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Color name
HEX #9D2923

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D2923 it is the complementary color #62D6DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D2923. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D2923 shade: #A2291E, #B33B31, #C44D44, #D55F57 and #E6716A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D2923. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D2923 shade: #9D2923, #8C1710, #7B0500, #6A0000 and #590000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D2923 shade: #9E2822 and #9E2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D2923 shade: #9E2822, #9E4A22, #9E6B22, #9E8D22 and #8F9E22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D2923 shade matches the following richer shades: #9E2822, #AE1A13 and #BE0C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D2923 shade: #9E2822, #8F3732, #7F4542, #6F5351 and #606161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D2923 shade: #9E2260, #9E223F, #9E2722, #9E4822 and #9E6922

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D2923 shade: #5B1714, #7D201B, #9E2822, #C0312A and #D4463F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D2923 shade: #9D2923, #819E22 and #22509E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D2923 shade: #9D2923, #229E27 and #27229E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D2923 shade: #9D2923, #819E22, #229A9E and #3F229E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D2923 shade: #9D2923, #5C9E22, #229A9E and #65229E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 78 / 38

HEX #9D2923

RGB 157 41 35

HSL 2.95, 0.64%, 0.38%

LAB 35.74, 47.18, 32.27

 

Complementary color

CMYK 55 / 3 / 0 / 14

HEX #62D6DC

RGB 98 214 220

HSL 182.95, 0.64%, 0.62%

LAB 79.53, -30.93, -12.92

 

CMYK 0 / 75 / 81 / 36

HEX #A2291E

RGB 162 41 30

HSL 5, 0.69%, 0.38%

LAB 36.67, 48.63, 36.37

 

CMYK 0 / 67 / 73 / 30

HEX #B33B31

RGB 179 59 49

HSL 4.62, 0.57%, 0.45%

LAB 42.66, 48.01, 32.98

 

CMYK 0 / 61 / 65 / 23

HEX #C44D44

RGB 196 77 68

HSL 4.22, 0.52%, 0.52%

LAB 48.84, 47.02, 30

 

CMYK 0 / 55 / 59 / 16

HEX #D55F57

RGB 213 95 87

HSL 3.81, 0.6%, 0.59%

LAB 55.09, 45.89, 27.47

 

CMYK 0 / 51 / 54 / 10

HEX #E6716A

RGB 230 113 106

HSL 3.39, 0.71%, 0.66%

LAB 61.37, 44.72, 25.3

 

CMYK 0 / 74 / 78 / 38

HEX #9D2923

RGB 157 41 35

HSL 2.95, 0.64%, 0.38%

LAB 35.74, 47.18, 32.27

 

CMYK 0 / 84 / 89 / 45

HEX #8C1710

RGB 140 23 16

HSL 3.39, 0.79%, 0.31%

LAB 29.97, 47.07, 36.02

 

CMYK 0 / 96 / 100 / 52

HEX #7B0500

RGB 123 5 0

HSL 2.44, 1%, 0.24%

LAB 24.7, 45.7, 36.86

 

CMYK 0 / 100 / 100 / 58

HEX #6A0000

RGB 106 0 0

HSL 0, 1%, 0.21%

LAB 20.3, 42, 31.02

 

CMYK 0 / 100 / 100 / 65

HEX #590000

RGB 89 0 0

HSL 0, 1%, 0.17%

LAB 16.12, 37.17, 25.04

 

CMYK 0 / 75 / 78 / 38

HEX #9E2822

RGB 158 40 34

HSL 2.9, 0.65%, 0.38%

LAB 35.8, 47.83, 32.97

 

CMYK 0 / 78 / 78 / 38

HEX #9E2222

RGB 158 34 34

HSL 0, 0.65%, 0.38%

LAB 35.06, 49.88, 32.19

 

CMYK 0 / 75 / 78 / 38

HEX #9E2822

RGB 158 40 34

HSL 2.9, 0.65%, 0.38%

LAB 35.8, 47.83, 32.97

 

CMYK 0 / 53 / 78 / 38

HEX #9E4A22

RGB 158 74 34

HSL 19.35, 0.65%, 0.38%

LAB 41.66, 32.28, 39.03

 

CMYK 0 / 32 / 78 / 38

HEX #9E6B22

RGB 158 107 34

HSL 35.32, 0.65%, 0.38%

LAB 49.37, 13.85, 46.6

 

CMYK 0 / 11 / 78 / 38

HEX #9E8D22

RGB 158 141 34

HSL 51.77, 0.65%, 0.38%

LAB 58.45, -5.24, 55.08

 

CMYK 9 / 0 / 78 / 38

HEX #8F9E22

RGB 143 158 34

HSL 67.26, 0.65%, 0.38%

LAB 62.01, -20.89, 57.85

 

CMYK 0 / 75 / 78 / 38

HEX #9E2822

RGB 158 40 34

HSL 2.9, 0.65%, 0.38%

LAB 35.8, 47.83, 32.97

 

CMYK 0 / 85 / 89 / 32

HEX #AE1A13

RGB 174 26 19

HSL 2.71, 0.8%, 0.38%

LAB 37.45, 56.43, 43.59

 

CMYK 0 / 94 / 98 / 25

HEX #BE0C03

RGB 190 12 3

HSL 2.89, 0.97%, 0.38%

LAB 39.94, 62.96, 52.9

 

CMYK 0 / 75 / 78 / 38

HEX #9E2822

RGB 158 40 34

HSL 2.9, 0.65%, 0.38%

LAB 35.8, 47.83, 32.97

 

CMYK 0 / 62 / 65 / 44

HEX #8F3732

RGB 143 55 50

HSL 3.23, 0.48%, 0.38%

LAB 35.6, 36.97, 22.39

 

CMYK 0 / 46 / 48 / 50

HEX #7F4542

RGB 127 69 66

HSL 2.95, 0.32%, 0.38%

LAB 36.29, 24.48, 12.82

 

CMYK 0 / 25 / 27 / 56

HEX #6F5351

RGB 111 83 81

HSL 4, 0.16%, 0.38%

LAB 38.13, 11.34, 5.69

 

CMYK 1 / 0 / 0 / 62

HEX #606161

RGB 96 97 97

HSL 180, 0.01%, 0.38%

LAB 41.06, -0.39, -0.14

 

CMYK 0 / 78 / 39 / 38

HEX #9E2260

RGB 158 34 96

HSL 330, 0.65%, 0.38%

LAB 36.48, 54.33, -5.33

 

CMYK 0 / 78 / 60 / 38

HEX #9E223F

RGB 158 34 63

HSL 345.97, 0.65%, 0.38%

LAB 35.54, 51.42, 14.6

 

CMYK 0 / 75 / 78 / 38

HEX #9E2722

RGB 158 39 34

HSL 2.42, 0.65%, 0.38%

LAB 35.67, 48.19, 32.83

 

CMYK 0 / 54 / 78 / 38

HEX #9E4822

RGB 158 72 34

HSL 18.39, 0.65%, 0.38%

LAB 41.25, 33.33, 38.61

 

CMYK 0 / 34 / 78 / 38

HEX #9E6922

RGB 158 105 34

HSL 34.35, 0.65%, 0.38%

LAB 48.87, 14.99, 46.12

 

CMYK 0 / 75 / 78 / 64

HEX #5B1714

RGB 91 23 20

HSL 2.54, 0.64%, 0.22%

LAB 19.59, 30.74, 19.91

 

CMYK 0 / 74 / 78 / 51

HEX #7D201B

RGB 125 32 27

HSL 3.06, 0.64%, 0.3%

LAB 28.04, 39.51, 26.84

 

CMYK 0 / 75 / 78 / 38

HEX #9E2822

RGB 158 40 34

HSL 2.9, 0.65%, 0.38%

LAB 35.8, 47.83, 32.97

 

CMYK 0 / 74 / 78 / 25

HEX #C0312A

RGB 192 49 42

HSL 2.8, 0.64%, 0.46%

LAB 43.61, 55.78, 38.68

 

CMYK 0 / 67 / 70 / 17

HEX #D4463F

RGB 212 70 63

HSL 2.82, 0.63%, 0.54%

LAB 50.38, 55.22, 35.39

 

CMYK 0 / 74 / 78 / 38

HEX #9D2923

RGB 157 41 35

HSL 2.95, 0.64%, 0.38%

LAB 35.74, 47.18, 32.27

 

CMYK 18 / 0 / 78 / 38

HEX #819E22

RGB 129 158 34

HSL 74.03, 0.65%, 0.38%

LAB 60.99, -26.88, 56.55

 

CMYK 78 / 49 / 0 / 38

HEX #22509E

RGB 34 80 158

HSL 217.74, 0.65%, 0.38%

LAB 35.1, 13.42, -46.9

 

CMYK 0 / 74 / 78 / 38

HEX #9D2923

RGB 157 41 35

HSL 2.95, 0.64%, 0.38%

LAB 35.74, 47.18, 32.27

 

CMYK 78 / 0 / 75 / 38

HEX #229E27

RGB 34 158 39

HSL 122.42, 0.65%, 0.38%

LAB 57.02, -55.46, 49.64

 

CMYK 75 / 78 / 0 / 38

HEX #27229E

RGB 39 34 158

HSL 242.42, 0.65%, 0.38%

LAB 23.82, 43.6, -65.32

 

CMYK 0 / 74 / 78 / 38

HEX #9D2923

RGB 157 41 35

HSL 2.95, 0.64%, 0.38%

LAB 35.74, 47.18, 32.27

 

CMYK 18 / 0 / 78 / 38

HEX #819E22

RGB 129 158 34

HSL 74.03, 0.65%, 0.38%

LAB 60.99, -26.88, 56.55

 

CMYK 78 / 3 / 0 / 38

HEX #229A9E

RGB 34 154 158

HSL 181.94, 0.65%, 0.38%

LAB 57.96, -29.62, -11.26

 

CMYK 60 / 78 / 0 / 38

HEX #3F229E

RGB 63 34 158

HSL 254.03, 0.65%, 0.38%

LAB 25.77, 46.09, -62.03

 

CMYK 0 / 74 / 78 / 38

HEX #9D2923

RGB 157 41 35

HSL 2.95, 0.64%, 0.38%

LAB 35.74, 47.18, 32.27

 

CMYK 42 / 0 / 78 / 38

HEX #5C9E22

RGB 92 158 34

HSL 91.94, 0.65%, 0.38%

LAB 58.83, -41.22, 53.75

 

CMYK 78 / 3 / 0 / 38

HEX #229A9E

RGB 34 154 158

HSL 181.94, 0.65%, 0.38%

LAB 57.96, -29.62, -11.26

 

CMYK 36 / 78 / 0 / 38

HEX #65229E

RGB 101 34 158

HSL 272.42, 0.65%, 0.38%

LAB 30.35, 51.81, -54.35

 

Description

Color code: HEX #9D2923 | qconv.com Color code: HEX #9D2923 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 41 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 41 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 78 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 78% 38% C M Y K

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Provide designers and agencies with accurate color values.

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