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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C09D1 it is the complementary color #63F62E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C09D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C09D1 shade: #A109CC, #B21BDF, #C32DF2, #D43FFF and #E551FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C09D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C09D1 shade: #9C09D1, #8B00BE, #7A00AB, #690098 and #580085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C09D1 shade: #9D08D2, #D208D1, #D2089B, #D20864 and #D2082E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C09D1 shade: #9D08D2, #6608D2, #3008D2 and #0808D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C09D1 shade matches the following richer shades: #9D08D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C09D1 shade: #9D08D2, #941AC0, #8C2CAF, #843D9D and #7B4F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C09D1 shade: #3108D2, #6608D2, #9C08D2, #D208D2 and #D2089C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C09D1 shade: #610583, #7F07AA, #9D08D2, #B80FF5 and #C337F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C09D1 shade: #9C09D1, #D20816 and #08D24C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C09D1 shade: #9C09D1, #D29C08 and #08D29C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C09D1 shade: #9C09D1, #D20816, #3ED208 and #08D2C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C09D1 shade: #9C09D1, #D23708, #3ED208 and #08A3D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 96 / 0 / 18

HEX #9C09D1

RGB 156 9 209

HSL 284.1, 0.92%, 0.43%

LAB 41, 76, -66.84

 

Complementary color

CMYK 60 / 0 / 81 / 4

HEX #63F62E

RGB 99 246 46

HSL 104.1, 0.92%, 0.57%

LAB 86.39, -71.06, 76.01

 

CMYK 21 / 96 / 0 / 20

HEX #A109CC

RGB 161 9 204

HSL 286.77, 0.92%, 0.42%

LAB 41.43, 75.78, -63.22

 

CMYK 20 / 88 / 0 / 13

HEX #B21BDF

RGB 178 27 223

HSL 286.22, 0.78%, 0.49%

LAB 46.41, 79.07, -65.93

 

CMYK 19 / 81 / 0 / 5

HEX #C32DF2

RGB 195 45 242

HSL 285.69, 0.88%, 0.56%

LAB 51.71, 81.17, -67.96

 

CMYK 17 / 75 / 0 / 0

HEX #D43FFF

RGB 212 63 255

HSL 286.56, 1%, 0.62%

LAB 56.85, 81.31, -66.78

 

CMYK 10 / 68 / 0 / 0

HEX #E551FF

RGB 229 81 255

HSL 291.03, 1%, 0.66%

LAB 61.45, 78.5, -59.27

 

CMYK 25 / 96 / 0 / 18

HEX #9C09D1

RGB 156 9 209

HSL 284.1, 0.92%, 0.43%

LAB 41, 76, -66.84

 

CMYK 27 / 100 / 0 / 25

HEX #8B00BE

RGB 139 0 190

HSL 283.89, 1%, 0.37%

LAB 36.38, 71.33, -63.41

 

CMYK 29 / 100 / 0 / 33

HEX #7A00AB

RGB 122 0 171

HSL 282.81, 1%, 0.34%

LAB 31.98, 65.62, -59.41

 

CMYK 31 / 100 / 0 / 40

HEX #690098

RGB 105 0 152

HSL 281.45, 1%, 0.3%

LAB 27.49, 59.79, -55.33

 

CMYK 34 / 100 / 0 / 48

HEX #580085

RGB 88 0 133

HSL 279.7, 1%, 0.26%

LAB 22.89, 53.83, -51.16

 

CMYK 25 / 96 / 0 / 18

HEX #9D08D2

RGB 157 8 210

HSL 284.26, 0.93%, 0.43%

LAB 41.21, 76.42, -67.08

 

CMYK 0 / 96 / 0 / 18

HEX #D208D1

RGB 210 8 209

HSL 300.3, 0.93%, 0.43%

LAB 50.07, 84.11, -51.74

 

CMYK 0 / 96 / 26 / 18

HEX #D2089B

RGB 210 8 155

HSL 316.34, 0.93%, 0.43%

LAB 47.29, 77.13, -24.44

 

CMYK 0 / 96 / 52 / 18

HEX #D20864

RGB 210 8 100

HSL 332.67, 0.93%, 0.43%

LAB 45.35, 72.02, 6.33

 

CMYK 0 / 96 / 78 / 18

HEX #D2082E

RGB 210 8 46

HSL 348.71, 0.93%, 0.43%

LAB 44.34, 69.25, 38.27

 

CMYK 25 / 96 / 0 / 18

HEX #9D08D2

RGB 157 8 210

HSL 284.26, 0.93%, 0.43%

LAB 41.21, 76.42, -67.08

 

CMYK 51 / 96 / 0 / 18

HEX #6608D2

RGB 102 8 210

HSL 267.92, 0.93%, 0.43%

LAB 33.25, 70.54, -80.45

 

CMYK 77 / 96 / 0 / 18

HEX #3008D2

RGB 48 8 210

HSL 251.88, 0.93%, 0.43%

LAB 27.99, 67.58, -89.33

 

CMYK 96 / 96 / 0 / 18

HEX #0808D2

RGB 8 8 210

HSL 240, 0.93%, 0.43%

LAB 26.39, 66.87, -92.06

 

CMYK 25 / 96 / 0 / 18

HEX #9D08D2

RGB 157 8 210

HSL 284.26, 0.93%, 0.43%

LAB 41.21, 76.42, -67.08

 

CMYK 25 / 96 / 0 / 18

HEX #9D08D2

RGB 157 8 210

HSL 284.26, 0.93%, 0.43%

LAB 41.21, 76.42, -67.08

 

CMYK 23 / 86 / 0 / 25

HEX #941AC0

RGB 148 26 192

HSL 284.1, 0.76%, 0.43%

LAB 39.31, 69.04, -59.75

 

CMYK 20 / 75 / 0 / 31

HEX #8C2CAF

RGB 140 44 175

HSL 283.97, 0.6%, 0.43%

LAB 38.68, 58.99, -50.8

 

CMYK 16 / 61 / 0 / 38

HEX #843D9D

RGB 132 61 157

HSL 284.38, 0.44%, 0.43%

LAB 39.03, 45.99, -39.53

 

CMYK 12 / 43 / 0 / 45

HEX #7B4F8B

RGB 123 79 139

HSL 284, 0.28%, 0.43%

LAB 40.68, 29.58, -26.12

 

CMYK 77 / 96 / 0 / 18

HEX #3108D2

RGB 49 8 210

HSL 252.18, 0.93%, 0.43%

LAB 28.06, 67.61, -89.22

 

CMYK 51 / 96 / 0 / 18

HEX #6608D2

RGB 102 8 210

HSL 267.92, 0.93%, 0.43%

LAB 33.25, 70.54, -80.45

 

CMYK 26 / 96 / 0 / 18

HEX #9C08D2

RGB 156 8 210

HSL 283.96, 0.93%, 0.43%

LAB 41.05, 76.29, -67.35

 

CMYK 0 / 96 / 0 / 18

HEX #D208D2

RGB 210 8 210

HSL 300, 0.93%, 0.43%

LAB 50.13, 84.26, -52.22

 

CMYK 0 / 96 / 26 / 18

HEX #D2089C

RGB 210 8 156

HSL 316.04, 0.93%, 0.43%

LAB 47.33, 77.24, -24.97

 

CMYK 26 / 96 / 0 / 49

HEX #610583

RGB 97 5 131

HSL 283.81, 0.93%, 0.27%

LAB 24.6, 53.56, -47.04

 

CMYK 25 / 96 / 0 / 33

HEX #7F07AA

RGB 127 7 170

HSL 284.17, 0.92%, 0.35%

LAB 33.06, 65.08, -57.01

 

CMYK 25 / 96 / 0 / 18

HEX #9D08D2

RGB 157 8 210

HSL 284.26, 0.93%, 0.43%

LAB 41.21, 76.42, -67.08

 

CMYK 25 / 94 / 0 / 4

HEX #B80FF5

RGB 184 15 245

HSL 284.09, 0.92%, 0.51%

LAB 48.42, 85.51, -75.07

 

CMYK 21 / 78 / 0 / 4

HEX #C337F6

RGB 195 55 246

HSL 283.98, 0.91%, 0.59%

LAB 52.94, 79.13, -68.22

 

CMYK 25 / 96 / 0 / 18

HEX #9C09D1

RGB 156 9 209

HSL 284.1, 0.92%, 0.43%

LAB 41, 76, -66.84

 

CMYK 0 / 96 / 90 / 18

HEX #D20816

RGB 210 8 22

HSL 355.84, 0.93%, 0.43%

LAB 44.14, 68.7, 50.61

 

CMYK 96 / 0 / 64 / 18

HEX #08D24C

RGB 8 210 76

HSL 140.2, 0.93%, 0.43%

LAB 73.98, -69.83, 52.87

 

CMYK 25 / 96 / 0 / 18

HEX #9C09D1

RGB 156 9 209

HSL 284.1, 0.92%, 0.43%

LAB 41, 76, -66.84

 

CMYK 0 / 26 / 96 / 18

HEX #D29C08

RGB 210 156 8

HSL 43.96, 0.93%, 0.43%

LAB 67.65, 9.44, 70.57

 

CMYK 96 / 0 / 26 / 18

HEX #08D29C

RGB 8 210 156

HSL 163.96, 0.93%, 0.43%

LAB 75.17, -55.79, 14.8

 

CMYK 25 / 96 / 0 / 18

HEX #9C09D1

RGB 156 9 209

HSL 284.1, 0.92%, 0.43%

LAB 41, 76, -66.84

 

CMYK 0 / 96 / 90 / 18

HEX #D20816

RGB 210 8 22

HSL 355.84, 0.93%, 0.43%

LAB 44.14, 68.7, 50.61

 

CMYK 70 / 0 / 96 / 18

HEX #3ED208

RGB 62 210 8

HSL 103.96, 0.93%, 0.43%

LAB 74.28, -68.43, 71.86

 

CMYK 96 / 0 / 6 / 18

HEX #08D2C5

RGB 8 210 197

HSL 176.14, 0.93%, 0.43%

LAB 76.18, -45.1, -5.73

 

CMYK 25 / 96 / 0 / 18

HEX #9C09D1

RGB 156 9 209

HSL 284.1, 0.92%, 0.43%

LAB 41, 76, -66.84

 

CMYK 0 / 74 / 96 / 18

HEX #D23708

RGB 210 55 8

HSL 13.96, 0.93%, 0.43%

LAB 47.56, 58.67, 57.44

 

CMYK 70 / 0 / 96 / 18

HEX #3ED208

RGB 62 210 8

HSL 103.96, 0.93%, 0.43%

LAB 74.28, -68.43, 71.86

 

CMYK 96 / 22 / 0 / 18

HEX #08A3D2

RGB 8 163 210

HSL 193.96, 0.93%, 0.43%

LAB 62.42, -18.4, -33.73

 

Description

Color code: HEX #9C09D1 | qconv.com Color code: HEX #9C09D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 9 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 9 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 96 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 96% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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