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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C3981 it is the complementary color #63C67E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C3981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C3981 shade: #A1397C, #B24B8F, #C35DA2, #D46FB5 and #E581C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C3981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C3981 shade: #9C3981, #8B276E, #7A155B, #690348 and #580035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C3981 shade: #9C3981, #9C3966, #9C394C and #9C3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C3981 shade: #9C3981, #9C399C, #82399C, #67399C and #4C399C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C3981 shade matches the following richer shades: #9C3981, #AD2889, #BF1791 and #D00599

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C3981 shade: #9C3981, #8B4B79, #795C71, #686D69 and #577F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C3981 shade: #82399C, #9C399C, #9C3982, #9C3967 and #9C394D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C3981 shade: #60234F, #7E2E68, #9C3981, #BA459A and #C563AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C3981 shade: #9C3981, #9C6739 and #399C8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C3981 shade: #9C3981, #829C39 and #39829C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C3981 shade: #9C3981, #9C6739, #399C54 and #396E9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C3981 shade: #9C3981, #9C8539, #399C54 and #39509C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

Complementary color

CMYK 50 / 0 / 36 / 22

HEX #63C67E

RGB 99 198 126

HSL 136.36, 0.46%, 0.58%

LAB 72.59, -44.85, 27.4

 

CMYK 0 / 65 / 23 / 37

HEX #A1397C

RGB 161 57 124

HSL 321.35, 0.48%, 0.43%

LAB 41.15, 50.06, -15.78

 

CMYK 0 / 58 / 20 / 30

HEX #B24B8F

RGB 178 75 143

HSL 320.39, 0.41%, 0.5%

LAB 47.6, 49.75, -17.24

 

CMYK 0 / 52 / 17 / 24

HEX #C35DA2

RGB 195 93 162

HSL 319.41, 0.46%, 0.56%

LAB 54.07, 49.19, -18.38

 

CMYK 0 / 48 / 15 / 17

HEX #D46FB5

RGB 212 111 181

HSL 318.42, 0.54%, 0.63%

LAB 60.52, 48.51, -19.32

 

CMYK 0 / 44 / 13 / 10

HEX #E581C8

RGB 229 129 200

HSL 317.4, 0.66%, 0.7%

LAB 66.92, 47.78, -20.11

 

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

CMYK 0 / 72 / 21 / 45

HEX #8B276E

RGB 139 39 110

HSL 317.4, 0.56%, 0.35%

LAB 34.12, 49.2, -18.15

 

CMYK 0 / 83 / 25 / 52

HEX #7A155B

RGB 122 21 91

HSL 318.42, 0.71%, 0.28%

LAB 27.92, 48.14, -15.72

 

CMYK 0 / 97 / 31 / 59

HEX #690348

RGB 105 3 72

HSL 319.41, 0.94%, 0.21%

LAB 22.07, 45.75, -12.29

 

CMYK 0 / 100 / 40 / 65

HEX #580035

RGB 88 0 53

HSL 323.86, 1%, 0.17%

LAB 17.14, 40.25, -6.89

 

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

CMYK 0 / 63 / 35 / 39

HEX #9C3966

RGB 156 57 102

HSL 332.73, 0.46%, 0.42%

LAB 39.5, 45.6, -4.67

 

CMYK 0 / 63 / 51 / 39

HEX #9C394C

RGB 156 57 76

HSL 348.48, 0.46%, 0.42%

LAB 38.75, 42.79, 10.64

 

CMYK 0 / 63 / 63 / 39

HEX #9C3939

RGB 156 57 57

HSL 0, 0.46%, 0.42%

LAB 38.36, 41.27, 22.01

 

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

CMYK 0 / 63 / 0 / 39

HEX #9C399C

RGB 156 57 156

HSL 300, 0.46%, 0.42%

LAB 41.84, 53.81, -34.26

 

CMYK 17 / 63 / 0 / 39

HEX #82399C

RGB 130 57 156

HSL 284.24, 0.46%, 0.42%

LAB 37.97, 47.24, -40.63

 

CMYK 34 / 63 / 0 / 39

HEX #67399C

RGB 103 57 156

HSL 267.88, 0.46%, 0.42%

LAB 34.42, 40.68, -46.53

 

CMYK 51 / 63 / 0 / 39

HEX #4C399C

RGB 76 57 156

HSL 251.52, 0.46%, 0.42%

LAB 31.49, 34.78, -51.4

 

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

CMYK 0 / 77 / 21 / 32

HEX #AD2889

RGB 173 40 137

HSL 316.24, 0.62%, 0.42%

LAB 41.54, 61.3, -22.99

 

CMYK 0 / 88 / 24 / 25

HEX #BF1791

RGB 191 23 145

HSL 316.43, 0.79%, 0.42%

LAB 43.85, 70.32, -24.03

 

CMYK 0 / 98 / 26 / 18

HEX #D00599

RGB 208 5 153

HSL 316.26, 0.95%, 0.42%

LAB 46.74, 76.76, -24.13

 

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

CMYK 0 / 46 / 13 / 45

HEX #8B4B79

RGB 139 75 121

HSL 316.88, 0.3%, 0.42%

LAB 41.06, 33.62, -14.38

 

CMYK 0 / 24 / 7 / 53

HEX #795C71

RGB 121 92 113

HSL 316.55, 0.14%, 0.42%

LAB 42.63, 15.63, -7.32

 

CMYK 5 / 0 / 4 / 57

HEX #686D69

RGB 104 109 105

HSL 132, 0.02%, 0.42%

LAB 45.5, -2.74, 1.56

 

CMYK 31 / 0 / 24 / 50

HEX #577F61

RGB 87 127 97

HSL 135, 0.19%, 0.42%

LAB 49.58, -20.65, 11.94

 

CMYK 17 / 63 / 0 / 39

HEX #82399C

RGB 130 57 156

HSL 284.24, 0.46%, 0.42%

LAB 37.97, 47.24, -40.63

 

CMYK 0 / 63 / 0 / 39

HEX #9C399C

RGB 156 57 156

HSL 300, 0.46%, 0.42%

LAB 41.84, 53.81, -34.26

 

CMYK 0 / 63 / 17 / 39

HEX #9C3982

RGB 156 57 130

HSL 315.76, 0.46%, 0.42%

LAB 40.58, 49.5, -20.42

 

CMYK 0 / 63 / 34 / 39

HEX #9C3967

RGB 156 57 103

HSL 332.12, 0.46%, 0.42%

LAB 39.54, 45.73, -5.25

 

CMYK 0 / 63 / 51 / 39

HEX #9C394D

RGB 156 57 77

HSL 347.88, 0.46%, 0.42%

LAB 38.78, 42.89, 10.04

 

CMYK 0 / 64 / 18 / 62

HEX #60234F

RGB 96 35 79

HSL 316.72, 0.47%, 0.26%

LAB 24.49, 33.4, -13.45

 

CMYK 0 / 63 / 17 / 51

HEX #7E2E68

RGB 126 46 104

HSL 316.5, 0.47%, 0.34%

LAB 32.68, 41.57, -16.75

 

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

CMYK 0 / 63 / 17 / 27

HEX #BA459A

RGB 186 69 154

HSL 316.41, 0.46%, 0.5%

LAB 48.3, 56.39, -22.63

 

CMYK 0 / 50 / 14 / 23

HEX #C563AA

RGB 197 99 170

HSL 316.53, 0.46%, 0.58%

LAB 55.78, 48.1, -20.39

 

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

CMYK 0 / 34 / 63 / 39

HEX #9C6739

RGB 156 103 57

HSL 27.88, 0.46%, 0.42%

LAB 48.34, 16.55, 34.21

 

CMYK 63 / 0 / 8 / 39

HEX #399C8F

RGB 57 156 143

HSL 172.12, 0.46%, 0.42%

LAB 58.63, -31.74, -1.69

 

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

CMYK 17 / 0 / 63 / 39

HEX #829C39

RGB 130 156 57

HSL 75.76, 0.46%, 0.42%

LAB 60.62, -24.05, 47.36

 

CMYK 63 / 17 / 0 / 39

HEX #39829C

RGB 57 130 156

HSL 195.76, 0.46%, 0.42%

LAB 50.96, -14.46, -20.69

 

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

CMYK 0 / 34 / 63 / 39

HEX #9C6739

RGB 156 103 57

HSL 27.88, 0.46%, 0.42%

LAB 48.34, 16.55, 34.21

 

CMYK 63 / 0 / 46 / 39

HEX #399C54

RGB 57 156 84

HSL 136.36, 0.46%, 0.42%

LAB 57.35, -44.93, 29.35

 

CMYK 63 / 29 / 0 / 39

HEX #396E9C

RGB 57 110 156

HSL 207.88, 0.46%, 0.42%

LAB 44.83, -2.86, -30.18

 

CMYK 0 / 63 / 17 / 39

HEX #9C3981

RGB 156 57 129

HSL 316.36, 0.46%, 0.42%

LAB 40.54, 49.35, -19.87

 

CMYK 0 / 15 / 63 / 39

HEX #9C8539

RGB 156 133 57

HSL 46.06, 0.46%, 0.42%

LAB 56.23, -0.48, 43.18

 

CMYK 63 / 0 / 46 / 39

HEX #399C54

RGB 57 156 84

HSL 136.36, 0.46%, 0.42%

LAB 57.35, -44.93, 29.35

 

CMYK 63 / 49 / 0 / 39

HEX #39509C

RGB 57 80 156

HSL 226.06, 0.46%, 0.42%

LAB 36, 16.21, -44.19

 

Description

Color code: HEX #9C3981 | qconv.com Color code: HEX #9C3981 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 57 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 57 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 17 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 17% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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