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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C741A it is the complementary color #638BE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C741A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C741A shade: #A17415, #B28628, #C3983B, #D4AA4E and #E5BC61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C741A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C741A shade: #9C741A, #8B6207, #7A5000, #693E00 and #582C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C741A shade: #9C741A, #9C511A, #9C2E1A and #9C1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C741A shade: #9C741A, #9C981A, #7E9C1A, #5B9C1A and #389C1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C741A shade matches the following richer shades: #9C741A and #AB7A0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C741A shade: #9C741A, #8E6F29, #7F6938, #706347 and #615E56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C741A shade: #9C2E1A, #9C501A, #9C731A, #9C961A and #809C1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C741A shade: #56400E, #795A14, #9C741A, #C08F20 and #DBA62E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C741A shade: #9C741A, #299C1A and #3F1A9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C741A shade: #9C741A, #1A9C73 and #731A9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C741A shade: #9C741A, #299C1A, #1A439C and #8D1A9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C741A shade: #9C741A, #1A9C32, #1A439C and #9C1A85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

Complementary color

CMYK 57 / 39 / 0 / 10

HEX #638BE5

RGB 99 139 229

HSL 221.54, 0.71%, 0.64%

LAB 58.77, 12.48, -49.89

 

CMYK 0 / 28 / 87 / 37

HEX #A17415

RGB 161 116 21

HSL 40.71, 0.77%, 0.36%

LAB 51.97, 9.65, 53.71

 

CMYK 0 / 25 / 78 / 30

HEX #B28628

RGB 178 134 40

HSL 40.87, 0.63%, 0.43%

LAB 58.67, 7.93, 53.84

 

CMYK 0 / 22 / 70 / 24

HEX #C3983B

RGB 195 152 59

HSL 41.03, 0.54%, 0.5%

LAB 65.26, 6.5, 53.13

 

CMYK 0 / 20 / 63 / 17

HEX #D4AA4E

RGB 212 170 78

HSL 41.19, 0.61%, 0.57%

LAB 71.76, 5.29, 52.06

 

CMYK 0 / 18 / 58 / 10

HEX #E5BC61

RGB 229 188 97

HSL 41.36, 0.72%, 0.64%

LAB 78.16, 4.25, 50.84

 

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

CMYK 0 / 29 / 95 / 45

HEX #8B6207

RGB 139 98 7

HSL 41.36, 0.9%, 0.29%

LAB 44.57, 9.42, 50.33

 

CMYK 0 / 34 / 100 / 52

HEX #7A5000

RGB 122 80 0

HSL 39.34, 1%, 0.24%

LAB 37.62, 11.77, 46.36

 

CMYK 0 / 41 / 100 / 59

HEX #693E00

RGB 105 62 0

HSL 35.43, 1%, 0.21%

LAB 30.52, 14.41, 40.5

 

CMYK 0 / 50 / 100 / 65

HEX #582C00

RGB 88 44 0

HSL 30, 1%, 0.17%

LAB 23.26, 17.19, 33.11

 

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

CMYK 0 / 48 / 83 / 39

HEX #9C511A

RGB 156 81 26

HSL 25.38, 0.71%, 0.36%

LAB 42.8, 27.35, 43.76

 

CMYK 0 / 71 / 83 / 39

HEX #9C2E1A

RGB 156 46 26

HSL 9.23, 0.71%, 0.36%

LAB 36.17, 44.57, 37.63

 

CMYK 0 / 83 / 83 / 39

HEX #9C1A1A

RGB 156 26 26

HSL 0, 0.71%, 0.36%

LAB 33.73, 51.35, 35.31

 

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

CMYK 0 / 3 / 83 / 39

HEX #9C981A

RGB 156 152 26

HSL 58.15, 0.71%, 0.36%

LAB 61.31, -12.33, 59.96

 

CMYK 19 / 0 / 83 / 39

HEX #7E9C1A

RGB 126 156 26

HSL 73.85, 0.71%, 0.36%

LAB 60.15, -27.5, 58.05

 

CMYK 42 / 0 / 83 / 39

HEX #5B9C1A

RGB 91 156 26

HSL 90, 0.71%, 0.36%

LAB 58.11, -41.14, 55.46

 

CMYK 64 / 0 / 83 / 39

HEX #389C1A

RGB 56 156 26

HSL 106.15, 0.71%, 0.36%

LAB 56.77, -51.49, 53.75

 

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

CMYK 0 / 29 / 94 / 33

HEX #AB7A0B

RGB 171 122 11

HSL 41.63, 0.88%, 0.36%

LAB 54.66, 10.65, 58.7

 

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

CMYK 0 / 22 / 71 / 44

HEX #8E6F29

RGB 142 111 41

HSL 41.58, 0.55%, 0.36%

LAB 48.61, 4.54, 42.12

 

CMYK 0 / 17 / 56 / 50

HEX #7F6938

RGB 127 105 56

HSL 41.41, 0.39%, 0.36%

LAB 45.5, 2.2, 30.55

 

CMYK 0 / 12 / 37 / 56

HEX #706347

RGB 112 99 71

HSL 40.98, 0.22%, 0.36%

LAB 42.5, 0.64, 17.83

 

CMYK 0 / 3 / 11 / 62

HEX #615E56

RGB 97 94 86

HSL 43.64, 0.06%, 0.36%

LAB 39.95, -0.38, 5.01

 

CMYK 0 / 71 / 83 / 39

HEX #9C2E1A

RGB 156 46 26

HSL 9.23, 0.71%, 0.36%

LAB 36.17, 44.57, 37.63

 

CMYK 0 / 49 / 83 / 39

HEX #9C501A

RGB 156 80 26

HSL 24.92, 0.71%, 0.36%

LAB 42.58, 27.9, 43.56

 

CMYK 0 / 26 / 83 / 39

HEX #9C731A

RGB 156 115 26

HSL 41.08, 0.71%, 0.36%

LAB 51.16, 8.06, 51.2

 

CMYK 0 / 4 / 83 / 39

HEX #9C961A

RGB 156 150 26

HSL 57.23, 0.71%, 0.36%

LAB 60.74, -11.27, 59.48

 

CMYK 18 / 0 / 83 / 39

HEX #809C1A

RGB 128 156 26

HSL 72.92, 0.71%, 0.36%

LAB 60.28, -26.65, 58.22

 

CMYK 0 / 26 / 84 / 66

HEX #56400E

RGB 86 64 14

HSL 41.67, 0.72%, 0.2%

LAB 28.58, 4.12, 32.26

 

CMYK 0 / 26 / 83 / 53

HEX #795A14

RGB 121 90 20

HSL 41.58, 0.72%, 0.28%

LAB 40.29, 5.86, 42.15

 

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

CMYK 0 / 26 / 83 / 25

HEX #C08F20

RGB 192 143 32

HSL 41.63, 0.71%, 0.44%

LAB 62.47, 8.95, 60.63

 

CMYK 0 / 24 / 79 / 14

HEX #DBA62E

RGB 219 166 46

HSL 41.62, 0.71%, 0.52%

LAB 71.23, 8.84, 64.9

 

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

CMYK 74 / 0 / 83 / 39

HEX #299C1A

RGB 41 156 26

HSL 113.08, 0.71%, 0.36%

LAB 56.41, -54.57, 53.28

 

CMYK 60 / 83 / 0 / 39

HEX #3F1A9C

RGB 63 26 156

HSL 257.08, 0.71%, 0.36%

LAB 24.31, 49.15, -63.22

 

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

CMYK 83 / 0 / 26 / 39

HEX #1A9C73

RGB 26 156 115

HSL 161.08, 0.71%, 0.36%

LAB 57.3, -43.33, 12.17

 

CMYK 26 / 83 / 0 / 39

HEX #731A9C

RGB 115 26 156

HSL 281.08, 0.71%, 0.36%

LAB 31.31, 56.57, -51.48

 

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

CMYK 74 / 0 / 83 / 39

HEX #299C1A

RGB 41 156 26

HSL 113.08, 0.71%, 0.36%

LAB 56.41, -54.57, 53.28

 

CMYK 83 / 57 / 0 / 39

HEX #1A439C

RGB 26 67 156

HSL 221.08, 0.71%, 0.36%

LAB 30.96, 20.6, -52.41

 

CMYK 10 / 83 / 0 / 39

HEX #8D1A9C

RGB 141 26 156

HSL 293.08, 0.71%, 0.36%

LAB 35.6, 61.25, -44.33

 

CMYK 0 / 26 / 83 / 39

HEX #9C741A

RGB 156 116 26

HSL 41.54, 0.71%, 0.36%

LAB 51.42, 7.49, 51.43

 

CMYK 83 / 0 / 68 / 39

HEX #1A9C32

RGB 26 156 50

HSL 131.08, 0.71%, 0.36%

LAB 56.31, -54.81, 44.5

 

CMYK 83 / 57 / 0 / 39

HEX #1A439C

RGB 26 67 156

HSL 221.08, 0.71%, 0.36%

LAB 30.96, 20.6, -52.41

 

CMYK 0 / 83 / 15 / 39

HEX #9C1A85

RGB 156 26 133

HSL 310.62, 0.71%, 0.36%

LAB 36.93, 60.64, -27.95

 

Description

Color code: HEX #9C741A | qconv.com Color code: HEX #9C741A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 116 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 116 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 83 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 83% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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