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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C8082 it is the complementary color #637F7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C8082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C8082 shade: #A1807D, #B29290, #C3A4A3, #D4B6B6 and #E5C8C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C8082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C8082 shade: #9C8082, #8B6E6F, #7A5C5C, #694A49 and #583836

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C8082 shade: #9C8183 and #9C8181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C8082 shade: #9C8183, #9C818A, #9C8191, #9C8199 and #98819C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C8082 shade matches the following richer shades: #9C8183, #AE6F73, #C05D64, #D24A54 and #E43845

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C8082 shade: #9C8183, #8A9392, #77A5A2, #65B7B1 and #53C9C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C8082 shade: #9C8191, #9C818A, #9C8183, #9C8681 and #9C8D81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C8082 shade: #71595B, #886B6D, #9C8183, #AE989A and #C0AFB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C8082 shade: #9C8082, #999C81 and #818E9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C8082 shade: #9C8082, #839C81 and #81839C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C8082 shade: #9C8082, #999C81, #819C9A and #84819C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C8082 shade: #9C8082, #919C81, #819C9A and #8C819C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 17 / 39

HEX #9C8082

RGB 156 128 130

HSL 355.71, 0.12%, 0.56%

LAB 56.21, 11.08, 2.96

 

Complementary color

CMYK 22 / 0 / 2 / 50

HEX #637F7D

RGB 99 127 125

HSL 175.71, 0.12%, 0.44%

LAB 51.05, -10.44, -2.22

 

CMYK 0 / 20 / 22 / 37

HEX #A1807D

RGB 161 128 125

HSL 5, 0.16%, 0.56%

LAB 56.58, 12.22, 6.46

 

CMYK 0 / 18 / 19 / 30

HEX #B29290

RGB 178 146 144

HSL 3.53, 0.18%, 0.63%

LAB 63.37, 11.67, 5.57

 

CMYK 0 / 16 / 16 / 24

HEX #C3A4A3

RGB 195 164 163

HSL 1.88, 0.21%, 0.7%

LAB 70.03, 11.18, 4.75

 

CMYK 0 / 14 / 14 / 17

HEX #D4B6B6

RGB 212 182 182

HSL 0, 0.26%, 0.77%

LAB 76.58, 10.75, 3.98

 

CMYK 0 / 13 / 12 / 10

HEX #E5C8C9

RGB 229 200 201

HSL 357.93, 0.36%, 0.84%

LAB 83.01, 10.35, 3.25

 

CMYK 0 / 18 / 17 / 39

HEX #9C8082

RGB 156 128 130

HSL 355.71, 0.12%, 0.56%

LAB 56.21, 11.08, 2.96

 

CMYK 0 / 21 / 20 / 45

HEX #8B6E6F

RGB 139 110 111

HSL 357.93, 0.12%, 0.49%

LAB 49.24, 11.63, 3.81

 

CMYK 0 / 25 / 25 / 52

HEX #7A5C5C

RGB 122 92 92

HSL 0, 0.14%, 0.42%

LAB 42.1, 12.27, 4.75

 

CMYK 0 / 30 / 30 / 59

HEX #694A49

RGB 105 74 73

HSL 1.88, 0.18%, 0.35%

LAB 34.77, 13.04, 5.83

 

CMYK 0 / 36 / 39 / 65

HEX #583836

RGB 88 56 54

HSL 3.53, 0.24%, 0.28%

LAB 27.21, 13.98, 7.11

 

CMYK 0 / 17 / 16 / 39

HEX #9C8183

RGB 156 129 131

HSL 355.56, 0.12%, 0.56%

LAB 56.49, 10.67, 2.8

 

CMYK 0 / 17 / 17 / 39

HEX #9C8181

RGB 156 129 129

HSL 0, 0.12%, 0.56%

LAB 56.44, 10.34, 3.88

 

CMYK 0 / 17 / 16 / 39

HEX #9C8183

RGB 156 129 131

HSL 355.56, 0.12%, 0.56%

LAB 56.49, 10.67, 2.8

 

CMYK 0 / 17 / 12 / 39

HEX #9C818A

RGB 156 129 138

HSL 340, 0.12%, 0.56%

LAB 56.69, 11.88, -0.97

 

CMYK 0 / 17 / 7 / 39

HEX #9C8191

RGB 156 129 145

HSL 324.44, 0.12%, 0.56%

LAB 56.89, 13.15, -4.71

 

CMYK 0 / 17 / 2 / 39

HEX #9C8199

RGB 156 129 153

HSL 306.67, 0.12%, 0.56%

LAB 57.14, 14.67, -8.96

 

CMYK 3 / 17 / 0 / 39

HEX #98819C

RGB 152 129 156

HSL 291.11, 0.12%, 0.56%

LAB 56.86, 13.83, -11.16

 

CMYK 0 / 17 / 16 / 39

HEX #9C8183

RGB 156 129 131

HSL 355.56, 0.12%, 0.56%

LAB 56.49, 10.67, 2.8

 

CMYK 0 / 36 / 34 / 32

HEX #AE6F73

RGB 174 111 115

HSL 356.19, 0.28%, 0.56%

LAB 53.61, 25.52, 8.23

 

CMYK 0 / 52 / 48 / 25

HEX #C05D64

RGB 192 93 100

HSL 355.76, 0.44%, 0.56%

LAB 51.79, 40.32, 14.89

 

CMYK 0 / 65 / 60 / 18

HEX #D24A54

RGB 210 74 84

HSL 355.59, 0.6%, 0.56%

LAB 50.97, 54.14, 23.78

 

CMYK 0 / 75 / 70 / 11

HEX #E43845

RGB 228 56 69

HSL 355.47, 0.76%, 0.56%

LAB 51.56, 65.42, 34.04

 

CMYK 0 / 17 / 16 / 39

HEX #9C8183

RGB 156 129 131

HSL 355.56, 0.12%, 0.56%

LAB 56.49, 10.67, 2.8

 

CMYK 6 / 0 / 1 / 42

HEX #8A9392

RGB 138 147 146

HSL 173.33, 0.04%, 0.56%

LAB 60.2, -3.44, -0.6

 

CMYK 28 / 0 / 2 / 35

HEX #77A5A2

RGB 119 165 162

HSL 176.09, 0.2%, 0.56%

LAB 64.52, -16.01, -3.44

 

CMYK 45 / 0 / 3 / 28

HEX #65B7B1

RGB 101 183 177

HSL 175.61, 0.36%, 0.56%

LAB 69.33, -26.49, -4.76

 

CMYK 59 / 0 / 4 / 21

HEX #53C9C1

RGB 83 201 193

HSL 175.93, 0.52%, 0.56%

LAB 74.48, -34.81, -5.95

 

CMYK 0 / 17 / 7 / 39

HEX #9C8191

RGB 156 129 145

HSL 324.44, 0.12%, 0.56%

LAB 56.89, 13.15, -4.71

 

CMYK 0 / 17 / 12 / 39

HEX #9C818A

RGB 156 129 138

HSL 340, 0.12%, 0.56%

LAB 56.69, 11.88, -0.97

 

CMYK 0 / 17 / 16 / 39

HEX #9C8183

RGB 156 129 131

HSL 355.56, 0.12%, 0.56%

LAB 56.49, 10.67, 2.8

 

CMYK 0 / 14 / 17 / 39

HEX #9C8681

RGB 156 134 129

HSL 11.11, 0.12%, 0.56%

LAB 57.75, 7.49, 5.77

 

CMYK 0 / 10 / 17 / 39

HEX #9C8D81

RGB 156 141 129

HSL 26.67, 0.12%, 0.56%

LAB 59.62, 3.54, 8.43

 

CMYK 0 / 21 / 19 / 56

HEX #71595B

RGB 113 89 91

HSL 355, 0.12%, 0.4%

LAB 40.26, 10.19, 2.6

 

CMYK 0 / 21 / 20 / 47

HEX #886B6D

RGB 136 107 109

HSL 355.86, 0.12%, 0.48%

LAB 48.08, 11.85, 3.28

 

CMYK 0 / 17 / 16 / 39

HEX #9C8183

RGB 156 129 131

HSL 355.56, 0.12%, 0.56%

LAB 56.49, 10.67, 2.8

 

CMYK 0 / 13 / 11 / 32

HEX #AE989A

RGB 174 152 154

HSL 354.55, 0.12%, 0.64%

LAB 64.79, 8.47, 1.94

 

CMYK 0 / 9 / 8 / 25

HEX #C0AFB0

RGB 192 175 176

HSL 356.47, 0.12%, 0.72%

LAB 72.89, 6.26, 1.69

 

CMYK 0 / 18 / 17 / 39

HEX #9C8082

RGB 156 128 130

HSL 355.71, 0.12%, 0.56%

LAB 56.21, 11.08, 2.96

 

CMYK 2 / 0 / 17 / 39

HEX #999C81

RGB 153 156 129

HSL 66.67, 0.12%, 0.56%

LAB 63.45, -5.91, 13.8

 

CMYK 17 / 9 / 0 / 39

HEX #818E9C

RGB 129 142 156

HSL 211.11, 0.12%, 0.56%

LAB 58.43, -1.62, -9

 

CMYK 0 / 18 / 17 / 39

HEX #9C8082

RGB 156 128 130

HSL 355.71, 0.12%, 0.56%

LAB 56.21, 11.08, 2.96

 

CMYK 16 / 0 / 17 / 39

HEX #839C81

RGB 131 156 129

HSL 115.56, 0.12%, 0.56%

LAB 61.82, -14.15, 11.26

 

CMYK 17 / 16 / 0 / 39

HEX #81839C

RGB 129 131 156

HSL 235.56, 0.12%, 0.56%

LAB 55.38, 4.67, -13.58

 

CMYK 0 / 18 / 17 / 39

HEX #9C8082

RGB 156 128 130

HSL 355.71, 0.12%, 0.56%

LAB 56.21, 11.08, 2.96

 

CMYK 2 / 0 / 17 / 39

HEX #999C81

RGB 153 156 129

HSL 66.67, 0.12%, 0.56%

LAB 63.45, -5.91, 13.8

 

CMYK 17 / 0 / 1 / 39

HEX #819C9A

RGB 129 156 154

HSL 175.56, 0.12%, 0.56%

LAB 62.32, -9.82, -2.1

 

CMYK 15 / 17 / 0 / 39

HEX #84819C

RGB 132 129 156

HSL 246.67, 0.12%, 0.56%

LAB 55.08, 6.85, -14.01

 

CMYK 0 / 18 / 17 / 39

HEX #9C8082

RGB 156 128 130

HSL 355.71, 0.12%, 0.56%

LAB 56.21, 11.08, 2.96

 

CMYK 7 / 0 / 17 / 39

HEX #919C81

RGB 145 156 129

HSL 84.44, 0.12%, 0.56%

LAB 62.83, -8.97, 12.83

 

CMYK 17 / 0 / 1 / 39

HEX #819C9A

RGB 129 156 154

HSL 175.56, 0.12%, 0.56%

LAB 62.32, -9.82, -2.1

 

CMYK 10 / 17 / 0 / 39

HEX #8C819C

RGB 140 129 156

HSL 264.44, 0.12%, 0.56%

LAB 55.76, 9.61, -12.91

 

Description

Color code: HEX #9C8082 | qconv.com Color code: HEX #9C8082 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 128 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 128 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 17 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 17% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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