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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D575E it is the complementary color #62A8A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D575E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D575E shade: #A25759, #B3696C, #C47B7F, #D58D92 and #E69FA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D575E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D575E shade: #9D575E, #8C454B, #7B3338, #6A2125 and #590F12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D575E shade: #9D565E and #9D5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D575E shade: #9D565E, #9D5671, #9D5684, #9D5697 and #91569D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D575E shade matches the following richer shades: #9D565E, #B1434E, #C52F3E, #D91B2E and #ED071E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D575E shade: #9D565E, #8A6A6D, #767E7D, #62928D and #4EA69D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D575E shade: #9D5683, #9D5670, #9D565E, #9D6256 and #9D7556

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D575E shade: #68393E, #83484E, #9D565E, #AF6E75 and #BE898E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D575E shade: #9D575E, #969D56 and #567A9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D575E shade: #9D575E, #5E9D56 and #565E9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D575E shade: #9D575E, #969D56, #569D96 and #5E569D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D575E shade: #9D575E, #819D56, #569D96 and #73569D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 40 / 38

HEX #9D575E

RGB 157 87 94

HSL 354, 0.29%, 0.48%

LAB 45.35, 29.62, 8.76

 

Complementary color

CMYK 42 / 0 / 4 / 34

HEX #62A8A1

RGB 98 168 161

HSL 174, 0.29%, 0.52%

LAB 64.3, -23.77, -3.31

 

CMYK 0 / 46 / 45 / 36

HEX #A25759

RGB 162 87 89

HSL 358.4, 0.3%, 0.49%

LAB 45.93, 31, 12.71

 

CMYK 0 / 41 / 40 / 30

HEX #B3696C

RGB 179 105 108

HSL 357.57, 0.33%, 0.56%

LAB 52.7, 29.91, 11.16

 

CMYK 0 / 37 / 35 / 23

HEX #C47B7F

RGB 196 123 127

HSL 356.71, 0.38%, 0.63%

LAB 59.37, 28.93, 9.82

 

CMYK 0 / 34 / 31 / 16

HEX #D58D92

RGB 213 141 146

HSL 355.83, 0.46%, 0.69%

LAB 65.96, 28.03, 8.64

 

CMYK 0 / 31 / 28 / 10

HEX #E69FA5

RGB 230 159 165

HSL 354.93, 0.59%, 0.76%

LAB 72.45, 27.21, 7.58

 

CMYK 0 / 45 / 40 / 38

HEX #9D575E

RGB 157 87 94

HSL 354, 0.29%, 0.48%

LAB 45.35, 29.62, 8.76

 

CMYK 0 / 51 / 46 / 45

HEX #8C454B

RGB 140 69 75

HSL 354.93, 0.34%, 0.41%

LAB 38.45, 30.71, 10.44

 

CMYK 0 / 59 / 54 / 52

HEX #7B3338

RGB 123 51 56

HSL 355.83, 0.41%, 0.34%

LAB 31.5, 31.84, 12.56

 

CMYK 0 / 69 / 65 / 58

HEX #6A2125

RGB 106 33 37

HSL 356.71, 0.53%, 0.27%

LAB 24.59, 32.82, 15.37

 

CMYK 0 / 83 / 80 / 65

HEX #590F12

RGB 89 15 18

HSL 357.57, 0.71%, 0.2%

LAB 17.96, 33.15, 19.17

 

CMYK 0 / 45 / 40 / 38

HEX #9D565E

RGB 157 86 94

HSL 353.24, 0.29%, 0.48%

LAB 45.13, 30.17, 8.45

 

CMYK 0 / 45 / 45 / 38

HEX #9D5656

RGB 157 86 86

HSL 0, 0.29%, 0.48%

LAB 44.94, 29.25, 13.04

 

CMYK 0 / 45 / 40 / 38

HEX #9D565E

RGB 157 86 94

HSL 353.24, 0.29%, 0.48%

LAB 45.13, 30.17, 8.45

 

CMYK 0 / 45 / 28 / 38

HEX #9D5671

RGB 157 86 113

HSL 337.18, 0.29%, 0.48%

LAB 45.66, 32.69, -2.34

 

CMYK 0 / 45 / 16 / 38

HEX #9D5684

RGB 157 86 132

HSL 321.13, 0.29%, 0.48%

LAB 46.3, 35.64, -12.88

 

CMYK 0 / 45 / 4 / 38

HEX #9D5697

RGB 157 86 151

HSL 305.07, 0.29%, 0.48%

LAB 47.05, 38.99, -23.11

 

CMYK 8 / 45 / 0 / 38

HEX #91569D

RGB 145 86 157

HSL 289.86, 0.29%, 0.48%

LAB 45.78, 36.4, -28.77

 

CMYK 0 / 45 / 40 / 38

HEX #9D565E

RGB 157 86 94

HSL 353.24, 0.29%, 0.48%

LAB 45.13, 30.17, 8.45

 

CMYK 0 / 62 / 56 / 31

HEX #B1434E

RGB 177 67 78

HSL 354, 0.45%, 0.48%

LAB 44.11, 45.64, 17.29

 

CMYK 0 / 76 / 69 / 23

HEX #C52F3E

RGB 197 47 62

HSL 354, 0.61%, 0.48%

LAB 44.59, 58.81, 28.38

 

CMYK 0 / 88 / 79 / 15

HEX #D91B2E

RGB 217 27 46

HSL 354, 0.78%, 0.48%

LAB 46.62, 68.61, 41.12

 

CMYK 0 / 97 / 87 / 7

HEX #ED071E

RGB 237 7 30

HSL 354, 0.94%, 0.48%

LAB 49.8, 75.57, 53.76

 

CMYK 0 / 45 / 40 / 38

HEX #9D565E

RGB 157 86 94

HSL 353.24, 0.29%, 0.48%

LAB 45.13, 30.17, 8.45

 

CMYK 0 / 23 / 21 / 46

HEX #8A6A6D

RGB 138 106 109

HSL 354.38, 0.13%, 0.48%

LAB 48.03, 13.24, 3.24

 

CMYK 6 / 0 / 1 / 51

HEX #767E7D

RGB 118 126 125

HSL 172.5, 0.03%, 0.48%

LAB 52.12, -3.17, -0.49

 

CMYK 33 / 0 / 3 / 43

HEX #62928D

RGB 98 146 141

HSL 173.75, 0.2%, 0.48%

LAB 57.15, -17.3, -2.53

 

CMYK 53 / 0 / 5 / 35

HEX #4EA69D

RGB 78 166 157

HSL 173.86, 0.36%, 0.48%

LAB 62.78, -28.62, -3.41

 

CMYK 0 / 45 / 17 / 38

HEX #9D5683

RGB 157 86 131

HSL 321.97, 0.29%, 0.48%

LAB 46.26, 35.48, -12.34

 

CMYK 0 / 45 / 29 / 38

HEX #9D5670

RGB 157 86 112

HSL 338.03, 0.29%, 0.48%

LAB 45.63, 32.55, -1.78

 

CMYK 0 / 45 / 40 / 38

HEX #9D565E

RGB 157 86 94

HSL 353.24, 0.29%, 0.48%

LAB 45.13, 30.17, 8.45

 

CMYK 0 / 38 / 45 / 38

HEX #9D6256

RGB 157 98 86

HSL 10.14, 0.29%, 0.48%

LAB 47.72, 22.5, 16.85

 

CMYK 0 / 25 / 45 / 38

HEX #9D7556

RGB 157 117 86

HSL 26.2, 0.29%, 0.48%

LAB 52.47, 11.62, 23.19

 

CMYK 0 / 45 / 40 / 59

HEX #68393E

RGB 104 57 62

HSL 353.62, 0.29%, 0.32%

LAB 29.95, 21.42, 6.05

 

CMYK 0 / 45 / 40 / 49

HEX #83484E

RGB 131 72 78

HSL 353.9, 0.29%, 0.4%

LAB 37.86, 25.8, 7.55

 

CMYK 0 / 45 / 40 / 38

HEX #9D565E

RGB 157 86 94

HSL 353.24, 0.29%, 0.48%

LAB 45.13, 30.17, 8.45

 

CMYK 0 / 37 / 33 / 31

HEX #AF6E75

RGB 175 110 117

HSL 353.54, 0.29%, 0.56%

LAB 53.55, 26.73, 6.99

 

CMYK 0 / 28 / 25 / 25

HEX #BE898E

RGB 190 137 142

HSL 354.34, 0.29%, 0.64%

LAB 62.33, 20.96, 5.37

 

CMYK 0 / 45 / 40 / 38

HEX #9D575E

RGB 157 87 94

HSL 354, 0.29%, 0.48%

LAB 45.35, 29.62, 8.76

 

CMYK 4 / 0 / 45 / 38

HEX #969D56

RGB 150 157 86

HSL 65.92, 0.29%, 0.48%

LAB 62.73, -13.5, 36.14

 

CMYK 45 / 22 / 0 / 38

HEX #567A9D

RGB 86 122 157

HSL 209.58, 0.29%, 0.48%

LAB 49.9, -2.97, -22.8

 

CMYK 0 / 45 / 40 / 38

HEX #9D575E

RGB 157 87 94

HSL 354, 0.29%, 0.48%

LAB 45.35, 29.62, 8.76

 

CMYK 40 / 0 / 45 / 38

HEX #5E9D56

RGB 94 157 86

HSL 113.24, 0.29%, 0.48%

LAB 59.13, -34.83, 30.85

 

CMYK 45 / 40 / 0 / 38

HEX #565E9D

RGB 86 94 157

HSL 233.24, 0.29%, 0.48%

LAB 41.87, 14.14, -35.32

 

CMYK 0 / 45 / 40 / 38

HEX #9D575E

RGB 157 87 94

HSL 354, 0.29%, 0.48%

LAB 45.35, 29.62, 8.76

 

CMYK 4 / 0 / 45 / 38

HEX #969D56

RGB 150 157 86

HSL 65.92, 0.29%, 0.48%

LAB 62.73, -13.5, 36.14

 

CMYK 45 / 0 / 4 / 38

HEX #569D96

RGB 86 157 150

HSL 174.08, 0.29%, 0.48%

LAB 60.15, -24.07, -3.3

 

CMYK 40 / 45 / 0 / 38

HEX #5E569D

RGB 94 86 157

HSL 246.76, 0.29%, 0.48%

LAB 40.36, 21.31, -37.67

 

CMYK 0 / 45 / 40 / 38

HEX #9D575E

RGB 157 87 94

HSL 354, 0.29%, 0.48%

LAB 45.35, 29.62, 8.76

 

CMYK 18 / 0 / 45 / 38

HEX #819D56

RGB 129 157 86

HSL 83.66, 0.29%, 0.48%

LAB 61.18, -22.04, 33.86

 

CMYK 45 / 0 / 4 / 38

HEX #569D96

RGB 86 157 150

HSL 174.08, 0.29%, 0.48%

LAB 60.15, -24.07, -3.3

 

CMYK 27 / 45 / 0 / 38

HEX #73569D

RGB 115 86 157

HSL 264.51, 0.29%, 0.48%

LAB 42.36, 27.28, -34.38

 

Description

Color code: HEX #9D575E | qconv.com Color code: HEX #9D575E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 87 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 87 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 40 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 40% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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