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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C4695 it is the complementary color #63B96A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C4695. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C4695 shade: #A14690, #B258A3, #C36AB6, #D47CC9 and #E58EDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C4695. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C4695 shade: #9C4695, #8B3482, #7A226F, #69105C and #580049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C4695 shade: #9A4593, #9A457C, #9A4565, #9A454E and #9A4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C4695 shade: #9A4593, #8A459A, #73459A, #5C459A and #45459A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C4695 shade matches the following richer shades: #9A4593, #AC33A3, #BF21B2 and #D10FC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C4695 shade: #9A4593, #885784, #766975, #647C66 and #528E57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C4695 shade: #73459A, #89459A, #9A4595, #9A457E and #9A4567

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C4695 shade: #612B5D, #7E3878, #9A4593, #B356AB and #C072B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C4695 shade: #9C4695, #9A5C45 and #459A7E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C4695 shade: #9C4695, #959A45 and #45959A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C4695 shade: #9C4695, #9A5C45, #459A4B and #45849A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C4695 shade: #9C4695, #9A7545, #459A4B and #456A9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 4 / 39

HEX #9C4695

RGB 156 70 149

HSL 304.88, 0.38%, 0.44%

LAB 43.68, 46.58, -27.16

 

Complementary color

CMYK 46 / 0 / 43 / 27

HEX #63B96A

RGB 99 185 106

HSL 124.88, 0.38%, 0.56%

LAB 68.31, -42.63, 32.2

 

CMYK 0 / 57 / 11 / 37

HEX #A14690

RGB 161 70 144

HSL 311.21, 0.39%, 0.45%

LAB 44.19, 47.19, -23.29

 

CMYK 0 / 51 / 8 / 30

HEX #B258A3

RGB 178 88 163

HSL 310, 0.37%, 0.52%

LAB 50.79, 46.62, -24.2

 

CMYK 0 / 46 / 7 / 24

HEX #C36AB6

RGB 195 106 182

HSL 308.76, 0.43%, 0.59%

LAB 57.35, 45.93, -24.93

 

CMYK 0 / 42 / 5 / 17

HEX #D47CC9

RGB 212 124 201

HSL 307.5, 0.51%, 0.66%

LAB 63.86, 45.19, -25.54

 

CMYK 0 / 38 / 4 / 10

HEX #E58EDC

RGB 229 142 220

HSL 306.21, 0.63%, 0.73%

LAB 70.3, 44.45, -26.07

 

CMYK 0 / 55 / 4 / 39

HEX #9C4695

RGB 156 70 149

HSL 304.88, 0.38%, 0.44%

LAB 43.68, 46.58, -27.16

 

CMYK 0 / 63 / 6 / 45

HEX #8B3482

RGB 139 52 130

HSL 306.21, 0.46%, 0.37%

LAB 37.03, 46.93, -26.14

 

CMYK 0 / 72 / 9 / 52

HEX #7A226F

RGB 122 34 111

HSL 307.5, 0.56%, 0.31%

LAB 30.47, 46.76, -24.7

 

CMYK 0 / 85 / 12 / 59

HEX #69105C

RGB 105 16 92

HSL 308.76, 0.74%, 0.24%

LAB 24.15, 45.54, -22.51

 

CMYK 0 / 100 / 17 / 65

HEX #580049

RGB 88 0 73

HSL 310.23, 1%, 0.17%

LAB 18.17, 42.86, -19.34

 

CMYK 0 / 55 / 5 / 40

HEX #9A4593

RGB 154 69 147

HSL 304.94, 0.38%, 0.44%

LAB 43.11, 46.13, -26.86

 

CMYK 0 / 55 / 19 / 40

HEX #9A457C

RGB 154 69 124

HSL 321.18, 0.38%, 0.44%

LAB 42.13, 42.29, -14.4

 

CMYK 0 / 55 / 34 / 40

HEX #9A4565

RGB 154 69 101

HSL 337.41, 0.38%, 0.44%

LAB 41.32, 39.01, -1.4

 

CMYK 0 / 55 / 49 / 40

HEX #9A454E

RGB 154 69 78

HSL 353.65, 0.38%, 0.44%

LAB 40.7, 36.39, 12.03

 

CMYK 0 / 55 / 55 / 40

HEX #9A4545

RGB 154 69 69

HSL 0, 0.38%, 0.44%

LAB 40.5, 35.54, 17.34

 

CMYK 0 / 55 / 5 / 40

HEX #9A4593

RGB 154 69 147

HSL 304.94, 0.38%, 0.44%

LAB 43.11, 46.13, -26.86

 

CMYK 10 / 55 / 0 / 40

HEX #8A459A

RGB 138 69 154

HSL 288.71, 0.38%, 0.44%

LAB 41.2, 42.89, -34.23

 

CMYK 25 / 55 / 0 / 40

HEX #73459A

RGB 115 69 154

HSL 272.47, 0.38%, 0.44%

LAB 38.26, 36.51, -39.08

 

CMYK 40 / 55 / 0 / 40

HEX #5C459A

RGB 92 69 154

HSL 256.24, 0.38%, 0.44%

LAB 35.72, 30.47, -43.28

 

CMYK 55 / 55 / 0 / 40

HEX #45459A

RGB 69 69 154

HSL 240, 0.38%, 0.44%

LAB 33.68, 25.13, -46.68

 

CMYK 0 / 55 / 5 / 40

HEX #9A4593

RGB 154 69 147

HSL 304.94, 0.38%, 0.44%

LAB 43.11, 46.13, -26.86

 

CMYK 0 / 70 / 5 / 33

HEX #AC33A3

RGB 172 51 163

HSL 304.46, 0.54%, 0.44%

LAB 43.92, 61.26, -34.99

 

CMYK 0 / 83 / 7 / 25

HEX #BF21B2

RGB 191 33 178

HSL 304.94, 0.71%, 0.44%

LAB 46.15, 72.8, -40.15

 

CMYK 0 / 93 / 8 / 18

HEX #D10FC1

RGB 209 15 193

HSL 304.95, 0.87%, 0.44%

LAB 49.19, 81.08, -43.91

 

CMYK 0 / 55 / 5 / 40

HEX #9A4593

RGB 154 69 147

HSL 304.94, 0.38%, 0.44%

LAB 43.11, 46.13, -26.86

 

CMYK 0 / 36 / 3 / 47

HEX #885784

RGB 136 87 132

HSL 304.9, 0.22%, 0.44%

LAB 43.82, 27.81, -16.9

 

CMYK 0 / 11 / 1 / 54

HEX #766975

RGB 118 105 117

HSL 304.62, 0.06%, 0.44%

LAB 45.96, 7.47, -4.82

 

CMYK 19 / 0 / 18 / 51

HEX #647C66

RGB 100 124 102

HSL 125, 0.11%, 0.44%

LAB 49.6, -13.38, 9.17

 

CMYK 42 / 0 / 39 / 44

HEX #528E57

RGB 82 142 87

HSL 125, 0.27%, 0.44%

LAB 53.84, -31.62, 23.36

 

CMYK 25 / 55 / 0 / 40

HEX #73459A

RGB 115 69 154

HSL 272.47, 0.38%, 0.44%

LAB 38.26, 36.51, -39.08

 

CMYK 11 / 55 / 0 / 40

HEX #89459A

RGB 137 69 154

HSL 288, 0.38%, 0.44%

LAB 41.07, 42.61, -34.45

 

CMYK 0 / 55 / 3 / 40

HEX #9A4595

RGB 154 69 149

HSL 303.53, 0.38%, 0.44%

LAB 43.21, 46.49, -27.92

 

CMYK 0 / 55 / 18 / 40

HEX #9A457E

RGB 154 69 126

HSL 319.76, 0.38%, 0.44%

LAB 42.2, 42.6, -15.5

 

CMYK 0 / 55 / 33 / 40

HEX #9A4567

RGB 154 69 103

HSL 336, 0.38%, 0.44%

LAB 41.38, 39.27, -2.55

 

CMYK 0 / 56 / 4 / 62

HEX #612B5D

RGB 97 43 93

HSL 304.44, 0.39%, 0.27%

LAB 26.9, 32.07, -18.96

 

CMYK 0 / 56 / 5 / 51

HEX #7E3878

RGB 126 56 120

HSL 305.14, 0.38%, 0.36%

LAB 35.24, 39.41, -22.87

 

CMYK 0 / 55 / 5 / 40

HEX #9A4593

RGB 154 69 147

HSL 304.94, 0.38%, 0.44%

LAB 43.11, 46.13, -26.86

 

CMYK 0 / 52 / 4 / 30

HEX #B356AB

RGB 179 86 171

HSL 305.16, 0.38%, 0.52%

LAB 50.9, 49.3, -28.72

 

CMYK 0 / 41 / 4 / 25

HEX #C072B9

RGB 192 114 185

HSL 305.38, 0.38%, 0.6%

LAB 58.74, 41.33, -24.55

 

CMYK 0 / 55 / 4 / 39

HEX #9C4695

RGB 156 70 149

HSL 304.88, 0.38%, 0.44%

LAB 43.68, 46.58, -27.16

 

CMYK 0 / 40 / 55 / 40

HEX #9A5C45

RGB 154 92 69

HSL 16.24, 0.38%, 0.44%

LAB 45.57, 22.95, 23.97

 

CMYK 55 / 0 / 18 / 40

HEX #459A7E

RGB 69 154 126

HSL 160.24, 0.38%, 0.44%

LAB 57.93, -32.71, 6.99

 

CMYK 0 / 55 / 4 / 39

HEX #9C4695

RGB 156 70 149

HSL 304.88, 0.38%, 0.44%

LAB 43.68, 46.58, -27.16

 

CMYK 3 / 0 / 55 / 40

HEX #959A45

RGB 149 154 69

HSL 63.53, 0.38%, 0.44%

LAB 61.59, -13.99, 43.28

 

CMYK 55 / 3 / 0 / 40

HEX #45959A

RGB 69 149 154

HSL 183.53, 0.38%, 0.44%

LAB 57.17, -22.84, -10.08

 

CMYK 0 / 55 / 4 / 39

HEX #9C4695

RGB 156 70 149

HSL 304.88, 0.38%, 0.44%

LAB 43.68, 46.58, -27.16

 

CMYK 0 / 40 / 55 / 40

HEX #9A5C45

RGB 154 92 69

HSL 16.24, 0.38%, 0.44%

LAB 45.57, 22.95, 23.97

 

CMYK 55 / 0 / 51 / 40

HEX #459A4B

RGB 69 154 75

HSL 124.24, 0.38%, 0.44%

LAB 56.96, -42.62, 33.64

 

CMYK 55 / 14 / 0 / 40

HEX #45849A

RGB 69 132 154

HSL 195.53, 0.38%, 0.44%

LAB 51.95, -13.75, -17.97

 

CMYK 0 / 55 / 4 / 39

HEX #9C4695

RGB 156 70 149

HSL 304.88, 0.38%, 0.44%

LAB 43.68, 46.58, -27.16

 

CMYK 0 / 24 / 55 / 40

HEX #9A7545

RGB 154 117 69

HSL 33.88, 0.38%, 0.44%

LAB 51.86, 8.61, 31.86

 

CMYK 55 / 0 / 51 / 40

HEX #459A4B

RGB 69 154 75

HSL 124.24, 0.38%, 0.44%

LAB 56.96, -42.62, 33.64

 

CMYK 55 / 31 / 0 / 40

HEX #456A9A

RGB 69 106 154

HSL 213.88, 0.38%, 0.44%

LAB 44.1, 1.45, -30.11

 

Description

Color code: HEX #9C4695 | qconv.com Color code: HEX #9C4695 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 70 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 70 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 4 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 4% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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