL 98.14, 0.55%, 0.54%

LAB 74.36, -47.27, 54.86

 

CMYK 44 / 0 / 70 / 27

HEX #68B937

RGB 104 185 55

HSL 97.38, 0.54%, 0.47%

LAB 67.96, -46.98, 55.49

 

CMYK 48 / 0 / 78 / 35

HEX #57A724

RGB 87 167 36

HSL 96.64, 0.65%, 0.4%

LAB 61.47, -46.45, 55.54

 

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

CMYK 21 / 0 / 53 / 6

HEX #BDEF70

RGB 189 239 112

HSL 83.62, 0.8%, 0.69%

LAB 88.79, -35.59, 55.53

 

CMYK 7 / 0 / 53 / 6

HEX #DFEF70

RGB 223 239 112

HSL 67.56, 0.8%, 0.69%

LAB 91.05, -22.66, 58.74

 

CMYK 0 / 8 / 53 / 6

HEX #EFDC70

RGB 239 220 112

HSL 51.02, 0.8%, 0.69%

LAB 87.34, -6.94, 54.74

 

CMYK 0 / 22 / 53 / 6

HEX #EFBA70

RGB 239 186 112

HSL 34.96, 0.8%, 0.69%

LAB 78.83, 10.61, 44.53

 

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

CMYK 49 / 0 / 53 / 6

HEX #79EF70

RGB 121 239 112

HSL 115.75, 0.8%, 0.69%

LAB 85.49, -57.59, 50.81

 

CMYK 53 / 0 / 42 / 6

HEX #70EF8A

RGB 112 239 138

HSL 132.28, 0.8%, 0.69%

LAB 85.51, -56.3, 38.33

 

CMYK 53 / 0 / 28 / 6

HEX #70EFAC

RGB 112 239 172

HSL 148.35, 0.8%, 0.69%

LAB 86.08, -50.34, 21.9

 

CMYK 53 / 0 / 14 / 6

HEX #70EFCE

RGB 112 239 206

HSL 164.41, 0.8%, 0.69%

LAB 86.82, -43.11, 5.26

 

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

CMYK 40 / 0 / 61 / 2

HEX #97FB63

RGB 151 251 99

HSL 99.47, 0.95%, 0.69%

LAB 90.08, -54.93, 62.16

 

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

CMYK 30 / 0 / 45 / 11

HEX #9FE27D

RGB 159 226 125

HSL 99.8, 0.64%, 0.69%

LAB 83.57, -38.92, 42.66

 

CMYK 23 / 0 / 35 / 16

HEX #A3D58A

RGB 163 213 138

HSL 100, 0.47%, 0.69%

LAB 80.3, -29.8, 31.97

 

CMYK 17 / 0 / 25 / 22

HEX #A7C897

RGB 167 200 151

HSL 100.41, 0.31%, 0.69%

LAB 77.14, -20.08, 20.96

 

CMYK 9 / 0 / 13 / 26

HEX #ACBCA3

RGB 172 188 163

HSL 98.4, 0.16%, 0.69%

LAB 74.43, -10.15, 10.79

 

CMYK 6 / 0 / 53 / 6

HEX #E0EF70

RGB 224 239 112

HSL 67.09, 0.8%, 0.69%

LAB 91.12, -22.27, 58.84

 

CMYK 21 / 0 / 53 / 6

HEX #BEEF70

RGB 190 239 112

HSL 83.15, 0.8%, 0.69%

LAB 88.85, -35.22, 55.62

 

CMYK 35 / 0 / 53 / 6

HEX #9CEF70

RGB 156 239 112

HSL 99.21, 0.8%, 0.69%

LAB 86.98, -47.1, 52.95

 

CMYK 49 / 0 / 53 / 6

HEX #7BEF70

RGB 123 239 112

HSL 114.8, 0.8%, 0.69%

LAB 85.56, -57.05, 50.91

 

CMYK 53 / 0 / 44 / 6

HEX #70EF87

RGB 112 239 135

HSL 130.87, 0.8%, 0.69%

LAB 85.47, -56.76, 39.75

 

CMYK 55 / 0 / 83 / 10

HEX #67E626

RGB 103 230 38

HSL 99.69, 0.79%, 0.53%

LAB 81.63, -65.05, 73.69

 

CMYK 45 / 0 / 68 / 8

HEX #81EB4B

RGB 129 235 75

HSL 99.75, 0.8%, 0.61%

LAB 84.27, -57.42, 65.16

 

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

CMYK 26 / 0 / 39 / 5

HEX #B5F395

RGB 181 243 149

HSL 99.57, 0.8%, 0.77%

LAB 89.9, -35.99, 39.18

 

CMYK 16 / 0 / 25 / 3

HEX #CFF7BA

RGB 207 247 186

HSL 99.34, 0.79%, 0.85%

LAB 93.16, -23.64, 25.19

 

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

CMYK 53 / 0 / 8 / 6

HEX #70EFDC

RGB 112 239 220

HSL 171.02, 0.8%, 0.69%

LAB 87.17, -39.8, -1.56

 

CMYK 0 / 53 / 13 / 6

HEX #EF70CF

RGB 239 112 207

HSL 315.12, 0.8%, 0.69%

LAB 65.31, 60.15, -26.38

 

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

CMYK 53 / 35 / 0 / 6

HEX #709CEF

RGB 112 156 239

HSL 219.21, 0.8%, 0.69%

LAB 64.53, 8.36, -46.26

 

CMYK 0 / 53 / 35 / 6

HEX #EF709C

RGB 239 112 156

HSL 339.21, 0.8%, 0.69%

LAB 63.62, 53.28, 0.02

 

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

CMYK 53 / 0 / 8 / 6

HEX #70EFDC

RGB 112 239 220

HSL 171.02, 0.8%, 0.69%

LAB 87.17, -39.8, -1.56

 

CMYK 19 / 53 / 0 / 6

HEX #C270EF

RGB 194 112 239

HSL 278.74, 0.8%, 0.69%

LAB 61.04, 53.63, -51.34

 

CMYK 0 / 53 / 45 / 6

HEX #EF7083

RGB 239 112 131

HSL 351.02, 0.8%, 0.69%

LAB 62.99, 50.62, 13.45

 

CMYK 35 / 0 / 53 / 6

HEX #9BEF70

RGB 155 239 112

HSL 99.69, 0.8%, 0.69%

LAB 86.93, -47.43, 52.88

 

CMYK 53 / 8 / 0 / 6

HEX #70DCEF

RGB 112 220 239

HSL 188.98, 0.8%, 0.69%

LAB 82.31, -25.96, -18.82

 

CMYK 19 / 53 / 0 / 6

HEX #C270EF

RGB 194 112 239

HSL 278.74, 0.8%, 0.69%

LAB 61.04, 53.63, -51.34

 

CMYK 0 / 45 / 53 / 6

HEX #EF8370

RGB 239 131 112

HSL 8.98, 0.8%, 0.69%

LAB 66.33, 39.49, 28.69

 

Description

Color code: HEX #9BEF70 | qconv.com Color code: HEX #9BEF70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 239 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 239 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 53 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 53% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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