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Color name
HEX #9C257E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C257E it is the complementary color #63DA81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C257E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C257E shade: #A12579, #B2378C, #C3499F, #D45BB2 and #E56DC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C257E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C257E shade: #9C257E, #8B136B, #7A0158, #690045 and #580032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C257E shade: #9C247E, #9C245E, #9C243D and #9C2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C257E shade: #9C247E, #9A249C, #7A249C, #5A249C and #39249C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C257E shade matches the following richer shades: #9C247E, #AC1586 and #BC058E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C257E shade: #9C247E, #8D3476, #7D446F, #6D5367 and #5E635F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C257E shade: #7A249C, #9A249C, #9C247E, #9C245E and #9C243E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C257E shade: #5A1548, #7B1C63, #9C247E, #BE2C99 and #D241AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C257E shade: #9C257E, #9C5A24 and #249C8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C257E shade: #9C257E, #7E9C24 and #247E9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C257E shade: #9C257E, #9C5A24, #249C42 and #24669C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C257E shade: #9C257E, #9C7E24, #249C42 and #24429C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 19 / 39

HEX #9C257E

RGB 156 37 126

HSL 315.13, 0.62%, 0.38%

LAB 37.66, 56.58, -22.47

 

Complementary color

CMYK 55 / 0 / 41 / 15

HEX #63DA81

RGB 99 218 129

HSL 135.13, 0.62%, 0.62%

LAB 78.68, -52.56, 33.88

 

CMYK 0 / 77 / 25 / 37

HEX #A12579

RGB 161 37 121

HSL 319.35, 0.63%, 0.39%

LAB 38.34, 57.15, -18.23

 

CMYK 0 / 69 / 21 / 30

HEX #B2378C

RGB 178 55 140

HSL 318.54, 0.53%, 0.46%

LAB 44.36, 57.85, -20.39

 

CMYK 0 / 63 / 18 / 24

HEX #C3499F

RGB 195 73 159

HSL 317.7, 0.5%, 0.53%

LAB 50.54, 57.92, -22.03

 

CMYK 0 / 57 / 16 / 17

HEX #D45BB2

RGB 212 91 178

HSL 316.86, 0.58%, 0.59%

LAB 56.78, 57.63, -23.32

 

CMYK 0 / 52 / 14 / 10

HEX #E56DC5

RGB 229 109 197

HSL 316, 0.7%, 0.66%

LAB 63.03, 57.12, -24.36

 

CMYK 0 / 76 / 19 / 39

HEX #9C257E

RGB 156 37 126

HSL 315.13, 0.62%, 0.38%

LAB 37.66, 56.58, -22.47

 

CMYK 0 / 86 / 23 / 45

HEX #8B136B

RGB 139 19 107

HSL 316, 0.76%, 0.31%

LAB 31.84, 54.87, -19.76

 

CMYK 0 / 99 / 28 / 52

HEX #7A0158

RGB 122 1 88

HSL 316.86, 0.98%, 0.24%

LAB 26.34, 51.93, -16.18

 

CMYK 0 / 100 / 34 / 59

HEX #690045

RGB 105 0 69

HSL 320.57, 1%, 0.21%

LAB 21.7, 46.08, -10.81

 

CMYK 0 / 100 / 43 / 65

HEX #580032

RGB 88 0 50

HSL 325.91, 1%, 0.17%

LAB 17.01, 39.92, -4.93

 

CMYK 0 / 77 / 19 / 39

HEX #9C247E

RGB 156 36 126

HSL 315, 0.63%, 0.38%

LAB 37.55, 56.9, -22.65

 

CMYK 0 / 77 / 40 / 39

HEX #9C245E

RGB 156 36 94

HSL 331, 0.63%, 0.38%

LAB 36.25, 52.93, -4.43

 

CMYK 0 / 77 / 61 / 39

HEX #9C243D

RGB 156 36 61

HSL 347.5, 0.63%, 0.38%

LAB 35.33, 50.03, 15.54

 

CMYK 0 / 77 / 77 / 39

HEX #9C2424

RGB 156 36 36

HSL 0, 0.63%, 0.38%

LAB 34.92, 48.67, 30.73

 

CMYK 0 / 77 / 19 / 39

HEX #9C247E

RGB 156 36 126

HSL 315, 0.63%, 0.38%

LAB 37.55, 56.9, -22.65

 

CMYK 1 / 77 / 0 / 39

HEX #9A249C

RGB 154 36 156

HSL 299, 0.63%, 0.38%

LAB 38.78, 61.06, -39.12

 

CMYK 22 / 77 / 0 / 39

HEX #7A249C

RGB 122 36 156

HSL 283, 0.63%, 0.38%

LAB 33.56, 54.5, -47.78

 

CMYK 42 / 77 / 0 / 39

HEX #5A249C

RGB 90 36 156

HSL 267, 0.63%, 0.38%

LAB 28.99, 48.59, -55.41

 

CMYK 63 / 77 / 0 / 39

HEX #39249C

RGB 57 36 156

HSL 250.5, 0.63%, 0.38%

LAB 25.36, 43.73, -61.51

 

CMYK 0 / 77 / 19 / 39

HEX #9C247E

RGB 156 36 126

HSL 315, 0.63%, 0.38%

LAB 37.55, 56.9, -22.65

 

CMYK 0 / 88 / 22 / 33

HEX #AC1586

RGB 172 21 134

HSL 315.1, 0.78%, 0.38%

LAB 39.63, 65.27, -24.13

 

CMYK 0 / 97 / 24 / 26

HEX #BC058E

RGB 188 5 142

HSL 315.08, 0.95%, 0.38%

LAB 42.39, 71.55, -24.51

 

CMYK 0 / 77 / 19 / 39

HEX #9C247E

RGB 156 36 126

HSL 315, 0.63%, 0.38%

LAB 37.55, 56.9, -22.65

 

CMYK 0 / 63 / 16 / 45

HEX #8D3476

RGB 141 52 118

HSL 315.51, 0.46%, 0.38%

LAB 36.79, 45.51, -19.03

 

CMYK 0 / 46 / 11 / 51

HEX #7D446F

RGB 125 68 111

HSL 314.74, 0.3%, 0.38%

LAB 37.19, 30.92, -14.25

 

CMYK 0 / 24 / 6 / 57

HEX #6D5367

RGB 109 83 103

HSL 313.85, 0.14%, 0.38%

LAB 38.58, 14.51, -7.36

 

CMYK 5 / 0 / 4 / 61

HEX #5E635F

RGB 94 99 95

HSL 132, 0.03%, 0.38%

LAB 41.42, -2.79, 1.59

 

CMYK 22 / 77 / 0 / 39

HEX #7A249C

RGB 122 36 156

HSL 283, 0.63%, 0.38%

LAB 33.56, 54.5, -47.78

 

CMYK 1 / 77 / 0 / 39

HEX #9A249C

RGB 154 36 156

HSL 299, 0.63%, 0.38%

LAB 38.78, 61.06, -39.12

 

CMYK 0 / 77 / 19 / 39

HEX #9C247E

RGB 156 36 126

HSL 315, 0.63%, 0.38%

LAB 37.55, 56.9, -22.65

 

CMYK 0 / 77 / 40 / 39

HEX #9C245E

RGB 156 36 94

HSL 331, 0.63%, 0.38%

LAB 36.25, 52.93, -4.43

 

CMYK 0 / 77 / 60 / 39

HEX #9C243E

RGB 156 36 62

HSL 347, 0.63%, 0.38%

LAB 35.36, 50.1, 14.92

 

CMYK 0 / 77 / 20 / 65

HEX #5A1548

RGB 90 21 72

HSL 315.65, 0.62%, 0.22%

LAB 20.74, 36.81, -14.6

 

CMYK 0 / 77 / 20 / 52

HEX #7B1C63

RGB 123 28 99

HSL 315.16, 0.63%, 0.3%

LAB 29.27, 47.33, -18.85

 

CMYK 0 / 77 / 19 / 39

HEX #9C247E

RGB 156 36 126

HSL 315, 0.63%, 0.38%

LAB 37.55, 56.9, -22.65

 

CMYK 0 / 77 / 19 / 25

HEX #BE2C99

RGB 190 44 153

HSL 315.21, 0.62%, 0.46%

LAB 45.7, 66.29, -26

 

CMYK 0 / 69 / 17 / 18

HEX #D241AE

RGB 210 65 174

HSL 314.9, 0.62%, 0.54%

LAB 52.44, 67.13, -27.71

 

CMYK 0 / 76 / 19 / 39

HEX #9C257E

RGB 156 37 126

HSL 315.13, 0.62%, 0.38%

LAB 37.66, 56.58, -22.47

 

CMYK 0 / 42 / 77 / 39

HEX #9C5A24

RGB 156 90 36

HSL 27, 0.63%, 0.38%

LAB 44.95, 22.72, 41.27

 

CMYK 77 / 0 / 12 / 39

HEX #249C8A

RGB 36 156 138

HSL 171, 0.63%, 0.38%

LAB 58.02, -36.24, 0.21

 

CMYK 0 / 76 / 19 / 39

HEX #9C257E

RGB 156 37 126

HSL 315.13, 0.62%, 0.38%

LAB 37.66, 56.58, -22.47

 

CMYK 19 / 0 / 77 / 39

HEX #7E9C24

RGB 126 156 36

HSL 75, 0.63%, 0.38%

LAB 60.19, -27.06, 55.08

 

CMYK 77 / 19 / 0 / 39

HEX #247E9C

RGB 36 126 156

HSL 195, 0.63%, 0.38%

LAB 49.13, -15.48, -23.56

 

CMYK 0 / 76 / 19 / 39

HEX #9C257E

RGB 156 37 126

HSL 315.13, 0.62%, 0.38%

LAB 37.66, 56.58, -22.47

 

CMYK 0 / 42 / 77 / 39

HEX #9C5A24

RGB 156 90 36

HSL 27, 0.63%, 0.38%

LAB 44.95, 22.72, 41.27

 

CMYK 77 / 0 / 58 / 39

HEX #249C42

RGB 36 156 66

HSL 135, 0.63%, 0.38%

LAB 56.63, -51.54, 37.54

 

CMYK 77 / 35 / 0 / 39

HEX #24669C

RGB 36 102 156

HSL 207, 0.63%, 0.38%

LAB 41.65, -1.36, -35.23

 

CMYK 0 / 76 / 19 / 39

HEX #9C257E

RGB 156 37 126

HSL 315.13, 0.62%, 0.38%

LAB 37.66, 56.58, -22.47

 

CMYK 0 / 19 / 77 / 39

HEX #9C7E24

RGB 156 126 36

HSL 45, 0.63%, 0.38%

LAB 54.15, 2.23, 50.27

 

CMYK 77 / 0 / 58 / 39

HEX #249C42

RGB 36 156 66

HSL 135, 0.63%, 0.38%

LAB 56.63, -51.54, 37.54

 

CMYK 77 / 58 / 0 / 39

HEX #24429C

RGB 36 66 156

HSL 225, 0.63%, 0.38%

LAB 31.05, 22.34, -52.25

 

Description

Color code: HEX #9C257E | qconv.com Color code: HEX #9C257E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 37 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 37 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 19 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 19% 39% C M Y K

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Provide designers and agencies with accurate color values.

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