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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C776A it is the complementary color #638895. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C776A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C776A shade: #A17765, #B28978, #C39B8B, #D4AD9E and #E5BFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C776A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C776A shade: #9C776A, #8B6557, #7A5344, #694131 and #582F1E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C776A shade: #9B7669 and #9B6969

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C776A shade: #9B7669, #9B8369, #9B9169, #979B69 and #8A9B69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C776A shade matches the following richer shades: #9B7669, #AF6C54, #C36240, #D7582C and #EB4F18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C776A shade: #9B7669, #867F7D, #728991, #5E93A5 and #4A9CB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C776A shade: #9B6977, #9B6969, #9B7569, #9B8269 and #9B9069

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C776A shade: #6A5047, #836257, #9B7669, #AB8C81 and #BCA39A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C776A shade: #9C776A, #849B69 and #69709B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C776A shade: #9C776A, #699B75 and #75699B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C776A shade: #9C776A, #849B69, #698E9B and #7F699B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C776A shade: #9C776A, #759B69, #698E9B and #8E699B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 32 / 39

HEX #9C776A

RGB 156 119 106

HSL 15.6, 0.2%, 0.51%

LAB 53.28, 12.55, 12.73

 

Complementary color

CMYK 34 / 9 / 0 / 42

HEX #638895

RGB 99 136 149

HSL 195.6, 0.2%, 0.49%

LAB 54.48, -9.54, -11.09

 

CMYK 0 / 26 / 37 / 37

HEX #A17765

RGB 161 119 101

HSL 18, 0.24%, 0.51%

LAB 53.72, 13.95, 16.33

 

CMYK 0 / 23 / 33 / 30

HEX #B28978

RGB 178 137 120

HSL 17.59, 0.27%, 0.58%

LAB 60.53, 13.19, 15.13

 

CMYK 0 / 21 / 29 / 24

HEX #C39B8B

RGB 195 155 139

HSL 17.14, 0.32%, 0.65%

LAB 67.21, 12.53, 14.05

 

CMYK 0 / 18 / 25 / 17

HEX #D4AD9E

RGB 212 173 158

HSL 16.67, 0.39%, 0.73%

LAB 73.77, 11.95, 13.05

 

CMYK 0 / 17 / 23 / 10

HEX #E5BFB1

RGB 229 191 177

HSL 16.15, 0.5%, 0.8%

LAB 80.23, 11.44, 12.12

 

CMYK 0 / 24 / 32 / 39

HEX #9C776A

RGB 156 119 106

HSL 15.6, 0.2%, 0.51%

LAB 53.28, 12.55, 12.73

 

CMYK 0 / 27 / 37 / 45

HEX #8B6557

RGB 139 101 87

HSL 16.15, 0.23%, 0.44%

LAB 46.29, 13.34, 13.94

 

CMYK 0 / 32 / 44 / 52

HEX #7A5344

RGB 122 83 68

HSL 16.67, 0.28%, 0.37%

LAB 39.14, 14.28, 15.33

 

CMYK 0 / 38 / 53 / 59

HEX #694131

RGB 105 65 49

HSL 17.14, 0.36%, 0.3%

LAB 31.82, 15.44, 16.96

 

CMYK 0 / 47 / 66 / 65

HEX #582F1E

RGB 88 47 30

HSL 17.59, 0.49%, 0.23%

LAB 24.33, 16.9, 18.95

 

CMYK 0 / 24 / 32 / 39

HEX #9B7669

RGB 155 118 105

HSL 15.6, 0.2%, 0.51%

LAB 52.89, 12.58, 12.76

 

CMYK 0 / 32 / 32 / 39

HEX #9B6969

RGB 155 105 105

HSL 0, 0.2%, 0.51%

LAB 49.61, 20.05, 8.14

 

CMYK 0 / 24 / 32 / 39

HEX #9B7669

RGB 155 118 105

HSL 15.6, 0.2%, 0.51%

LAB 52.89, 12.58, 12.76

 

CMYK 0 / 15 / 32 / 39

HEX #9B8369

RGB 155 131 105

HSL 31.2, 0.2%, 0.51%

LAB 56.31, 5.16, 17.47

 

CMYK 0 / 6 / 32 / 39

HEX #9B9169

RGB 155 145 105

HSL 48, 0.2%, 0.51%

LAB 60.1, -2.66, 22.61

 

CMYK 3 / 0 / 32 / 39

HEX #979B69

RGB 151 155 105

HSL 64.8, 0.2%, 0.51%

LAB 62.54, -9.73, 25.79

 

CMYK 11 / 0 / 32 / 39

HEX #8A9B69

RGB 138 155 105

HSL 80.4, 0.2%, 0.51%

LAB 61.54, -14.92, 24.28

 

CMYK 0 / 24 / 32 / 39

HEX #9B7669

RGB 155 118 105

HSL 15.6, 0.2%, 0.51%

LAB 52.89, 12.58, 12.76

 

CMYK 0 / 38 / 52 / 31

HEX #AF6C54

RGB 175 108 84

HSL 15.82, 0.36%, 0.51%

LAB 52.37, 24.1, 24.62

 

CMYK 0 / 50 / 67 / 24

HEX #C36240

RGB 195 98 64

HSL 15.57, 0.52%, 0.51%

LAB 52.63, 36.08, 36.77

 

CMYK 0 / 59 / 80 / 16

HEX #D7582C

RGB 215 88 44

HSL 15.44, 0.68%, 0.51%

LAB 53.61, 47.68, 49.03

 

CMYK 0 / 66 / 90 / 8

HEX #EB4F18

RGB 235 79 24

HSL 15.64, 0.84%, 0.51%

LAB 55.4, 58.05, 60.1

 

CMYK 0 / 24 / 32 / 39

HEX #9B7669

RGB 155 118 105

HSL 15.6, 0.2%, 0.51%

LAB 52.89, 12.58, 12.76

 

CMYK 0 / 5 / 7 / 47

HEX #867F7D

RGB 134 127 125

HSL 13.33, 0.04%, 0.51%

LAB 53.74, 2.27, 2.02

 

CMYK 21 / 6 / 0 / 43

HEX #728991

RGB 114 137 145

HSL 195.48, 0.12%, 0.51%

LAB 55.6, -6.36, -7.02

 

CMYK 43 / 11 / 0 / 35

HEX #5E93A5

RGB 94 147 165

HSL 195.21, 0.28%, 0.51%

LAB 58, -12.72, -15

 

CMYK 60 / 16 / 0 / 27

HEX #4A9CB9

RGB 74 156 185

HSL 195.68, 0.44%, 0.51%

LAB 60.55, -16.26, -22.54

 

CMYK 0 / 32 / 23 / 39

HEX #9B6977

RGB 155 105 119

HSL 343.2, 0.2%, 0.51%

LAB 49.98, 22.12, 0.36

 

CMYK 0 / 32 / 32 / 39

HEX #9B6969

RGB 155 105 105

HSL 0, 0.2%, 0.51%

LAB 49.61, 20.05, 8.14

 

CMYK 0 / 25 / 32 / 39

HEX #9B7569

RGB 155 117 105

HSL 14.4, 0.2%, 0.51%

LAB 52.63, 13.15, 12.4

 

CMYK 0 / 16 / 32 / 39

HEX #9B8269

RGB 155 130 105

HSL 30, 0.2%, 0.51%

LAB 56.04, 5.73, 17.11

 

CMYK 0 / 7 / 32 / 39

HEX #9B9069

RGB 155 144 105

HSL 46.8, 0.2%, 0.51%

LAB 59.83, -2.11, 22.24

 

CMYK 0 / 25 / 33 / 58

HEX #6A5047

RGB 106 80 71

HSL 15.43, 0.2%, 0.35%

LAB 36.47, 9.47, 9.51

 

CMYK 0 / 25 / 34 / 49

HEX #836257

RGB 131 98 87

HSL 15, 0.2%, 0.43%

LAB 44.59, 11.71, 11.45

 

CMYK 0 / 24 / 32 / 39

HEX #9B7669

RGB 155 118 105

HSL 15.6, 0.2%, 0.51%

LAB 52.89, 12.58, 12.76

 

CMYK 0 / 18 / 25 / 33

HEX #AB8C81

RGB 171 140 129

HSL 15.71, 0.2%, 0.59%

LAB 60.78, 9.99, 10.28

 

CMYK 0 / 13 / 18 / 26

HEX #BCA39A

RGB 188 163 154

HSL 15.88, 0.2%, 0.67%

LAB 68.91, 7.67, 8.03

 

CMYK 0 / 24 / 32 / 39

HEX #9C776A

RGB 156 119 106

HSL 15.6, 0.2%, 0.51%

LAB 53.28, 12.55, 12.73

 

CMYK 15 / 0 / 32 / 39

HEX #849B69

RGB 132 155 105

HSL 87.6, 0.2%, 0.51%

LAB 61.11, -17.26, 23.62

 

CMYK 32 / 28 / 0 / 39

HEX #69709B

RGB 105 112 155

HSL 231.6, 0.2%, 0.51%

LAB 48.21, 7.89, -24.13

 

CMYK 0 / 24 / 32 / 39

HEX #9C776A

RGB 156 119 106

HSL 15.6, 0.2%, 0.51%

LAB 53.28, 12.55, 12.73

 

CMYK 32 / 0 / 25 / 39

HEX #699B75

RGB 105 155 117

HSL 134.4, 0.2%, 0.51%

LAB 59.64, -24.95, 14.71

 

CMYK 25 / 32 / 0 / 39

HEX #75699B

RGB 117 105 155

HSL 254.4, 0.2%, 0.51%

LAB 47.3, 15.88, -25.45

 

CMYK 0 / 24 / 32 / 39

HEX #9C776A

RGB 156 119 106

HSL 15.6, 0.2%, 0.51%

LAB 53.28, 12.55, 12.73

 

CMYK 15 / 0 / 32 / 39

HEX #849B69

RGB 132 155 105

HSL 87.6, 0.2%, 0.51%

LAB 61.11, -17.26, 23.62

 

CMYK 32 / 8 / 0 / 39

HEX #698E9B

RGB 105 142 155

HSL 195.6, 0.2%, 0.51%

LAB 56.8, -9.53, -11.04

 

CMYK 18 / 32 / 0 / 39

HEX #7F699B

RGB 127 105 155

HSL 266.4, 0.2%, 0.51%

LAB 48.24, 19.12, -23.93

 

CMYK 0 / 24 / 32 / 39

HEX #9C776A

RGB 156 119 106

HSL 15.6, 0.2%, 0.51%

LAB 53.28, 12.55, 12.73

 

CMYK 25 / 0 / 32 / 39

HEX #759B69

RGB 117 155 105

HSL 105.6, 0.2%, 0.51%

LAB 60.11, -22.9, 22.12

 

CMYK 32 / 8 / 0 / 39

HEX #698E9B

RGB 105 142 155

HSL 195.6, 0.2%, 0.51%

LAB 56.8, -9.53, -11.04

 

CMYK 8 / 32 / 0 / 39

HEX #8E699B

RGB 142 105 155

HSL 284.4, 0.2%, 0.51%

LAB 49.76, 24.11, -21.45

 

Description

Color code: HEX #9C776A | qconv.com Color code: HEX #9C776A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 119 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 119 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 32 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 32% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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