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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D4272 it is the complementary color #62BD8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D4272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D4272 shade: #A2426D, #B35480, #C46693, #D578A6 and #E68AB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D4272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D4272 shade: #9D4272, #8C305F, #7B1E4C, #6A0C39 and #590026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D4272 shade: #9E4272, #9E4259 and #9E4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D4272 shade: #9E4272, #9E428B, #98429E, #7F429E and #66429E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D4272 shade matches the following richer shades: #9E4272, #B03073, #C21D74 and #D40B75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D4272 shade: #9E4272, #8C5471, #796670, #67786F and #558A6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D4272 shade: #98429E, #9E428B, #9E4273, #9E425A and #9E4242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D4272 shade: #642948, #81365D, #9E4272, #B65287 and #C36F9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D4272 shade: #9D4272, #9E7F42 and #42989E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D4272 shade: #9D4272, #739E42 and #42739E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D4272 shade: #9D4272, #9E7F42, #429E6D and #42609E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D4272 shade: #9D4272, #9E9B42, #429E6D and #42459E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 27 / 38

HEX #9D4272

RGB 157 66 114

HSL 328.35, 0.41%, 0.44%

LAB 41.66, 43.27, -8.9

 

Complementary color

CMYK 48 / 0 / 25 / 26

HEX #62BD8D

RGB 98 189 141

HSL 148.35, 0.41%, 0.56%

LAB 70.12, -38.33, 16.03

 

CMYK 0 / 59 / 33 / 36

HEX #A2426D

RGB 162 66 109

HSL 333.13, 0.42%, 0.45%

LAB 42.28, 44.24, -4.8

 

CMYK 0 / 53 / 28 / 30

HEX #B35480

RGB 179 84 128

HSL 332.21, 0.38%, 0.52%

LAB 48.86, 43.56, -6.31

 

CMYK 0 / 48 / 25 / 23

HEX #C46693

RGB 196 102 147

HSL 331.28, 0.44%, 0.58%

LAB 55.43, 42.78, -7.54

 

CMYK 0 / 44 / 22 / 16

HEX #D578A6

RGB 213 120 166

HSL 330.32, 0.53%, 0.65%

LAB 61.94, 41.97, -8.58

 

CMYK 0 / 40 / 20 / 10

HEX #E68AB9

RGB 230 138 185

HSL 329.35, 0.65%, 0.72%

LAB 68.39, 41.16, -9.49

 

CMYK 0 / 58 / 27 / 38

HEX #9D4272

RGB 157 66 114

HSL 328.35, 0.41%, 0.44%

LAB 41.66, 43.27, -8.9

 

CMYK 0 / 66 / 32 / 45

HEX #8C305F

RGB 140 48 95

HSL 329.35, 0.49%, 0.37%

LAB 35.03, 43.69, -7.19

 

CMYK 0 / 76 / 38 / 52

HEX #7B1E4C

RGB 123 30 76

HSL 330.32, 0.61%, 0.3%

LAB 28.54, 43.56, -4.85

 

CMYK 0 / 89 / 46 / 58

HEX #6A0C39

RGB 106 12 57

HSL 331.28, 0.8%, 0.23%

LAB 22.38, 42.27, -1.46

 

CMYK 0 / 100 / 57 / 65

HEX #590026

RGB 89 0 38

HSL 334.38, 1%, 0.17%

LAB 16.81, 39.03, 3.5

 

CMYK 0 / 58 / 28 / 38

HEX #9E4272

RGB 158 66 114

HSL 328.7, 0.41%, 0.44%

LAB 41.81, 43.59, -8.65

 

CMYK 0 / 58 / 44 / 38

HEX #9E4259

RGB 158 66 89

HSL 345, 0.41%, 0.44%

LAB 41.04, 40.5, 5.74

 

CMYK 0 / 58 / 58 / 38

HEX #9E4242

RGB 158 66 66

HSL 0, 0.41%, 0.44%

LAB 40.51, 38.33, 19.31

 

CMYK 0 / 58 / 28 / 38

HEX #9E4272

RGB 158 66 114

HSL 328.7, 0.41%, 0.44%

LAB 41.81, 43.59, -8.65

 

CMYK 0 / 58 / 12 / 38

HEX #9E428B

RGB 158 66 139

HSL 312.39, 0.41%, 0.44%

LAB 42.81, 47.39, -22.45

 

CMYK 4 / 58 / 0 / 38

HEX #98429E

RGB 152 66 158

HSL 296.09, 0.41%, 0.44%

LAB 42.82, 49.05, -33.94

 

CMYK 20 / 58 / 0 / 38

HEX #7F429E

RGB 127 66 158

HSL 279.78, 0.41%, 0.44%

LAB 39.37, 42.33, -39.63

 

CMYK 35 / 58 / 0 / 38

HEX #66429E

RGB 102 66 158

HSL 263.48, 0.41%, 0.44%

LAB 36.35, 35.88, -44.64

 

CMYK 0 / 58 / 28 / 38

HEX #9E4272

RGB 158 66 114

HSL 328.7, 0.41%, 0.44%

LAB 41.81, 43.59, -8.65

 

CMYK 0 / 73 / 35 / 31

HEX #B03073

RGB 176 48 115

HSL 328.59, 0.57%, 0.44%

LAB 42.13, 56.71, -8.49

 

CMYK 0 / 85 / 40 / 24

HEX #C21D74

RGB 194 29 116

HSL 328.36, 0.74%, 0.44%

LAB 43.67, 66.72, -6.46

 

CMYK 0 / 95 / 45 / 17

HEX #D40B75

RGB 212 11 117

HSL 328.36, 0.9%, 0.44%

LAB 46.34, 73.54, -2.73

 

CMYK 0 / 58 / 28 / 38

HEX #9E4272

RGB 158 66 114

HSL 328.7, 0.41%, 0.44%

LAB 41.81, 43.59, -8.65

 

CMYK 0 / 40 / 19 / 45

HEX #8C5471

RGB 140 84 113

HSL 328.93, 0.25%, 0.44%

LAB 42.93, 27.53, -6.64

 

CMYK 0 / 16 / 7 / 53

HEX #796670

RGB 121 102 112

HSL 328.42, 0.09%, 0.44%

LAB 45.27, 9.42, -2.79

 

CMYK 14 / 0 / 8 / 53

HEX #67786F

RGB 103 120 111

HSL 148.24, 0.08%, 0.44%

LAB 48.84, -8.21, 2.83

 

CMYK 38 / 0 / 20 / 46

HEX #558A6E

RGB 85 138 110

HSL 148.3, 0.24%, 0.44%

LAB 53.2, -24.25, 9.5

 

CMYK 4 / 58 / 0 / 38

HEX #98429E

RGB 152 66 158

HSL 296.09, 0.41%, 0.44%

LAB 42.82, 49.05, -33.94

 

CMYK 0 / 58 / 12 / 38

HEX #9E428B

RGB 158 66 139

HSL 312.39, 0.41%, 0.44%

LAB 42.81, 47.39, -22.45

 

CMYK 0 / 58 / 27 / 38

HEX #9E4273

RGB 158 66 115

HSL 328.04, 0.41%, 0.44%

LAB 41.85, 43.73, -9.22

 

CMYK 0 / 58 / 43 / 38

HEX #9E425A

RGB 158 66 90

HSL 344.35, 0.41%, 0.44%

LAB 41.06, 40.61, 5.16

 

CMYK 0 / 58 / 58 / 38

HEX #9E4242

RGB 158 66 66

HSL 0, 0.41%, 0.44%

LAB 40.51, 38.33, 19.31

 

CMYK 0 / 59 / 28 / 61

HEX #642948

RGB 100 41 72

HSL 328.47, 0.42%, 0.28%

LAB 26.05, 30.49, -6.34

 

CMYK 0 / 58 / 28 / 49

HEX #81365D

RGB 129 54 93

HSL 328.8, 0.41%, 0.36%

LAB 34.18, 36.94, -7.38

 

CMYK 0 / 58 / 28 / 38

HEX #9E4272

RGB 158 66 114

HSL 328.7, 0.41%, 0.44%

LAB 41.81, 43.59, -8.65

 

CMYK 0 / 55 / 26 / 29

HEX #B65287

RGB 182 82 135

HSL 328.2, 0.41%, 0.52%

LAB 49.17, 46.5, -10.01

 

CMYK 0 / 43 / 21 / 24

HEX #C36F9B

RGB 195 111 155

HSL 328.57, 0.41%, 0.6%

LAB 57.4, 38.91, -9.27

 

CMYK 0 / 58 / 27 / 38

HEX #9D4272

RGB 157 66 114

HSL 328.35, 0.41%, 0.44%

LAB 41.66, 43.27, -8.9

 

CMYK 0 / 20 / 58 / 38

HEX #9E7F42

RGB 158 127 66

HSL 39.78, 0.41%, 0.44%

LAB 54.91, 4.46, 37.22

 

CMYK 58 / 4 / 0 / 38

HEX #42989E

RGB 66 152 158

HSL 183.91, 0.41%, 0.44%

LAB 58.12, -23.83, -10.95

 

CMYK 0 / 58 / 27 / 38

HEX #9D4272

RGB 157 66 114

HSL 328.35, 0.41%, 0.44%

LAB 41.66, 43.27, -8.9

 

CMYK 27 / 0 / 58 / 38

HEX #739E42

RGB 115 158 66

HSL 88.04, 0.41%, 0.44%

LAB 60.33, -30.23, 42.64

 

CMYK 58 / 27 / 0 / 38

HEX #42739E

RGB 66 115 158

HSL 208.04, 0.41%, 0.44%

LAB 46.83, -3.34, -28.22

 

CMYK 0 / 58 / 27 / 38

HEX #9D4272

RGB 157 66 114

HSL 328.35, 0.41%, 0.44%

LAB 41.66, 43.27, -8.9

 

CMYK 0 / 20 / 58 / 38

HEX #9E7F42

RGB 158 127 66

HSL 39.78, 0.41%, 0.44%

LAB 54.91, 4.46, 37.22

 

CMYK 58 / 0 / 31 / 38

HEX #429E6D

RGB 66 158 109

HSL 148.04, 0.41%, 0.44%

LAB 58.71, -39.03, 17.61

 

CMYK 58 / 39 / 0 / 38

HEX #42609E

RGB 66 96 158

HSL 220.43, 0.41%, 0.44%

LAB 41.2, 8.38, -37.06

 

CMYK 0 / 58 / 27 / 38

HEX #9D4272

RGB 157 66 114

HSL 328.35, 0.41%, 0.44%

LAB 41.66, 43.27, -8.9

 

CMYK 0 / 2 / 58 / 38

HEX #9E9B42

RGB 158 155 66

HSL 58.04, 0.41%, 0.44%

LAB 62.6, -10.89, 46.05

 

CMYK 58 / 0 / 31 / 38

HEX #429E6D

RGB 66 158 109

HSL 148.04, 0.41%, 0.44%

LAB 58.71, -39.03, 17.61

 

CMYK 58 / 56 / 0 / 38

HEX #42459E

RGB 66 69 158

HSL 238.04, 0.41%, 0.44%

LAB 33.74, 25.88, -49.01

 

Description

Color code: HEX #9D4272 | qconv.com Color code: HEX #9D4272 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 66 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 66 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 27 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 27% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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