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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BF3FC it is the complementary color #640C03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BF3FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BF3FC shade: #A0F3F7, #B1FFFF, #C2FFFF, #D3FFFF and #E4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BF3FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BF3FC shade: #9BF3FC, #8AE1E9, #79CFD6, #68BDC3 and #57ABB0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BF3FC shade: #9CF3FB, #9CD9FB, #9CBFFB, #9CA5FB and #AC9CFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BF3FC shade: #9CF3FB, #9CD9FB, #9CBFFB, #9CA5FB and #9C9CFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BF3FC shade matches the following richer shades: #9CF3FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BF3FC shade: #9CF3FB, #A4ECF3, #ACE5EB, #B4DEE3 and #BDD8DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BF3FC shade: #9CFBD0, #9CFBEA, #9CF3FB, #9CDAFB and #9CC0FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BF3FC shade: #4CE9F9, #74EEFA, #9CF3FB, #C4F7FD and #ECFCFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BF3FC shade: #9BF3FC, #B79CFB and #FBDD9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BF3FC shade: #9BF3FC, #FB9CF3 and #F3FB9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BF3FC shade: #9BF3FC, #B79CFB, #FBA49C and #E0FB9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BF3FC shade: #9BF3FC, #D39CFB, #FBA49C and #C4FB9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 4 / 0 / 1

HEX #9BF3FC

RGB 155 243 252

HSL 185.57, 0.94%, 0.8%

LAB 90.82, -24.18, -12.68

 

Complementary color

CMYK 0 / 88 / 97 / 61

HEX #640C03

RGB 100 12 3

HSL 5.57, 0.94%, 0.2%

LAB 19.96, 37.26, 29.03

 

CMYK 35 / 2 / 0 / 3

HEX #A0F3F7

RGB 160 243 247

HSL 182.76, 0.84%, 0.8%

LAB 90.91, -24.1, -9.93

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 38 / 4 / 0 / 1

HEX #9BF3FC

RGB 155 243 252

HSL 185.57, 0.94%, 0.8%

LAB 90.82, -24.18, -12.68

 

CMYK 41 / 3 / 0 / 9

HEX #8AE1E9

RGB 138 225 233

HSL 185.05, 0.68%, 0.73%

LAB 84.55, -24.18, -12.16

 

CMYK 43 / 3 / 0 / 16

HEX #79CFD6

RGB 121 207 214

HSL 184.52, 0.53%, 0.66%

LAB 78.2, -24.17, -11.61

 

CMYK 47 / 3 / 0 / 24

HEX #68BDC3

RGB 104 189 195

HSL 183.96, 0.43%, 0.59%

LAB 71.74, -24.12, -11.03

 

CMYK 51 / 3 / 0 / 31

HEX #57ABB0

RGB 87 171 176

HSL 183.37, 0.36%, 0.52%

LAB 65.19, -24.01, -10.42

 

CMYK 38 / 3 / 0 / 2

HEX #9CF3FB

RGB 156 243 251

HSL 185.05, 0.92%, 0.8%

LAB 90.84, -24.17, -12.13

 

CMYK 38 / 14 / 0 / 2

HEX #9CD9FB

RGB 156 217 251

HSL 201.47, 0.92%, 0.8%

LAB 83.79, -11.11, -22.75

 

CMYK 38 / 24 / 0 / 2

HEX #9CBFFB

RGB 156 191 251

HSL 217.89, 0.92%, 0.8%

LAB 76.86, 2.72, -33.36

 

CMYK 38 / 34 / 0 / 2

HEX #9CA5FB

RGB 156 165 251

HSL 234.32, 0.92%, 0.8%

LAB 70.14, 17.2, -43.81

 

CMYK 31 / 38 / 0 / 2

HEX #AC9CFB

RGB 172 156 251

HSL 250.11, 0.92%, 0.8%

LAB 69.12, 26.55, -45.32

 

CMYK 38 / 3 / 0 / 2

HEX #9CF3FB

RGB 156 243 251

HSL 185.05, 0.92%, 0.8%

LAB 90.84, -24.17, -12.13

 

CMYK 38 / 14 / 0 / 2

HEX #9CD9FB

RGB 156 217 251

HSL 201.47, 0.92%, 0.8%

LAB 83.79, -11.11, -22.75

 

CMYK 38 / 24 / 0 / 2

HEX #9CBFFB

RGB 156 191 251

HSL 217.89, 0.92%, 0.8%

LAB 76.86, 2.72, -33.36

 

CMYK 38 / 34 / 0 / 2

HEX #9CA5FB

RGB 156 165 251

HSL 234.32, 0.92%, 0.8%

LAB 70.14, 17.2, -43.81

 

CMYK 38 / 38 / 0 / 2

HEX #9C9CFB

RGB 156 156 251

HSL 240, 0.92%, 0.8%

LAB 67.88, 22.32, -47.36

 

CMYK 38 / 3 / 0 / 2

HEX #9CF3FB

RGB 156 243 251

HSL 185.05, 0.92%, 0.8%

LAB 90.84, -24.17, -12.13

 

CMYK 38 / 3 / 0 / 2

HEX #9CF3FB

RGB 156 243 251

HSL 185.05, 0.92%, 0.8%

LAB 90.84, -24.17, -12.13

 

CMYK 33 / 3 / 0 / 5

HEX #A4ECF3

RGB 164 236 243

HSL 185.32, 0.77%, 0.8%

LAB 89.09, -20.55, -10.53

 

CMYK 27 / 3 / 0 / 8

HEX #ACE5EB

RGB 172 229 235

HSL 185.71, 0.61%, 0.8%

LAB 87.39, -16.67, -8.81

 

CMYK 21 / 2 / 0 / 11

HEX #B4DEE3

RGB 180 222 227

HSL 186.38, 0.46%, 0.8%

LAB 85.75, -12.52, -6.97

 

CMYK 13 / 1 / 0 / 15

HEX #BDD8DA

RGB 189 216 218

HSL 184.14, 0.28%, 0.8%

LAB 84.48, -8.52, -4.02

 

CMYK 38 / 0 / 17 / 2

HEX #9CFBD0

RGB 156 251 208

HSL 152.84, 0.92%, 0.8%

LAB 91.96, -37.4, 11.82

 

CMYK 38 / 0 / 7 / 2

HEX #9CFBEA

RGB 156 251 234

HSL 169.26, 0.92%, 0.8%

LAB 92.58, -31.91, -0.74

 

CMYK 38 / 3 / 0 / 2

HEX #9CF3FB

RGB 156 243 251

HSL 185.05, 0.92%, 0.8%

LAB 90.84, -24.17, -12.13

 

CMYK 38 / 13 / 0 / 2

HEX #9CDAFB

RGB 156 218 251

HSL 200.84, 0.92%, 0.8%

LAB 84.06, -11.63, -22.34

 

CMYK 38 / 24 / 0 / 2

HEX #9CC0FB

RGB 156 192 251

HSL 217.26, 0.92%, 0.8%

LAB 77.12, 2.17, -32.95

 

CMYK 69 / 6 / 0 / 2

HEX #4CE9F9

RGB 76 233 249

HSL 185.55, 0.94%, 0.64%

LAB 85.33, -35.25, -19.63

 

CMYK 54 / 5 / 0 / 2

HEX #74EEFA

RGB 116 238 250

HSL 185.37, 0.93%, 0.72%

LAB 87.85, -30.91, -16.24

 

CMYK 38 / 3 / 0 / 2

HEX #9CF3FB

RGB 156 243 251

HSL 185.05, 0.92%, 0.8%

LAB 90.84, -24.17, -12.13

 

CMYK 23 / 2 / 0 / 1

HEX #C4F7FD

RGB 196 247 253

HSL 186.32, 0.93%, 0.88%

LAB 94.03, -14.81, -8.2

 

CMYK 7 / 1 / 0 / 0

HEX #ECFCFE

RGB 236 252 254

HSL 186.67, 0.9%, 0.96%

LAB 97.88, -4.84, -2.76

 

CMYK 38 / 4 / 0 / 1

HEX #9BF3FC

RGB 155 243 252

HSL 185.57, 0.94%, 0.8%

LAB 90.82, -24.18, -12.68

 

CMYK 27 / 38 / 0 / 2

HEX #B79CFB

RGB 183 156 251

HSL 257.05, 0.92%, 0.8%

LAB 70.04, 29.58, -43.81

 

CMYK 0 / 12 / 38 / 2

HEX #FBDD9C

RGB 251 221 156

HSL 41.05, 0.92%, 0.8%

LAB 89.22, 1.52, 35.73

 

CMYK 38 / 4 / 0 / 1

HEX #9BF3FC

RGB 155 243 252

HSL 185.57, 0.94%, 0.8%

LAB 90.82, -24.18, -12.68

 

CMYK 0 / 38 / 3 / 2

HEX #FB9CF3

RGB 251 156 243

HSL 305.05, 0.92%, 0.8%

LAB 76.53, 48.02, -28.86

 

CMYK 3 / 0 / 38 / 2

HEX #F3FB9C

RGB 243 251 156

HSL 65.05, 0.92%, 0.8%

LAB 96.18, -16.51, 44.63

 

CMYK 38 / 4 / 0 / 1

HEX #9BF3FC

RGB 155 243 252

HSL 185.57, 0.94%, 0.8%

LAB 90.82, -24.18, -12.68

 

CMYK 27 / 38 / 0 / 2

HEX #B79CFB

RGB 183 156 251

HSL 257.05, 0.92%, 0.8%

LAB 70.04, 29.58, -43.81

 

CMYK 0 / 35 / 38 / 2

HEX #FBA49C

RGB 251 164 156

HSL 5.05, 0.92%, 0.8%

LAB 75.74, 31.25, 17.5

 

CMYK 11 / 0 / 38 / 2

HEX #E0FB9C

RGB 224 251 156

HSL 77.05, 0.92%, 0.8%

LAB 94.84, -23.58, 42.64

 

CMYK 38 / 4 / 0 / 1

HEX #9BF3FC

RGB 155 243 252

HSL 185.57, 0.94%, 0.8%

LAB 90.82, -24.18, -12.68

 

CMYK 16 / 38 / 0 / 2

HEX #D39CFB

RGB 211 156 251

HSL 274.74, 0.92%, 0.8%

LAB 72.62, 37.59, -39.59

 

CMYK 0 / 35 / 38 / 2

HEX #FBA49C

RGB 251 164 156

HSL 5.05, 0.92%, 0.8%

LAB 75.74, 31.25, 17.5

 

CMYK 22 / 0 / 38 / 2

HEX #C4FB9C

RGB 196 251 156

HSL 94.74, 0.92%, 0.8%

LAB 93.07, -33.58, 40.01

 

Description

Color code: HEX #9BF3FC | qconv.com Color code: HEX #9BF3FC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 243 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 243 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 4 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 4% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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