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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C19DB it is the complementary color #63E624. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C19DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C19DB shade: #A119D6, #B22BE9, #C33DFC, #D44FFF and #E561FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C19DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C19DB shade: #9C19DB, #8B07C8, #7A00B5, #6900A2 and #58008F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C19DB shade: #9C18DC, #D118DC, #DC18B2, #DC187D and #DC1848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C19DB shade: #9C18DC, #6718DC, #3318DC and #1818DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C19DB shade matches the following richer shades: #9C18DC and #A304F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C19DB shade: #9C18DC, #952CC8, #8E40B4, #8753A0 and #80678D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C19DB shade: #3218DC, #6618DC, #9B18DC, #CF18DC and #DC18B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C19DB shade: #671092, #8214B7, #9C18DC, #AE35E8 and #BD5AEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C19DB shade: #9C19DB, #DC1832 and #18DC4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C19DB shade: #9C19DB, #DC9B18 and #18DC9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C19DB shade: #9C19DB, #DC1832, #59DC18 and #18DCC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C19DB shade: #9C19DB, #DC3918, #59DC18 and #18BBDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 89 / 0 / 14

HEX #9C19DB

RGB 156 25 219

HSL 280.52, 0.8%, 0.48%

LAB 42.58, 75.56, -70.03

 

Complementary color

CMYK 57 / 0 / 84 / 10

HEX #63E624

RGB 99 230 36

HSL 100.52, 0.8%, 0.52%

LAB 81.5, -66.14, 73.97

 

CMYK 25 / 88 / 0 / 16

HEX #A119D6

RGB 161 25 214

HSL 283.17, 0.79%, 0.47%

LAB 42.95, 75.31, -66.51

 

CMYK 24 / 82 / 0 / 9

HEX #B22BE9

RGB 178 43 233

HSL 282.63, 0.81%, 0.54%

LAB 48.36, 77.3, -68.45

 

CMYK 23 / 76 / 0 / 1

HEX #C33DFC

RGB 195 61 252

HSL 282.09, 0.97%, 0.61%

LAB 53.99, 78.37, -69.85

 

CMYK 17 / 69 / 0 / 0

HEX #D44FFF

RGB 212 79 255

HSL 285.34, 1%, 0.65%

LAB 58.8, 75.76, -63.65

 

CMYK 10 / 62 / 0 / 0

HEX #E561FF

RGB 229 97 255

HSL 290.13, 1%, 0.69%

LAB 63.69, 72.23, -55.69

 

CMYK 29 / 89 / 0 / 14

HEX #9C19DB

RGB 156 25 219

HSL 280.52, 0.8%, 0.48%

LAB 42.58, 75.56, -70.03

 

CMYK 31 / 97 / 0 / 22

HEX #8B07C8

RGB 139 7 200

HSL 281.04, 0.93%, 0.41%

LAB 37.5, 72.37, -67.44

 

CMYK 33 / 100 / 0 / 29

HEX #7A00B5

RGB 122 0 181

HSL 280.44, 1%, 0.35%

LAB 32.86, 67.56, -63.95

 

CMYK 35 / 100 / 0 / 36

HEX #6900A2

RGB 105 0 162

HSL 278.89, 1%, 0.32%

LAB 28.41, 61.8, -59.93

 

CMYK 38 / 100 / 0 / 44

HEX #58008F

RGB 88 0 143

HSL 276.92, 1%, 0.28%

LAB 23.86, 55.93, -55.82

 

CMYK 29 / 89 / 0 / 14

HEX #9C18DC

RGB 156 24 220

HSL 280.41, 0.8%, 0.48%

LAB 42.59, 75.94, -70.58

 

CMYK 5 / 89 / 0 / 14

HEX #D118DC

RGB 209 24 220

HSL 296.63, 0.8%, 0.48%

LAB 51.12, 83.92, -56.36

 

CMYK 0 / 89 / 19 / 14

HEX #DC18B2

RGB 220 24 178

HSL 312.86, 0.8%, 0.48%

LAB 50.78, 80.08, -32.5

 

CMYK 0 / 89 / 43 / 14

HEX #DC187D

RGB 220 24 125

HSL 329.08, 0.8%, 0.48%

LAB 48.7, 74.47, -3.97

 

CMYK 0 / 89 / 67 / 14

HEX #DC1848

RGB 220 24 72

HSL 345.31, 0.8%, 0.48%

LAB 47.41, 70.88, 26.81

 

CMYK 29 / 89 / 0 / 14

HEX #9C18DC

RGB 156 24 220

HSL 280.41, 0.8%, 0.48%

LAB 42.59, 75.94, -70.58

 

CMYK 53 / 89 / 0 / 14

HEX #6718DC

RGB 103 24 220

HSL 264.18, 0.8%, 0.48%

LAB 35.41, 69.93, -82.65

 

CMYK 77 / 89 / 0 / 14

HEX #3318DC

RGB 51 24 220

HSL 248.27, 0.8%, 0.48%

LAB 30.7, 66.55, -90.61

 

CMYK 89 / 89 / 0 / 14

HEX #1818DC

RGB 24 24 220

HSL 240, 0.8%, 0.48%

LAB 29.45, 65.75, -92.72

 

CMYK 29 / 89 / 0 / 14

HEX #9C18DC

RGB 156 24 220

HSL 280.41, 0.8%, 0.48%

LAB 42.59, 75.94, -70.58

 

CMYK 32 / 98 / 0 / 6

HEX #A304F0

RGB 163 4 240

HSL 280.42, 0.97%, 0.48%

LAB 44.47, 83.08, -78.84

 

CMYK 29 / 89 / 0 / 14

HEX #9C18DC

RGB 156 24 220

HSL 280.41, 0.8%, 0.48%

LAB 42.59, 75.94, -70.58

 

CMYK 26 / 78 / 0 / 22

HEX #952CC8

RGB 149 44 200

HSL 280.38, 0.64%, 0.48%

LAB 41.78, 65.73, -60.4

 

CMYK 21 / 64 / 0 / 29

HEX #8E40B4

RGB 142 64 180

HSL 280.34, 0.48%, 0.48%

LAB 42.33, 51.95, -47.87

 

CMYK 16 / 48 / 0 / 37

HEX #8753A0

RGB 135 83 160

HSL 280.52, 0.32%, 0.48%

LAB 44.05, 35.69, -33.35

 

CMYK 9 / 27 / 0 / 45

HEX #80678D

RGB 128 103 141

HSL 279.47, 0.16%, 0.48%

LAB 47.25, 17.44, -17.14

 

CMYK 77 / 89 / 0 / 14

HEX #3218DC

RGB 50 24 220

HSL 247.96, 0.8%, 0.48%

LAB 30.64, 66.51, -90.71

 

CMYK 54 / 89 / 0 / 14

HEX #6618DC

RGB 102 24 220

HSL 263.88, 0.8%, 0.48%

LAB 35.29, 69.85, -82.85

 

CMYK 30 / 89 / 0 / 14

HEX #9B18DC

RGB 155 24 220

HSL 280.1, 0.8%, 0.48%

LAB 42.44, 75.8, -70.83

 

CMYK 6 / 89 / 0 / 14

HEX #CF18DC

RGB 207 24 220

HSL 296.02, 0.8%, 0.48%

LAB 50.79, 83.59, -56.92

 

CMYK 0 / 89 / 18 / 14

HEX #DC18B5

RGB 220 24 181

HSL 311.94, 0.8%, 0.48%

LAB 50.93, 80.46, -34.04

 

CMYK 29 / 89 / 0 / 43

HEX #671092

RGB 103 16 146

HSL 280.15, 0.8%, 0.32%

LAB 27.65, 55.26, -51.38

 

CMYK 29 / 89 / 0 / 28

HEX #8214B7

RGB 130 20 183

HSL 280.49, 0.8%, 0.4%

LAB 35.33, 65.89, -61.05

 

CMYK 29 / 89 / 0 / 14

HEX #9C18DC

RGB 156 24 220

HSL 280.41, 0.8%, 0.48%

LAB 42.59, 75.94, -70.58

 

CMYK 25 / 77 / 0 / 9

HEX #AE35E8

RGB 174 53 232

HSL 280.56, 0.8%, 0.56%

LAB 48.72, 73.48, -67.32

 

CMYK 20 / 62 / 0 / 7

HEX #BD5AEC

RGB 189 90 236

HSL 280.68, 0.79%, 0.64%

LAB 56.27, 62.49, -57.3

 

CMYK 29 / 89 / 0 / 14

HEX #9C19DB

RGB 156 25 219

HSL 280.52, 0.8%, 0.48%

LAB 42.58, 75.56, -70.03

 

CMYK 0 / 89 / 77 / 14

HEX #DC1832

RGB 220 24 50

HSL 352.04, 0.8%, 0.48%

LAB 47.1, 70, 39.54

 

CMYK 89 / 0 / 65 / 14

HEX #18DC4C

RGB 24 220 76

HSL 135.92, 0.8%, 0.48%

LAB 77.22, -72.03, 56.48

 

CMYK 29 / 89 / 0 / 14

HEX #9C19DB

RGB 156 25 219

HSL 280.52, 0.8%, 0.48%

LAB 42.58, 75.56, -70.03

 

CMYK 0 / 30 / 89 / 14

HEX #DC9B18

RGB 220 155 24

HSL 40.1, 0.8%, 0.48%

LAB 68.55, 14.58, 69.01

 

CMYK 89 / 0 / 30 / 14

HEX #18DC9B

RGB 24 220 155

HSL 160.1, 0.8%, 0.48%

LAB 78.31, -59.1, 19.72

 

CMYK 29 / 89 / 0 / 14

HEX #9C19DB

RGB 156 25 219

HSL 280.52, 0.8%, 0.48%

LAB 42.58, 75.56, -70.03

 

CMYK 0 / 89 / 77 / 14

HEX #DC1832

RGB 220 24 50

HSL 352.04, 0.8%, 0.48%

LAB 47.1, 70, 39.54

 

CMYK 60 / 0 / 89 / 14

HEX #59DC18

RGB 89 220 24

HSL 100.1, 0.8%, 0.48%

LAB 78.1, -65.62, 73.24

 

CMYK 89 / 0 / 12 / 14

HEX #18DCC2

RGB 24 220 194

HSL 172.04, 0.8%, 0.48%

LAB 79.2, -49.56, 0.33

 

CMYK 29 / 89 / 0 / 14

HEX #9C19DB

RGB 156 25 219

HSL 280.52, 0.8%, 0.48%

LAB 42.58, 75.56, -70.03

 

CMYK 0 / 74 / 89 / 14

HEX #DC3918

RGB 220 57 24

HSL 10.1, 0.8%, 0.48%

LAB 49.75, 61.31, 54.77

 

CMYK 60 / 0 / 89 / 14

HEX #59DC18

RGB 89 220 24

HSL 100.1, 0.8%, 0.48%

LAB 78.1, -65.62, 73.24

 

CMYK 89 / 15 / 0 / 14

HEX #18BBDC

RGB 24 187 220

HSL 190.1, 0.8%, 0.48%

LAB 70.11, -26.74, -27.35

 

Description

Color code: HEX #9C19DB | qconv.com Color code: HEX #9C19DB | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 25 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 25 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 89 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 89% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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