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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D229F it is the complementary color #62DD60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D229F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D229F shade: #A2229A, #B334AD, #C446C0, #D558D3 and #E66AE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D229F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D229F shade: #9D229F, #8C108C, #7B0079, #6A0066 and #590053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D229F shade: #9D219F, #9F217F, #9F215D, #9F213B and #9F2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D229F shade: #9D219F, #7B219F, #59219F, #37219F and #21219F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D229F shade matches the following richer shades: #9D219F, #AD12AF and #BC02BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D229F shade: #9D219F, #8E3190, #7F4180, #705070 and #616061

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D229F shade: #5A219F, #7C219F, #9D219F, #9F2180 and #9F215E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D229F shade: #5A135B, #7C1A7D, #9D219F, #BF29C1 and #D33ED6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D229F shade: #9D229F, #9F3921 and #219F6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D229F shade: #9D229F, #9F9D21 and #219F9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D229F shade: #9D229F, #9F3921, #249F21 and #21889F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D229F shade: #9D229F, #9F5E21, #249F21 and #21629F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 79 / 0 / 38

HEX #9D229F

RGB 157 34 159

HSL 299.04, 0.65%, 0.38%

LAB 39.27, 62.77, -40.12

 

Complementary color

CMYK 56 / 0 / 57 / 13

HEX #62DD60

RGB 98 221 96

HSL 119.04, 0.65%, 0.62%

LAB 79.13, -58.6, 50.38

 

CMYK 0 / 79 / 5 / 36

HEX #A2229A

RGB 162 34 154

HSL 303.75, 0.65%, 0.38%

LAB 39.85, 63.01, -36.13

 

CMYK 0 / 71 / 3 / 30

HEX #B334AD

RGB 179 52 173

HSL 302.83, 0.55%, 0.45%

LAB 45.71, 64.14, -38.02

 

CMYK 0 / 64 / 2 / 23

HEX #C446C0

RGB 196 70 192

HSL 301.9, 0.52%, 0.52%

LAB 51.75, 64.54, -39.42

 

CMYK 0 / 59 / 1 / 16

HEX #D558D3

RGB 213 88 211

HSL 300.96, 0.6%, 0.59%

LAB 57.87, 64.48, -40.48

 

CMYK 0 / 54 / 0 / 10

HEX #E66AE6

RGB 230 106 230

HSL 300, 0.71%, 0.66%

LAB 64.03, 64.15, -41.31

 

CMYK 1 / 79 / 0 / 38

HEX #9D229F

RGB 157 34 159

HSL 299.04, 0.65%, 0.38%

LAB 39.27, 62.77, -40.12

 

CMYK 0 / 89 / 0 / 45

HEX #8C108C

RGB 140 16 140

HSL 300, 0.79%, 0.31%

LAB 33.65, 60.55, -37.67

 

CMYK 0 / 100 / 2 / 52

HEX #7B0079

RGB 123 0 121

HSL 300.98, 1%, 0.24%

LAB 28.36, 56.96, -34.41

 

CMYK 0 / 100 / 4 / 58

HEX #6A0066

RGB 106 0 102

HSL 302.26, 1%, 0.21%

LAB 23.75, 50.87, -29.71

 

CMYK 0 / 100 / 7 / 65

HEX #590053

RGB 89 0 83

HSL 304.04, 1%, 0.17%

LAB 19.01, 44.6, -24.83

 

CMYK 1 / 79 / 0 / 38

HEX #9D219F

RGB 157 33 159

HSL 299.05, 0.66%, 0.38%

LAB 39.17, 63.05, -40.28

 

CMYK 0 / 79 / 20 / 38

HEX #9F217F

RGB 159 33 127

HSL 315.24, 0.66%, 0.38%

LAB 37.83, 58.66, -22.79

 

CMYK 0 / 79 / 42 / 38

HEX #9F215D

RGB 159 33 93

HSL 331.43, 0.66%, 0.38%

LAB 36.46, 54.58, -3.41

 

CMYK 0 / 79 / 63 / 38

HEX #9F213B

RGB 159 33 59

HSL 347.62, 0.66%, 0.38%

LAB 35.55, 51.76, 17.22

 

CMYK 0 / 79 / 79 / 38

HEX #9F2121

RGB 159 33 33

HSL 0, 0.66%, 0.38%

LAB 35.14, 50.47, 32.92

 

CMYK 1 / 79 / 0 / 38

HEX #9D219F

RGB 157 33 159

HSL 299.05, 0.66%, 0.38%

LAB 39.17, 63.05, -40.28

 

CMYK 23 / 79 / 0 / 38

HEX #7B219F

RGB 123 33 159

HSL 282.86, 0.66%, 0.38%

LAB 33.57, 56.37, -49.58

 

CMYK 44 / 79 / 0 / 38

HEX #59219F

RGB 89 33 159

HSL 266.67, 0.66%, 0.38%

LAB 28.68, 50.49, -57.75

 

CMYK 65 / 79 / 0 / 38

HEX #37219F

RGB 55 33 159

HSL 250.48, 0.66%, 0.38%

LAB 24.96, 45.96, -64

 

CMYK 79 / 79 / 0 / 38

HEX #21219F

RGB 33 33 159

HSL 240, 0.66%, 0.38%

LAB 23.39, 44.01, -66.66

 

CMYK 1 / 79 / 0 / 38

HEX #9D219F

RGB 157 33 159

HSL 299.05, 0.66%, 0.38%

LAB 39.17, 63.05, -40.28

 

CMYK 1 / 90 / 0 / 31

HEX #AD12AF

RGB 173 18 175

HSL 299.24, 0.81%, 0.38%

LAB 41.86, 71.75, -45.39

 

CMYK 2 / 99 / 0 / 25

HEX #BC02BF

RGB 188 2 191

HSL 299.05, 0.98%, 0.38%

LAB 44.94, 78.4, -49.75

 

CMYK 1 / 79 / 0 / 38

HEX #9D219F

RGB 157 33 159

HSL 299.05, 0.66%, 0.38%

LAB 39.17, 63.05, -40.28

 

CMYK 1 / 66 / 0 / 44

HEX #8E3190

RGB 142 49 144

HSL 298.74, 0.49%, 0.38%

LAB 37.77, 51.52, -33.55

 

CMYK 1 / 49 / 0 / 50

HEX #7F4180

RGB 127 65 128

HSL 299.05, 0.33%, 0.38%

LAB 37.57, 36.48, -24.2

 

CMYK 0 / 29 / 0 / 56

HEX #705070

RGB 112 80 112

HSL 300, 0.17%, 0.38%

LAB 38.47, 19.33, -13.08

 

CMYK 0 / 1 / 0 / 62

HEX #616061

RGB 97 96 97

HSL 300, 0.01%, 0.38%

LAB 40.85, 0.61, -0.43

 

CMYK 43 / 79 / 0 / 38

HEX #5A219F

RGB 90 33 159

HSL 267.14, 0.66%, 0.38%

LAB 28.81, 50.65, -57.53

 

CMYK 22 / 79 / 0 / 38

HEX #7C219F

RGB 124 33 159

HSL 283.33, 0.66%, 0.38%

LAB 33.72, 56.56, -49.32

 

CMYK 1 / 79 / 0 / 38

HEX #9D219F

RGB 157 33 159

HSL 299.05, 0.66%, 0.38%

LAB 39.17, 63.05, -40.28

 

CMYK 0 / 79 / 19 / 38

HEX #9F2180

RGB 159 33 128

HSL 314.76, 0.66%, 0.38%

LAB 37.87, 58.79, -23.34

 

CMYK 0 / 79 / 41 / 38

HEX #9F215E

RGB 159 33 94

HSL 330.95, 0.66%, 0.38%

LAB 36.49, 54.69, -4

 

CMYK 1 / 79 / 0 / 64

HEX #5A135B

RGB 90 19 91

HSL 299.17, 0.65%, 0.22%

LAB 21.56, 40.86, -26.13

 

CMYK 1 / 79 / 0 / 51

HEX #7C1A7D

RGB 124 26 125

HSL 299.39, 0.66%, 0.3%

LAB 30.65, 52.39, -33.27

 

CMYK 1 / 79 / 0 / 38

HEX #9D219F

RGB 157 33 159

HSL 299.05, 0.66%, 0.38%

LAB 39.17, 63.05, -40.28

 

CMYK 1 / 79 / 0 / 24

HEX #BF29C1

RGB 191 41 193

HSL 299.21, 0.65%, 0.46%

LAB 47.64, 73.18, -46.56

 

CMYK 1 / 71 / 0 / 16

HEX #D33ED6

RGB 211 62 214

HSL 298.82, 0.65%, 0.54%

LAB 54.18, 74.42, -48.04

 

CMYK 1 / 79 / 0 / 38

HEX #9D229F

RGB 157 34 159

HSL 299.04, 0.65%, 0.38%

LAB 39.27, 62.77, -40.12

 

CMYK 0 / 64 / 79 / 38

HEX #9F3921

RGB 159 57 33

HSL 11.43, 0.66%, 0.38%

LAB 38.56, 41.1, 36.46

 

CMYK 79 / 0 / 33 / 38

HEX #219F6B

RGB 33 159 107

HSL 155.24, 0.66%, 0.38%

LAB 58.21, -45.65, 17.9

 

CMYK 1 / 79 / 0 / 38

HEX #9D229F

RGB 157 34 159

HSL 299.04, 0.65%, 0.38%

LAB 39.27, 62.77, -40.12

 

CMYK 0 / 1 / 79 / 38

HEX #9F9D21

RGB 159 157 33

HSL 59.05, 0.66%, 0.38%

LAB 63.01, -13.37, 59.55

 

CMYK 79 / 0 / 1 / 38

HEX #219F9D

RGB 33 159 157

HSL 179.05, 0.66%, 0.38%

LAB 59.48, -32.44, -8.42

 

CMYK 1 / 79 / 0 / 38

HEX #9D229F

RGB 157 34 159

HSL 299.04, 0.65%, 0.38%

LAB 39.27, 62.77, -40.12

 

CMYK 0 / 64 / 79 / 38

HEX #9F3921

RGB 159 57 33

HSL 11.43, 0.66%, 0.38%

LAB 38.56, 41.1, 36.46

 

CMYK 77 / 0 / 79 / 38

HEX #249F21

RGB 36 159 33

HSL 118.57, 0.66%, 0.38%

LAB 57.35, -55.92, 52.03

 

CMYK 79 / 14 / 0 / 38

HEX #21889F

RGB 33 136 159

HSL 190.95, 0.66%, 0.38%

LAB 52.33, -20.23, -20.39

 

CMYK 1 / 79 / 0 / 38

HEX #9D229F

RGB 157 34 159

HSL 299.04, 0.65%, 0.38%

LAB 39.27, 62.77, -40.12

 

CMYK 0 / 41 / 79 / 38

HEX #9F5E21

RGB 159 94 33

HSL 29.05, 0.66%, 0.38%

LAB 46.29, 21.65, 44.12

 

CMYK 77 / 0 / 79 / 38

HEX #249F21

RGB 36 159 33

HSL 118.57, 0.66%, 0.38%

LAB 57.35, -55.92, 52.03

 

CMYK 79 / 38 / 0 / 38

HEX #21629F

RGB 33 98 159

HSL 209.05, 0.66%, 0.38%

LAB 40.51, 1.93, -38.84

 

Description

Color code: HEX #9D229F | qconv.com Color code: HEX #9D229F | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 34 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 34 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 79 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 79% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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