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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C3B1A it is the complementary color #63C4E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C3B1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C3B1A shade: #A13B15, #B24D28, #C35F3B, #D4714E and #E58361

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C3B1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C3B1A shade: #9C3B1A, #8B2907, #7A1700, #690500 and #580000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C3B1A shade: #9C3B1A and #9C1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C3B1A shade: #9C3B1A, #9C5E1A, #9C821A, #949C1A and #719C1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C3B1A shade matches the following richer shades: #9C3B1A and #AB340B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C3B1A shade: #9C3B1A, #8E4329, #7F4A38, #705147 and #615856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C3B1A shade: #9C1A3F, #9C1A1C, #9C3B1A, #9C5D1A and #9C801A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C3B1A shade: #56200E, #792E14, #9C3B1A, #C04920 and #DB5A2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C3B1A shade: #9C3B1A, #629C1A and #1A2E9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C3B1A shade: #9C3B1A, #1A9C3B and #3B1A9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C3B1A shade: #9C3B1A, #629C1A, #1A7C9C and #551A9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C3B1A shade: #9C3B1A, #3B9C1A, #1A7C9C and #7C1A9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

Complementary color

CMYK 57 / 14 / 0 / 10

HEX #63C4E5

RGB 99 196 229

HSL 195.23, 0.71%, 0.64%

LAB 74.69, -19.28, -25.07

 

CMYK 0 / 63 / 87 / 37

HEX #A13B15

RGB 161 59 21

HSL 16.29, 0.77%, 0.36%

LAB 39.17, 40.53, 43.05

 

CMYK 0 / 57 / 78 / 30

HEX #B24D28

RGB 178 77 40

HSL 16.09, 0.63%, 0.43%

LAB 45.53, 38.94, 40.96

 

CMYK 0 / 51 / 70 / 24

HEX #C35F3B

RGB 195 95 59

HSL 15.88, 0.54%, 0.5%

LAB 51.95, 37.35, 38.7

 

CMYK 0 / 47 / 63 / 17

HEX #D4714E

RGB 212 113 78

HSL 15.67, 0.61%, 0.57%

LAB 58.37, 35.85, 36.57

 

CMYK 0 / 43 / 58 / 10

HEX #E58361

RGB 229 131 97

HSL 15.45, 0.72%, 0.64%

LAB 64.77, 34.47, 34.64

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 0 / 71 / 95 / 45

HEX #8B2907

RGB 139 41 7

HSL 15.45, 0.9%, 0.29%

LAB 32.01, 40.2, 41.4

 

CMYK 0 / 81 / 100 / 52

HEX #7A1700

RGB 122 23 0

HSL 11.31, 1%, 0.24%

LAB 26.01, 41.03, 38.01

 

CMYK 0 / 95 / 100 / 59

HEX #690500

RGB 105 5 0

HSL 2.86, 1%, 0.21%

LAB 20.49, 40.48, 31.16

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 0 / 83 / 83 / 39

HEX #9C1A1A

RGB 156 26 26

HSL 0, 0.71%, 0.36%

LAB 33.73, 51.35, 35.31

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 0 / 40 / 83 / 39

HEX #9C5E1A

RGB 156 94 26

HSL 31.38, 0.71%, 0.36%

LAB 45.84, 20.06, 46.49

 

CMYK 0 / 17 / 83 / 39

HEX #9C821A

RGB 156 130 26

HSL 48, 0.71%, 0.36%

LAB 55.18, -0.39, 54.7

 

CMYK 5 / 0 / 83 / 39

HEX #949C1A

RGB 148 156 26

HSL 63.69, 0.71%, 0.36%

LAB 61.78, -17.98, 60.1

 

CMYK 28 / 0 / 83 / 39

HEX #719C1A

RGB 113 156 26

HSL 79.85, 0.71%, 0.36%

LAB 59.31, -32.84, 56.99

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 0 / 70 / 94 / 33

HEX #AB340B

RGB 171 52 11

HSL 15.38, 0.88%, 0.36%

LAB 39.81, 47, 48.14

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 0 / 53 / 71 / 44

HEX #8E4329

RGB 142 67 41

HSL 15.45, 0.55%, 0.36%

LAB 37.71, 29.78, 30.25

 

CMYK 0 / 42 / 56 / 50

HEX #7F4A38

RGB 127 74 56

HSL 15.21, 0.39%, 0.36%

LAB 37.29, 20.54, 20.33

 

CMYK 0 / 28 / 37 / 56

HEX #705147

RGB 112 81 71

HSL 14.63, 0.22%, 0.36%

LAB 37.45, 11.49, 10.98

 

CMYK 0 / 9 / 11 / 62

HEX #615856

RGB 97 88 86

HSL 10.91, 0.06%, 0.36%

LAB 38.19, 3.26, 2.48

 

CMYK 0 / 83 / 60 / 39

HEX #9C1A3F

RGB 156 26 63

HSL 342.92, 0.71%, 0.36%

LAB 34.33, 53.14, 12.88

 

CMYK 0 / 83 / 82 / 39

HEX #9C1A1C

RGB 156 26 28

HSL 359.08, 0.71%, 0.36%

LAB 33.75, 51.41, 34.2

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 0 / 40 / 83 / 39

HEX #9C5D1A

RGB 156 93 26

HSL 30.92, 0.71%, 0.36%

LAB 45.59, 20.63, 46.28

 

CMYK 0 / 18 / 83 / 39

HEX #9C801A

RGB 156 128 26

HSL 47.08, 0.71%, 0.36%

LAB 54.64, 0.72, 54.23

 

CMYK 0 / 63 / 84 / 66

HEX #56200E

RGB 86 32 14

HSL 15, 0.72%, 0.2%

LAB 20.22, 23.88, 23.85

 

CMYK 0 / 62 / 83 / 53

HEX #792E14

RGB 121 46 20

HSL 15.45, 0.72%, 0.28%

LAB 29.59, 31.3, 32.2

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 0 / 62 / 83 / 25

HEX #C04920

RGB 192 73 32

HSL 15.38, 0.71%, 0.44%

LAB 47.07, 45.83, 47.13

 

CMYK 0 / 59 / 79 / 14

HEX #DB5A2E

RGB 219 90 46

HSL 15.26, 0.71%, 0.52%

LAB 54.63, 48.28, 49.29

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 37 / 0 / 83 / 39

HEX #629C1A

RGB 98 156 26

HSL 86.77, 0.71%, 0.36%

LAB 58.46, -38.62, 55.91

 

CMYK 83 / 71 / 0 / 39

HEX #1A2E9C

RGB 26 46 156

HSL 230.77, 0.71%, 0.36%

LAB 25.48, 34.72, -61.37

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 83 / 0 / 62 / 39

HEX #1A9C3B

RGB 26 156 59

HSL 135.23, 0.71%, 0.36%

LAB 56.4, -53.77, 40.57

 

CMYK 62 / 83 / 0 / 39

HEX #3B1A9C

RGB 59 26 156

HSL 255.23, 0.71%, 0.36%

LAB 23.9, 48.72, -63.91

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 37 / 0 / 83 / 39

HEX #629C1A

RGB 98 156 26

HSL 86.77, 0.71%, 0.36%

LAB 58.46, -38.62, 55.91

 

CMYK 83 / 21 / 0 / 39

HEX #1A7C9C

RGB 26 124 156

HSL 194.77, 0.71%, 0.36%

LAB 48.3, -15.43, -24.85

 

CMYK 46 / 83 / 0 / 39

HEX #551A9C

RGB 85 26 156

HSL 267.23, 0.71%, 0.36%

LAB 26.93, 51.89, -58.81

 

CMYK 0 / 62 / 83 / 39

HEX #9C3B1A

RGB 156 59 26

HSL 15.23, 0.71%, 0.36%

LAB 38.32, 38.79, 39.65

 

CMYK 62 / 0 / 83 / 39

HEX #3B9C1A

RGB 59 156 26

HSL 104.77, 0.71%, 0.36%

LAB 56.86, -50.77, 53.87

 

CMYK 83 / 21 / 0 / 39

HEX #1A7C9C

RGB 26 124 156

HSL 194.77, 0.71%, 0.36%

LAB 48.3, -15.43, -24.85

 

CMYK 21 / 83 / 0 / 39

HEX #7C1A9C

RGB 124 26 156

HSL 285.23, 0.71%, 0.36%

LAB 32.75, 58.14, -49.07

 

Description

Color code: HEX #9C3B1A | qconv.com Color code: HEX #9C3B1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 59 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 59 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 83 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 83% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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