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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C25A1 it is the complementary color #63DA5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C25A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C25A1 shade: #A1259C, #B237AF, #C349C2, #D45BD5 and #E56DE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C25A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C25A1 shade: #9C25A1, #8B138E, #7A017B, #690068 and #580055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C25A1 shade: #9D24A2, #A22485, #A22463, #A22441 and #A22424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C25A1 shade: #9D24A2, #7B24A2, #5924A2, #3724A2 and #2424A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C25A1 shade matches the following richer shades: #9D24A2, #AB14B2 and #BA04C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C25A1 shade: #9D24A2, #8E3492, #7F4481, #705571 and #616561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C25A1 shade: #5924A2, #7A24A2, #9B24A2, #A22486 and #A22465

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C25A1 shade: #5B155E, #7C1D80, #9D24A2, #BD2CC3 and #CE44D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C25A1 shade: #9C25A1, #A23724 and #24A269

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C25A1 shade: #9C25A1, #A29B24 and #24A29B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C25A1 shade: #9C25A1, #A23724, #2BA224 and #248FA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C25A1 shade: #9C25A1, #A25D24, #2BA224 and #2469A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 77 / 0 / 37

HEX #9C25A1

RGB 156 37 161

HSL 297.58, 0.63%, 0.39%

LAB 39.52, 62.02, -40.94

 

Complementary color

CMYK 55 / 0 / 57 / 15

HEX #63DA5E

RGB 99 218 94

HSL 117.58, 0.63%, 0.61%

LAB 78.23, -57.47, 50.24

 

CMYK 0 / 77 / 3 / 37

HEX #A1259C

RGB 161 37 156

HSL 302.42, 0.63%, 0.39%

LAB 40.08, 62.26, -36.98

 

CMYK 0 / 69 / 2 / 30

HEX #B237AF

RGB 178 55 175

HSL 301.46, 0.53%, 0.46%

LAB 46.03, 63.18, -38.71

 

CMYK 0 / 63 / 1 / 24

HEX #C349C2

RGB 195 73 194

HSL 300.49, 0.5%, 0.53%

LAB 52.13, 63.43, -39.98

 

CMYK 0 / 57 / 0 / 16

HEX #D45BD5

RGB 212 91 213

HSL 299.51, 0.59%, 0.6%

LAB 58.31, 63.27, -40.95

 

CMYK 1 / 53 / 0 / 9

HEX #E56DE8

RGB 229 109 232

HSL 298.54, 0.73%, 0.67%

LAB 64.5, 62.86, -41.7

 

CMYK 3 / 77 / 0 / 37

HEX #9C25A1

RGB 156 37 161

HSL 297.58, 0.63%, 0.39%

LAB 39.52, 62.02, -40.94

 

CMYK 2 / 87 / 0 / 44

HEX #8B138E

RGB 139 19 142

HSL 298.54, 0.76%, 0.32%

LAB 33.79, 60.09, -38.69

 

CMYK 1 / 99 / 0 / 52

HEX #7A017B

RGB 122 1 123

HSL 299.51, 0.98%, 0.24%

LAB 28.35, 56.93, -35.7

 

CMYK 0 / 100 / 1 / 59

HEX #690068

RGB 105 0 104

HSL 300.57, 1%, 0.21%

LAB 23.68, 51.01, -31.14

 

CMYK 0 / 100 / 3 / 65

HEX #580055

RGB 88 0 85

HSL 302.05, 1%, 0.17%

LAB 18.93, 44.74, -26.32

 

CMYK 3 / 78 / 0 / 36

HEX #9D24A2

RGB 157 36 162

HSL 297.62, 0.64%, 0.39%

LAB 39.65, 62.69, -41.33

 

CMYK 0 / 78 / 18 / 36

HEX #A22485

RGB 162 36 133

HSL 313.81, 0.64%, 0.39%

LAB 38.96, 59.32, -24.7

 

CMYK 0 / 78 / 39 / 36

HEX #A22463

RGB 162 36 99

HSL 330, 0.64%, 0.39%

LAB 37.56, 55.11, -5.54

 

CMYK 0 / 78 / 60 / 36

HEX #A22441

RGB 162 36 65

HSL 346.19, 0.64%, 0.39%

LAB 36.6, 52.11, 14.87

 

CMYK 0 / 78 / 78 / 36

HEX #A22424

RGB 162 36 36

HSL 0, 0.64%, 0.39%

LAB 36.12, 50.56, 32.38

 

CMYK 3 / 78 / 0 / 36

HEX #9D24A2

RGB 157 36 162

HSL 297.62, 0.64%, 0.39%

LAB 39.65, 62.69, -41.33

 

CMYK 24 / 78 / 0 / 36

HEX #7B24A2

RGB 123 36 162

HSL 281.43, 0.64%, 0.39%

LAB 34.15, 55.94, -50.45

 

CMYK 45 / 78 / 0 / 36

HEX #5924A2

RGB 89 36 162

HSL 265.24, 0.64%, 0.39%

LAB 29.4, 49.98, -58.4

 

CMYK 66 / 78 / 0 / 36

HEX #3724A2

RGB 55 36 162

HSL 249.05, 0.64%, 0.39%

LAB 25.81, 45.36, -64.43

 

CMYK 78 / 78 / 0 / 36

HEX #2424A2

RGB 36 36 162

HSL 240, 0.64%, 0.39%

LAB 24.47, 43.6, -66.69

 

CMYK 3 / 78 / 0 / 36

HEX #9D24A2

RGB 157 36 162

HSL 297.62, 0.64%, 0.39%

LAB 39.65, 62.69, -41.33

 

CMYK 4 / 89 / 0 / 30

HEX #AB14B2

RGB 171 20 178

HSL 297.34, 0.8%, 0.39%

LAB 41.8, 71.56, -47.29

 

CMYK 4 / 98 / 0 / 24

HEX #BA04C2

RGB 186 4 194

HSL 297.47, 0.96%, 0.39%

LAB 44.83, 78.35, -51.69

 

CMYK 3 / 78 / 0 / 36

HEX #9D24A2

RGB 157 36 162

HSL 297.62, 0.64%, 0.39%

LAB 39.65, 62.69, -41.33

 

CMYK 3 / 64 / 0 / 43

HEX #8E3492

RGB 142 52 146

HSL 297.45, 0.47%, 0.39%

LAB 38.34, 50.59, -33.87

 

CMYK 2 / 47 / 0 / 49

HEX #7F4481

RGB 127 68 129

HSL 298.03, 0.31%, 0.39%

LAB 38.25, 35.03, -23.75

 

CMYK 1 / 25 / 0 / 56

HEX #705571

RGB 112 85 113

HSL 297.86, 0.14%, 0.39%

LAB 39.81, 16.49, -11.67

 

CMYK 4 / 0 / 4 / 60

HEX #616561

RGB 97 101 97

HSL 120, 0.02%, 0.39%

LAB 42.33, -2.39, 1.72

 

CMYK 45 / 78 / 0 / 36

HEX #5924A2

RGB 89 36 162

HSL 265.24, 0.64%, 0.39%

LAB 29.4, 49.98, -58.4

 

CMYK 25 / 78 / 0 / 36

HEX #7A24A2

RGB 122 36 162

HSL 280.95, 0.64%, 0.39%

LAB 34, 55.75, -50.7

 

CMYK 4 / 78 / 0 / 36

HEX #9B24A2

RGB 155 36 162

HSL 296.67, 0.64%, 0.39%

LAB 39.31, 62.28, -41.89

 

CMYK 0 / 78 / 17 / 36

HEX #A22486

RGB 162 36 134

HSL 313.33, 0.64%, 0.39%

LAB 39.01, 59.46, -25.24

 

CMYK 0 / 78 / 38 / 36

HEX #A22465

RGB 162 36 101

HSL 329.05, 0.64%, 0.39%

LAB 37.63, 55.32, -6.71

 

CMYK 3 / 78 / 0 / 63

HEX #5B155E

RGB 91 21 94

HSL 297.53, 0.63%, 0.23%

LAB 22.19, 40.93, -27.11

 

CMYK 3 / 77 / 0 / 50

HEX #7C1D80

RGB 124 29 128

HSL 297.58, 0.63%, 0.31%

LAB 31.17, 51.96, -34.33

 

CMYK 3 / 78 / 0 / 36

HEX #9D24A2

RGB 157 36 162

HSL 297.62, 0.64%, 0.39%

LAB 39.65, 62.69, -41.33

 

CMYK 3 / 77 / 0 / 24

HEX #BD2CC3

RGB 189 44 195

HSL 297.62, 0.63%, 0.47%

LAB 47.7, 72.31, -47.65

 

CMYK 3 / 68 / 0 / 17

HEX #CE44D4

RGB 206 68 212

HSL 297.5, 0.63%, 0.55%

LAB 54.04, 70.94, -47.18

 

CMYK 3 / 77 / 0 / 37

HEX #9C25A1

RGB 156 37 161

HSL 297.58, 0.63%, 0.39%

LAB 39.52, 62.02, -40.94

 

CMYK 0 / 66 / 78 / 36

HEX #A23724

RGB 162 55 36

HSL 9.05, 0.64%, 0.39%

LAB 38.8, 43.21, 35.24

 

CMYK 78 / 0 / 35 / 36

HEX #24A269

RGB 36 162 105

HSL 152.86, 0.64%, 0.39%

LAB 59.19, -46.89, 20.35

 

CMYK 3 / 77 / 0 / 37

HEX #9C25A1

RGB 156 37 161

HSL 297.58, 0.63%, 0.39%

LAB 39.52, 62.02, -40.94

 

CMYK 0 / 4 / 78 / 36

HEX #A29B24

RGB 162 155 36

HSL 56.67, 0.64%, 0.39%

LAB 62.72, -10.87, 58.44

 

CMYK 78 / 0 / 4 / 36

HEX #24A29B

RGB 36 162 155

HSL 176.67, 0.64%, 0.39%

LAB 60.41, -34.14, -5.9

 

CMYK 3 / 77 / 0 / 37

HEX #9C25A1

RGB 156 37 161

HSL 297.58, 0.63%, 0.39%

LAB 39.52, 62.02, -40.94

 

CMYK 0 / 66 / 78 / 36

HEX #A23724

RGB 162 55 36

HSL 9.05, 0.64%, 0.39%

LAB 38.8, 43.21, 35.24

 

CMYK 73 / 0 / 78 / 36

HEX #2BA224

RGB 43 162 36

HSL 116.67, 0.64%, 0.39%

LAB 58.49, -55.56, 52.2

 

CMYK 78 / 12 / 0 / 36

HEX #248FA2

RGB 36 143 162

HSL 189.05, 0.64%, 0.39%

LAB 54.69, -22.58, -18.5

 

CMYK 3 / 77 / 0 / 37

HEX #9C25A1

RGB 156 37 161

HSL 297.58, 0.63%, 0.39%

LAB 39.52, 62.02, -40.94

 

CMYK 0 / 43 / 78 / 36

HEX #A25D24

RGB 162 93 36

HSL 27.14, 0.64%, 0.39%

LAB 46.5, 23.66, 43.09

 

CMYK 73 / 0 / 78 / 36

HEX #2BA224

RGB 43 162 36

HSL 116.67, 0.64%, 0.39%

LAB 58.49, -55.56, 52.2

 

CMYK 78 / 35 / 0 / 36

HEX #2469A2

RGB 36 105 162

HSL 207.14, 0.64%, 0.39%

LAB 42.89, -0.94, -36.83

 

Description

Color code: HEX #9C25A1 | qconv.com Color code: HEX #9C25A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 37 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 37 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 77 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 77% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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