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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C53B5 it is the complementary color #63AC4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C53B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C53B5 shade: #A153B0, #B265C3, #C377D6, #D489E9 and #E59BFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C53B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C53B5 shade: #9C53B5, #8B41A2, #7A2F8F, #691D7C and #580B69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C53B5 shade: #9C53B5, #B553B4, #B55399, #B5537F and #B55364

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C53B5 shade: #9C53B5, #8253B5, #6753B5 and #5353B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C53B5 shade matches the following richer shades: #9C53B5, #A63FC9, #AF2CDD and #B918F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C53B5 shade: #9C53B5, #9267A1, #897B8D, #7F8F7A and #75A266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C53B5 shade: #6753B5, #8153B5, #9B53B5, #B553B5 and #B5539B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C53B5 shade: #6D367F, #85439C, #9C53B5, #AD70C1 and #BD8DCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C53B5 shade: #9C53B5, #B5535A and #53B574

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C53B5 shade: #9C53B5, #B59B53 and #53B59B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C53B5 shade: #9C53B5, #B5535A, #6DB553 and #53B5AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C53B5 shade: #9C53B5, #B56A53, #6DB553 and #539EB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

Complementary color

CMYK 42 / 0 / 57 / 33

HEX #63AC4A

RGB 99 172 74

HSL 104.69, 0.4%, 0.48%

LAB 63.88, -41.39, 42.73

 

CMYK 9 / 53 / 0 / 31

HEX #A153B0

RGB 161 83 176

HSL 290.32, 0.37%, 0.51%

LAB 48.13, 46.59, -36.15

 

CMYK 9 / 48 / 0 / 24

HEX #B265C3

RGB 178 101 195

HSL 289.15, 0.44%, 0.58%

LAB 54.77, 45.87, -36.56

 

CMYK 9 / 44 / 0 / 16

HEX #C377D6

RGB 195 119 214

HSL 288, 0.54%, 0.65%

LAB 61.35, 45.11, -36.89

 

CMYK 9 / 41 / 0 / 9

HEX #D489E9

RGB 212 137 233

HSL 286.88, 0.69%, 0.73%

LAB 67.85, 44.35, -37.17

 

CMYK 9 / 38 / 0 / 1

HEX #E59BFC

RGB 229 155 252

HSL 285.77, 0.94%, 0.8%

LAB 74.27, 43.6, -37.42

 

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

CMYK 14 / 60 / 0 / 36

HEX #8B41A2

RGB 139 65 162

HSL 285.77, 0.43%, 0.45%

LAB 41.02, 46.87, -39.3

 

CMYK 15 / 67 / 0 / 44

HEX #7A2F8F

RGB 122 47 143

HSL 286.88, 0.51%, 0.37%

LAB 34.3, 47.25, -38.65

 

CMYK 15 / 77 / 0 / 51

HEX #691D7C

RGB 105 29 124

HSL 288, 0.62%, 0.3%

LAB 27.67, 47.03, -37.58

 

CMYK 16 / 90 / 0 / 59

HEX #580B69

RGB 88 11 105

HSL 289.15, 0.81%, 0.23%

LAB 21.33, 45.56, -35.74

 

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

CMYK 0 / 54 / 1 / 29

HEX #B553B4

RGB 181 83 180

HSL 300.61, 0.4%, 0.52%

LAB 51.04, 52.91, -33.72

 

CMYK 0 / 54 / 15 / 29

HEX #B55399

RGB 181 83 153

HSL 317.14, 0.4%, 0.52%

LAB 49.87, 48.37, -19.68

 

CMYK 0 / 54 / 30 / 29

HEX #B5537F

RGB 181 83 127

HSL 333.06, 0.4%, 0.52%

LAB 48.94, 44.59, -5.57

 

CMYK 0 / 54 / 45 / 29

HEX #B55364

RGB 181 83 100

HSL 349.59, 0.4%, 0.52%

LAB 48.17, 41.39, 9.61

 

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

CMYK 28 / 54 / 0 / 29

HEX #8253B5

RGB 130 83 181

HSL 268.78, 0.4%, 0.52%

LAB 44.62, 39.26, -44.89

 

CMYK 43 / 54 / 0 / 29

HEX #6753B5

RGB 103 83 181

HSL 252.24, 0.4%, 0.52%

LAB 41.85, 32.49, -49.46

 

CMYK 54 / 54 / 0 / 29

HEX #5353B5

RGB 83 83 181

HSL 240, 0.4%, 0.52%

LAB 40.18, 28.04, -52.24

 

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

CMYK 17 / 69 / 0 / 21

HEX #A63FC9

RGB 166 63 201

HSL 284.78, 0.56%, 0.52%

LAB 46.82, 62.12, -52.74

 

CMYK 21 / 80 / 0 / 13

HEX #AF2CDD

RGB 175 44 221

HSL 284.41, 0.72%, 0.52%

LAB 47.15, 74.29, -63.61

 

CMYK 23 / 90 / 0 / 6

HEX #B918F0

RGB 185 24 240

HSL 284.72, 0.88%, 0.52%

LAB 48.58, 83.59, -71.98

 

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

CMYK 9 / 36 / 0 / 37

HEX #9267A1

RGB 146 103 161

HSL 284.48, 0.24%, 0.52%

LAB 49.96, 27.89, -24.63

 

CMYK 3 / 13 / 0 / 45

HEX #897B8D

RGB 137 123 141

HSL 286.67, 0.07%, 0.52%

LAB 53.39, 8.85, -7.78

 

CMYK 11 / 0 / 15 / 44

HEX #7F8F7A

RGB 127 143 122

HSL 105.71, 0.09%, 0.52%

LAB 57.62, -9.92, 9.25

 

CMYK 28 / 0 / 37 / 36

HEX #75A266

RGB 117 162 102

HSL 105, 0.24%, 0.52%

LAB 62.15, -26.86, 26.47

 

CMYK 43 / 54 / 0 / 29

HEX #6753B5

RGB 103 83 181

HSL 252.24, 0.4%, 0.52%

LAB 41.85, 32.49, -49.46

 

CMYK 29 / 54 / 0 / 29

HEX #8153B5

RGB 129 83 181

HSL 268.16, 0.4%, 0.52%

LAB 44.5, 39, -45.07

 

CMYK 14 / 54 / 0 / 29

HEX #9B53B5

RGB 155 83 181

HSL 284.08, 0.4%, 0.52%

LAB 47.61, 45.96, -39.94

 

CMYK 0 / 54 / 0 / 29

HEX #B553B5

RGB 181 83 181

HSL 300, 0.4%, 0.52%

LAB 51.09, 53.09, -34.23

 

CMYK 0 / 54 / 14 / 29

HEX #B5539B

RGB 181 83 155

HSL 315.92, 0.4%, 0.52%

LAB 49.95, 48.69, -20.74

 

CMYK 14 / 57 / 0 / 50

HEX #6D367F

RGB 109 54 127

HSL 285.21, 0.4%, 0.35%

LAB 32.75, 36.86, -31.33

 

CMYK 15 / 57 / 0 / 39

HEX #85439C

RGB 133 67 156

HSL 284.49, 0.4%, 0.44%

LAB 40.25, 42.98, -36.98

 

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

CMYK 10 / 42 / 0 / 24

HEX #AD70C1

RGB 173 112 193

HSL 285.19, 0.4%, 0.6%

LAB 56.41, 38.08, -32.9

 

CMYK 8 / 32 / 0 / 19

HEX #BD8DCE

RGB 189 141 206

HSL 284.31, 0.4%, 0.68%

LAB 65.22, 29.7, -26.47

 

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

CMYK 0 / 54 / 50 / 29

HEX #B5535A

RGB 181 83 90

HSL 355.71, 0.4%, 0.52%

LAB 47.94, 40.4, 15.32

 

CMYK 54 / 0 / 36 / 29

HEX #53B574

RGB 83 181 116

HSL 140.2, 0.4%, 0.52%

LAB 66.63, -43.5, 24.62

 

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

CMYK 0 / 14 / 54 / 29

HEX #B59B53

RGB 181 155 83

HSL 44.08, 0.4%, 0.52%

LAB 64.88, 0.46, 40.91

 

CMYK 54 / 0 / 14 / 29

HEX #53B59B

RGB 83 181 155

HSL 164.08, 0.4%, 0.52%

LAB 67.47, -35.16, 4.56

 

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

CMYK 0 / 54 / 50 / 29

HEX #B5535A

RGB 181 83 90

HSL 355.71, 0.4%, 0.52%

LAB 47.94, 40.4, 15.32

 

CMYK 40 / 0 / 54 / 29

HEX #6DB553

RGB 109 181 83

HSL 104.08, 0.4%, 0.52%

LAB 67.22, -40.96, 42.48

 

CMYK 54 / 0 / 3 / 29

HEX #53B5AF

RGB 83 181 175

HSL 176.33, 0.4%, 0.52%

LAB 68.01, -30.09, -5.69

 

CMYK 14 / 54 / 0 / 29

HEX #9C53B5

RGB 156 83 181

HSL 284.69, 0.4%, 0.52%

LAB 47.74, 46.23, -39.73

 

CMYK 0 / 41 / 54 / 29

HEX #B56A53

RGB 181 106 83

HSL 14.08, 0.4%, 0.52%

LAB 52.68, 27.58, 25.75

 

CMYK 40 / 0 / 54 / 29

HEX #6DB553

RGB 109 181 83

HSL 104.08, 0.4%, 0.52%

LAB 67.22, -40.96, 42.48

 

CMYK 54 / 13 / 0 / 29

HEX #539EB5

RGB 83 158 181

HSL 194.08, 0.4%, 0.52%

LAB 61.33, -16.71, -19.05

 

Description

Color code: HEX #9C53B5 | qconv.com Color code: HEX #9C53B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 83 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 83 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 54 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 54% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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