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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C1296 it is the complementary color #63ED69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C1296. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C1296 shade: #A11291, #B224A4, #C336B7, #D448CA and #E55ADD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C1296. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C1296 shade: #9C1296, #8B0083, #7A0070, #69005D and #58004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C1296 shade: #9B1295, #9B1270, #9B124B, #9B1226 and #9B1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C1296 shade: #9B1295, #7C129B, #57129B, #32129B and #12129B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C1296 shade matches the following richer shades: #9B1295 and #A904A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C1296 shade: #9B1295, #8D2088, #7F2E7B, #713C6E and #634A62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C1296 shade: #56129B, #7B129B, #9B1296, #9B1272 and #9B124D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C1296 shade: #51094E, #760D71, #9B1295, #C016B8 and #E41BDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C1296 shade: #9C1296, #9B3212 and #129B68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C1296 shade: #9C1296, #969B12 and #12969B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C1296 shade: #9C1296, #9B3212, #129B16 and #127B9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C1296 shade: #9C1296, #9B5B12, #129B16 and #12529B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 4 / 39

HEX #9C1296

RGB 156 18 150

HSL 302.61, 0.79%, 0.34%

LAB 37.3, 64.8, -37.81

 

Complementary color

CMYK 58 / 0 / 56 / 7

HEX #63ED69

RGB 99 237 105

HSL 122.61, 0.79%, 0.66%

LAB 84.09, -63.15, 52.16

 

CMYK 0 / 89 / 10 / 37

HEX #A11291

RGB 161 18 145

HSL 306.71, 0.8%, 0.35%

LAB 37.94, 65.02, -33.69

 

CMYK 0 / 80 / 8 / 30

HEX #B224A4

RGB 178 36 164

HSL 305.92, 0.66%, 0.42%

LAB 43.37, 67.38, -36.39

 

CMYK 0 / 72 / 6 / 24

HEX #C336B7

RGB 195 54 183

HSL 305.11, 0.57%, 0.49%

LAB 49.08, 68.66, -38.41

 

CMYK 0 / 66 / 5 / 17

HEX #D448CA

RGB 212 72 202

HSL 304.29, 0.62%, 0.56%

LAB 54.97, 69.21, -39.94

 

CMYK 0 / 61 / 3 / 10

HEX #E55ADD

RGB 229 90 221

HSL 303.45, 0.73%, 0.63%

LAB 60.95, 69.29, -41.13

 

CMYK 0 / 88 / 4 / 39

HEX #9C1296

RGB 156 18 150

HSL 302.61, 0.79%, 0.34%

LAB 37.3, 64.8, -37.81

 

CMYK 0 / 100 / 6 / 45

HEX #8B0083

RGB 139 0 131

HSL 303.45, 1%, 0.27%

LAB 32.1, 61.35, -34.56

 

CMYK 0 / 100 / 8 / 52

HEX #7A0070

RGB 122 0 112

HSL 304.92, 1%, 0.24%

LAB 27.59, 55.4, -29.89

 

CMYK 0 / 100 / 11 / 59

HEX #69005D

RGB 105 0 93

HSL 306.86, 1%, 0.21%

LAB 22.98, 49.29, -25.03

 

CMYK 0 / 100 / 16 / 65

HEX #58004A

RGB 88 0 74

HSL 309.55, 1%, 0.17%

LAB 18.23, 43.01, -19.93

 

CMYK 0 / 88 / 4 / 39

HEX #9B1295

RGB 155 18 149

HSL 302.63, 0.79%, 0.34%

LAB 37.06, 64.45, -37.59

 

CMYK 0 / 88 / 28 / 39

HEX #9B1270

RGB 155 18 112

HSL 318.83, 0.79%, 0.34%

LAB 35.14, 59.36, -17.59

 

CMYK 0 / 88 / 52 / 39

HEX #9B124B

RGB 155 18 75

HSL 335.04, 0.79%, 0.34%

LAB 33.79, 55.6, 4.26

 

CMYK 0 / 88 / 75 / 39

HEX #9B1226

RGB 155 18 38

HSL 351.24, 0.79%, 0.34%

LAB 33.01, 53.34, 27.3

 

CMYK 0 / 88 / 88 / 39

HEX #9B1212

RGB 155 18 18

HSL 0, 0.79%, 0.34%

LAB 32.8, 52.73, 38.66

 

CMYK 0 / 88 / 4 / 39

HEX #9B1295

RGB 155 18 149

HSL 302.63, 0.79%, 0.34%

LAB 37.06, 64.45, -37.59

 

CMYK 20 / 88 / 0 / 39

HEX #7C129B

RGB 124 18 155

HSL 286.42, 0.79%, 0.34%

LAB 32, 59.94, -49.68

 

CMYK 44 / 88 / 0 / 39

HEX #57129B

RGB 87 18 155

HSL 270.22, 0.79%, 0.34%

LAB 26.23, 54.51, -59.34

 

CMYK 68 / 88 / 0 / 39

HEX #32129B

RGB 50 18 155

HSL 254.01, 0.79%, 0.34%

LAB 21.86, 50.76, -66.7

 

CMYK 88 / 88 / 0 / 39

HEX #12129B

RGB 18 18 155

HSL 240, 0.79%, 0.34%

LAB 19.75, 49.12, -70.27

 

CMYK 0 / 88 / 4 / 39

HEX #9B1295

RGB 155 18 149

HSL 302.63, 0.79%, 0.34%

LAB 37.06, 64.45, -37.59

 

CMYK 0 / 98 / 4 / 34

HEX #A904A2

RGB 169 4 162

HSL 302.55, 0.95%, 0.34%

LAB 39.8, 70.73, -40.96

 

CMYK 0 / 88 / 4 / 39

HEX #9B1295

RGB 155 18 149

HSL 302.63, 0.79%, 0.34%

LAB 37.06, 64.45, -37.59

 

CMYK 0 / 77 / 4 / 45

HEX #8D2088

RGB 141 32 136

HSL 302.75, 0.63%, 0.34%

LAB 34.95, 56.15, -33.12

 

CMYK 0 / 64 / 3 / 50

HEX #7F2E7B

RGB 127 46 123

HSL 302.96, 0.47%, 0.34%

LAB 33.77, 45.1, -27.05

 

CMYK 0 / 47 / 3 / 56

HEX #713C6E

RGB 113 60 110

HSL 303.4, 0.31%, 0.34%

LAB 33.71, 31.17, -19.13

 

CMYK 0 / 25 / 1 / 61

HEX #634A62

RGB 99 74 98

HSL 302.4, 0.14%, 0.34%

LAB 34.87, 15.2, -9.93

 

CMYK 45 / 88 / 0 / 39

HEX #56129B

RGB 86 18 155

HSL 269.78, 0.79%, 0.34%

LAB 26.09, 54.38, -59.57

 

CMYK 21 / 88 / 0 / 39

HEX #7B129B

RGB 123 18 155

HSL 285.99, 0.79%, 0.34%

LAB 31.83, 59.77, -49.96

 

CMYK 0 / 88 / 3 / 39

HEX #9B1296

RGB 155 18 150

HSL 302.19, 0.79%, 0.34%

LAB 37.12, 64.61, -38.11

 

CMYK 0 / 88 / 26 / 39

HEX #9B1272

RGB 155 18 114

HSL 317.96, 0.79%, 0.34%

LAB 35.23, 59.61, -18.72

 

CMYK 0 / 88 / 50 / 39

HEX #9B124D

RGB 155 18 77

HSL 334.16, 0.79%, 0.34%

LAB 33.85, 55.77, 3.03

 

CMYK 0 / 89 / 4 / 68

HEX #51094E

RGB 81 9 78

HSL 302.5, 0.8%, 0.18%

LAB 17.89, 39.56, -23.3

 

CMYK 0 / 89 / 4 / 54

HEX #760D71

RGB 118 13 113

HSL 302.86, 0.8%, 0.26%

LAB 27.66, 52.45, -30.47

 

CMYK 0 / 88 / 4 / 39

HEX #9B1295

RGB 155 18 149

HSL 302.63, 0.79%, 0.34%

LAB 37.06, 64.45, -37.59

 

CMYK 0 / 89 / 4 / 25

HEX #C016B8

RGB 192 22 184

HSL 302.82, 0.79%, 0.42%

LAB 45.96, 75.89, -43.97

 

CMYK 0 / 88 / 4 / 11

HEX #E41BDB

RGB 228 27 219

HSL 302.69, 0.79%, 0.5%

LAB 54.44, 86.57, -50.3

 

CMYK 0 / 88 / 4 / 39

HEX #9C1296

RGB 156 18 150

HSL 302.61, 0.79%, 0.34%

LAB 37.3, 64.8, -37.81

 

CMYK 0 / 68 / 88 / 39

HEX #9B3212

RGB 155 50 18

HSL 14.01, 0.79%, 0.34%

LAB 36.54, 42.32, 41.73

 

CMYK 88 / 0 / 33 / 39

HEX #129B68

RGB 18 155 104

HSL 157.66, 0.79%, 0.34%

LAB 56.65, -46.19, 17.41

 

CMYK 0 / 88 / 4 / 39

HEX #9C1296

RGB 156 18 150

HSL 302.61, 0.79%, 0.34%

LAB 37.3, 64.8, -37.81

 

CMYK 3 / 0 / 88 / 39

HEX #969B12

RGB 150 155 18

HSL 62.19, 0.79%, 0.34%

LAB 61.63, -16.8, 61.89

 

CMYK 88 / 3 / 0 / 39

HEX #12969B

RGB 18 150 155

HSL 182.19, 0.79%, 0.34%

LAB 56.39, -29.93, -11.93

 

CMYK 0 / 88 / 4 / 39

HEX #9C1296

RGB 156 18 150

HSL 302.61, 0.79%, 0.34%

LAB 37.3, 64.8, -37.81

 

CMYK 0 / 68 / 88 / 39

HEX #9B3212

RGB 155 50 18

HSL 14.01, 0.79%, 0.34%

LAB 36.54, 42.32, 41.73

 

CMYK 88 / 0 / 86 / 39

HEX #129B16

RGB 18 155 22

HSL 121.75, 0.79%, 0.34%

LAB 55.71, -57.48, 53.58

 

CMYK 88 / 21 / 0 / 39

HEX #127B9B

RGB 18 123 155

HSL 194.01, 0.79%, 0.34%

LAB 47.83, -15.88, -25

 

CMYK 0 / 88 / 4 / 39

HEX #9C1296

RGB 156 18 150

HSL 302.61, 0.79%, 0.34%

LAB 37.3, 64.8, -37.81

 

CMYK 0 / 41 / 88 / 39

HEX #9B5B12

RGB 155 91 18

HSL 31.97, 0.79%, 0.34%

LAB 44.93, 21.08, 48.56

 

CMYK 88 / 0 / 86 / 39

HEX #129B16

RGB 18 155 22

HSL 121.75, 0.79%, 0.34%

LAB 55.71, -57.48, 53.58

 

CMYK 88 / 47 / 0 / 39

HEX #12529B

RGB 18 82 155

HSL 211.97, 0.79%, 0.34%

LAB 35.06, 9.33, -45.17

 

Description

Color code: HEX #9C1296 | qconv.com Color code: HEX #9C1296 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 18 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 18 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 4 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 4% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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