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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C99D3 it is the complementary color #63662C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C99D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C99D3 shade: #A199CE, #B2ABE1, #C3BDF4, #D4CFFF and #E5E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C99D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C99D3 shade: #9C99D3, #8B87C0, #7A75AD, #69639A and #585187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C99D3 shade: #9A97D2, #AA97D2, #BA97D2, #CA97D2 and #D297CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C99D3 shade: #9A97D2 and #9797D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C99D3 shade matches the following richer shades: #9A97D2, #8F8BDE, #857FEA and #7A73F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C99D3 shade: #9A97D2, #A5A3C6, #AFAFBA, #BABBAE and #C5C7A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C99D3 shade: #97B4D2, #97A4D2, #9A97D2, #AA97D2 and #B997D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C99D3 shade: #625DB9, #7E7AC6, #9A97D2, #B6B4DF and #D2D1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C99D3 shade: #9C99D3, #D297C3 and #ACD297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C99D3 shade: #9C99D3, #D29A97 and #97D29A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C99D3 shade: #9C99D3, #D297C3, #CFD297 and #97D2A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C99D3 shade: #9C99D3, #D297B2, #CFD297 and #97D2B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 27 / 0 / 17

HEX #9C99D3

RGB 156 153 211

HSL 243.1, 0.4%, 0.71%

LAB 65.4, 13.76, -29.22

 

Complementary color

CMYK 3 / 0 / 57 / 60

HEX #63662C

RGB 99 102 44

HSL 63.1, 0.4%, 0.29%

LAB 41.75, -10.13, 31.89

 

CMYK 22 / 26 / 0 / 19

HEX #A199CE

RGB 161 153 206

HSL 249.06, 0.35%, 0.7%

LAB 65.6, 14.09, -26.09

 

CMYK 21 / 24 / 0 / 12

HEX #B2ABE1

RGB 178 171 225

HSL 247.78, 0.47%, 0.78%

LAB 72.25, 13.65, -26.25

 

CMYK 20 / 23 / 0 / 4

HEX #C3BDF4

RGB 195 189 244

HSL 246.55, 0.71%, 0.85%

LAB 78.77, 13.24, -26.44

 

CMYK 17 / 19 / 0 / 0

HEX #D4CFFF

RGB 212 207 255

HSL 246.25, 1%, 0.91%

LAB 84.92, 11.14, -22.82

 

CMYK 10 / 12 / 0 / 0

HEX #E5E1FF

RGB 229 225 255

HSL 248, 1%, 0.94%

LAB 90.66, 6.97, -14.04

 

CMYK 26 / 27 / 0 / 17

HEX #9C99D3

RGB 156 153 211

HSL 243.1, 0.4%, 0.71%

LAB 65.4, 13.76, -29.22

 

CMYK 28 / 30 / 0 / 25

HEX #8B87C0

RGB 139 135 192

HSL 244.21, 0.31%, 0.64%

LAB 58.62, 14.28, -29.15

 

CMYK 29 / 32 / 0 / 32

HEX #7A75AD

RGB 122 117 173

HSL 245.36, 0.25%, 0.57%

LAB 51.7, 14.87, -29.12

 

CMYK 32 / 36 / 0 / 40

HEX #69639A

RGB 105 99 154

HSL 246.55, 0.22%, 0.5%

LAB 44.6, 15.54, -29.14

 

CMYK 35 / 40 / 0 / 47

HEX #585187

RGB 88 81 135

HSL 247.78, 0.25%, 0.42%

LAB 37.31, 16.34, -29.22

 

CMYK 27 / 28 / 0 / 18

HEX #9A97D2

RGB 154 151 210

HSL 243.05, 0.4%, 0.71%

LAB 64.69, 14.05, -29.77

 

CMYK 19 / 28 / 0 / 18

HEX #AA97D2

RGB 170 151 210

HSL 259.32, 0.4%, 0.71%

LAB 66.01, 18.95, -27.63

 

CMYK 11 / 28 / 0 / 18

HEX #BA97D2

RGB 186 151 210

HSL 275.59, 0.4%, 0.71%

LAB 67.45, 24.01, -25.3

 

CMYK 4 / 28 / 0 / 18

HEX #CA97D2

RGB 202 151 210

HSL 291.86, 0.4%, 0.71%

LAB 69, 29.17, -22.79

 

CMYK 0 / 28 / 4 / 18

HEX #D297CA

RGB 210 151 202

HSL 308.14, 0.4%, 0.71%

LAB 69.54, 30.31, -17.46

 

CMYK 27 / 28 / 0 / 18

HEX #9A97D2

RGB 154 151 210

HSL 243.05, 0.4%, 0.71%

LAB 64.69, 14.05, -29.77

 

CMYK 28 / 28 / 0 / 18

HEX #9797D2

RGB 151 151 210

HSL 240, 0.4%, 0.71%

LAB 64.46, 13.16, -30.15

 

CMYK 27 / 28 / 0 / 18

HEX #9A97D2

RGB 154 151 210

HSL 243.05, 0.4%, 0.71%

LAB 64.69, 14.05, -29.77

 

CMYK 36 / 37 / 0 / 13

HEX #8F8BDE

RGB 143 139 222

HSL 242.89, 0.56%, 0.71%

LAB 61.29, 20.9, -41.82

 

CMYK 43 / 46 / 0 / 8

HEX #857FEA

RGB 133 127 234

HSL 243.36, 0.72%, 0.71%

LAB 58.14, 28.69, -53.54

 

CMYK 50 / 53 / 0 / 4

HEX #7A73F6

RGB 122 115 246

HSL 243.21, 0.88%, 0.71%

LAB 55.13, 36.82, -65.08

 

CMYK 27 / 28 / 0 / 18

HEX #9A97D2

RGB 154 151 210

HSL 243.05, 0.4%, 0.71%

LAB 64.69, 14.05, -29.77

 

CMYK 17 / 18 / 0 / 22

HEX #A5A3C6

RGB 165 163 198

HSL 243.43, 0.23%, 0.71%

LAB 68.22, 7.92, -17.63

 

CMYK 6 / 6 / 0 / 27

HEX #AFAFBA

RGB 175 175 186

HSL 240, 0.07%, 0.71%

LAB 71.77, 2.13, -5.61

 

CMYK 1 / 0 / 7 / 27

HEX #BABBAE

RGB 186 187 174

HSL 64.62, 0.09%, 0.71%

LAB 75.47, -2.69, 6.45

 

CMYK 1 / 0 / 19 / 22

HEX #C5C7A2

RGB 197 199 162

HSL 63.24, 0.25%, 0.71%

LAB 79.23, -6.92, 18.34

 

CMYK 28 / 14 / 0 / 18

HEX #97B4D2

RGB 151 180 210

HSL 210.51, 0.4%, 0.71%

LAB 72.14, -3.02, -18.39

 

CMYK 28 / 22 / 0 / 18

HEX #97A4D2

RGB 151 164 210

HSL 226.78, 0.4%, 0.71%

LAB 67.86, 5.81, -24.91

 

CMYK 27 / 28 / 0 / 18

HEX #9A97D2

RGB 154 151 210

HSL 243.05, 0.4%, 0.71%

LAB 64.69, 14.05, -29.77

 

CMYK 19 / 28 / 0 / 18

HEX #AA97D2

RGB 170 151 210

HSL 259.32, 0.4%, 0.71%

LAB 66.01, 18.95, -27.63

 

CMYK 12 / 28 / 0 / 18

HEX #B997D2

RGB 185 151 210

HSL 274.58, 0.4%, 0.71%

LAB 67.35, 23.69, -25.45

 

CMYK 47 / 50 / 0 / 27

HEX #625DB9

RGB 98 93 185

HSL 243.26, 0.4%, 0.55%

LAB 44.13, 26.39, -48.18

 

CMYK 36 / 38 / 0 / 22

HEX #7E7AC6

RGB 126 122 198

HSL 243.16, 0.4%, 0.63%

LAB 54.48, 19.76, -39.1

 

CMYK 27 / 28 / 0 / 18

HEX #9A97D2

RGB 154 151 210

HSL 243.05, 0.4%, 0.71%

LAB 64.69, 14.05, -29.77

 

CMYK 18 / 19 / 0 / 13

HEX #B6B4DF

RGB 182 180 223

HSL 242.79, 0.4%, 0.79%

LAB 74.77, 9.48, -21.28

 

CMYK 11 / 11 / 0 / 8

HEX #D2D1EB

RGB 210 209 235

HSL 242.31, 0.39%, 0.87%

LAB 84.64, 5.31, -12.65

 

CMYK 26 / 27 / 0 / 17

HEX #9C99D3

RGB 156 153 211

HSL 243.1, 0.4%, 0.71%

LAB 65.4, 13.76, -29.22

 

CMYK 0 / 28 / 7 / 18

HEX #D297C3

RGB 210 151 195

HSL 315.25, 0.4%, 0.71%

LAB 69.31, 29.06, -13.92

 

CMYK 18 / 0 / 28 / 18

HEX #ACD297

RGB 172 210 151

HSL 98.64, 0.4%, 0.71%

LAB 80.23, -23.25, 25.24

 

CMYK 26 / 27 / 0 / 17

HEX #9C99D3

RGB 156 153 211

HSL 243.1, 0.4%, 0.71%

LAB 65.4, 13.76, -29.22

 

CMYK 0 / 27 / 28 / 18

HEX #D29A97

RGB 210 154 151

HSL 3.05, 0.4%, 0.71%

LAB 68.79, 20.51, 9.82

 

CMYK 28 / 0 / 27 / 18

HEX #97D29A

RGB 151 210 154

HSL 123.05, 0.4%, 0.71%

LAB 79.04, -29.92, 21.84

 

CMYK 26 / 27 / 0 / 17

HEX #9C99D3

RGB 156 153 211

HSL 243.1, 0.4%, 0.71%

LAB 65.4, 13.76, -29.22

 

CMYK 0 / 28 / 7 / 18

HEX #D297C3

RGB 210 151 195

HSL 315.25, 0.4%, 0.71%

LAB 69.31, 29.06, -13.92

 

CMYK 1 / 0 / 28 / 18

HEX #CFD297

RGB 207 210 151

HSL 63.05, 0.4%, 0.71%

LAB 82.7, -10.37, 28.98

 

CMYK 28 / 0 / 21 / 18

HEX #97D2A6

RGB 151 210 166

HSL 135.25, 0.4%, 0.71%

LAB 79.29, -27.8, 15.84

 

CMYK 26 / 27 / 0 / 17

HEX #9C99D3

RGB 156 153 211

HSL 243.1, 0.4%, 0.71%

LAB 65.4, 13.76, -29.22

 

CMYK 0 / 28 / 15 / 18

HEX #D297B2

RGB 210 151 178

HSL 332.54, 0.4%, 0.71%

LAB 68.79, 26.19, -5.23

 

CMYK 1 / 0 / 28 / 18

HEX #CFD297

RGB 207 210 151

HSL 63.05, 0.4%, 0.71%

LAB 82.7, -10.37, 28.98

 

CMYK 28 / 0 / 12 / 18

HEX #97D2B8

RGB 151 210 184

HSL 153.56, 0.4%, 0.71%

LAB 79.69, -24.32, 6.83

 

Description

Color code: HEX #9C99D3 | qconv.com Color code: HEX #9C99D3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 153 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 153 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 27 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 27% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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