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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D2E5F it is the complementary color #62D1A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D2E5F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D2E5F shade: #A22E5A, #B3406D, #C45280, #D56493 and #E676A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D2E5F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D2E5F shade: #9D2E5F, #8C1C4C, #7B0A39, #6A0026 and #590013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D2E5F shade: #9E2D5F, #9E2D41 and #9E2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D2E5F shade: #9E2D5F, #9E2D7D, #9E2D9B, #812D9E and #632D9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D2E5F shade matches the following richer shades: #9E2D5F, #AE1D5D and #BF0C5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D2E5F shade: #9E2D5F, #8D3E61, #7D4E63, #6C5F65 and #5C6F67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D2E5F shade: #9E2D9C, #9E2D7E, #9E2D60, #9E2D42 and #9E372D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D2E5F shade: #5E1B38, #7E244C, #9E2D5F, #BE3772 and #CC5188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D2E5F shade: #9D2E5F, #9E822D and #2D8D9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D2E5F shade: #9D2E5F, #609E2D and #2D609E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D2E5F shade: #9D2E5F, #9E822D, #2D9E6B and #2D499E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D2E5F shade: #9D2E5F, #989E2D, #2D9E6B and #332D9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 39 / 38

HEX #9D2E5F

RGB 157 46 95

HSL 333.51, 0.55%, 0.4%

LAB 37.75, 49.74, -2.83

 

Complementary color

CMYK 53 / 0 / 23 / 18

HEX #62D1A0

RGB 98 209 160

HSL 153.51, 0.55%, 0.6%

LAB 76.52, -43.22, 14.8

 

CMYK 0 / 72 / 44 / 36

HEX #A22E5A

RGB 162 46 90

HSL 337.24, 0.56%, 0.41%

LAB 38.5, 50.72, 1.56

 

CMYK 0 / 64 / 39 / 30

HEX #B3406D

RGB 179 64 109

HSL 336.52, 0.47%, 0.48%

LAB 44.74, 50.61, -0.86

 

CMYK 0 / 58 / 35 / 23

HEX #C45280

RGB 196 82 128

HSL 335.79, 0.49%, 0.55%

LAB 51.07, 50.12, -2.76

 

CMYK 0 / 53 / 31 / 16

HEX #D56493

RGB 213 100 147

HSL 335.04, 0.57%, 0.61%

LAB 57.43, 49.44, -4.31

 

CMYK 0 / 49 / 28 / 10

HEX #E676A6

RGB 230 118 166

HSL 334.29, 0.69%, 0.68%

LAB 63.78, 48.66, -5.6

 

CMYK 0 / 71 / 39 / 38

HEX #9D2E5F

RGB 157 46 95

HSL 333.51, 0.55%, 0.4%

LAB 37.75, 49.74, -2.83

 

CMYK 0 / 80 / 46 / 45

HEX #8C1C4C

RGB 140 28 76

HSL 334.29, 0.67%, 0.33%

LAB 31.64, 49.15, 0.11

 

CMYK 0 / 92 / 54 / 52

HEX #7B0A39

RGB 123 10 57

HSL 335.04, 0.85%, 0.26%

LAB 25.93, 47.29, 4.15

 

CMYK 0 / 100 / 64 / 58

HEX #6A0026

RGB 106 0 38

HSL 338.49, 1%, 0.21%

LAB 20.84, 43.47, 9.71

 

CMYK 0 / 100 / 79 / 65

HEX #590013

RGB 89 0 19

HSL 347.19, 1%, 0.17%

LAB 16.36, 37.81, 16.59

 

CMYK 0 / 72 / 40 / 38

HEX #9E2D5F

RGB 158 45 95

HSL 333.45, 0.56%, 0.4%

LAB 37.79, 50.43, -2.74

 

CMYK 0 / 72 / 59 / 38

HEX #9E2D41

RGB 158 45 65

HSL 349.38, 0.56%, 0.4%

LAB 36.98, 47.67, 15.25

 

CMYK 0 / 72 / 72 / 38

HEX #9E2D2D

RGB 158 45 45

HSL 0, 0.56%, 0.4%

LAB 36.62, 46.43, 27.34

 

CMYK 0 / 72 / 40 / 38

HEX #9E2D5F

RGB 158 45 95

HSL 333.45, 0.56%, 0.4%

LAB 37.79, 50.43, -2.74

 

CMYK 0 / 72 / 21 / 38

HEX #9E2D7D

RGB 158 45 125

HSL 317.52, 0.56%, 0.4%

LAB 38.94, 54.19, -19.83

 

CMYK 0 / 72 / 2 / 38

HEX #9E2D9B

RGB 158 45 155

HSL 301.59, 0.56%, 0.4%

LAB 40.43, 58.82, -35.86

 

CMYK 18 / 72 / 0 / 38

HEX #812D9E

RGB 129 45 158

HSL 284.6, 0.56%, 0.4%

LAB 36.01, 52.84, -44.99

 

CMYK 37 / 72 / 0 / 38

HEX #632D9E

RGB 99 45 158

HSL 268.67, 0.56%, 0.4%

LAB 31.8, 46.56, -52

 

CMYK 0 / 72 / 40 / 38

HEX #9E2D5F

RGB 158 45 95

HSL 333.45, 0.56%, 0.4%

LAB 37.79, 50.43, -2.74

 

CMYK 0 / 83 / 47 / 32

HEX #AE1D5D

RGB 174 29 93

HSL 333.52, 0.71%, 0.4%

LAB 39.02, 59.62, 0.68

 

CMYK 0 / 94 / 52 / 25

HEX #BF0C5B

RGB 191 12 91

HSL 333.52, 0.88%, 0.4%

LAB 41.37, 66.58, 5.78

 

CMYK 0 / 72 / 40 / 38

HEX #9E2D5F

RGB 158 45 95

HSL 333.45, 0.56%, 0.4%

LAB 37.79, 50.43, -2.74

 

CMYK 0 / 56 / 31 / 45

HEX #8D3E61

RGB 141 62 97

HSL 333.42, 0.39%, 0.4%

LAB 37.79, 37.53, -4.33

 

CMYK 0 / 38 / 21 / 51

HEX #7D4E63

RGB 125 78 99

HSL 333.19, 0.23%, 0.4%

LAB 39.09, 23.01, -3.92

 

CMYK 0 / 12 / 6 / 58

HEX #6C5F65

RGB 108 95 101

HSL 332.31, 0.06%, 0.4%

LAB 41.71, 6.38, -1.5

 

CMYK 17 / 0 / 7 / 56

HEX #5C6F67

RGB 92 111 103

HSL 154.74, 0.09%, 0.4%

LAB 45.11, -8.84, 2.09

 

CMYK 0 / 72 / 1 / 38

HEX #9E2D9C

RGB 158 45 156

HSL 301.06, 0.56%, 0.4%

LAB 40.49, 58.99, -36.37

 

CMYK 0 / 72 / 20 / 38

HEX #9E2D7E

RGB 158 45 126

HSL 316.99, 0.56%, 0.4%

LAB 38.99, 54.33, -20.38

 

CMYK 0 / 72 / 39 / 38

HEX #9E2D60

RGB 158 45 96

HSL 332.92, 0.56%, 0.4%

LAB 37.83, 50.54, -3.33

 

CMYK 0 / 72 / 58 / 38

HEX #9E2D42

RGB 158 45 66

HSL 348.85, 0.56%, 0.4%

LAB 37, 47.75, 14.64

 

CMYK 0 / 65 / 72 / 38

HEX #9E372D

RGB 158 55 45

HSL 5.31, 0.56%, 0.4%

LAB 38.18, 42.19, 29.17

 

CMYK 0 / 71 / 40 / 63

HEX #5E1B38

RGB 94 27 56

HSL 334.03, 0.55%, 0.24%

LAB 21.76, 33.2, -1.96

 

CMYK 0 / 71 / 40 / 51

HEX #7E244C

RGB 126 36 76

HSL 333.33, 0.56%, 0.32%

LAB 29.96, 42.12, -2.68

 

CMYK 0 / 72 / 40 / 38

HEX #9E2D5F

RGB 158 45 95

HSL 333.45, 0.56%, 0.4%

LAB 37.79, 50.43, -2.74

 

CMYK 0 / 71 / 40 / 25

HEX #BE3772

RGB 190 55 114

HSL 333.78, 0.55%, 0.48%

LAB 45.49, 58.02, -2.61

 

CMYK 0 / 60 / 33 / 20

HEX #CC5188

RGB 204 81 136

HSL 333.17, 0.55%, 0.56%

LAB 52.4, 54.06, -5.43

 

CMYK 0 / 71 / 39 / 38

HEX #9D2E5F

RGB 157 46 95

HSL 333.51, 0.55%, 0.4%

LAB 37.75, 49.74, -2.83

 

CMYK 0 / 18 / 72 / 38

HEX #9E822D

RGB 158 130 45

HSL 45.13, 0.56%, 0.4%

LAB 55.51, 1.35, 47.97

 

CMYK 72 / 11 / 0 / 38

HEX #2D8D9E

RGB 45 141 158

HSL 189.03, 0.56%, 0.4%

LAB 54.11, -21.7, -17.07

 

CMYK 0 / 71 / 39 / 38

HEX #9D2E5F

RGB 157 46 95

HSL 333.51, 0.55%, 0.4%

LAB 37.75, 49.74, -2.83

 

CMYK 39 / 0 / 72 / 38

HEX #609E2D

RGB 96 158 45

HSL 92.92, 0.56%, 0.4%

LAB 59.09, -39.1, 50.14

 

CMYK 72 / 39 / 0 / 38

HEX #2D609E

RGB 45 96 158

HSL 212.92, 0.56%, 0.4%

LAB 40.23, 4.46, -38.66

 

CMYK 0 / 71 / 39 / 38

HEX #9D2E5F

RGB 157 46 95

HSL 333.51, 0.55%, 0.4%

LAB 37.75, 49.74, -2.83

 

CMYK 0 / 18 / 72 / 38

HEX #9E822D

RGB 158 130 45

HSL 45.13, 0.56%, 0.4%

LAB 55.51, 1.35, 47.97

 

CMYK 72 / 0 / 32 / 38

HEX #2D9E6B

RGB 45 158 107

HSL 152.92, 0.56%, 0.4%

LAB 58.11, -43.56, 17.8

 

CMYK 72 / 54 / 0 / 38

HEX #2D499E

RGB 45 73 158

HSL 225.13, 0.56%, 0.4%

LAB 33.55, 19.59, -49.39

 

CMYK 0 / 71 / 39 / 38

HEX #9D2E5F

RGB 157 46 95

HSL 333.51, 0.55%, 0.4%

LAB 37.75, 49.74, -2.83

 

CMYK 4 / 0 / 72 / 38

HEX #989E2D

RGB 152 158 45

HSL 63.19, 0.56%, 0.4%

LAB 62.78, -16.44, 55.03

 

CMYK 72 / 0 / 32 / 38

HEX #2D9E6B

RGB 45 158 107

HSL 152.92, 0.56%, 0.4%

LAB 58.11, -43.56, 17.8

 

CMYK 68 / 72 / 0 / 38

HEX #332D9E

RGB 51 45 158

HSL 243.19, 0.56%, 0.4%

LAB 26.87, 38.57, -60.25

 

Description

Color code: HEX #9D2E5F | qconv.com Color code: HEX #9D2E5F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 46 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 46 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 39 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 39% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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