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Color name
HEX #9C7C25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C7C25 it is the complementary color #6383DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C7C25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C7C25 shade: #A17C20, #B28E33, #C3A046, #D4B259 and #E5C46C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C7C25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C7C25 shade: #9C7C25, #8B6A12, #7A5800, #694600 and #583400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C7C25 shade: #9C7C24, #9C5C24, #9C3B24 and #9C2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C7C25 shade: #9C7C24, #9C9C24, #7C9C24, #5C9C24 and #3B9C24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C7C25 shade matches the following richer shades: #9C7C24, #AC8315 and #BC8B05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C7C25 shade: #9C7C24, #8D7534, #7D6E44, #6D6653 and #5E5F63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C7C25 shade: #9C3A24, #9C5A24, #9C7A24, #9C9A24 and #7E9C24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C7C25 shade: #5A4715, #7B621C, #9C7C24, #BE972C and #D2AB41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C7C25 shade: #9C7C25, #2E9C24 and #4A249C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C7C25 shade: #9C7C25, #249C7A and #7A249C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C7C25 shade: #9C7C25, #2E9C24, #24469C and #92249C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C7C25 shade: #9C7C25, #249C3E, #24469C and #9C2482

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 76 / 39

HEX #9C7C25

RGB 156 124 37

HSL 43.87, 0.62%, 0.38%

LAB 53.62, 3.4, 49.37

 

Complementary color

CMYK 55 / 40 / 0 / 15

HEX #6383DA

RGB 99 131 218

HSL 223.87, 0.62%, 0.62%

LAB 56.03, 13.73, -48.07

 

CMYK 0 / 23 / 80 / 37

HEX #A17C20

RGB 161 124 32

HSL 42.79, 0.67%, 0.38%

LAB 54.13, 5.48, 51.95

 

CMYK 0 / 20 / 71 / 30

HEX #B28E33

RGB 178 142 51

HSL 42.99, 0.55%, 0.45%

LAB 60.83, 4.03, 51.47

 

CMYK 0 / 18 / 64 / 24

HEX #C3A046

RGB 195 160 70

HSL 43.2, 0.51%, 0.52%

LAB 67.42, 2.82, 50.49

 

CMYK 0 / 16 / 58 / 17

HEX #D4B259

RGB 212 178 89

HSL 43.41, 0.59%, 0.59%

LAB 73.91, 1.81, 49.31

 

CMYK 0 / 14 / 53 / 10

HEX #E5C46C

RGB 229 196 108

HSL 43.64, 0.7%, 0.66%

LAB 80.3, 0.95, 48.07

 

CMYK 0 / 21 / 76 / 39

HEX #9C7C25

RGB 156 124 37

HSL 43.87, 0.62%, 0.38%

LAB 53.62, 3.4, 49.37

 

CMYK 0 / 24 / 87 / 45

HEX #8B6A12

RGB 139 106 18

HSL 43.64, 0.77%, 0.31%

LAB 46.76, 5.02, 49.24

 

CMYK 0 / 28 / 100 / 52

HEX #7A5800

RGB 122 88 0

HSL 43.28, 1%, 0.24%

LAB 39.78, 6.99, 47.81

 

CMYK 0 / 33 / 100 / 59

HEX #694600

RGB 105 70 0

HSL 40, 1%, 0.21%

LAB 32.66, 9.51, 41.98

 

CMYK 0 / 41 / 100 / 65

HEX #583400

RGB 88 52 0

HSL 35.45, 1%, 0.17%

LAB 25.35, 12.2, 35.16

 

CMYK 0 / 21 / 77 / 39

HEX #9C7C24

RGB 156 124 36

HSL 44, 0.63%, 0.38%

LAB 53.61, 3.35, 49.76

 

CMYK 0 / 41 / 77 / 39

HEX #9C5C24

RGB 156 92 36

HSL 28, 0.63%, 0.38%

LAB 45.43, 21.59, 41.75

 

CMYK 0 / 62 / 77 / 39

HEX #9C3B24

RGB 156 59 36

HSL 11.5, 0.63%, 0.38%

LAB 38.42, 39.16, 34.51

 

CMYK 0 / 77 / 77 / 39

HEX #9C2424

RGB 156 36 36

HSL 0, 0.63%, 0.38%

LAB 34.92, 48.67, 30.73

 

CMYK 0 / 21 / 77 / 39

HEX #9C7C24

RGB 156 124 36

HSL 44, 0.63%, 0.38%

LAB 53.61, 3.35, 49.76

 

CMYK 0 / 0 / 77 / 39

HEX #9C9C24

RGB 156 156 36

HSL 60, 0.63%, 0.38%

LAB 62.48, -14.06, 58.04

 

CMYK 21 / 0 / 77 / 39

HEX #7C9C24

RGB 124 156 36

HSL 76, 0.63%, 0.38%

LAB 60.06, -27.9, 54.91

 

CMYK 41 / 0 / 77 / 39

HEX #5C9C24

RGB 92 156 36

HSL 92, 0.63%, 0.38%

LAB 58.21, -40.26, 52.49

 

CMYK 62 / 0 / 77 / 39

HEX #3B9C24

RGB 59 156 36

HSL 108.5, 0.63%, 0.38%

LAB 56.91, -50.16, 50.79

 

CMYK 0 / 21 / 77 / 39

HEX #9C7C24

RGB 156 124 36

HSL 44, 0.63%, 0.38%

LAB 53.61, 3.35, 49.76

 

CMYK 0 / 24 / 88 / 33

HEX #AC8315

RGB 172 131 21

HSL 43.71, 0.78%, 0.38%

LAB 57.13, 6.27, 58.44

 

CMYK 0 / 26 / 97 / 26

HEX #BC8B05

RGB 188 139 5

HSL 43.93, 0.95%, 0.38%

LAB 60.93, 8.84, 65.1

 

CMYK 0 / 21 / 77 / 39

HEX #9C7C24

RGB 156 124 36

HSL 44, 0.63%, 0.38%

LAB 53.61, 3.35, 49.76

 

CMYK 0 / 17 / 63 / 45

HEX #8D7534

RGB 141 117 52

HSL 43.82, 0.46%, 0.38%

LAB 50.26, 1.37, 38.56

 

CMYK 0 / 12 / 46 / 51

HEX #7D6E44

RGB 125 110 68

HSL 44.21, 0.3%, 0.38%

LAB 46.88, -0.38, 25.54

 

CMYK 0 / 6 / 24 / 57

HEX #6D6653

RGB 109 102 83

HSL 43.85, 0.14%, 0.38%

LAB 43.33, -0.65, 11.75

 

CMYK 5 / 4 / 0 / 61

HEX #5E5F63

RGB 94 95 99

HSL 228, 0.03%, 0.38%

LAB 40.35, 0.47, -2.42

 

CMYK 0 / 63 / 77 / 39

HEX #9C3A24

RGB 156 58 36

HSL 11, 0.63%, 0.38%

LAB 38.24, 39.64, 34.32

 

CMYK 0 / 42 / 77 / 39

HEX #9C5A24

RGB 156 90 36

HSL 27, 0.63%, 0.38%

LAB 44.95, 22.72, 41.27

 

CMYK 0 / 22 / 77 / 39

HEX #9C7A24

RGB 156 122 36

HSL 43, 0.63%, 0.38%

LAB 53.07, 4.48, 49.24

 

CMYK 0 / 1 / 77 / 39

HEX #9C9A24

RGB 156 154 36

HSL 59, 0.63%, 0.38%

LAB 61.92, -13.02, 57.52

 

CMYK 19 / 0 / 77 / 39

HEX #7E9C24

RGB 126 156 36

HSL 75, 0.63%, 0.38%

LAB 60.19, -27.06, 55.08

 

CMYK 0 / 21 / 77 / 65

HEX #5A4715

RGB 90 71 21

HSL 43.48, 0.62%, 0.22%

LAB 31.19, 2.14, 31.77

 

CMYK 0 / 20 / 77 / 52

HEX #7B621C

RGB 123 98 28

HSL 44.21, 0.63%, 0.3%

LAB 42.81, 2.44, 41.38

 

CMYK 0 / 21 / 77 / 39

HEX #9C7C24

RGB 156 124 36

HSL 44, 0.63%, 0.38%

LAB 53.61, 3.35, 49.76

 

CMYK 0 / 21 / 77 / 25

HEX #BE972C

RGB 190 151 44

HSL 43.97, 0.62%, 0.46%

LAB 64.37, 4.12, 58.16

 

CMYK 0 / 19 / 69 / 18

HEX #D2AB41

RGB 210 171 65

HSL 43.86, 0.62%, 0.54%

LAB 71.7, 3.12, 57.71

 

CMYK 0 / 21 / 76 / 39

HEX #9C7C25

RGB 156 124 37

HSL 43.87, 0.62%, 0.38%

LAB 53.62, 3.4, 49.37

 

CMYK 71 / 0 / 77 / 39

HEX #2E9C24

RGB 46 156 36

HSL 115, 0.63%, 0.38%

LAB 56.57, -53, 50.34

 

CMYK 53 / 77 / 0 / 39

HEX #4A249C

RGB 74 36 156

HSL 259, 0.63%, 0.38%

LAB 27.07, 46.04, -58.64

 

CMYK 0 / 21 / 76 / 39

HEX #9C7C25

RGB 156 124 37

HSL 43.87, 0.62%, 0.38%

LAB 53.62, 3.4, 49.37

 

CMYK 77 / 0 / 22 / 39

HEX #249C7A

RGB 36 156 122

HSL 163, 0.63%, 0.38%

LAB 57.61, -40.49, 8.69

 

CMYK 22 / 77 / 0 / 39

HEX #7A249C

RGB 122 36 156

HSL 283, 0.63%, 0.38%

LAB 33.56, 54.5, -47.78

 

CMYK 0 / 21 / 76 / 39

HEX #9C7C25

RGB 156 124 37

HSL 43.87, 0.62%, 0.38%

LAB 53.62, 3.4, 49.37

 

CMYK 71 / 0 / 77 / 39

HEX #2E9C24

RGB 46 156 36

HSL 115, 0.63%, 0.38%

LAB 56.57, -53, 50.34

 

CMYK 77 / 55 / 0 / 39

HEX #24469C

RGB 36 70 156

HSL 223, 0.63%, 0.38%

LAB 32.16, 19.63, -50.44

 

CMYK 6 / 77 / 0 / 39

HEX #92249C

RGB 146 36 156

HSL 295, 0.63%, 0.38%

LAB 37.43, 59.38, -41.35

 

CMYK 0 / 21 / 76 / 39

HEX #9C7C25

RGB 156 124 37

HSL 43.87, 0.62%, 0.38%

LAB 53.62, 3.4, 49.37

 

CMYK 77 / 0 / 60 / 39

HEX #249C3E

RGB 36 156 62

HSL 133, 0.63%, 0.38%

LAB 56.58, -52.08, 39.42

 

CMYK 77 / 55 / 0 / 39

HEX #24469C

RGB 36 70 156

HSL 223, 0.63%, 0.38%

LAB 32.16, 19.63, -50.44

 

CMYK 0 / 77 / 17 / 39

HEX #9C2482

RGB 156 36 130

HSL 313, 0.63%, 0.38%

LAB 37.74, 57.46, -24.83

 

Description

Color code: HEX #9C7C25 | qconv.com Color code: HEX #9C7C25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 124 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 124 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 76 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 76% 39% C M Y K

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Provide designers and agencies with accurate color values.

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