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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C3325 it is the complementary color #63CCDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C3325. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C3325 shade: #A13320, #B24533, #C35746, #D46959 and #E57B6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C3325. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C3325 shade: #9C3325, #8B2112, #7A0F00, #690000 and #580000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C3325 shade: #9C3224 and #9C2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C3325 shade: #9C3224, #9C5324, #9C7324, #9C9424 and #859C24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C3325 shade matches the following richer shades: #9C3224, #AC2615 and #BC1A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C3325 shade: #9C3224, #8D3E34, #7D4A44, #6D5653 and #5E6263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C3325 shade: #9C2456, #9C2436, #9C3224, #9C5224 and #9C7224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C3325 shade: #5A1D15, #7B281C, #9C3224, #BE3D2C and #D25241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C3325 shade: #9C3325, #769C24 and #24469C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C3325 shade: #9C3325, #249C32 and #32249C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C3325 shade: #9C3325, #769C24, #248E9C and #4A249C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C3325 shade: #9C3325, #529C24, #248E9C and #6E249C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 76 / 39

HEX #9C3325

RGB 156 51 37

HSL 7.06, 0.62%, 0.38%

LAB 37.06, 42.87, 32.48

 

Complementary color

CMYK 55 / 6 / 0 / 15

HEX #63CCDA

RGB 99 204 218

HSL 187.06, 0.62%, 0.62%

LAB 76.62, -26.43, -16.22

 

CMYK 0 / 68 / 80 / 37

HEX #A13320

RGB 161 51 32

HSL 8.84, 0.67%, 0.38%

LAB 37.93, 44.44, 36.48

 

CMYK 0 / 61 / 71 / 30

HEX #B24533

RGB 178 69 51

HSL 8.5, 0.55%, 0.45%

LAB 44.18, 43.3, 33.52

 

CMYK 0 / 55 / 64 / 24

HEX #C35746

RGB 195 87 70

HSL 8.16, 0.51%, 0.52%

LAB 50.52, 42.02, 30.89

 

CMYK 0 / 50 / 58 / 17

HEX #D46959

RGB 212 105 89

HSL 7.8, 0.59%, 0.59%

LAB 56.9, 40.73, 28.62

 

CMYK 0 / 46 / 53 / 10

HEX #E57B6C

RGB 229 123 108

HSL 7.44, 0.7%, 0.66%

LAB 63.27, 39.49, 26.64

 

CMYK 0 / 67 / 76 / 39

HEX #9C3325

RGB 156 51 37

HSL 7.06, 0.62%, 0.38%

LAB 37.06, 42.87, 32.48

 

CMYK 0 / 76 / 87 / 45

HEX #8B2112

RGB 139 33 18

HSL 7.44, 0.77%, 0.31%

LAB 30.93, 43.59, 35.74

 

CMYK 0 / 88 / 100 / 52

HEX #7A0F00

RGB 122 15 0

HSL 7.38, 1%, 0.24%

LAB 25.2, 43.33, 37.26

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 68 / 77 / 39

HEX #9C3224

RGB 156 50 36

HSL 7, 0.63%, 0.38%

LAB 36.89, 43.26, 32.87

 

CMYK 0 / 77 / 77 / 39

HEX #9C2424

RGB 156 36 36

HSL 0, 0.63%, 0.38%

LAB 34.92, 48.67, 30.73

 

CMYK 0 / 68 / 77 / 39

HEX #9C3224

RGB 156 50 36

HSL 7, 0.63%, 0.38%

LAB 36.89, 43.26, 32.87

 

CMYK 0 / 47 / 77 / 39

HEX #9C5324

RGB 156 83 36

HSL 23.5, 0.63%, 0.38%

LAB 43.33, 26.64, 39.63

 

CMYK 0 / 26 / 77 / 39

HEX #9C7324

RGB 156 115 36

HSL 39.5, 0.63%, 0.38%

LAB 51.22, 8.45, 47.46

 

CMYK 0 / 5 / 77 / 39

HEX #9C9424

RGB 156 148 36

HSL 56, 0.63%, 0.38%

LAB 60.23, -9.84, 55.96

 

CMYK 15 / 0 / 77 / 39

HEX #859C24

RGB 133 156 36

HSL 71.5, 0.63%, 0.38%

LAB 60.69, -24.1, 55.72

 

CMYK 0 / 68 / 77 / 39

HEX #9C3224

RGB 156 50 36

HSL 7, 0.63%, 0.38%

LAB 36.89, 43.26, 32.87

 

CMYK 0 / 78 / 88 / 33

HEX #AC2615

RGB 172 38 21

HSL 6.75, 0.78%, 0.38%

LAB 38.22, 52.59, 43.1

 

CMYK 0 / 86 / 97 / 26

HEX #BC1A05

RGB 188 26 5

HSL 6.89, 0.95%, 0.38%

LAB 40.31, 60.19, 52.12

 

CMYK 0 / 68 / 77 / 39

HEX #9C3224

RGB 156 50 36

HSL 7, 0.63%, 0.38%

LAB 36.89, 43.26, 32.87

 

CMYK 0 / 56 / 63 / 45

HEX #8D3E34

RGB 141 62 52

HSL 6.74, 0.46%, 0.38%

LAB 36.66, 32.77, 22.41

 

CMYK 0 / 41 / 46 / 51

HEX #7D4A44

RGB 125 74 68

HSL 6.32, 0.3%, 0.38%

LAB 37.25, 20.94, 12.83

 

CMYK 0 / 21 / 24 / 57

HEX #6D5653

RGB 109 86 83

HSL 6.92, 0.14%, 0.38%

LAB 38.78, 8.98, 5.35

 

CMYK 5 / 1 / 0 / 61

HEX #5E6263

RGB 94 98 99

HSL 192, 0.03%, 0.38%

LAB 41.24, -1.34, -1.11

 

CMYK 0 / 77 / 45 / 39

HEX #9C2456

RGB 156 36 86

HSL 335, 0.63%, 0.38%

LAB 35.99, 52.11, 0.32

 

CMYK 0 / 77 / 65 / 39

HEX #9C2436

RGB 156 36 54

HSL 351, 0.63%, 0.38%

LAB 35.19, 49.58, 19.85

 

CMYK 0 / 68 / 77 / 39

HEX #9C3224

RGB 156 50 36

HSL 7, 0.63%, 0.38%

LAB 36.89, 43.26, 32.87

 

CMYK 0 / 47 / 77 / 39

HEX #9C5224

RGB 156 82 36

HSL 23, 0.63%, 0.38%

LAB 43.11, 27.19, 39.4

 

CMYK 0 / 27 / 77 / 39

HEX #9C7224

RGB 156 114 36

HSL 39, 0.63%, 0.38%

LAB 50.96, 9.02, 47.2

 

CMYK 0 / 68 / 77 / 65

HEX #5A1D15

RGB 90 29 21

HSL 6.96, 0.62%, 0.22%

LAB 20.47, 27.52, 20.21

 

CMYK 0 / 67 / 77 / 52

HEX #7B281C

RGB 123 40 28

HSL 7.58, 0.63%, 0.3%

LAB 28.93, 35.36, 27.11

 

CMYK 0 / 68 / 77 / 39

HEX #9C3224

RGB 156 50 36

HSL 7, 0.63%, 0.38%

LAB 36.89, 43.26, 32.87

 

CMYK 0 / 68 / 77 / 25

HEX #BE3D2C

RGB 190 61 44

HSL 6.99, 0.62%, 0.46%

LAB 44.89, 50.71, 38.82

 

CMYK 0 / 61 / 69 / 18

HEX #D25241

RGB 210 82 65

HSL 7.03, 0.62%, 0.54%

LAB 51.97, 49.52, 36.04

 

CMYK 0 / 67 / 76 / 39

HEX #9C3325

RGB 156 51 37

HSL 7.06, 0.62%, 0.38%

LAB 37.06, 42.87, 32.48

 

CMYK 24 / 0 / 77 / 39

HEX #769C24

RGB 118 156 36

HSL 79, 0.63%, 0.38%

LAB 59.67, -30.36, 54.4

 

CMYK 77 / 55 / 0 / 39

HEX #24469C

RGB 36 70 156

HSL 223, 0.63%, 0.38%

LAB 32.16, 19.63, -50.44

 

CMYK 0 / 67 / 76 / 39

HEX #9C3325

RGB 156 51 37

HSL 7.06, 0.62%, 0.38%

LAB 37.06, 42.87, 32.48

 

CMYK 77 / 0 / 68 / 39

HEX #249C32

RGB 36 156 50

HSL 127, 0.63%, 0.38%

LAB 56.47, -53.49, 44.72

 

CMYK 68 / 77 / 0 / 39

HEX #32249C

RGB 50 36 156

HSL 247, 0.63%, 0.38%

LAB 24.77, 42.92, -62.51

 

CMYK 0 / 67 / 76 / 39

HEX #9C3325

RGB 156 51 37

HSL 7.06, 0.62%, 0.38%

LAB 37.06, 42.87, 32.48

 

CMYK 24 / 0 / 77 / 39

HEX #769C24

RGB 118 156 36

HSL 79, 0.63%, 0.38%

LAB 59.67, -30.36, 54.4

 

CMYK 77 / 9 / 0 / 39

HEX #248E9C

RGB 36 142 156

HSL 187, 0.63%, 0.38%

LAB 54.16, -24.03, -15.86

 

CMYK 53 / 77 / 0 / 39

HEX #4A249C

RGB 74 36 156

HSL 259, 0.63%, 0.38%

LAB 27.07, 46.04, -58.64

 

CMYK 0 / 67 / 76 / 39

HEX #9C3325

RGB 156 51 37

HSL 7.06, 0.62%, 0.38%

LAB 37.06, 42.87, 32.48

 

CMYK 47 / 0 / 77 / 39

HEX #529C24

RGB 82 156 36

HSL 97, 0.63%, 0.38%

LAB 57.75, -43.62, 51.89

 

CMYK 77 / 9 / 0 / 39

HEX #248E9C

RGB 36 142 156

HSL 187, 0.63%, 0.38%

LAB 54.16, -24.03, -15.86

 

CMYK 29 / 77 / 0 / 39

HEX #6E249C

RGB 110 36 156

HSL 277, 0.63%, 0.38%

LAB 31.75, 52.19, -50.79

 

Description

Color code: HEX #9C3325 | qconv.com Color code: HEX #9C3325 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 51 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 51 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 76 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 76% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - The FaQtory – An Emo...
Link: http://thefaqtory.ca

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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