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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C7957 it is the complementary color #6386A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C7957. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C7957 shade: #A17952, #B28B65, #C39D78, #D4AF8B and #E5C19E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C7957. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C7957 shade: #9C7957, #8B6744, #7A5531, #69431E and #58310B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C7957 shade: #9C7958, #9C6758 and #9C5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C7957 shade: #9C7958, #9C8C58, #9A9C58, #879C58 and #759C58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C7957 shade matches the following richer shades: #9C7958, #B07944, #C47930, #D8791C and #EB7808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C7957 shade: #9C7958, #887A6B, #757A7F, #617A93 and #4D7BA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C7957 shade: #9C585B, #9C6658, #9C7958, #9C8B58 and #9B9C58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C7957 shade: #67503A, #826549, #9C7958, #AE8E6F and #BDA38A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C7957 shade: #9C7957, #6D9C58 and #5D589C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C7957 shade: #9C7957, #589C79 and #79589C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C7957 shade: #9C7957, #6D9C58, #587B9C and #86589C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C7957 shade: #9C7957, #599C58, #587B9C and #9B589C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 44 / 39

HEX #9C7957

RGB 156 121 87

HSL 29.57, 0.28%, 0.48%

LAB 53.42, 9.02, 23.85

 

Complementary color

CMYK 41 / 20 / 0 / 34

HEX #6386A8

RGB 99 134 168

HSL 209.57, 0.28%, 0.52%

LAB 54.58, -3.23, -21.9

 

CMYK 0 / 25 / 49 / 37

HEX #A17952

RGB 161 121 82

HSL 29.62, 0.33%, 0.48%

LAB 53.88, 10.64, 27.37

 

CMYK 0 / 22 / 43 / 30

HEX #B28B65

RGB 178 139 101

HSL 29.61, 0.33%, 0.55%

LAB 60.67, 9.75, 25.97

 

CMYK 0 / 19 / 38 / 24

HEX #C39D78

RGB 195 157 120

HSL 29.6, 0.38%, 0.62%

LAB 67.33, 9, 24.69

 

CMYK 0 / 17 / 34 / 17

HEX #D4AF8B

RGB 212 175 139

HSL 29.59, 0.46%, 0.69%

LAB 73.88, 8.36, 23.51

 

CMYK 0 / 16 / 31 / 10

HEX #E5C19E

RGB 229 193 158

HSL 29.58, 0.58%, 0.76%

LAB 80.33, 7.8, 22.41

 

CMYK 0 / 22 / 44 / 39

HEX #9C7957

RGB 156 121 87

HSL 29.57, 0.28%, 0.48%

LAB 53.42, 9.02, 23.85

 

CMYK 0 / 26 / 51 / 45

HEX #8B6744

RGB 139 103 68

HSL 29.58, 0.34%, 0.41%

LAB 46.45, 9.96, 25.3

 

CMYK 0 / 30 / 60 / 52

HEX #7A5531

RGB 122 85 49

HSL 29.59, 0.43%, 0.34%

LAB 39.34, 11.11, 26.89

 

CMYK 0 / 36 / 71 / 59

HEX #69431E

RGB 105 67 30

HSL 29.6, 0.56%, 0.26%

LAB 32.06, 12.58, 28.59

 

CMYK 0 / 44 / 88 / 65

HEX #58310B

RGB 88 49 11

HSL 29.61, 0.78%, 0.19%

LAB 24.63, 14.5, 29.98

 

CMYK 0 / 22 / 44 / 39

HEX #9C7958

RGB 156 121 88

HSL 29.12, 0.28%, 0.48%

LAB 53.44, 9.14, 23.31

 

CMYK 0 / 34 / 44 / 39

HEX #9C6758

RGB 156 103 88

HSL 13.24, 0.28%, 0.48%

LAB 48.85, 19.45, 17.18

 

CMYK 0 / 44 / 44 / 39

HEX #9C5858

RGB 156 88 88

HSL 0, 0.28%, 0.48%

LAB 45.29, 27.96, 12.3

 

CMYK 0 / 22 / 44 / 39

HEX #9C7958

RGB 156 121 88

HSL 29.12, 0.28%, 0.48%

LAB 53.44, 9.14, 23.31

 

CMYK 0 / 10 / 44 / 39

HEX #9C8C58

RGB 156 140 88

HSL 45.88, 0.28%, 0.48%

LAB 58.54, -1.56, 29.92

 

CMYK 1 / 0 / 44 / 39

HEX #9A9C58

RGB 154 156 88

HSL 61.76, 0.28%, 0.48%

LAB 62.8, -11.08, 35.25

 

CMYK 13 / 0 / 44 / 39

HEX #879C58

RGB 135 156 88

HSL 78.53, 0.28%, 0.48%

LAB 61.34, -18.9, 33.1

 

CMYK 25 / 0 / 44 / 39

HEX #759C58

RGB 117 156 88

HSL 94.41, 0.28%, 0.48%

LAB 60.13, -25.92, 31.32

 

CMYK 0 / 22 / 44 / 39

HEX #9C7958

RGB 156 121 88

HSL 29.12, 0.28%, 0.48%

LAB 53.44, 9.14, 23.31

 

CMYK 0 / 31 / 61 / 31

HEX #B07944

RGB 176 121 68

HSL 29.44, 0.44%, 0.48%

LAB 55.4, 15.91, 37.26

 

CMYK 0 / 38 / 76 / 23

HEX #C47930

RGB 196 121 48

HSL 29.59, 0.61%, 0.48%

LAB 57.68, 23.37, 50.28

 

CMYK 0 / 44 / 87 / 15

HEX #D8791C

RGB 216 121 28

HSL 29.68, 0.77%, 0.48%

LAB 60.21, 31.13, 61.2

 

CMYK 0 / 49 / 97 / 8

HEX #EB7808

RGB 235 120 8

HSL 29.6, 0.93%, 0.48%

LAB 62.6, 39.05, 68.63

 

CMYK 0 / 22 / 44 / 39

HEX #9C7958

RGB 156 121 88

HSL 29.12, 0.28%, 0.48%

LAB 53.44, 9.14, 23.31

 

CMYK 0 / 10 / 21 / 47

HEX #887A6B

RGB 136 122 107

HSL 31.03, 0.12%, 0.48%

LAB 52.08, 2.79, 10.17

 

CMYK 8 / 4 / 0 / 50

HEX #757A7F

RGB 117 122 127

HSL 210, 0.04%, 0.48%

LAB 50.96, -0.81, -3.38

 

CMYK 34 / 17 / 0 / 42

HEX #617A93

RGB 97 122 147

HSL 210, 0.2%, 0.48%

LAB 50.18, -2.67, -16.45

 

CMYK 54 / 26 / 0 / 35

HEX #4D7BA7

RGB 77 123 167

HSL 209.33, 0.37%, 0.48%

LAB 50.14, -2.71, -28.29

 

CMYK 0 / 44 / 42 / 39

HEX #9C585B

RGB 156 88 91

HSL 357.35, 0.28%, 0.48%

LAB 45.36, 28.31, 10.58

 

CMYK 0 / 35 / 44 / 39

HEX #9C6658

RGB 156 102 88

HSL 12.35, 0.28%, 0.48%

LAB 48.6, 20.03, 16.85

 

CMYK 0 / 22 / 44 / 39

HEX #9C7958

RGB 156 121 88

HSL 29.12, 0.28%, 0.48%

LAB 53.44, 9.14, 23.31

 

CMYK 0 / 11 / 44 / 39

HEX #9C8B58

RGB 156 139 88

HSL 45, 0.28%, 0.48%

LAB 58.26, -1, 29.57

 

CMYK 1 / 0 / 44 / 39

HEX #9B9C58

RGB 155 156 88

HSL 60.88, 0.28%, 0.48%

LAB 62.89, -10.66, 35.38

 

CMYK 0 / 22 / 44 / 60

HEX #67503A

RGB 103 80 58

HSL 29.33, 0.28%, 0.32%

LAB 35.84, 6.33, 16.64

 

CMYK 0 / 22 / 44 / 49

HEX #826549

RGB 130 101 73

HSL 29.47, 0.28%, 0.4%

LAB 44.99, 7.69, 20.3

 

CMYK 0 / 22 / 44 / 39

HEX #9C7958

RGB 156 121 88

HSL 29.12, 0.28%, 0.48%

LAB 53.44, 9.14, 23.31

 

CMYK 0 / 18 / 36 / 32

HEX #AE8E6F

RGB 174 142 111

HSL 29.52, 0.28%, 0.56%

LAB 61.21, 7.61, 21.07

 

CMYK 0 / 14 / 27 / 26

HEX #BDA38A

RGB 189 163 138

HSL 29.41, 0.28%, 0.64%

LAB 68.64, 5.66, 16.51

 

CMYK 0 / 22 / 44 / 39

HEX #9C7957

RGB 156 121 87

HSL 29.57, 0.28%, 0.48%

LAB 53.42, 9.02, 23.85

 

CMYK 30 / 0 / 44 / 39

HEX #6D9C58

RGB 109 156 88

HSL 101.47, 0.28%, 0.48%

LAB 59.65, -28.88, 30.61

 

CMYK 40 / 44 / 0 / 39

HEX #5D589C

RGB 93 88 156

HSL 244.41, 0.28%, 0.48%

LAB 40.75, 19.49, -36.47

 

CMYK 0 / 22 / 44 / 39

HEX #9C7957

RGB 156 121 87

HSL 29.57, 0.28%, 0.48%

LAB 53.42, 9.02, 23.85

 

CMYK 44 / 0 / 22 / 39

HEX #589C79

RGB 88 156 121

HSL 149.12, 0.28%, 0.48%

LAB 59.19, -29.88, 11.7

 

CMYK 22 / 44 / 0 / 39

HEX #79589C

RGB 121 88 156

HSL 269.12, 0.28%, 0.48%

LAB 43.43, 27.63, -32.06

 

CMYK 0 / 22 / 44 / 39

HEX #9C7957

RGB 156 121 87

HSL 29.57, 0.28%, 0.48%

LAB 53.42, 9.02, 23.85

 

CMYK 30 / 0 / 44 / 39

HEX #6D9C58

RGB 109 156 88

HSL 101.47, 0.28%, 0.48%

LAB 59.65, -28.88, 30.61

 

CMYK 44 / 21 / 0 / 39

HEX #587B9C

RGB 88 123 156

HSL 209.12, 0.28%, 0.48%

LAB 50.26, -3.31, -21.64

 

CMYK 14 / 44 / 0 / 39

HEX #86589C

RGB 134 88 156

HSL 280.59, 0.28%, 0.48%

LAB 44.87, 31.63, -29.7

 

CMYK 0 / 22 / 44 / 39

HEX #9C7957

RGB 156 121 87

HSL 29.57, 0.28%, 0.48%

LAB 53.42, 9.02, 23.85

 

CMYK 43 / 0 / 44 / 39

HEX #599C58

RGB 89 156 88

HSL 119.12, 0.28%, 0.48%

LAB 58.61, -35.68, 29.07

 

CMYK 44 / 21 / 0 / 39

HEX #587B9C

RGB 88 123 156

HSL 209.12, 0.28%, 0.48%

LAB 50.26, -3.31, -21.64

 

CMYK 1 / 44 / 0 / 39

HEX #9B589C

RGB 155 88 156

HSL 299.12, 0.28%, 0.48%

LAB 47.43, 38.22, -25.52

 

Description

Color code: HEX #9C7957 | qconv.com Color code: HEX #9C7957 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 121 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 121 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 44 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 44% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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