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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D15A2 it is the complementary color #62EA5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D15A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D15A2 shade: #A2159D, #B327B0, #C439C3, #D54BD6 and #E65DE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D15A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D15A2 shade: #9D15A2, #8C038F, #7B007C, #6A0069 and #590056

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D15A2 shade: #9D15A2, #A21581, #A2155B, #A21535 and #A21515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D15A2 shade: #9D15A2, #7715A2, #5115A2, #2B15A2 and #1515A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D15A2 shade matches the following richer shades: #9D15A2 and #AB06B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D15A2 shade: #9D15A2, #8F2393, #813284, #744175 and #665067

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D15A2 shade: #5015A2, #7515A2, #9B15A2, #A21583 and #A2155E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D15A2 shade: #560B59, #7A107D, #9D15A2, #C019C7 and #DC27E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D15A2 shade: #9D15A2, #A22A15 and #15A262

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D15A2 shade: #9D15A2, #A29B15 and #15A29B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D15A2 shade: #9D15A2, #A22A15, #1CA215 and #158DA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D15A2 shade: #9D15A2, #A25415, #1CA215 and #1562A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

Complementary color

CMYK 58 / 0 / 60 / 8

HEX #62EA5D

RGB 98 234 93

HSL 117.87, 0.77%, 0.64%

LAB 83.04, -63.67, 56.22

 

CMYK 0 / 87 / 3 / 36

HEX #A2159D

RGB 162 21 157

HSL 302.13, 0.77%, 0.36%

LAB 38.99, 66.47, -39.31

 

CMYK 0 / 78 / 2 / 30

HEX #B327B0

RGB 179 39 176

HSL 301.29, 0.64%, 0.43%

LAB 44.47, 68.63, -41.76

 

CMYK 0 / 71 / 1 / 23

HEX #C439C3

RGB 196 57 195

HSL 300.43, 0.55%, 0.5%

LAB 50.22, 69.78, -43.58

 

CMYK 0 / 65 / 0 / 16

HEX #D54BD6

RGB 213 75 214

HSL 299.57, 0.63%, 0.57%

LAB 56.12, 70.26, -44.95

 

CMYK 1 / 60 / 0 / 9

HEX #E65DE9

RGB 230 93 233

HSL 298.71, 0.76%, 0.64%

LAB 62.11, 70.28, -46.01

 

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

CMYK 2 / 98 / 0 / 44

HEX #8C038F

RGB 140 3 143

HSL 298.71, 0.96%, 0.29%

LAB 33.19, 62.94, -40.26

 

CMYK 1 / 100 / 0 / 51

HEX #7B007C

RGB 123 0 124

HSL 299.52, 1%, 0.24%

LAB 28.55, 57.43, -35.99

 

CMYK 0 / 100 / 1 / 58

HEX #6A0069

RGB 106 0 105

HSL 300.57, 1%, 0.21%

LAB 23.95, 51.35, -31.36

 

CMYK 0 / 100 / 3 / 65

HEX #590056

RGB 89 0 86

HSL 302.02, 1%, 0.17%

LAB 19.21, 45.09, -26.54

 

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

CMYK 0 / 87 / 20 / 36

HEX #A21581

RGB 162 21 129

HSL 314.04, 0.77%, 0.36%

LAB 37.49, 62.48, -24.52

 

CMYK 0 / 87 / 44 / 36

HEX #A2155B

RGB 162 21 91

HSL 330.21, 0.77%, 0.36%

LAB 35.93, 58.18, -2.84

 

CMYK 0 / 87 / 67 / 36

HEX #A21535

RGB 162 21 53

HSL 346.38, 0.77%, 0.36%

LAB 34.95, 55.36, 20.43

 

CMYK 0 / 87 / 87 / 36

HEX #A21515

RGB 162 21 21

HSL 0, 0.77%, 0.36%

LAB 34.54, 54.16, 39.2

 

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

CMYK 27 / 87 / 0 / 36

HEX #7715A2

RGB 119 21 162

HSL 281.7, 0.77%, 0.36%

LAB 31.96, 59.82, -54.04

 

CMYK 50 / 87 / 0 / 36

HEX #5115A2

RGB 81 21 162

HSL 265.53, 0.77%, 0.36%

LAB 26.43, 54.58, -63.31

 

CMYK 73 / 87 / 0 / 36

HEX #2B15A2

RGB 43 21 162

HSL 249.36, 0.77%, 0.36%

LAB 22.51, 51.16, -69.92

 

CMYK 87 / 87 / 0 / 36

HEX #1515A2

RGB 21 21 162

HSL 240, 0.77%, 0.36%

LAB 21.22, 50.12, -72.1

 

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

CMYK 3 / 97 / 0 / 31

HEX #AB06B1

RGB 171 6 177

HSL 297.89, 0.93%, 0.36%

LAB 41.16, 73.12, -47.73

 

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

CMYK 3 / 76 / 0 / 42

HEX #8F2393

RGB 143 35 147

HSL 297.86, 0.62%, 0.36%

LAB 36.27, 57.49, -37.76

 

CMYK 2 / 62 / 0 / 48

HEX #813284

RGB 129 50 132

HSL 297.8, 0.45%, 0.36%

LAB 35.23, 45.47, -30.32

 

CMYK 1 / 44 / 0 / 54

HEX #744175

RGB 116 65 117

HSL 298.85, 0.29%, 0.36%

LAB 35.55, 30.72, -20.63

 

CMYK 1 / 22 / 0 / 60

HEX #665067

RGB 102 80 103

HSL 297.39, 0.13%, 0.36%

LAB 37.01, 13.67, -9.81

 

CMYK 51 / 87 / 0 / 36

HEX #5015A2

RGB 80 21 162

HSL 265.11, 0.77%, 0.36%

LAB 26.3, 54.47, -63.52

 

CMYK 28 / 87 / 0 / 36

HEX #7515A2

RGB 117 21 162

HSL 280.85, 0.77%, 0.36%

LAB 31.64, 59.5, -54.57

 

CMYK 4 / 87 / 0 / 36

HEX #9B15A2

RGB 155 21 162

HSL 297.02, 0.77%, 0.36%

LAB 38.05, 65.96, -43.91

 

CMYK 0 / 87 / 19 / 36

HEX #A21583

RGB 162 21 131

HSL 313.19, 0.77%, 0.36%

LAB 37.58, 62.74, -25.61

 

CMYK 0 / 87 / 42 / 36

HEX #A2155E

RGB 162 21 94

HSL 328.94, 0.77%, 0.36%

LAB 36.03, 58.47, -4.62

 

CMYK 3 / 88 / 0 / 65

HEX #560B59

RGB 86 11 89

HSL 297.69, 0.78%, 0.2%

LAB 19.8, 42.1, -27.65

 

CMYK 2 / 87 / 0 / 51

HEX #7A107D

RGB 122 16 125

HSL 298.35, 0.77%, 0.28%

LAB 29.38, 54.6, -35.31

 

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

CMYK 4 / 87 / 0 / 22

HEX #C019C7

RGB 192 25 199

HSL 297.59, 0.78%, 0.44%

LAB 47.01, 77.68, -51.05

 

CMYK 3 / 83 / 0 / 11

HEX #DC27E2

RGB 220 39 226

HSL 298.07, 0.76%, 0.52%

LAB 54.19, 84.14, -54.75

 

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

CMYK 0 / 74 / 87 / 36

HEX #A22A15

RGB 162 42 21

HSL 8.94, 0.77%, 0.36%

LAB 36.73, 48.02, 41.06

 

CMYK 87 / 0 / 40 / 36

HEX #15A262

RGB 21 162 98

HSL 152.77, 0.77%, 0.36%

LAB 58.86, -49.91, 23.69

 

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

CMYK 0 / 4 / 87 / 36

HEX #A29B15

RGB 162 155 21

HSL 57.02, 0.77%, 0.36%

LAB 62.66, -11.35, 62.51

 

CMYK 87 / 0 / 4 / 36

HEX #15A29B

RGB 21 162 155

HSL 177.02, 0.77%, 0.36%

LAB 60.22, -35.43, -6.21

 

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

CMYK 0 / 74 / 87 / 36

HEX #A22A15

RGB 162 42 21

HSL 8.94, 0.77%, 0.36%

LAB 36.73, 48.02, 41.06

 

CMYK 83 / 0 / 87 / 36

HEX #1CA215

RGB 28 162 21

HSL 117.02, 0.77%, 0.36%

LAB 58.17, -58.6, 56.06

 

CMYK 87 / 13 / 0 / 36

HEX #158DA2

RGB 21 141 162

HSL 188.94, 0.77%, 0.36%

LAB 53.83, -22.9, -19.83

 

CMYK 3 / 87 / 0 / 36

HEX #9D15A2

RGB 157 21 162

HSL 297.87, 0.77%, 0.36%

LAB 38.4, 66.32, -43.32

 

CMYK 0 / 48 / 87 / 36

HEX #A25415

RGB 162 84 21

HSL 26.81, 0.77%, 0.36%

LAB 44.34, 28.13, 47.45

 

CMYK 83 / 0 / 87 / 36

HEX #1CA215

RGB 28 162 21

HSL 117.02, 0.77%, 0.36%

LAB 58.17, -58.6, 56.06

 

CMYK 87 / 40 / 0 / 36

HEX #1562A2

RGB 21 98 162

HSL 207.23, 0.77%, 0.36%

LAB 40.42, 1.95, -40.79

 

Description

Color code: HEX #9D15A2 | qconv.com Color code: HEX #9D15A2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 21 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 21 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 87 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 87% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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