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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C246C it is the complementary color #63DB93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C246C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C246C shade: #A12467, #B2367A, #C3488D, #D45AA0 and #E56CB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C246C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C246C shade: #9C246C, #8B1259, #7A0046, #690033 and #580020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C246C shade: #9D236D, #9D234C, #9D232B and #9D2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C246C shade: #9D236D, #9D238E, #8C239D, #6C239D and #4B239D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C246C shade matches the following richer shades: #9D236D, #AD1470 and #BD0473

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C246C shade: #9D236D, #8E3369, #7E4366, #6E5263 and #5F6260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C246C shade: #8D239D, #9D238D, #9D236D, #9D234C and #9D232B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C246C shade: #5A143E, #7C1C55, #9D236D, #BF2B84 and #D34098

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C246C shade: #9C246C, #9D6D23 and #239D9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C246C shade: #9C246C, #6D9D23 and #236D9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C246C shade: #9C246C, #9D6D23, #239D54 and #23549D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C246C shade: #9C246C, #9D9123, #239D54 and #23309D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 31 / 39

HEX #9C246C

RGB 156 36 108

HSL 324, 0.63%, 0.38%

LAB 36.77, 54.54, -12.56

 

Complementary color

CMYK 55 / 0 / 33 / 14

HEX #63DB93

RGB 99 219 147

HSL 144, 0.63%, 0.62%

LAB 79.28, -49.8, 25.45

 

CMYK 0 / 78 / 36 / 37

HEX #A12467

RGB 161 36 103

HSL 327.84, 0.63%, 0.39%

LAB 37.51, 55.28, -8.17

 

CMYK 0 / 70 / 31 / 30

HEX #B2367A

RGB 178 54 122

HSL 327.1, 0.53%, 0.45%

LAB 43.52, 55.89, -10.68

 

CMYK 0 / 63 / 28 / 24

HEX #C3488D

RGB 195 72 141

HSL 326.34, 0.51%, 0.52%

LAB 49.69, 55.89, -12.61

 

CMYK 0 / 58 / 25 / 17

HEX #D45AA0

RGB 212 90 160

HSL 325.57, 0.59%, 0.59%

LAB 55.93, 55.52, -14.15

 

CMYK 0 / 53 / 22 / 10

HEX #E56CB3

RGB 229 108 179

HSL 324.79, 0.7%, 0.66%

LAB 62.2, 54.96, -15.4

 

CMYK 0 / 77 / 31 / 39

HEX #9C246C

RGB 156 36 108

HSL 324, 0.63%, 0.38%

LAB 36.77, 54.54, -12.56

 

CMYK 0 / 87 / 36 / 45

HEX #8B1259

RGB 139 18 89

HSL 324.79, 0.77%, 0.31%

LAB 30.98, 52.9, -9.43

 

CMYK 0 / 100 / 43 / 52

HEX #7A0046

RGB 122 0 70

HSL 325.57, 1%, 0.24%

LAB 25.5, 50.11, -5.38

 

CMYK 0 / 100 / 51 / 59

HEX #690033

RGB 105 0 51

HSL 330.86, 1%, 0.21%

LAB 20.99, 44.23, 0.68

 

CMYK 0 / 100 / 64 / 65

HEX #580020

RGB 88 0 32

HSL 338.18, 1%, 0.17%

LAB 16.4, 38.3, 7.27

 

CMYK 0 / 78 / 31 / 38

HEX #9D236D

RGB 157 35 109

HSL 323.61, 0.64%, 0.38%

LAB 36.88, 55.24, -13

 

CMYK 0 / 78 / 52 / 38

HEX #9D234C

RGB 157 35 76

HSL 339.84, 0.64%, 0.38%

LAB 35.78, 51.81, 6.49

 

CMYK 0 / 78 / 73 / 38

HEX #9D232B

RGB 157 35 43

HSL 356.07, 0.64%, 0.38%

LAB 35.09, 49.63, 26.71

 

CMYK 0 / 78 / 78 / 38

HEX #9D2323

RGB 157 35 35

HSL 0, 0.64%, 0.38%

LAB 34.99, 49.28, 31.45

 

CMYK 0 / 78 / 31 / 38

HEX #9D236D

RGB 157 35 109

HSL 323.61, 0.64%, 0.38%

LAB 36.88, 55.24, -13

 

CMYK 0 / 78 / 10 / 38

HEX #9D238E

RGB 157 35 142

HSL 307.38, 0.64%, 0.38%

LAB 38.42, 59.78, -31.15

 

CMYK 11 / 78 / 0 / 38

HEX #8C239D

RGB 140 35 157

HSL 291.64, 0.64%, 0.38%

LAB 36.39, 58.64, -43.68

 

CMYK 31 / 78 / 0 / 38

HEX #6C239D

RGB 108 35 157

HSL 275.9, 0.64%, 0.38%

LAB 31.4, 52.43, -51.98

 

CMYK 52 / 78 / 0 / 38

HEX #4B239D

RGB 75 35 157

HSL 259.67, 0.64%, 0.38%

LAB 27.11, 46.95, -59.18

 

CMYK 0 / 78 / 31 / 38

HEX #9D236D

RGB 157 35 109

HSL 323.61, 0.64%, 0.38%

LAB 36.88, 55.24, -13

 

CMYK 0 / 88 / 35 / 32

HEX #AD1470

RGB 173 20 112

HSL 323.92, 0.79%, 0.38%

LAB 38.82, 63.11, -11.66

 

CMYK 0 / 98 / 39 / 26

HEX #BD0473

RGB 189 4 115

HSL 324, 0.96%, 0.38%

LAB 41.44, 68.97, -9.27

 

CMYK 0 / 78 / 31 / 38

HEX #9D236D

RGB 157 35 109

HSL 323.61, 0.64%, 0.38%

LAB 36.88, 55.24, -13

 

CMYK 0 / 64 / 26 / 44

HEX #8E3369

RGB 142 51 105

HSL 324.4, 0.47%, 0.38%

LAB 36.25, 44.32, -11.68

 

CMYK 0 / 47 / 19 / 51

HEX #7E4366

RGB 126 67 102

HSL 324.41, 0.31%, 0.38%

LAB 36.76, 30.26, -9.25

 

CMYK 0 / 25 / 10 / 57

HEX #6E5263

RGB 110 82 99

HSL 323.57, 0.15%, 0.38%

LAB 38.29, 14.72, -5.3

 

CMYK 3 / 0 / 2 / 62

HEX #5F6260

RGB 95 98 96

HSL 140, 0.02%, 0.38%

LAB 41.24, -1.59, 0.72

 

CMYK 10 / 78 / 0 / 38

HEX #8D239D

RGB 141 35 157

HSL 292.13, 0.64%, 0.38%

LAB 36.55, 58.85, -43.41

 

CMYK 0 / 78 / 10 / 38

HEX #9D238D

RGB 157 35 141

HSL 307.87, 0.64%, 0.38%

LAB 38.36, 59.63, -30.62

 

CMYK 0 / 78 / 31 / 38

HEX #9D236D

RGB 157 35 109

HSL 323.61, 0.64%, 0.38%

LAB 36.88, 55.24, -13

 

CMYK 0 / 78 / 52 / 38

HEX #9D234C

RGB 157 35 76

HSL 339.84, 0.64%, 0.38%

LAB 35.78, 51.81, 6.49

 

CMYK 0 / 78 / 73 / 38

HEX #9D232B

RGB 157 35 43

HSL 356.07, 0.64%, 0.38%

LAB 35.09, 49.63, 26.71

 

CMYK 0 / 78 / 31 / 65

HEX #5A143E

RGB 90 20 62

HSL 324, 0.64%, 0.22%

LAB 20.13, 35.72, -8.65

 

CMYK 0 / 77 / 31 / 51

HEX #7C1C55

RGB 124 28 85

HSL 324.38, 0.63%, 0.3%

LAB 28.83, 45.67, -10.35

 

CMYK 0 / 78 / 31 / 38

HEX #9D236D

RGB 157 35 109

HSL 323.61, 0.64%, 0.38%

LAB 36.88, 55.24, -13

 

CMYK 0 / 77 / 31 / 25

HEX #BF2B84

RGB 191 43 132

HSL 323.92, 0.63%, 0.46%

LAB 44.9, 64.2, -14.5

 

CMYK 0 / 70 / 28 / 17

HEX #D34098

RGB 211 64 152

HSL 324.08, 0.63%, 0.54%

LAB 51.59, 64.86, -16.04

 

CMYK 0 / 77 / 31 / 39

HEX #9C246C

RGB 156 36 108

HSL 324, 0.63%, 0.38%

LAB 36.77, 54.54, -12.56

 

CMYK 0 / 31 / 78 / 38

HEX #9D6D23

RGB 157 109 35

HSL 36.39, 0.64%, 0.38%

LAB 49.77, 12.29, 46.52

 

CMYK 78 / 0 / 0 / 38

HEX #239D9D

RGB 35 157 157

HSL 180, 0.64%, 0.38%

LAB 58.89, -31.28, -9.31

 

CMYK 0 / 77 / 31 / 39

HEX #9C246C

RGB 156 36 108

HSL 324, 0.63%, 0.38%

LAB 36.77, 54.54, -12.56

 

CMYK 31 / 0 / 78 / 38

HEX #6D9D23

RGB 109 157 35

HSL 83.61, 0.64%, 0.38%

LAB 59.42, -34.46, 54.31

 

CMYK 78 / 31 / 0 / 38

HEX #236D9D

RGB 35 109 157

HSL 203.61, 0.64%, 0.38%

LAB 43.84, -5.39, -32.38

 

CMYK 0 / 77 / 31 / 39

HEX #9C246C

RGB 156 36 108

HSL 324, 0.63%, 0.38%

LAB 36.77, 54.54, -12.56

 

CMYK 0 / 31 / 78 / 38

HEX #9D6D23

RGB 157 109 35

HSL 36.39, 0.64%, 0.38%

LAB 49.77, 12.29, 46.52

 

CMYK 78 / 0 / 46 / 38

HEX #239D54

RGB 35 157 84

HSL 144.1, 0.64%, 0.38%

LAB 57.18, -49.2, 29.03

 

CMYK 78 / 46 / 0 / 38

HEX #23549D

RGB 35 84 157

HSL 215.9, 0.64%, 0.38%

LAB 36.24, 10.48, -44.46

 

CMYK 0 / 77 / 31 / 39

HEX #9C246C

RGB 156 36 108

HSL 324, 0.63%, 0.38%

LAB 36.77, 54.54, -12.56

 

CMYK 0 / 8 / 78 / 38

HEX #9D9123

RGB 157 145 35

HSL 54.1, 0.64%, 0.38%

LAB 59.47, -7.82, 55.64

 

CMYK 78 / 0 / 46 / 38

HEX #239D54

RGB 35 157 84

HSL 144.1, 0.64%, 0.38%

LAB 57.18, -49.2, 29.03

 

CMYK 78 / 69 / 0 / 38

HEX #23309D

RGB 35 48 157

HSL 233.61, 0.64%, 0.38%

LAB 26.46, 34.58, -60.35

 

Description

Color code: HEX #9C246C | qconv.com Color code: HEX #9C246C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 36 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 36 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 31 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 31% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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