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Color name
HEX #9C5039

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C5039 it is the complementary color #63AFC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C5039. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C5039 shade: #A15034, #B26247, #C3745A, #D4866D and #E59880

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C5039. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C5039 shade: #9C5039, #8B3E26, #7A2C13, #691A00 and #580800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C5039 shade: #9C5039 and #9C3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C5039 shade: #9C5039, #9C6B39, #9C8539, #989C39 and #7D9C39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C5039 shade matches the following richer shades: #9C5039, #AD4728, #BF3E17 and #D03405

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C5039 shade: #9C5039, #8B5A4B, #79635C, #686C6D and #57757F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C5039 shade: #9C3959, #9C393E, #9C4F39, #9C6939 and #9C8339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C5039 shade: #603123, #7E412E, #9C5039, #BA6045 and #C57A63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C5039 shade: #9C5039, #739C39 and #394B9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C5039 shade: #9C5039, #399C4F and #4F399C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C5039 shade: #9C5039, #739C39, #39879C and #62399C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C5039 shade: #9C5039, #559C39, #39879C and #80399C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

Complementary color

CMYK 50 / 12 / 0 / 22

HEX #63AFC6

RGB 99 175 198

HSL 193.94, 0.46%, 0.58%

LAB 67.57, -17.27, -18.99

 

CMYK 0 / 50 / 68 / 37

HEX #A15034

RGB 161 80 52

HSL 15.41, 0.51%, 0.42%

LAB 43.6, 31.23, 31.58

 

CMYK 0 / 45 / 60 / 30

HEX #B26247

RGB 178 98 71

HSL 15.14, 0.43%, 0.49%

LAB 50.28, 29.74, 29.46

 

CMYK 0 / 41 / 54 / 24

HEX #C3745A

RGB 195 116 90

HSL 14.86, 0.47%, 0.56%

LAB 56.91, 28.4, 27.6

 

CMYK 0 / 37 / 49 / 17

HEX #D4866D

RGB 212 134 109

HSL 14.56, 0.54%, 0.63%

LAB 63.47, 27.21, 25.95

 

CMYK 0 / 34 / 44 / 10

HEX #E59880

RGB 229 152 128

HSL 14.26, 0.66%, 0.7%

LAB 69.95, 26.15, 24.47

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 0 / 55 / 73 / 45

HEX #8B3E26

RGB 139 62 38

HSL 14.26, 0.57%, 0.35%

LAB 36.13, 31.07, 30.04

 

CMYK 0 / 64 / 84 / 52

HEX #7A2C13

RGB 122 44 19

HSL 14.56, 0.73%, 0.28%

LAB 29.38, 32.68, 32.59

 

CMYK 0 / 75 / 100 / 59

HEX #691A00

RGB 105 26 0

HSL 14.86, 1%, 0.21%

LAB 22.8, 33.98, 33.65

 

CMYK 0 / 91 / 100 / 65

HEX #580800

RGB 88 8 0

HSL 5.45, 1%, 0.17%

LAB 16.74, 34.4, 25.75

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 0 / 63 / 63 / 39

HEX #9C3939

RGB 156 57 57

HSL 0, 0.46%, 0.42%

LAB 38.36, 41.27, 22.01

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 0 / 31 / 63 / 39

HEX #9C6B39

RGB 156 107 57

HSL 30.3, 0.46%, 0.42%

LAB 49.35, 14.26, 35.38

 

CMYK 0 / 15 / 63 / 39

HEX #9C8539

RGB 156 133 57

HSL 46.06, 0.46%, 0.42%

LAB 56.23, -0.48, 43.18

 

CMYK 3 / 0 / 63 / 39

HEX #989C39

RGB 152 156 57

HSL 62.42, 0.46%, 0.42%

LAB 62.29, -14.67, 49.65

 

CMYK 20 / 0 / 63 / 39

HEX #7D9C39

RGB 125 156 57

HSL 78.79, 0.46%, 0.42%

LAB 60.28, -26.11, 46.89

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 0 / 59 / 77 / 32

HEX #AD4728

RGB 173 71 40

HSL 13.98, 0.62%, 0.42%

LAB 43.57, 39.97, 38.67

 

CMYK 0 / 68 / 88 / 25

HEX #BF3E17

RGB 191 62 23

HSL 13.93, 0.79%, 0.42%

LAB 45.06, 50.03, 49.24

 

CMYK 0 / 75 / 98 / 18

HEX #D03405

RGB 208 52 5

HSL 13.89, 0.95%, 0.42%

LAB 46.81, 59.02, 57.62

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 0 / 35 / 46 / 45

HEX #8B5A4B

RGB 139 90 75

HSL 14.06, 0.3%, 0.42%

LAB 43.23, 18.32, 16.96

 

CMYK 0 / 18 / 24 / 53

HEX #79635C

RGB 121 99 92

HSL 14.48, 0.14%, 0.42%

LAB 43.89, 7.66, 7.29

 

CMYK 5 / 1 / 0 / 57

HEX #686C6D

RGB 104 108 109

HSL 192, 0.02%, 0.42%

LAB 45.32, -1.32, -1.1

 

CMYK 31 / 8 / 0 / 50

HEX #57757F

RGB 87 117 127

HSL 195, 0.19%, 0.42%

LAB 47.34, -8.2, -8.99

 

CMYK 0 / 63 / 43 / 39

HEX #9C3959

RGB 156 57 89

HSL 340.61, 0.46%, 0.42%

LAB 39.1, 44.1, 2.92

 

CMYK 0 / 63 / 60 / 39

HEX #9C393E

RGB 156 57 62

HSL 356.97, 0.46%, 0.42%

LAB 38.45, 41.63, 19.03

 

CMYK 0 / 49 / 63 / 39

HEX #9C4F39

RGB 156 79 57

HSL 13.33, 0.46%, 0.42%

LAB 42.7, 30.06, 27.44

 

CMYK 0 / 33 / 63 / 39

HEX #9C6939

RGB 156 105 57

HSL 29.09, 0.46%, 0.42%

LAB 48.84, 15.4, 34.79

 

CMYK 0 / 16 / 63 / 39

HEX #9C8339

RGB 156 131 57

HSL 44.85, 0.46%, 0.42%

LAB 55.68, 0.63, 42.58

 

CMYK 0 / 49 / 64 / 62

HEX #603123

RGB 96 49 35

HSL 13.77, 0.47%, 0.26%

LAB 26.17, 19.78, 18.32

 

CMYK 0 / 48 / 63 / 51

HEX #7E412E

RGB 126 65 46

HSL 14.25, 0.47%, 0.34%

LAB 34.83, 24.48, 23.27

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 0 / 48 / 63 / 27

HEX #BA6045

RGB 186 96 69

HSL 13.85, 0.46%, 0.5%

LAB 50.96, 33.89, 31.69

 

CMYK 0 / 38 / 50 / 23

HEX #C57A63

RGB 197 122 99

HSL 14.08, 0.46%, 0.58%

LAB 58.69, 26.77, 24.89

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 26 / 0 / 63 / 39

HEX #739C39

RGB 115 156 57

HSL 84.85, 0.46%, 0.42%

LAB 59.63, -30.11, 46

 

CMYK 63 / 52 / 0 / 39

HEX #394B9C

RGB 57 75 156

HSL 229.09, 0.46%, 0.42%

LAB 34.6, 19.51, -46.43

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 63 / 0 / 49 / 39

HEX #399C4F

RGB 57 156 79

HSL 133.33, 0.46%, 0.42%

LAB 57.28, -45.74, 31.88

 

CMYK 49 / 63 / 0 / 39

HEX #4F399C

RGB 79 57 156

HSL 253.33, 0.46%, 0.42%

LAB 31.78, 35.38, -50.92

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 26 / 0 / 63 / 39

HEX #739C39

RGB 115 156 57

HSL 84.85, 0.46%, 0.42%

LAB 59.63, -30.11, 46

 

CMYK 63 / 13 / 0 / 39

HEX #39879C

RGB 57 135 156

HSL 192.73, 0.46%, 0.42%

LAB 52.51, -17.2, -18.32

 

CMYK 37 / 63 / 0 / 39

HEX #62399C

RGB 98 57 156

HSL 264.85, 0.46%, 0.42%

LAB 33.82, 39.52, -47.52

 

CMYK 0 / 49 / 63 / 39

HEX #9C5039

RGB 156 80 57

HSL 13.94, 0.46%, 0.42%

LAB 42.91, 29.51, 27.7

 

CMYK 46 / 0 / 63 / 39

HEX #559C39

RGB 85 156 57

HSL 103.03, 0.46%, 0.42%

LAB 58.04, -40.93, 43.79

 

CMYK 63 / 13 / 0 / 39

HEX #39879C

RGB 57 135 156

HSL 192.73, 0.46%, 0.42%

LAB 52.51, -17.2, -18.32

 

CMYK 18 / 63 / 0 / 39

HEX #80399C

RGB 128 57 156

HSL 283.03, 0.46%, 0.42%

LAB 37.69, 46.74, -41.1

 

Description

Color code: HEX #9C5039 | qconv.com Color code: HEX #9C5039 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 80 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 80 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 63 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 63% 39% C M Y K

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Provide designers and agencies with accurate color values.

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