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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C48B0 it is the complementary color #63B74F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C48B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C48B0 shade: #A148AB, #B25ABE, #C36CD1, #D47EE4 and #E590F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C48B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C48B0 shade: #9C48B0, #8B369D, #7A248A, #691277 and #580064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C48B0 shade: #9D48B1, #B148A9, #B1488D, #B14870 and #B14854

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C48B0 shade: #9D48B1, #8048B1, #6448B1 and #4848B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C48B0 shade matches the following richer shades: #9D48B1, #A934C5, #B620D9 and #C20BEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C48B0 shade: #9D48B1, #905C9D, #847088, #778574 and #6B9960

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C48B0 shade: #6448B1, #8048B1, #9C48B1, #B148AA and #B1488E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C48B0 shade: #693076, #833C94, #9D48B1, #AD63BF and #BD80CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C48B0 shade: #9C48B0, #B14848 and #48B172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C48B0 shade: #9C48B0, #B19C48 and #48B19C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C48B0 shade: #9C48B0, #B14848, #5DB148 and #48B1B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C48B0 shade: #9C48B0, #B16748, #5DB148 and #4891B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 59 / 0 / 31

HEX #9C48B0

RGB 156 72 176

HSL 288.46, 0.42%, 0.49%

LAB 45.41, 50.73, -40.49

 

Complementary color

CMYK 46 / 0 / 57 / 28

HEX #63B74F

RGB 99 183 79

HSL 108.46, 0.42%, 0.51%

LAB 67.34, -45.45, 44.41

 

CMYK 6 / 58 / 0 / 33

HEX #A148AB

RGB 161 72 171

HSL 293.94, 0.41%, 0.48%

LAB 45.84, 51.07, -36.82

 

CMYK 6 / 53 / 0 / 25

HEX #B25ABE

RGB 178 90 190

HSL 292.8, 0.43%, 0.55%

LAB 52.39, 50.52, -37.43

 

CMYK 7 / 48 / 0 / 18

HEX #C36CD1

RGB 195 108 209

HSL 291.68, 0.52%, 0.62%

LAB 58.91, 49.85, -37.89

 

CMYK 7 / 45 / 0 / 11

HEX #D47EE4

RGB 212 126 228

HSL 290.59, 0.65%, 0.69%

LAB 65.37, 49.12, -38.27

 

CMYK 7 / 42 / 0 / 3

HEX #E590F7

RGB 229 144 247

HSL 289.51, 0.87%, 0.77%

LAB 71.77, 48.38, -38.6

 

CMYK 11 / 59 / 0 / 31

HEX #9C48B0

RGB 156 72 176

HSL 288.46, 0.42%, 0.49%

LAB 45.41, 50.73, -40.49

 

CMYK 11 / 66 / 0 / 38

HEX #8B369D

RGB 139 54 157

HSL 289.51, 0.49%, 0.41%

LAB 38.83, 51.07, -39.78

 

CMYK 12 / 74 / 0 / 46

HEX #7A248A

RGB 122 36 138

HSL 290.59, 0.59%, 0.34%

LAB 32.33, 50.88, -38.71

 

CMYK 12 / 85 / 0 / 53

HEX #691277

RGB 105 18 119

HSL 291.68, 0.74%, 0.27%

LAB 26.06, 49.69, -37

 

CMYK 12 / 100 / 0 / 61

HEX #580064

RGB 88 0 100

HSL 292.8, 1%, 0.2%

LAB 20.02, 47.34, -34.58

 

CMYK 11 / 59 / 0 / 31

HEX #9D48B1

RGB 157 72 177

HSL 288.57, 0.42%, 0.49%

LAB 45.6, 51.19, -40.76

 

CMYK 0 / 59 / 5 / 31

HEX #B148A9

RGB 177 72 169

HSL 304.57, 0.42%, 0.49%

LAB 48.07, 55, -31.98

 

CMYK 0 / 59 / 20 / 31

HEX #B1488D

RGB 177 72 141

HSL 320.57, 0.42%, 0.49%

LAB 46.85, 50.55, -17.19

 

CMYK 0 / 59 / 37 / 31

HEX #B14870

RGB 177 72 112

HSL 337.14, 0.42%, 0.49%

LAB 45.84, 46.7, -1.12

 

CMYK 0 / 59 / 53 / 31

HEX #B14854

RGB 177 72 84

HSL 353.14, 0.42%, 0.49%

LAB 45.11, 43.81, 14.99

 

CMYK 11 / 59 / 0 / 31

HEX #9D48B1

RGB 157 72 177

HSL 288.57, 0.42%, 0.49%

LAB 45.6, 51.19, -40.76

 

CMYK 28 / 59 / 0 / 31

HEX #8048B1

RGB 128 72 177

HSL 272, 0.42%, 0.49%

LAB 41.84, 43.83, -46.98

 

CMYK 44 / 59 / 0 / 31

HEX #6448B1

RGB 100 72 177

HSL 256, 0.42%, 0.49%

LAB 38.76, 37.2, -52.11

 

CMYK 59 / 59 / 0 / 31

HEX #4848B1

RGB 72 72 177

HSL 240, 0.42%, 0.49%

LAB 36.34, 31.51, -56.13

 

CMYK 11 / 59 / 0 / 31

HEX #9D48B1

RGB 157 72 177

HSL 288.57, 0.42%, 0.49%

LAB 45.6, 51.19, -40.76

 

CMYK 14 / 74 / 0 / 23

HEX #A934C5

RGB 169 52 197

HSL 288.41, 0.58%, 0.49%

LAB 45.53, 66.17, -52.47

 

CMYK 16 / 85 / 0 / 15

HEX #B620D9

RGB 182 32 217

HSL 288.65, 0.74%, 0.49%

LAB 46.96, 77.66, -61.59

 

CMYK 18 / 95 / 0 / 7

HEX #C20BEE

RGB 194 11 238

HSL 288.37, 0.91%, 0.49%

LAB 49.35, 86.01, -69.54

 

CMYK 11 / 59 / 0 / 31

HEX #9D48B1

RGB 157 72 177

HSL 288.57, 0.42%, 0.49%

LAB 45.6, 51.19, -40.76

 

CMYK 8 / 41 / 0 / 38

HEX #905C9D

RGB 144 92 157

HSL 288, 0.26%, 0.49%

LAB 47, 32.7, -26.88

 

CMYK 3 / 18 / 0 / 47

HEX #847088

RGB 132 112 136

HSL 290, 0.1%, 0.49%

LAB 49.82, 12.45, -10.24

 

CMYK 11 / 0 / 13 / 48

HEX #778574

RGB 119 133 116

HSL 109.41, 0.07%, 0.49%

LAB 53.98, -8.54, 7.44

 

CMYK 30 / 0 / 37 / 40

HEX #6B9960

RGB 107 153 96

HSL 108.42, 0.23%, 0.49%

LAB 58.74, -26.95, 25.12

 

CMYK 44 / 59 / 0 / 31

HEX #6448B1

RGB 100 72 177

HSL 256, 0.42%, 0.49%

LAB 38.76, 37.2, -52.11

 

CMYK 28 / 59 / 0 / 31

HEX #8048B1

RGB 128 72 177

HSL 272, 0.42%, 0.49%

LAB 41.84, 43.83, -46.98

 

CMYK 12 / 59 / 0 / 31

HEX #9C48B1

RGB 156 72 177

HSL 288, 0.42%, 0.49%

LAB 45.47, 50.93, -40.99

 

CMYK 0 / 59 / 4 / 31

HEX #B148AA

RGB 177 72 170

HSL 304, 0.42%, 0.49%

LAB 48.11, 55.17, -32.49

 

CMYK 0 / 59 / 20 / 31

HEX #B1488E

RGB 177 72 142

HSL 320, 0.42%, 0.49%

LAB 46.89, 50.7, -17.73

 

CMYK 11 / 59 / 0 / 54

HEX #693076

RGB 105 48 118

HSL 288.86, 0.42%, 0.33%

LAB 30.46, 36.98, -29.34

 

CMYK 11 / 59 / 0 / 42

HEX #833C94

RGB 131 60 148

HSL 288.41, 0.42%, 0.41%

LAB 38.19, 44.33, -35.43

 

CMYK 11 / 59 / 0 / 31

HEX #9D48B1

RGB 157 72 177

HSL 288.57, 0.42%, 0.49%

LAB 45.6, 51.19, -40.76

 

CMYK 9 / 48 / 0 / 25

HEX #AD63BF

RGB 173 99 191

HSL 288.26, 0.42%, 0.57%

LAB 53.57, 44.68, -36.2

 

CMYK 7 / 37 / 0 / 20

HEX #BD80CB

RGB 189 128 203

HSL 288.8, 0.42%, 0.65%

LAB 62.14, 36.26, -29.53

 

CMYK 11 / 59 / 0 / 31

HEX #9C48B0

RGB 156 72 176

HSL 288.46, 0.42%, 0.49%

LAB 45.41, 50.73, -40.49

 

CMYK 0 / 59 / 59 / 31

HEX #B14848

RGB 177 72 72

HSL 0, 0.42%, 0.49%

LAB 44.87, 42.83, 21.96

 

CMYK 59 / 0 / 36 / 31

HEX #48B172

RGB 72 177 114

HSL 144, 0.42%, 0.49%

LAB 64.99, -44.77, 23.43

 

CMYK 11 / 59 / 0 / 31

HEX #9C48B0

RGB 156 72 176

HSL 288.46, 0.42%, 0.49%

LAB 45.41, 50.73, -40.49

 

CMYK 0 / 12 / 59 / 31

HEX #B19C48

RGB 177 156 72

HSL 48, 0.42%, 0.49%

LAB 64.64, -2.7, 45.96

 

CMYK 59 / 0 / 12 / 31

HEX #48B19C

RGB 72 177 156

HSL 168, 0.42%, 0.49%

LAB 65.92, -35.35, 1.72

 

CMYK 11 / 59 / 0 / 31

HEX #9C48B0

RGB 156 72 176

HSL 288.46, 0.42%, 0.49%

LAB 45.41, 50.73, -40.49

 

CMYK 0 / 59 / 59 / 31

HEX #B14848

RGB 177 72 72

HSL 0, 0.42%, 0.49%

LAB 44.87, 42.83, 21.96

 

CMYK 47 / 0 / 59 / 31

HEX #5DB148

RGB 93 177 72

HSL 108, 0.42%, 0.49%

LAB 65.15, -45.59, 45.07

 

CMYK 59 / 0 / 0 / 31

HEX #48B1B1

RGB 72 177 177

HSL 180, 0.42%, 0.49%

LAB 66.52, -29.73, -9.05

 

CMYK 11 / 59 / 0 / 31

HEX #9C48B0

RGB 156 72 176

HSL 288.46, 0.42%, 0.49%

LAB 45.41, 50.73, -40.49

 

CMYK 0 / 42 / 59 / 31

HEX #B16748

RGB 177 103 72

HSL 17.71, 0.42%, 0.49%

LAB 51.28, 26.67, 30.11

 

CMYK 47 / 0 / 59 / 31

HEX #5DB148

RGB 93 177 72

HSL 108, 0.42%, 0.49%

LAB 65.15, -45.59, 45.07

 

CMYK 59 / 18 / 0 / 31

HEX #4891B1

RGB 72 145 177

HSL 198.29, 0.42%, 0.49%

LAB 56.88, -13.16, -23.63

 

Description

Color code: HEX #9C48B0 | qconv.com Color code: HEX #9C48B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 72 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 72 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 59 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 59% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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