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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D4CB7 it is the complementary color #62B348. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D4CB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D4CB7 shade: #A24CB2, #B35EC5, #C470D8, #D582EB and #E694FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D4CB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D4CB7 shade: #9D4CB7, #8C3AA4, #7B2891, #6A167E and #59046B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D4CB7 shade: #9D4CB7, #B74CB4, #B74C97, #B74C7A and #B74C5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D4CB7 shade: #9D4CB7, #804CB7, #634CB7 and #4C4CB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D4CB7 shade matches the following richer shades: #9D4CB7, #A838CB, #B223E0 and #BC0FF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D4CB7 shade: #9D4CB7, #9360A3, #88748F, #7E887B and #749D66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D4CB7 shade: #634CB7, #804CB7, #9C4CB7, #B74CB5 and #B74C99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D4CB7 shade: #6C327E, #853E9C, #9D4CB7, #AD69C3 and #BD87CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D4CB7 shade: #9D4CB7, #B74C51 and #4CB771

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D4CB7 shade: #9D4CB7, #B79C4C and #4CB79C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D4CB7 shade: #9D4CB7, #B74C51, #67B74C and #4CB7B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D4CB7 shade: #9D4CB7, #B7674C, #67B74C and #4C9CB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

Complementary color

CMYK 45 / 0 / 60 / 30

HEX #62B348

RGB 98 179 72

HSL 105.42, 0.43%, 0.49%

LAB 65.99, -44.88, 46.08

 

CMYK 9 / 57 / 0 / 30

HEX #A24CB2

RGB 162 76 178

HSL 290.59, 0.4%, 0.5%

LAB 47.06, 50.76, -39

 

CMYK 9 / 52 / 0 / 23

HEX #B35EC5

RGB 179 94 197

HSL 289.51, 0.47%, 0.57%

LAB 53.62, 50.16, -39.51

 

CMYK 9 / 48 / 0 / 15

HEX #C470D8

RGB 196 112 216

HSL 288.46, 0.57%, 0.64%

LAB 60.14, 49.45, -39.9

 

CMYK 9 / 45 / 0 / 8

HEX #D582EB

RGB 213 130 235

HSL 287.43, 0.72%, 0.72%

LAB 66.6, 48.7, -40.21

 

CMYK 9 / 42 / 0 / 0

HEX #E694FE

RGB 230 148 254

HSL 286.42, 0.98%, 0.79%

LAB 73, 47.95, -40.48

 

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

CMYK 15 / 65 / 0 / 36

HEX #8C3AA4

RGB 140 58 164

HSL 286.42, 0.48%, 0.44%

LAB 40.05, 50.9, -42.04

 

CMYK 15 / 72 / 0 / 43

HEX #7B2891

RGB 123 40 145

HSL 287.43, 0.57%, 0.36%

LAB 33.51, 50.91, -41.14

 

CMYK 16 / 83 / 0 / 51

HEX #6A167E

RGB 106 22 126

HSL 288.46, 0.7%, 0.29%

LAB 27.14, 50.06, -39.69

 

CMYK 17 / 96 / 0 / 58

HEX #59046B

RGB 89 4 107

HSL 289.51, 0.93%, 0.22%

LAB 21.1, 47.82, -37.41

 

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

CMYK 0 / 58 / 2 / 28

HEX #B74CB4

RGB 183 76 180

HSL 301.68, 0.43%, 0.51%

LAB 50.13, 56.69, -35.12

 

CMYK 0 / 58 / 17 / 28

HEX #B74C97

RGB 183 76 151

HSL 317.94, 0.43%, 0.51%

LAB 48.85, 51.98, -20.03

 

CMYK 0 / 58 / 33 / 28

HEX #B74C7A

RGB 183 76 122

HSL 334.21, 0.43%, 0.51%

LAB 47.8, 47.99, -4.2

 

CMYK 0 / 58 / 49 / 28

HEX #B74C5D

RGB 183 76 93

HSL 350.47, 0.43%, 0.51%

LAB 47.01, 44.83, 12.27

 

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

CMYK 30 / 58 / 0 / 28

HEX #804CB7

RGB 128 76 183

HSL 269.16, 0.43%, 0.51%

LAB 43.03, 43.13, -48.61

 

CMYK 46 / 58 / 0 / 28

HEX #634CB7

RGB 99 76 183

HSL 252.9, 0.43%, 0.51%

LAB 39.98, 36.36, -53.67

 

CMYK 58 / 58 / 0 / 28

HEX #4C4CB7

RGB 76 76 183

HSL 240, 0.43%, 0.51%

LAB 38.06, 31.72, -56.87

 

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

CMYK 17 / 72 / 0 / 20

HEX #A838CB

RGB 168 56 203

HSL 285.71, 0.59%, 0.51%

LAB 46.26, 65.66, -54.77

 

CMYK 21 / 84 / 0 / 12

HEX #B223E0

RGB 178 35 224

HSL 285.4, 0.75%, 0.51%

LAB 47.04, 77.62, -65.48

 

CMYK 23 / 94 / 0 / 4

HEX #BC0FF4

RGB 188 15 244

HSL 285.33, 0.91%, 0.51%

LAB 48.96, 85.85, -73.59

 

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

CMYK 10 / 41 / 0 / 36

HEX #9360A3

RGB 147 96 163

HSL 285.67, 0.27%, 0.51%

LAB 48.53, 32.66, -28.02

 

CMYK 5 / 19 / 0 / 44

HEX #88748F

RGB 136 116 143

HSL 284.44, 0.11%, 0.51%

LAB 51.51, 13, -11.79

 

CMYK 7 / 0 / 10 / 47

HEX #7E887B

RGB 126 136 123

HSL 106.15, 0.05%, 0.51%

LAB 55.56, -6.24, 5.72

 

CMYK 26 / 0 / 35 / 38

HEX #749D66

RGB 116 157 102

HSL 104.73, 0.22%, 0.51%

LAB 60.59, -24.75, 24.39

 

CMYK 46 / 58 / 0 / 28

HEX #634CB7

RGB 99 76 183

HSL 252.9, 0.43%, 0.51%

LAB 39.98, 36.36, -53.67

 

CMYK 30 / 58 / 0 / 28

HEX #804CB7

RGB 128 76 183

HSL 269.16, 0.43%, 0.51%

LAB 43.03, 43.13, -48.61

 

CMYK 15 / 58 / 0 / 28

HEX #9C4CB7

RGB 156 76 183

HSL 284.86, 0.43%, 0.51%

LAB 46.52, 50.2, -42.83

 

CMYK 0 / 58 / 1 / 28

HEX #B74CB5

RGB 183 76 181

HSL 301.12, 0.43%, 0.51%

LAB 50.18, 56.87, -35.63

 

CMYK 0 / 58 / 16 / 28

HEX #B74C99

RGB 183 76 153

HSL 316.82, 0.43%, 0.51%

LAB 48.93, 52.28, -21.1

 

CMYK 14 / 60 / 0 / 51

HEX #6C327E

RGB 108 50 126

HSL 285.79, 0.43%, 0.35%

LAB 31.75, 38.51, -32.3

 

CMYK 15 / 60 / 0 / 39

HEX #853E9C

RGB 133 62 156

HSL 285.32, 0.43%, 0.43%

LAB 39.3, 45.54, -38.5

 

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

CMYK 11 / 46 / 0 / 24

HEX #AD69C3

RGB 173 105 195

HSL 285.33, 0.43%, 0.59%

LAB 55, 42.3, -36.25

 

CMYK 9 / 35 / 0 / 19

HEX #BD87CF

RGB 189 135 207

HSL 285, 0.43%, 0.67%

LAB 63.88, 33.22, -29.09

 

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

CMYK 0 / 58 / 56 / 28

HEX #B74C51

RGB 183 76 81

HSL 357.2, 0.43%, 0.51%

LAB 46.75, 43.78, 19.19

 

CMYK 58 / 0 / 38 / 28

HEX #4CB771

RGB 76 183 113

HSL 140.75, 0.43%, 0.51%

LAB 66.97, -46.54, 26.63

 

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

CMYK 0 / 15 / 58 / 28

HEX #B79C4C

RGB 183 156 76

HSL 44.86, 0.43%, 0.51%

LAB 65.25, 0.21, 44.88

 

CMYK 58 / 0 / 15 / 28

HEX #4CB79C

RGB 76 183 156

HSL 164.86, 0.43%, 0.51%

LAB 67.88, -37.31, 4.57

 

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

CMYK 0 / 58 / 56 / 28

HEX #B74C51

RGB 183 76 81

HSL 357.2, 0.43%, 0.51%

LAB 46.75, 43.78, 19.19

 

CMYK 44 / 0 / 58 / 28

HEX #67B74C

RGB 103 183 76

HSL 104.86, 0.43%, 0.51%

LAB 67.48, -44.54, 46.02

 

CMYK 58 / 0 / 3 / 28

HEX #4CB7B2

RGB 76 183 178

HSL 177.2, 0.43%, 0.51%

LAB 68.47, -31.62, -6.68

 

CMYK 14 / 58 / 0 / 28

HEX #9D4CB7

RGB 157 76 183

HSL 285.42, 0.43%, 0.51%

LAB 46.65, 50.46, -42.61

 

CMYK 0 / 44 / 58 / 28

HEX #B7674C

RGB 183 103 76

HSL 15.14, 0.43%, 0.51%

LAB 52.16, 29.45, 29.13

 

CMYK 44 / 0 / 58 / 28

HEX #67B74C

RGB 103 183 76

HSL 104.86, 0.43%, 0.51%

LAB 67.48, -44.54, 46.02

 

CMYK 58 / 15 / 0 / 28

HEX #4C9CB7

RGB 76 156 183

HSL 195.14, 0.43%, 0.51%

LAB 60.54, -16.49, -21.41

 

Description

Color code: HEX #9D4CB7 | qconv.com Color code: HEX #9D4CB7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 76 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 76 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 58 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 58% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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