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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C62CA it is the complementary color #639D35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C62CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C62CA shade: #A162C5, #B274D8, #C386EB, #D498FE and #E5AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C62CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C62CA shade: #9C62CA, #8B50B7, #7A3EA4, #692C91 and #581A7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C62CA shade: #9C62CA, #B862CA, #CA62C0, #CA62A4 and #CA6288

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C62CA shade: #9C62CA, #8062CA, #6462CA and #6262CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C62CA shade matches the following richer shades: #9C62CA, #9E51DB, #A040EC and #A22FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C62CA shade: #9C62CA, #9A73B9, #9884A8, #969497 and #94A587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C62CA shade: #6362CA, #7F62CA, #9B62CA, #B762CA and #CA62C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C62CA shade: #7336A3, #8943C0, #9C62CA, #AF81D5 and #C3A0DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C62CA shade: #9C62CA, #CA627C and #62CA71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C62CA shade: #9C62CA, #CA9B62 and #62CA9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C62CA shade: #9C62CA, #CA627C, #91CA62 and #62CAB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C62CA shade: #9C62CA, #CA6762, #91CA62 and #62C5CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

Complementary color

CMYK 37 / 0 / 66 / 38

HEX #639D35

RGB 99 157 53

HSL 93.46, 0.5%, 0.41%

LAB 59, -36.95, 46.8

 

CMYK 18 / 50 / 0 / 23

HEX #A162C5

RGB 161 98 197

HSL 278.18, 0.46%, 0.58%

LAB 52.22, 43.09, -41.86

 

CMYK 18 / 46 / 0 / 15

HEX #B274D8

RGB 178 116 216

HSL 277.2, 0.56%, 0.65%

LAB 58.89, 42.26, -42

 

CMYK 17 / 43 / 0 / 8

HEX #C386EB

RGB 195 134 235

HSL 276.24, 0.72%, 0.72%

LAB 65.48, 41.45, -42.12

 

CMYK 17 / 40 / 0 / 0

HEX #D498FE

RGB 212 152 254

HSL 275.29, 0.98%, 0.8%

LAB 71.97, 40.67, -42.23

 

CMYK 10 / 33 / 0 / 0

HEX #E5AAFF

RGB 229 170 255

HSL 281.65, 1%, 0.83%

LAB 77.65, 36.24, -33.81

 

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

CMYK 24 / 56 / 0 / 28

HEX #8B50B7

RGB 139 80 183

HSL 274.37, 0.42%, 0.52%

LAB 45.14, 43.74, -45.15

 

CMYK 26 / 62 / 0 / 36

HEX #7A3EA4

RGB 122 62 164

HSL 275.29, 0.45%, 0.44%

LAB 38.31, 44.54, -44.96

 

CMYK 28 / 70 / 0 / 43

HEX #692C91

RGB 105 44 145

HSL 276.24, 0.53%, 0.37%

LAB 31.46, 45.12, -44.57

 

CMYK 30 / 79 / 0 / 51

HEX #581A7E

RGB 88 26 126

HSL 277.2, 0.66%, 0.3%

LAB 24.7, 45.13, -43.78

 

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

CMYK 9 / 51 / 0 / 21

HEX #B862CA

RGB 184 98 202

HSL 289.62, 0.5%, 0.59%

LAB 55.27, 50.5, -39.73

 

CMYK 0 / 51 / 5 / 21

HEX #CA62C0

RGB 202 98 192

HSL 305.77, 0.5%, 0.59%

LAB 57.17, 53.72, -30.87

 

CMYK 0 / 51 / 19 / 21

HEX #CA62A4

RGB 202 98 164

HSL 321.92, 0.5%, 0.59%

LAB 56.06, 49.23, -16.42

 

CMYK 0 / 51 / 33 / 21

HEX #CA6288

RGB 202 98 136

HSL 338.08, 0.5%, 0.59%

LAB 55.14, 45.37, -1.41

 

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

CMYK 37 / 51 / 0 / 21

HEX #8062CA

RGB 128 98 202

HSL 257.31, 0.5%, 0.59%

LAB 48.99, 35.58, -50.08

 

CMYK 50 / 51 / 0 / 21

HEX #6462CA

RGB 100 98 202

HSL 241.15, 0.5%, 0.59%

LAB 46.59, 29.01, -54.06

 

CMYK 51 / 51 / 0 / 21

HEX #6262CA

RGB 98 98 202

HSL 240, 0.5%, 0.59%

LAB 46.44, 28.58, -54.31

 

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

CMYK 28 / 63 / 0 / 14

HEX #9E51DB

RGB 158 81 219

HSL 273.48, 0.66%, 0.59%

LAB 49.82, 56.08, -58.28

 

CMYK 32 / 73 / 0 / 7

HEX #A040EC

RGB 160 64 236

HSL 273.49, 0.82%, 0.59%

LAB 48.51, 67.86, -70.01

 

CMYK 36 / 81 / 0 / 1

HEX #A22FFD

RGB 162 47 253

HSL 273.5, 0.98%, 0.59%

LAB 48.01, 77.77, -80.34

 

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

CMYK 17 / 38 / 0 / 27

HEX #9A73B9

RGB 154 115 185

HSL 273.43, 0.33%, 0.59%

LAB 54.69, 28.82, -31.15

 

CMYK 10 / 21 / 0 / 34

HEX #9884A8

RGB 152 132 168

HSL 273.33, 0.17%, 0.59%

LAB 58.04, 14.6, -16.26

 

CMYK 1 / 2 / 0 / 41

HEX #969497

RGB 150 148 151

HSL 280, 0.01%, 0.59%

LAB 61.57, 1.31, -1.33

 

CMYK 10 / 0 / 18 / 35

HEX #94A587

RGB 148 165 135

HSL 94, 0.14%, 0.59%

LAB 65.71, -11.63, 13.57

 

CMYK 51 / 51 / 0 / 21

HEX #6362CA

RGB 99 98 202

HSL 240.58, 0.5%, 0.59%

LAB 46.51, 28.79, -54.19

 

CMYK 37 / 51 / 0 / 21

HEX #7F62CA

RGB 127 98 202

HSL 256.73, 0.5%, 0.59%

LAB 48.9, 35.33, -50.24

 

CMYK 23 / 51 / 0 / 21

HEX #9B62CA

RGB 155 98 202

HSL 272.88, 0.5%, 0.59%

LAB 51.8, 42.59, -45.44

 

CMYK 9 / 51 / 0 / 21

HEX #B762CA

RGB 183 98 202

HSL 289.04, 0.5%, 0.59%

LAB 55.14, 50.22, -39.94

 

CMYK 0 / 51 / 4 / 21

HEX #CA62C2

RGB 202 98 194

HSL 304.62, 0.5%, 0.59%

LAB 57.26, 54.07, -31.88

 

CMYK 29 / 67 / 0 / 36

HEX #7336A3

RGB 115 54 163

HSL 273.58, 0.5%, 0.43%

LAB 35.84, 46.74, -48.37

 

CMYK 29 / 65 / 0 / 25

HEX #8943C0

RGB 137 67 192

HSL 273.6, 0.5%, 0.51%

LAB 42.97, 52.05, -53.91

 

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

CMYK 18 / 39 / 0 / 16

HEX #AF81D5

RGB 175 129 213

HSL 272.86, 0.5%, 0.67%

LAB 61.32, 33.56, -36.53

 

CMYK 13 / 28 / 0 / 13

HEX #C3A0DF

RGB 195 160 223

HSL 273.33, 0.5%, 0.75%

LAB 70.92, 24.61, -27.07

 

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

CMYK 0 / 51 / 39 / 21

HEX #CA627C

RGB 202 98 124

HSL 345, 0.5%, 0.59%

LAB 54.81, 43.93, 5.17

 

CMYK 51 / 0 / 44 / 21

HEX #62CA71

RGB 98 202 113

HSL 128.65, 0.5%, 0.59%

LAB 73.56, -48.92, 35.36

 

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

CMYK 0 / 23 / 51 / 21

HEX #CA9B62

RGB 202 155 98

HSL 32.88, 0.5%, 0.59%

LAB 67.19, 10.69, 36.46

 

CMYK 51 / 0 / 23 / 21

HEX #62CA9B

RGB 98 202 155

HSL 152.88, 0.5%, 0.59%

LAB 74.32, -41.21, 14.38

 

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

CMYK 0 / 51 / 39 / 21

HEX #CA627C

RGB 202 98 124

HSL 345, 0.5%, 0.59%

LAB 54.81, 43.93, 5.17

 

CMYK 28 / 0 / 51 / 21

HEX #91CA62

RGB 145 202 98

HSL 92.88, 0.5%, 0.59%

LAB 75.54, -36.18, 45.68

 

CMYK 51 / 0 / 13 / 21

HEX #62CAB0

RGB 98 202 176

HSL 165, 0.5%, 0.59%

LAB 74.81, -36.5, 3.78

 

CMYK 23 / 51 / 0 / 21

HEX #9C62CA

RGB 156 98 202

HSL 273.46, 0.5%, 0.59%

LAB 51.91, 42.86, -45.25

 

CMYK 0 / 49 / 51 / 21

HEX #CA6762

RGB 202 103 98

HSL 2.88, 0.5%, 0.59%

LAB 55.22, 38.73, 20.97

 

CMYK 28 / 0 / 51 / 21

HEX #91CA62

RGB 145 202 98

HSL 92.88, 0.5%, 0.59%

LAB 75.54, -36.18, 45.68

 

CMYK 51 / 2 / 0 / 21

HEX #62C5CA

RGB 98 197 202

HSL 182.88, 0.5%, 0.59%

LAB 74.06, -27.54, -11.41

 

Description

Color code: HEX #9C62CA | qconv.com Color code: HEX #9C62CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 98 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 98 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 51 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 51% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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