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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D00AE it is the complementary color #62FF51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D00AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D00AE shade: #A200A9, #B312BC, #C424CF, #D536E2 and #E648F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D00AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D00AE shade: #9D00AE, #8C009B, #7B0088, #6A0075 and #590062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D00AE shade: #9C00AD, #AD008F, #AD0060, #AD0032 and #AD0003

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D00AE shade: #9C00AD, #6D00AD, #3E00AD, #1000AD and #0000AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D00AE shade matches the following richer shades: #9C00AD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D00AE shade: #9C00AD, #910E9F, #851C91, #7A2A83 and #6F3875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D00AE shade: #3F00AD, #6D00AD, #9C00AD, #AD0090 and #AD0062

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D00AE shade: #52005A, #770084, #9C00AD, #C100D6 and #E600FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D00AE shade: #9D00AE, #AD1100 and #00AD56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D00AE shade: #9D00AE, #AD9C00 and #00AD9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D00AE shade: #9D00AE, #AD1100, #11AD00 and #009CAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D00AE shade: #9D00AE, #AD4500, #11AD00 and #0068AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 100 / 0 / 32

HEX #9D00AE

RGB 157 0 174

HSL 294.14, 1%, 0.34%

LAB 38.24, 71.06, -50.77

 

Complementary color

CMYK 62 / 0 / 68 / 0

HEX #62FF51

RGB 98 255 81

HSL 114.14, 1%, 0.66%

LAB 89.26, -72.01, 67.83

 

CMYK 4 / 100 / 0 / 34

HEX #A200A9

RGB 162 0 169

HSL 297.51, 1%, 0.33%

LAB 38.8, 71.05, -46.82

 

CMYK 5 / 90 / 0 / 26

HEX #B312BC

RGB 179 18 188

HSL 296.82, 0.83%, 0.4%

LAB 43.72, 74.81, -50.02

 

CMYK 5 / 83 / 0 / 19

HEX #C424CF

RGB 196 36 207

HSL 296.14, 0.7%, 0.48%

LAB 48.89, 77.53, -52.62

 

CMYK 6 / 76 / 0 / 11

HEX #D536E2

RGB 213 54 226

HSL 295.47, 0.75%, 0.55%

LAB 54.32, 79.21, -54.61

 

CMYK 6 / 71 / 0 / 4

HEX #E648F5

RGB 230 72 245

HSL 294.8, 0.9%, 0.62%

LAB 59.93, 80.14, -56.14

 

CMYK 10 / 100 / 0 / 32

HEX #9D00AE

RGB 157 0 174

HSL 294.14, 1%, 0.34%

LAB 38.24, 71.06, -50.77

 

CMYK 10 / 100 / 0 / 39

HEX #8C009B

RGB 140 0 155

HSL 294.19, 1%, 0.3%

LAB 33.86, 65.3, -46.53

 

CMYK 10 / 100 / 0 / 47

HEX #7B0088

RGB 123 0 136

HSL 294.26, 1%, 0.27%

LAB 29.38, 59.41, -42.2

 

CMYK 9 / 100 / 0 / 54

HEX #6A0075

RGB 106 0 117

HSL 294.36, 1%, 0.23%

LAB 24.79, 53.37, -37.76

 

CMYK 9 / 100 / 0 / 62

HEX #590062

RGB 89 0 98

HSL 294.49, 1%, 0.19%

LAB 20.07, 47.15, -33.18

 

CMYK 10 / 100 / 0 / 32

HEX #9C00AD

RGB 156 0 173

HSL 294.1, 1%, 0.34%

LAB 37.99, 70.75, -50.58

 

CMYK 0 / 100 / 17 / 32

HEX #AD008F

RGB 173 0 143

HSL 310.4, 1%, 0.34%

LAB 39.36, 69.28, -30.08

 

CMYK 0 / 100 / 45 / 32

HEX #AD0060

RGB 173 0 96

HSL 326.71, 1%, 0.34%

LAB 37.35, 64.15, -3.7

 

CMYK 0 / 100 / 71 / 32

HEX #AD0032

RGB 173 0 50

HSL 342.66, 1%, 0.34%

LAB 36.2, 61.1, 24.43

 

CMYK 0 / 100 / 98 / 32

HEX #AD0003

RGB 173 0 3

HSL 358.96, 1%, 0.34%

LAB 35.77, 59.93, 48.9

 

CMYK 10 / 100 / 0 / 32

HEX #9C00AD

RGB 156 0 173

HSL 294.1, 1%, 0.34%

LAB 37.99, 70.75, -50.58

 

CMYK 37 / 100 / 0 / 32

HEX #6D00AD

RGB 109 0 173

HSL 277.8, 1%, 0.34%

LAB 30.08, 64.49, -63.81

 

CMYK 64 / 100 / 0 / 32

HEX #3E00AD

RGB 62 0 173

HSL 261.5, 1%, 0.34%

LAB 23.81, 60.7, -74.38

 

CMYK 91 / 100 / 0 / 32

HEX #1000AD

RGB 16 0 173

HSL 245.55, 1%, 0.34%

LAB 20.55, 59.35, -79.91

 

CMYK 100 / 100 / 0 / 32

HEX #0000AD

RGB 0 0 173

HSL 240, 1%, 0.34%

LAB 20.11, 59.21, -80.64

 

CMYK 10 / 100 / 0 / 32

HEX #9C00AD

RGB 156 0 173

HSL 294.1, 1%, 0.34%

LAB 37.99, 70.75, -50.58

 

CMYK 10 / 100 / 0 / 32

HEX #9C00AD

RGB 156 0 173

HSL 294.1, 1%, 0.34%

LAB 37.99, 70.75, -50.58

 

CMYK 9 / 91 / 0 / 38

HEX #910E9F

RGB 145 14 159

HSL 294.21, 0.84%, 0.34%

LAB 35.67, 64.91, -46.01

 

CMYK 8 / 81 / 0 / 43

HEX #851C91

RGB 133 28 145

HSL 293.85, 0.68%, 0.34%

LAB 33.69, 57.2, -40.75

 

CMYK 7 / 68 / 0 / 49

HEX #7A2A83

RGB 122 42 131

HSL 293.93, 0.51%, 0.34%

LAB 32.77, 47.07, -33.67

 

CMYK 5 / 52 / 0 / 54

HEX #6F3875

RGB 111 56 117

HSL 294.1, 0.35%, 0.34%

LAB 32.9, 34.2, -24.81

 

CMYK 64 / 100 / 0 / 32

HEX #3F00AD

RGB 63 0 173

HSL 261.85, 1%, 0.34%

LAB 23.91, 60.75, -74.2

 

CMYK 37 / 100 / 0 / 32

HEX #6D00AD

RGB 109 0 173

HSL 277.8, 1%, 0.34%

LAB 30.08, 64.49, -63.81

 

CMYK 10 / 100 / 0 / 32

HEX #9C00AD

RGB 156 0 173

HSL 294.1, 1%, 0.34%

LAB 37.99, 70.75, -50.58

 

CMYK 0 / 100 / 17 / 32

HEX #AD0090

RGB 173 0 144

HSL 310.06, 1%, 0.34%

LAB 39.41, 69.41, -30.61

 

CMYK 0 / 100 / 43 / 32

HEX #AD0062

RGB 173 0 98

HSL 326.01, 1%, 0.34%

LAB 37.42, 64.33, -4.88

 

CMYK 9 / 100 / 0 / 65

HEX #52005A

RGB 82 0 90

HSL 294.67, 1%, 0.18%

LAB 18.06, 44.5, -31.15

 

CMYK 10 / 100 / 0 / 48

HEX #770084

RGB 119 0 132

HSL 294.09, 1%, 0.26%

LAB 28.35, 58.08, -41.41

 

CMYK 10 / 100 / 0 / 32

HEX #9C00AD

RGB 156 0 173

HSL 294.1, 1%, 0.34%

LAB 37.99, 70.75, -50.58

 

CMYK 10 / 100 / 0 / 16

HEX #C100D6

RGB 193 0 214

HSL 294.11, 1%, 0.42%

LAB 47.23, 82.86, -59.34

 

CMYK 10 / 100 / 0 / 0

HEX #E600FF

RGB 230 0 255

HSL 294.12, 1%, 0.5%

LAB 56.13, 94.55, -67.8

 

CMYK 10 / 100 / 0 / 32

HEX #9D00AE

RGB 157 0 174

HSL 294.14, 1%, 0.34%

LAB 38.24, 71.06, -50.77

 

CMYK 0 / 90 / 100 / 32

HEX #AD1100

RGB 173 17 0

HSL 5.9, 1%, 0.34%

LAB 36.53, 57.68, 50.49

 

CMYK 100 / 0 / 50 / 32

HEX #00AD56

RGB 0 173 86

HSL 149.83, 1%, 0.34%

LAB 62.13, -57.17, 34.19

 

CMYK 10 / 100 / 0 / 32

HEX #9D00AE

RGB 157 0 174

HSL 294.14, 1%, 0.34%

LAB 38.24, 71.06, -50.77

 

CMYK 0 / 10 / 100 / 32

HEX #AD9C00

RGB 173 156 0

HSL 54.1, 1%, 0.34%

LAB 63.89, -7.26, 67.23

 

CMYK 100 / 0 / 10 / 32

HEX #00AD9C

RGB 0 173 156

HSL 174.1, 1%, 0.34%

LAB 63.58, -41.01, -1.83

 

CMYK 10 / 100 / 0 / 32

HEX #9D00AE

RGB 157 0 174

HSL 294.14, 1%, 0.34%

LAB 38.24, 71.06, -50.77

 

CMYK 0 / 90 / 100 / 32

HEX #AD1100

RGB 173 17 0

HSL 5.9, 1%, 0.34%

LAB 36.53, 57.68, 50.49

 

CMYK 90 / 0 / 100 / 32

HEX #11AD00

RGB 17 173 0

HSL 114.1, 1%, 0.34%

LAB 61.66, -63.49, 62.31

 

CMYK 100 / 10 / 0 / 32

HEX #009CAD

RGB 0 156 173

HSL 185.9, 1%, 0.34%

LAB 58.78, -27.79, -18.57

 

CMYK 10 / 100 / 0 / 32

HEX #9D00AE

RGB 157 0 174

HSL 294.14, 1%, 0.34%

LAB 38.24, 71.06, -50.77

 

CMYK 0 / 60 / 100 / 32

HEX #AD4500

RGB 173 69 0

HSL 23.93, 1%, 0.34%

LAB 42.97, 40, 53.57

 

CMYK 90 / 0 / 100 / 32

HEX #11AD00

RGB 17 173 0

HSL 114.1, 1%, 0.34%

LAB 61.66, -63.49, 62.31

 

CMYK 100 / 40 / 0 / 32

HEX #0068AD

RGB 0 104 173

HSL 203.93, 1%, 0.34%

LAB 42.64, 1.47, -43.75

 

Description

Color code: HEX #9D00AE | qconv.com Color code: HEX #9D00AE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, none green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 0 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 100 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 100% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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