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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C48D9 it is the complementary color #63B726. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C48D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C48D9 shade: #A148D4, #B25AE7, #C36CFA, #D47EFF and #E590FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C48D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C48D9 shade: #9C48D9, #8B36C6, #7A24B3, #6912A0 and #58008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C48D9 shade: #9C48D9, #C348D9, #D948C8, #D948A1 and #D9487A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C48D9 shade: #9C48D9, #7548D9, #4E48D9 and #4848D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C48D9 shade matches the following richer shades: #9C48D9, #9F37EB and #A225FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C48D9 shade: #9C48D9, #9A5AC7, #976CB6, #947EA4 and #918F92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C48D9 shade: #4D48D9, #7448D9, #9A48D9, #C148D9 and #D948CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C48D9 shade: #7223AC, #892ACF, #9C48D9, #AF6BE0 and #C18DE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C48D9 shade: #9C48D9, #D9486A and #48D961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C48D9 shade: #9C48D9, #D99A48 and #48D99A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C48D9 shade: #9C48D9, #D9486A, #87D948 and #48D9B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C48D9 shade: #9C48D9, #D95248, #87D948 and #48D0D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

Complementary color

CMYK 46 / 0 / 79 / 28

HEX #63B726

RGB 99 183 38

HSL 94.76, 0.66%, 0.43%

LAB 67.02, -48.87, 60.33

 

CMYK 24 / 66 / 0 / 17

HEX #A148D4

RGB 161 72 212

HSL 278.14, 0.62%, 0.56%

LAB 48.22, 59.42, -56.85

 

CMYK 23 / 61 / 0 / 9

HEX #B25AE7

RGB 178 90 231

HSL 277.45, 0.75%, 0.63%

LAB 54.6, 58.91, -57.25

 

CMYK 22 / 57 / 0 / 2

HEX #C36CFA

RGB 195 108 250

HSL 276.76, 0.93%, 0.7%

LAB 60.98, 58.23, -57.51

 

CMYK 17 / 51 / 0 / 0

HEX #D47EFF

RGB 212 126 255

HSL 280, 1%, 0.75%

LAB 66.63, 54.52, -51.17

 

CMYK 10 / 44 / 0 / 0

HEX #E590FF

RGB 229 144 255

HSL 285.95, 1%, 0.78%

LAB 72.11, 49.93, -42.42

 

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

CMYK 30 / 73 / 0 / 22

HEX #8B36C6

RGB 139 54 198

HSL 275.42, 0.57%, 0.49%

LAB 41.54, 59.72, -59.7

 

CMYK 32 / 80 / 0 / 30

HEX #7A24B3

RGB 122 36 179

HSL 276.08, 0.67%, 0.42%

LAB 35.31, 59.41, -58.76

 

CMYK 34 / 89 / 0 / 37

HEX #6912A0

RGB 105 18 160

HSL 276.76, 0.8%, 0.35%

LAB 29.35, 58.04, -57.18

 

CMYK 38 / 100 / 0 / 45

HEX #58008D

RGB 88 0 141

HSL 277.45, 1%, 0.28%

LAB 23.66, 55.51, -54.9

 

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

CMYK 10 / 67 / 0 / 15

HEX #C348D9

RGB 195 72 217

HSL 290.9, 0.66%, 0.57%

LAB 53.22, 67.87, -51.43

 

CMYK 0 / 67 / 8 / 15

HEX #D948C8

RGB 217 72 200

HSL 307.03, 0.66%, 0.57%

LAB 55.64, 70.09, -37.68

 

CMYK 0 / 67 / 26 / 15

HEX #D948A1

RGB 217 72 161

HSL 323.17, 0.66%, 0.57%

LAB 53.98, 64.63, -17.62

 

CMYK 0 / 67 / 44 / 15

HEX #D9487A

RGB 217 72 122

HSL 339.31, 0.66%, 0.57%

LAB 52.72, 60.27, 3.65

 

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

CMYK 46 / 67 / 0 / 15

HEX #7548D9

RGB 117 72 217

HSL 258.62, 0.66%, 0.57%

LAB 43.4, 51.79, -67.76

 

CMYK 64 / 67 / 0 / 15

HEX #4E48D9

RGB 78 72 217

HSL 242.48, 0.66%, 0.57%

LAB 40.02, 45.57, -73.41

 

CMYK 67 / 67 / 0 / 15

HEX #4848D9

RGB 72 72 217

HSL 240, 0.66%, 0.57%

LAB 39.62, 44.79, -74.09

 

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

CMYK 32 / 77 / 0 / 8

HEX #9F37EB

RGB 159 55 235

HSL 274.67, 0.82%, 0.57%

LAB 47.11, 70.9, -71.73

 

CMYK 36 / 85 / 0 / 1

HEX #A225FD

RGB 162 37 253

HSL 274.72, 0.98%, 0.57%

LAB 47.1, 80.47, -81.83

 

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

CMYK 23 / 55 / 0 / 22

HEX #9A5AC7

RGB 154 90 199

HSL 275.23, 0.49%, 0.57%

LAB 49.87, 45.96, -46.8

 

CMYK 17 / 41 / 0 / 29

HEX #976CB6

RGB 151 108 182

HSL 274.86, 0.34%, 0.57%

LAB 52.6, 31.24, -32.71

 

CMYK 10 / 23 / 0 / 36

HEX #947EA4

RGB 148 126 164

HSL 274.74, 0.17%, 0.57%

LAB 55.99, 15.84, -17.12

 

CMYK 1 / 2 / 0 / 43

HEX #918F92

RGB 145 143 146

HSL 280, 0.01%, 0.57%

LAB 59.65, 1.32, -1.34

 

CMYK 65 / 67 / 0 / 15

HEX #4D48D9

RGB 77 72 217

HSL 242.07, 0.66%, 0.57%

LAB 39.95, 45.44, -73.53

 

CMYK 47 / 67 / 0 / 15

HEX #7448D9

RGB 116 72 217

HSL 258.21, 0.66%, 0.57%

LAB 43.3, 51.61, -67.93

 

CMYK 29 / 67 / 0 / 15

HEX #9A48D9

RGB 154 72 217

HSL 273.93, 0.66%, 0.57%

LAB 47.64, 59.04, -60.68

 

CMYK 11 / 67 / 0 / 15

HEX #C148D9

RGB 193 72 217

HSL 290.07, 0.66%, 0.57%

LAB 52.93, 67.43, -51.9

 

CMYK 0 / 67 / 6 / 15

HEX #D948CB

RGB 217 72 203

HSL 305.79, 0.66%, 0.57%

LAB 55.78, 70.55, -39.17

 

CMYK 34 / 80 / 0 / 33

HEX #7223AC

RGB 114 35 172

HSL 274.6, 0.66%, 0.41%

LAB 33.47, 56.87, -57.63

 

CMYK 34 / 80 / 0 / 19

HEX #892ACF

RGB 137 42 207

HSL 274.55, 0.66%, 0.49%

LAB 40.38, 65.88, -66.83

 

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

CMYK 22 / 52 / 0 / 12

HEX #AF6BE0

RGB 175 107 224

HSL 274.87, 0.65%, 0.65%

LAB 57.09, 48.04, -49.38

 

CMYK 16 / 39 / 0 / 9

HEX #C18DE7

RGB 193 141 231

HSL 274.67, 0.65%, 0.73%

LAB 66.64, 36.19, -38.11

 

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

CMYK 0 / 67 / 51 / 15

HEX #D9486A

RGB 217 72 106

HSL 345.93, 0.66%, 0.57%

LAB 52.32, 58.84, 12.66

 

CMYK 67 / 0 / 55 / 15

HEX #48D961

RGB 72 217 97

HSL 130.34, 0.66%, 0.57%

LAB 77.2, -62.65, 47.46

 

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

CMYK 0 / 29 / 67 / 15

HEX #D99A48

RGB 217 154 72

HSL 33.93, 0.66%, 0.57%

LAB 68.26, 15.63, 51.15

 

CMYK 67 / 0 / 29 / 15

HEX #48D99A

RGB 72 217 154

HSL 153.93, 0.66%, 0.57%

LAB 78.07, -52.94, 20.03

 

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

CMYK 0 / 67 / 51 / 15

HEX #D9486A

RGB 217 72 106

HSL 345.93, 0.66%, 0.57%

LAB 52.32, 58.84, 12.66

 

CMYK 38 / 0 / 67 / 15

HEX #87D948

RGB 135 217 72

HSL 93.93, 0.66%, 0.57%

LAB 79.18, -48.59, 61.05

 

CMYK 67 / 0 / 16 / 15

HEX #48D9B7

RGB 72 217 183

HSL 165.93, 0.66%, 0.57%

LAB 78.71, -46.35, 5.56

 

CMYK 28 / 67 / 0 / 15

HEX #9C48D9

RGB 156 72 217

HSL 274.76, 0.66%, 0.57%

LAB 47.9, 59.45, -60.26

 

CMYK 0 / 62 / 67 / 15

HEX #D95248

RGB 217 82 72

HSL 4.14, 0.66%, 0.57%

LAB 53.23, 52.33, 33.86

 

CMYK 38 / 0 / 67 / 15

HEX #87D948

RGB 135 217 72

HSL 93.93, 0.66%, 0.57%

LAB 79.18, -48.59, 61.05

 

CMYK 67 / 4 / 0 / 15

HEX #48D0D9

RGB 72 208 217

HSL 183.72, 0.66%, 0.57%

LAB 76.98, -33.24, -15.21

 

Description

Color code: HEX #9C48D9 | qconv.com Color code: HEX #9C48D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 72 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 72 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 67 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 67% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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