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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C524D it is the complementary color #63ADB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C524D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C524D shade: #A15248, #B2645B, #C3766E, #D48881 and #E59A94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C524D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C524D shade: #9C524D, #8B403A, #7A2E27, #691C14 and #580A01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C524D shade: #9D524D and #9D4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C524D shade: #9D524D, #9D674D, #9D7D4D, #9D924D and #919D4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C524D shade matches the following richer shades: #9D524D, #B0413A, #C33127, #D62014 and #E91001

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C524D shade: #9D524D, #8A6360, #777373, #648486 and #519499

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C524D shade: #9D4D73, #9D4D5E, #9D514D, #9D664D and #9D7B4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C524D shade: #653532, #81433F, #9D524D, #B16762 and #BF817D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C524D shade: #9C524D, #899D4D and #4D699D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C524D shade: #9C524D, #4D9D51 and #514D9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C524D shade: #9C524D, #899D4D, #4D999D and #614D9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C524D shade: #9C524D, #719D4D, #4D999D and #794D9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 51 / 39

HEX #9C524D

RGB 156 82 77

HSL 3.8, 0.34%, 0.46%

LAB 43.71, 30.12, 16.8

 

Complementary color

CMYK 44 / 3 / 0 / 30

HEX #63ADB2

RGB 99 173 178

HSL 183.8, 0.34%, 0.54%

LAB 66.33, -21.69, -9.77

 

CMYK 0 / 49 / 55 / 37

HEX #A15248

RGB 161 82 72

HSL 6.74, 0.38%, 0.46%

LAB 44.35, 31.65, 20.79

 

CMYK 0 / 44 / 49 / 30

HEX #B2645B

RGB 178 100 91

HSL 6.21, 0.36%, 0.53%

LAB 51.08, 30.4, 18.91

 

CMYK 0 / 39 / 44 / 24

HEX #C3766E

RGB 195 118 110

HSL 5.65, 0.41%, 0.6%

LAB 57.74, 29.27, 17.3

 

CMYK 0 / 36 / 39 / 17

HEX #D48881

RGB 212 136 129

HSL 5.06, 0.49%, 0.67%

LAB 64.31, 28.25, 15.89

 

CMYK 0 / 33 / 35 / 10

HEX #E59A94

RGB 229 154 148

HSL 4.44, 0.61%, 0.74%

LAB 70.81, 27.33, 14.63

 

CMYK 0 / 47 / 51 / 39

HEX #9C524D

RGB 156 82 77

HSL 3.8, 0.34%, 0.46%

LAB 43.71, 30.12, 16.8

 

CMYK 0 / 54 / 58 / 45

HEX #8B403A

RGB 139 64 58

HSL 4.44, 0.41%, 0.39%

LAB 36.86, 31.39, 18.89

 

CMYK 0 / 62 / 68 / 52

HEX #7A2E27

RGB 122 46 39

HSL 5.06, 0.52%, 0.32%

LAB 30.01, 32.67, 21.51

 

CMYK 0 / 73 / 81 / 59

HEX #691C14

RGB 105 28 20

HSL 5.65, 0.68%, 0.25%

LAB 23.29, 33.74, 24.81

 

CMYK 0 / 89 / 99 / 65

HEX #580A01

RGB 88 10 1

HSL 6.21, 0.98%, 0.17%

LAB 16.96, 33.83, 25.62

 

CMYK 0 / 48 / 51 / 38

HEX #9D524D

RGB 157 82 77

HSL 3.75, 0.34%, 0.46%

LAB 43.86, 30.52, 17.02

 

CMYK 0 / 51 / 51 / 38

HEX #9D4D4D

RGB 157 77 77

HSL 0, 0.34%, 0.46%

LAB 42.78, 33.22, 15.57

 

CMYK 0 / 48 / 51 / 38

HEX #9D524D

RGB 157 82 77

HSL 3.75, 0.34%, 0.46%

LAB 43.86, 30.52, 17.02

 

CMYK 0 / 34 / 51 / 38

HEX #9D674D

RGB 157 103 77

HSL 19.5, 0.34%, 0.46%

LAB 48.77, 18.7, 23.52

 

CMYK 0 / 20 / 51 / 38

HEX #9D7D4D

RGB 157 125 77

HSL 36, 0.34%, 0.46%

LAB 54.42, 6.13, 30.73

 

CMYK 0 / 7 / 51 / 38

HEX #9D924D

RGB 157 146 77

HSL 51.75, 0.34%, 0.46%

LAB 60.12, -5.54, 37.73

 

CMYK 8 / 0 / 51 / 38

HEX #919D4D

RGB 145 157 77

HSL 69, 0.34%, 0.46%

LAB 62.23, -16.51, 40.01

 

CMYK 0 / 48 / 51 / 38

HEX #9D524D

RGB 157 82 77

HSL 3.75, 0.34%, 0.46%

LAB 43.86, 30.52, 17.02

 

CMYK 0 / 63 / 67 / 31

HEX #B0413A

RGB 176 65 58

HSL 3.56, 0.5%, 0.46%

LAB 43.24, 44.81, 28.25

 

CMYK 0 / 75 / 80 / 24

HEX #C33127

RGB 195 49 39

HSL 3.85, 0.67%, 0.46%

LAB 44.15, 56.61, 41.06

 

CMYK 0 / 85 / 91 / 16

HEX #D62014

RGB 214 32 20

HSL 3.71, 0.83%, 0.46%

LAB 46.15, 66.28, 53.22

 

CMYK 0 / 93 / 100 / 9

HEX #E91001

RGB 233 16 1

HSL 3.88, 0.99%, 0.46%

LAB 49.13, 73.51, 62.66

 

CMYK 0 / 48 / 51 / 38

HEX #9D524D

RGB 157 82 77

HSL 3.75, 0.34%, 0.46%

LAB 43.86, 30.52, 17.02

 

CMYK 0 / 28 / 30 / 46

HEX #8A6360

RGB 138 99 96

HSL 4.29, 0.18%, 0.46%

LAB 45.87, 15.34, 7.95

 

CMYK 0 / 3 / 3 / 53

HEX #777373

RGB 119 115 115

HSL 0, 0.02%, 0.46%

LAB 48.79, 1.54, 0.54

 

CMYK 25 / 1 / 0 / 47

HEX #648486

RGB 100 132 134

HSL 183.53, 0.15%, 0.46%

LAB 52.88, -10.76, -4.78

 

CMYK 47 / 3 / 0 / 40

HEX #519499

RGB 81 148 153

HSL 184.17, 0.31%, 0.46%

LAB 57.3, -19.87, -9.27

 

CMYK 0 / 51 / 27 / 38

HEX #9D4D73

RGB 157 77 115

HSL 331.5, 0.34%, 0.46%

LAB 43.82, 37.82, -6.28

 

CMYK 0 / 51 / 40 / 38

HEX #9D4D5E

RGB 157 77 94

HSL 347.25, 0.34%, 0.46%

LAB 43.19, 35.06, 5.7

 

CMYK 0 / 48 / 51 / 38

HEX #9D514D

RGB 157 81 77

HSL 3, 0.34%, 0.46%

LAB 43.64, 31.06, 16.73

 

CMYK 0 / 35 / 51 / 38

HEX #9D664D

RGB 157 102 77

HSL 18.75, 0.34%, 0.46%

LAB 48.52, 19.27, 23.2

 

CMYK 0 / 22 / 51 / 38

HEX #9D7B4D

RGB 157 123 77

HSL 34.5, 0.34%, 0.46%

LAB 53.89, 7.27, 30.07

 

CMYK 0 / 48 / 50 / 60

HEX #653532

RGB 101 53 50

HSL 3.53, 0.34%, 0.3%

LAB 28.23, 21.07, 11.43

 

CMYK 0 / 48 / 51 / 49

HEX #81433F

RGB 129 67 63

HSL 3.64, 0.34%, 0.38%

LAB 36.06, 26.13, 14.43

 

CMYK 0 / 48 / 51 / 38

HEX #9D524D

RGB 157 82 77

HSL 3.75, 0.34%, 0.46%

LAB 43.86, 30.52, 17.02

 

CMYK 0 / 42 / 45 / 31

HEX #B16762

RGB 177 103 98

HSL 3.8, 0.34%, 0.54%

LAB 51.76, 29.1, 15.7

 

CMYK 0 / 32 / 35 / 25

HEX #BF817D

RGB 191 129 125

HSL 3.64, 0.34%, 0.62%

LAB 60.12, 23.45, 11.93

 

CMYK 0 / 47 / 51 / 39

HEX #9C524D

RGB 156 82 77

HSL 3.8, 0.34%, 0.46%

LAB 43.71, 30.12, 16.8

 

CMYK 13 / 0 / 51 / 38

HEX #899D4D

RGB 137 157 77

HSL 75, 0.34%, 0.46%

LAB 61.63, -19.83, 39.15

 

CMYK 51 / 33 / 0 / 38

HEX #4D699D

RGB 77 105 157

HSL 219, 0.34%, 0.46%

LAB 44.4, 4.96, -31.39

 

CMYK 0 / 47 / 51 / 39

HEX #9C524D

RGB 156 82 77

HSL 3.8, 0.34%, 0.46%

LAB 43.71, 30.12, 16.8

 

CMYK 51 / 0 / 48 / 38

HEX #4D9D51

RGB 77 157 81

HSL 123, 0.34%, 0.46%

LAB 58.31, -40.79, 32.27

 

CMYK 48 / 51 / 0 / 38

HEX #514D9D

RGB 81 77 157

HSL 243, 0.34%, 0.46%

LAB 36.91, 23.68, -43.24

 

CMYK 0 / 47 / 51 / 39

HEX #9C524D

RGB 156 82 77

HSL 3.8, 0.34%, 0.46%

LAB 43.71, 30.12, 16.8

 

CMYK 13 / 0 / 51 / 38

HEX #899D4D

RGB 137 157 77

HSL 75, 0.34%, 0.46%

LAB 61.63, -19.83, 39.15

 

CMYK 51 / 3 / 0 / 38

HEX #4D999D

RGB 77 153 157

HSL 183, 0.34%, 0.46%

LAB 58.78, -22.31, -9.34

 

CMYK 38 / 51 / 0 / 38

HEX #614D9D

RGB 97 77 157

HSL 255, 0.34%, 0.46%

LAB 38.35, 27.71, -40.86

 

CMYK 0 / 47 / 51 / 39

HEX #9C524D

RGB 156 82 77

HSL 3.8, 0.34%, 0.46%

LAB 43.71, 30.12, 16.8

 

CMYK 28 / 0 / 51 / 38

HEX #719D4D

RGB 113 157 77

HSL 93, 0.34%, 0.46%

LAB 60.03, -29.31, 36.85

 

CMYK 51 / 3 / 0 / 38

HEX #4D999D

RGB 77 153 157

HSL 183, 0.34%, 0.46%

LAB 58.78, -22.31, -9.34

 

CMYK 23 / 51 / 0 / 38

HEX #794D9D

RGB 121 77 157

HSL 273, 0.34%, 0.46%

LAB 40.91, 34.33, -36.63

 

Description

Color code: HEX #9C524D | qconv.com Color code: HEX #9C524D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 82 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 82 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 51 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 51% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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