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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D5866 it is the complementary color #62A799. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D5866. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D5866 shade: #A25861, #B36A74, #C47C87, #D58E9A and #E6A0AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D5866. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D5866 shade: #9D5866, #8C4653, #7B3440, #6A222D and #59101A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D5866 shade: #9C5866 and #9C5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D5866 shade: #9C5866, #9C5878, #9C588A, #9B589C and #89589C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D5866 shade matches the following richer shades: #9C5866, #B0445A, #C4304E, #D81C42 and #EB0836

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D5866 shade: #9C5866, #886B71, #757F7D, #619389 and #4DA795

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D5866 shade: #9C588B, #9C5879, #9C5866, #9C5B58 and #9C6D58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D5866 shade: #673A43, #824954, #9C5866, #AE6F7C and #BD8A94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D5866 shade: #9D5866, #9C9B58 and #58829C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D5866 shade: #9D5866, #669C58 and #58669C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D5866 shade: #9D5866, #9C9B58, #589C8D and #58599C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D5866 shade: #9D5866, #899C58, #589C8D and #6B589C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 35 / 38

HEX #9D5866

RGB 157 88 102

HSL 347.83, 0.28%, 0.48%

LAB 45.78, 30.07, 4.52

 

Complementary color

CMYK 41 / 0 / 8 / 35

HEX #62A799

RGB 98 167 153

HSL 167.83, 0.28%, 0.52%

LAB 63.78, -25.22, 0.39

 

CMYK 0 / 46 / 40 / 36

HEX #A25861

RGB 162 88 97

HSL 352.7, 0.3%, 0.49%

LAB 46.34, 31.36, 8.45

 

CMYK 0 / 41 / 35 / 30

HEX #B36A74

RGB 179 106 116

HSL 351.78, 0.32%, 0.56%

LAB 53.12, 30.35, 7.04

 

CMYK 0 / 37 / 31 / 23

HEX #C47C87

RGB 196 124 135

HSL 350.83, 0.38%, 0.63%

LAB 59.8, 29.42, 5.82

 

CMYK 0 / 33 / 28 / 16

HEX #D58E9A

RGB 213 142 154

HSL 349.86, 0.46%, 0.7%

LAB 66.39, 28.56, 4.75

 

CMYK 0 / 30 / 25 / 10

HEX #E6A0AD

RGB 230 160 173

HSL 348.86, 0.58%, 0.76%

LAB 72.88, 27.78, 3.78

 

CMYK 0 / 44 / 35 / 38

HEX #9D5866

RGB 157 88 102

HSL 347.83, 0.28%, 0.48%

LAB 45.78, 30.07, 4.52

 

CMYK 0 / 50 / 41 / 45

HEX #8C4653

RGB 140 70 83

HSL 348.86, 0.33%, 0.41%

LAB 38.86, 31.09, 6.02

 

CMYK 0 / 58 / 48 / 52

HEX #7B3440

RGB 123 52 64

HSL 349.86, 0.41%, 0.34%

LAB 31.89, 32.12, 7.91

 

CMYK 0 / 68 / 58 / 58

HEX #6A222D

RGB 106 34 45

HSL 350.83, 0.51%, 0.27%

LAB 24.94, 32.99, 10.44

 

CMYK 0 / 82 / 71 / 65

HEX #59101A

RGB 89 16 26

HSL 351.78, 0.7%, 0.21%

LAB 18.23, 33.23, 14.06

 

CMYK 0 / 44 / 35 / 39

HEX #9C5866

RGB 156 88 102

HSL 347.65, 0.28%, 0.48%

LAB 45.64, 29.69, 4.3

 

CMYK 0 / 44 / 44 / 39

HEX #9C5858

RGB 156 88 88

HSL 0, 0.28%, 0.48%

LAB 45.29, 27.96, 12.3

 

CMYK 0 / 44 / 35 / 39

HEX #9C5866

RGB 156 88 102

HSL 347.65, 0.28%, 0.48%

LAB 45.64, 29.69, 4.3

 

CMYK 0 / 44 / 23 / 39

HEX #9C5878

RGB 156 88 120

HSL 331.76, 0.28%, 0.48%

LAB 46.18, 32.27, -5.83

 

CMYK 0 / 44 / 12 / 39

HEX #9C588A

RGB 156 88 138

HSL 315.88, 0.28%, 0.48%

LAB 46.82, 35.23, -15.71

 

CMYK 1 / 44 / 0 / 39

HEX #9B589C

RGB 155 88 156

HSL 299.12, 0.28%, 0.48%

LAB 47.43, 38.22, -25.52

 

CMYK 12 / 44 / 0 / 39

HEX #89589C

RGB 137 88 156

HSL 283.24, 0.28%, 0.48%

LAB 45.22, 32.57, -29.13

 

CMYK 0 / 44 / 35 / 39

HEX #9C5866

RGB 156 88 102

HSL 347.65, 0.28%, 0.48%

LAB 45.64, 29.69, 4.3

 

CMYK 0 / 61 / 49 / 31

HEX #B0445A

RGB 176 68 90

HSL 347.78, 0.44%, 0.48%

LAB 44.38, 45.88, 10.27

 

CMYK 0 / 76 / 60 / 23

HEX #C4304E

RGB 196 48 78

HSL 347.84, 0.61%, 0.48%

LAB 44.8, 59.13, 18.82

 

CMYK 0 / 87 / 69 / 15

HEX #D81C42

RGB 216 28 66

HSL 347.87, 0.77%, 0.48%

LAB 46.74, 68.92, 29.44

 

CMYK 0 / 97 / 77 / 8

HEX #EB0836

RGB 235 8 54

HSL 347.84, 0.93%, 0.48%

LAB 49.62, 75.58, 40.86

 

CMYK 0 / 44 / 35 / 39

HEX #9C5866

RGB 156 88 102

HSL 347.65, 0.28%, 0.48%

LAB 45.64, 29.69, 4.3

 

CMYK 0 / 21 / 17 / 47

HEX #886B71

RGB 136 107 113

HSL 347.59, 0.12%, 0.48%

LAB 48.19, 12.53, 1.06

 

CMYK 8 / 0 / 2 / 50

HEX #757F7D

RGB 117 127 125

HSL 168, 0.04%, 0.48%

LAB 52.33, -4.11, -0.19

 

CMYK 34 / 0 / 7 / 42

HEX #619389

RGB 97 147 137

HSL 168, 0.2%, 0.48%

LAB 57.28, -19.09, -0.05

 

CMYK 54 / 0 / 11 / 35

HEX #4DA795

RGB 77 167 149

HSL 168, 0.37%, 0.48%

LAB 62.83, -31.39, 1.15

 

CMYK 0 / 44 / 11 / 39

HEX #9C588B

RGB 156 88 139

HSL 315, 0.28%, 0.48%

LAB 46.86, 35.4, -16.25

 

CMYK 0 / 44 / 22 / 39

HEX #9C5879

RGB 156 88 121

HSL 330.88, 0.28%, 0.48%

LAB 46.21, 32.42, -6.38

 

CMYK 0 / 44 / 35 / 39

HEX #9C5866

RGB 156 88 102

HSL 347.65, 0.28%, 0.48%

LAB 45.64, 29.69, 4.3

 

CMYK 0 / 42 / 44 / 39

HEX #9C5B58

RGB 156 91 88

HSL 2.65, 0.28%, 0.48%

LAB 45.98, 26.28, 13.25

 

CMYK 0 / 30 / 44 / 39

HEX #9C6D58

RGB 156 109 88

HSL 18.53, 0.28%, 0.48%

LAB 50.35, 16.01, 19.2

 

CMYK 0 / 44 / 35 / 60

HEX #673A43

RGB 103 58 67

HSL 348, 0.28%, 0.32%

LAB 30.19, 21.1, 3.11

 

CMYK 0 / 44 / 35 / 49

HEX #824954

RGB 130 73 84

HSL 348.42, 0.28%, 0.4%

LAB 38.11, 25.61, 4.12

 

CMYK 0 / 44 / 35 / 39

HEX #9C5866

RGB 156 88 102

HSL 347.65, 0.28%, 0.48%

LAB 45.64, 29.69, 4.3

 

CMYK 0 / 36 / 29 / 32

HEX #AE6F7C

RGB 174 111 124

HSL 347.62, 0.28%, 0.56%

LAB 53.84, 26.75, 3.28

 

CMYK 0 / 27 / 22 / 26

HEX #BD8A94

RGB 189 138 148

HSL 348.24, 0.28%, 0.64%

LAB 62.62, 20.93, 2.36

 

CMYK 0 / 44 / 35 / 38

HEX #9D5866

RGB 157 88 102

HSL 347.83, 0.28%, 0.48%

LAB 45.78, 30.07, 4.52

 

CMYK 0 / 1 / 44 / 39

HEX #9C9B58

RGB 156 155 88

HSL 59.12, 0.28%, 0.48%

LAB 62.69, -9.71, 35.15

 

CMYK 44 / 17 / 0 / 39

HEX #58829C

RGB 88 130 156

HSL 202.94, 0.28%, 0.48%

LAB 52.33, -7.36, -18.47

 

CMYK 0 / 44 / 35 / 38

HEX #9D5866

RGB 157 88 102

HSL 347.83, 0.28%, 0.48%

LAB 45.78, 30.07, 4.52

 

CMYK 35 / 0 / 44 / 39

HEX #669C58

RGB 102 156 88

HSL 107.65, 0.28%, 0.48%

LAB 59.26, -31.37, 30.04

 

CMYK 44 / 35 / 0 / 39

HEX #58669C

RGB 88 102 156

HSL 227.65, 0.28%, 0.48%

LAB 44.2, 9.37, -31.05

 

CMYK 0 / 44 / 35 / 38

HEX #9D5866

RGB 157 88 102

HSL 347.83, 0.28%, 0.48%

LAB 45.78, 30.07, 4.52

 

CMYK 0 / 1 / 44 / 39

HEX #9C9B58

RGB 156 155 88

HSL 59.12, 0.28%, 0.48%

LAB 62.69, -9.71, 35.15

 

CMYK 44 / 0 / 10 / 39

HEX #589C8D

RGB 88 156 141

HSL 166.76, 0.28%, 0.48%

LAB 59.68, -25.3, 1.12

 

CMYK 44 / 43 / 0 / 39

HEX #58599C

RGB 88 89 156

HSL 239.12, 0.28%, 0.48%

LAB 40.61, 17.52, -36.72

 

CMYK 0 / 44 / 35 / 38

HEX #9D5866

RGB 157 88 102

HSL 347.83, 0.28%, 0.48%

LAB 45.78, 30.07, 4.52

 

CMYK 12 / 0 / 44 / 39

HEX #899C58

RGB 137 156 88

HSL 76.76, 0.28%, 0.48%

LAB 61.48, -18.09, 33.32

 

CMYK 44 / 0 / 10 / 39

HEX #589C8D

RGB 88 156 141

HSL 166.76, 0.28%, 0.48%

LAB 59.68, -25.3, 1.12

 

CMYK 31 / 44 / 0 / 39

HEX #6B589C

RGB 107 88 156

HSL 256.76, 0.28%, 0.48%

LAB 42.01, 23.45, -34.39

 

Description

Color code: HEX #9D5866 | qconv.com Color code: HEX #9D5866 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 88 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 88 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 35 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 35% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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