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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C731B it is the complementary color #638CE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C731B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C731B shade: #A17316, #B28529, #C3973C, #D4A94F and #E5BB62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C731B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C731B shade: #9C731B, #8B6108, #7A4F00, #693D00 and #582B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C731B shade: #9C731B, #9C501B, #9C2D1B and #9C1B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C731B shade: #9C731B, #9C951B, #7F9C1B, #5C9C1B and #3A9C1B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C731B shade matches the following richer shades: #9C731B and #AA780C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C731B shade: #9C731B, #8D6D2A, #7E6839, #6F6248 and #605D56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C731B shade: #9C2C1B, #9C4E1B, #9C711B, #9C931B and #829C1B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C731B shade: #553F0F, #785915, #9C731B, #BF8D21 and #DAA42F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C731B shade: #9C731B, #2C9C1B and #3D1B9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C731B shade: #9C731B, #1B9C71 and #711B9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C731B shade: #9C731B, #2C9C1B, #1B469C and #8A1B9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C731B shade: #9C731B, #1B9C30, #1B469C and #9C1B86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

Complementary color

CMYK 57 / 39 / 0 / 11

HEX #638CE4

RGB 99 140 228

HSL 220.93, 0.7%, 0.64%

LAB 58.98, 11.56, -48.99

 

CMYK 0 / 29 / 86 / 37

HEX #A17316

RGB 161 115 22

HSL 40.14, 0.76%, 0.36%

LAB 51.72, 10.25, 53.2

 

CMYK 0 / 25 / 77 / 30

HEX #B28529

RGB 178 133 41

HSL 40.29, 0.63%, 0.43%

LAB 58.41, 8.53, 53.21

 

CMYK 0 / 23 / 69 / 24

HEX #C3973C

RGB 195 151 60

HSL 40.44, 0.53%, 0.5%

LAB 65.01, 7.09, 52.43

 

CMYK 0 / 20 / 63 / 17

HEX #D4A94F

RGB 212 169 79

HSL 40.6, 0.61%, 0.57%

LAB 71.51, 5.88, 51.32

 

CMYK 0 / 18 / 57 / 10

HEX #E5BB62

RGB 229 187 98

HSL 40.76, 0.72%, 0.64%

LAB 77.92, 4.85, 50.09

 

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

CMYK 0 / 30 / 94 / 45

HEX #8B6108

RGB 139 97 8

HSL 40.76, 0.89%, 0.29%

LAB 44.31, 10.03, 49.9

 

CMYK 0 / 35 / 100 / 52

HEX #7A4F00

RGB 122 79 0

HSL 38.85, 1%, 0.24%

LAB 37.35, 12.37, 46.19

 

CMYK 0 / 42 / 100 / 59

HEX #693D00

RGB 105 61 0

HSL 34.86, 1%, 0.21%

LAB 30.26, 15.03, 40.31

 

CMYK 0 / 51 / 100 / 65

HEX #582B00

RGB 88 43 0

HSL 29.32, 1%, 0.17%

LAB 23.01, 17.81, 32.86

 

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

CMYK 0 / 49 / 83 / 39

HEX #9C501B

RGB 156 80 27

HSL 24.65, 0.7%, 0.36%

LAB 42.59, 27.94, 43.13

 

CMYK 0 / 71 / 83 / 39

HEX #9C2D1B

RGB 156 45 27

HSL 8.37, 0.7%, 0.36%

LAB 36.03, 45.01, 36.97

 

CMYK 0 / 83 / 83 / 39

HEX #9C1B1B

RGB 156 27 27

HSL 0, 0.7%, 0.36%

LAB 33.84, 51.11, 34.85

 

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

CMYK 0 / 4 / 83 / 39

HEX #9C951B

RGB 156 149 27

HSL 56.74, 0.7%, 0.36%

LAB 60.46, -10.71, 58.97

 

CMYK 19 / 0 / 83 / 39

HEX #7F9C1B

RGB 127 156 27

HSL 73.49, 0.7%, 0.36%

LAB 60.22, -27.04, 57.87

 

CMYK 41 / 0 / 83 / 39

HEX #5C9C1B

RGB 92 156 27

HSL 89.77, 0.7%, 0.36%

LAB 58.16, -40.74, 55.25

 

CMYK 63 / 0 / 83 / 39

HEX #3A9C1B

RGB 58 156 27

HSL 105.58, 0.7%, 0.36%

LAB 56.84, -50.96, 53.55

 

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

CMYK 0 / 29 / 93 / 33

HEX #AA780C

RGB 170 120 12

HSL 41.01, 0.87%, 0.36%

LAB 54.03, 11.33, 57.99

 

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

CMYK 0 / 23 / 70 / 45

HEX #8D6D2A

RGB 141 109 42

HSL 40.61, 0.54%, 0.36%

LAB 47.97, 5.29, 40.94

 

CMYK 0 / 17 / 55 / 51

HEX #7E6839

RGB 126 104 57

HSL 40.87, 0.38%, 0.36%

LAB 45.13, 2.42, 29.53

 

CMYK 0 / 12 / 35 / 56

HEX #6F6248

RGB 111 98 72

HSL 40, 0.21%, 0.36%

LAB 42.13, 0.93, 16.73

 

CMYK 0 / 3 / 10 / 62

HEX #605D56

RGB 96 93 86

HSL 42, 0.05%, 0.36%

LAB 39.56, -0.19, 4.44

 

CMYK 0 / 72 / 83 / 39

HEX #9C2C1B

RGB 156 44 27

HSL 7.91, 0.7%, 0.36%

LAB 35.88, 45.41, 36.83

 

CMYK 0 / 50 / 83 / 39

HEX #9C4E1B

RGB 156 78 27

HSL 23.72, 0.7%, 0.36%

LAB 42.15, 29.03, 42.72

 

CMYK 0 / 28 / 83 / 39

HEX #9C711B

RGB 156 113 27

HSL 40, 0.7%, 0.36%

LAB 50.64, 9.24, 50.39

 

CMYK 0 / 6 / 83 / 39

HEX #9C931B

RGB 156 147 27

HSL 55.81, 0.7%, 0.36%

LAB 59.9, -9.64, 58.48

 

CMYK 17 / 0 / 83 / 39

HEX #829C1B

RGB 130 156 27

HSL 72.09, 0.7%, 0.36%

LAB 60.43, -25.77, 58.13

 

CMYK 0 / 26 / 82 / 67

HEX #553F0F

RGB 85 63 15

HSL 41.14, 0.7%, 0.2%

LAB 28.17, 4.29, 31.38

 

CMYK 0 / 26 / 83 / 53

HEX #785915

RGB 120 89 21

HSL 41.21, 0.7%, 0.28%

LAB 39.9, 6.01, 41.37

 

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

CMYK 0 / 26 / 83 / 25

HEX #BF8D21

RGB 191 141 33

HSL 41.01, 0.71%, 0.44%

LAB 61.86, 9.63, 59.74

 

CMYK 0 / 25 / 78 / 15

HEX #DAA42F

RGB 218 164 47

HSL 41.05, 0.7%, 0.52%

LAB 70.64, 9.51, 63.96

 

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

CMYK 72 / 0 / 83 / 39

HEX #2C9C1B

RGB 44 156 27

HSL 112.09, 0.7%, 0.36%

LAB 56.48, -53.97, 53.09

 

CMYK 61 / 83 / 0 / 39

HEX #3D1B9C

RGB 61 27 156

HSL 255.81, 0.7%, 0.36%

LAB 24.25, 48.51, -63.33

 

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

CMYK 83 / 0 / 28 / 39

HEX #1B9C71

RGB 27 156 113

HSL 160, 0.7%, 0.36%

LAB 57.27, -43.71, 13.25

 

CMYK 28 / 83 / 0 / 39

HEX #711B9C

RGB 113 27 156

HSL 280, 0.7%, 0.36%

LAB 31.1, 55.92, -51.83

 

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

CMYK 72 / 0 / 83 / 39

HEX #2C9C1B

RGB 44 156 27

HSL 112.09, 0.7%, 0.36%

LAB 56.48, -53.97, 53.09

 

CMYK 83 / 55 / 0 / 39

HEX #1B469C

RGB 27 70 156

HSL 220, 0.7%, 0.36%

LAB 31.84, 18.64, -50.98

 

CMYK 12 / 83 / 0 / 39

HEX #8A1B9C

RGB 138 27 156

HSL 291.63, 0.7%, 0.36%

LAB 35.18, 60.42, -45.04

 

CMYK 0 / 26 / 83 / 39

HEX #9C731B

RGB 156 115 27

HSL 40.93, 0.7%, 0.36%

LAB 51.16, 8.1, 50.86

 

CMYK 83 / 0 / 69 / 39

HEX #1B9C30

RGB 27 156 48

HSL 129.77, 0.7%, 0.36%

LAB 56.31, -54.9, 45.35

 

CMYK 83 / 55 / 0 / 39

HEX #1B469C

RGB 27 70 156

HSL 220, 0.7%, 0.36%

LAB 31.84, 18.64, -50.98

 

CMYK 0 / 83 / 14 / 39

HEX #9C1B86

RGB 156 27 134

HSL 310.23, 0.7%, 0.36%

LAB 37.06, 60.54, -28.36

 

Description

Color code: HEX #9C731B | qconv.com Color code: HEX #9C731B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 115 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 115 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 83 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 83% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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