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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C39AC it is the complementary color #63C653. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C39AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C39AC shade: #A139A7, #B24BBA, #C35DCD, #D46FE0 and #E581F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C39AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C39AC shade: #9C39AC, #8B2799, #7A1586, #690373 and #580060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C39AC shade: #9C39AC, #AC399D, #AC397E, #AC395F and #AC3940

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C39AC shade: #9C39AC, #7D39AC, #5E39AC, #3F39AC and #3939AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C39AC shade matches the following richer shades: #9C39AC, #A926BE, #B614D1 and #C401E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C39AC shade: #9C39AC, #8E4B99, #815E86, #737174 and #668361

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C39AC shade: #5D39AC, #7C39AC, #9A39AC, #AC399E and #AC3980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C39AC shade: #64246E, #802F8D, #9C39AC, #B24BC3 and #BF6ACD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C39AC shade: #9C39AC, #AC3F39 and #39AC6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C39AC shade: #9C39AC, #AC9A39 and #39AC9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C39AC shade: #9C39AC, #AC3F39, #4AAC39 and #39A6AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C39AC shade: #9C39AC, #AC6139, #4AAC39 and #3983AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

Complementary color

CMYK 50 / 0 / 58 / 22

HEX #63C653

RGB 99 198 83

HSL 111.65, 0.5%, 0.55%

LAB 72, -51.05, 47.99

 

CMYK 4 / 66 / 0 / 35

HEX #A139A7

RGB 161 57 167

HSL 296.73, 0.49%, 0.44%

LAB 43.2, 57.01, -38.62

 

CMYK 4 / 60 / 0 / 27

HEX #B24BBA

RGB 178 75 186

HSL 295.68, 0.45%, 0.51%

LAB 49.55, 56.91, -39.59

 

CMYK 5 / 55 / 0 / 20

HEX #C35DCD

RGB 195 93 205

HSL 294.64, 0.53%, 0.58%

LAB 55.93, 56.5, -40.31

 

CMYK 5 / 50 / 0 / 12

HEX #D46FE0

RGB 212 111 224

HSL 293.63, 0.65%, 0.66%

LAB 62.29, 55.91, -40.86

 

CMYK 6 / 47 / 0 / 5

HEX #E581F3

RGB 229 129 243

HSL 292.63, 0.83%, 0.73%

LAB 68.63, 55.24, -41.31

 

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

CMYK 9 / 75 / 0 / 40

HEX #8B2799

RGB 139 39 153

HSL 292.63, 0.59%, 0.38%

LAB 36.44, 56.35, -41.18

 

CMYK 9 / 84 / 0 / 47

HEX #7A1586

RGB 122 21 134

HSL 293.63, 0.73%, 0.3%

LAB 30.39, 54.98, -39.35

 

CMYK 9 / 97 / 0 / 55

HEX #690373

RGB 105 3 115

HSL 294.64, 0.95%, 0.23%

LAB 24.66, 52.24, -36.7

 

CMYK 8 / 100 / 0 / 62

HEX #580060

RGB 88 0 96

HSL 295, 1%, 0.19%

LAB 19.72, 46.62, -32.42

 

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

CMYK 0 / 67 / 9 / 33

HEX #AC399D

RGB 172 57 157

HSL 307.83, 0.5%, 0.45%

LAB 44.42, 58.04, -30.62

 

CMYK 0 / 67 / 27 / 33

HEX #AC397E

RGB 172 57 126

HSL 324, 0.5%, 0.45%

LAB 43.07, 53.51, -13.92

 

CMYK 0 / 67 / 45 / 33

HEX #AC395F

RGB 172 57 95

HSL 340.17, 0.5%, 0.45%

LAB 42.04, 49.9, 3.75

 

CMYK 0 / 67 / 63 / 33

HEX #AC3940

RGB 172 57 64

HSL 356.35, 0.5%, 0.45%

LAB 41.32, 47.32, 22.07

 

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

CMYK 27 / 67 / 0 / 33

HEX #7D39AC

RGB 125 57 172

HSL 275.48, 0.5%, 0.45%

LAB 38.31, 49.62, -49.71

 

CMYK 45 / 67 / 0 / 33

HEX #5E39AC

RGB 94 57 172

HSL 259.3, 0.5%, 0.45%

LAB 34.57, 43.07, -55.95

 

CMYK 63 / 67 / 0 / 33

HEX #3F39AC

RGB 63 57 172

HSL 243.13, 0.5%, 0.45%

LAB 31.72, 37.68, -60.72

 

CMYK 67 / 67 / 0 / 33

HEX #3939AC

RGB 57 57 172

HSL 240, 0.5%, 0.45%

LAB 31.29, 36.82, -61.44

 

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

CMYK 11 / 80 / 0 / 25

HEX #A926BE

RGB 169 38 190

HSL 291.71, 0.67%, 0.45%

LAB 43.56, 69.28, -51.54

 

CMYK 13 / 90 / 0 / 18

HEX #B614D1

RGB 182 20 209

HSL 291.43, 0.83%, 0.45%

LAB 45.7, 78.41, -59.02

 

CMYK 14 / 100 / 0 / 11

HEX #C401E3

RGB 196 1 227

HSL 291.77, 0.99%, 0.45%

LAB 48.64, 85.28, -64.46

 

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

CMYK 7 / 51 / 0 / 40

HEX #8E4B99

RGB 142 75 153

HSL 291.54, 0.34%, 0.45%

LAB 42.89, 40.67, -30.94

 

CMYK 4 / 30 / 0 / 47

HEX #815E86

RGB 129 94 134

HSL 292.5, 0.18%, 0.45%

LAB 44.79, 21.65, -16.7

 

CMYK 1 / 3 / 0 / 55

HEX #737174

RGB 115 113 116

HSL 280, 0.01%, 0.45%

LAB 47.9, 1.38, -1.39

 

CMYK 22 / 0 / 26 / 49

HEX #668361

RGB 102 131 97

HSL 111.18, 0.15%, 0.45%

LAB 51.75, -17.36, 15.09

 

CMYK 46 / 67 / 0 / 33

HEX #5D39AC

RGB 93 57 172

HSL 258.78, 0.5%, 0.45%

LAB 34.46, 42.88, -56.13

 

CMYK 28 / 67 / 0 / 33

HEX #7C39AC

RGB 124 57 172

HSL 274.96, 0.5%, 0.45%

LAB 38.18, 49.39, -49.93

 

CMYK 10 / 67 / 0 / 33

HEX #9A39AC

RGB 154 57 172

HSL 290.61, 0.5%, 0.45%

LAB 42.42, 56.27, -42.9

 

CMYK 0 / 67 / 8 / 33

HEX #AC399E

RGB 172 57 158

HSL 307.3, 0.5%, 0.45%

LAB 44.47, 58.2, -31.14

 

CMYK 0 / 67 / 26 / 33

HEX #AC3980

RGB 172 57 128

HSL 322.96, 0.5%, 0.45%

LAB 43.15, 53.78, -15.03

 

CMYK 9 / 67 / 0 / 57

HEX #64246E

RGB 100 36 110

HSL 291.89, 0.51%, 0.29%

LAB 27.01, 39.96, -29.77

 

CMYK 9 / 67 / 0 / 45

HEX #802F8D

RGB 128 47 141

HSL 291.7, 0.5%, 0.37%

LAB 35.09, 48.32, -36.1

 

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

CMYK 9 / 62 / 0 / 24

HEX #B24BC3

RGB 178 75 195

HSL 291.5, 0.5%, 0.53%

LAB 50.02, 58.58, -44.06

 

CMYK 7 / 48 / 0 / 20

HEX #BF6ACD

RGB 191 106 205

HSL 291.52, 0.5%, 0.61%

LAB 57.84, 48.97, -37.34

 

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

CMYK 0 / 63 / 67 / 33

HEX #AC3F39

RGB 172 63 57

HSL 3.13, 0.5%, 0.45%

LAB 42.19, 44.24, 27.4

 

CMYK 67 / 0 / 37 / 33

HEX #39AC6D

RGB 57 172 109

HSL 147.13, 0.5%, 0.45%

LAB 62.91, -46.75, 23.26

 

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

CMYK 0 / 10 / 67 / 33

HEX #AC9A39

RGB 172 154 57

HSL 50.61, 0.5%, 0.45%

LAB 63.49, -4.83, 51.45

 

CMYK 67 / 0 / 10 / 33

HEX #39AC9A

RGB 57 172 154

HSL 170.61, 0.5%, 0.45%

LAB 63.92, -36.24, -0.13

 

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

CMYK 0 / 63 / 67 / 33

HEX #AC3F39

RGB 172 63 57

HSL 3.13, 0.5%, 0.45%

LAB 42.19, 44.24, 27.4

 

CMYK 57 / 0 / 67 / 33

HEX #4AAC39

RGB 74 172 57

HSL 111.13, 0.5%, 0.45%

LAB 62.72, -50.53, 48.81

 

CMYK 67 / 3 / 0 / 33

HEX #39A6AC

RGB 57 166 172

HSL 183.13, 0.5%, 0.45%

LAB 62.61, -28.3, -12.15

 

CMYK 9 / 67 / 0 / 33

HEX #9C39AC

RGB 156 57 172

HSL 291.65, 0.5%, 0.45%

LAB 42.72, 56.74, -42.4

 

CMYK 0 / 44 / 67 / 33

HEX #AC6139

RGB 172 97 57

HSL 20.87, 0.5%, 0.45%

LAB 49.03, 26.83, 35.54

 

CMYK 57 / 0 / 67 / 33

HEX #4AAC39

RGB 74 172 57

HSL 111.13, 0.5%, 0.45%

LAB 62.72, -50.53, 48.81

 

CMYK 67 / 24 / 0 / 33

HEX #3983AC

RGB 57 131 172

HSL 201.39, 0.5%, 0.45%

LAB 51.93, -9.71, -28.47

 

Description

Color code: HEX #9C39AC | qconv.com Color code: HEX #9C39AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 57 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 57 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 67 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 67% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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